CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id be7c
authors Zago, Andrew and Taylor, Dean
year 1995
title Beyond the CAAD Laboratory: The Cornell Project and the Creation of the Cornell Synthesis Studio.
source Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 267-276
summary Over the past year a project has been initiated at Cornell University's Sibley School of Mechanical and Aerospace Engineering to develop and implement a new direction in mechanical design education. The Cornell Project develops a teaching and working environment that fosters creative problem solving and visual thinking in the design of mechanical systems. The project is more than the creation of a laboratory; it combines curriculum, the designed environment, machinery and sophisticated computing resources in a comprehensive and critical vision of the future of design. The Cornell Project culminates in the Cornell Synthesis Studio, the primary facility for Mechanical Design and Synthesis (MAE 225), a new required course in mechanical design.
keywords Mechanical Design, Design Studio, Curriculum
series CAAD Futures
last changed 1999/08/03 15:16

_id 3138
authors Zarnowiecka, Jadwiga C.
year 1995
title CAD Space and Relational Databases
source CAD Space [Proceedings of the III International Conference Computer in Architectural Design] Bialystock 27-29 April 1995, pp. 221-225
summary The unquestionable primacy of a principal - investor makes the creators strain themselves to present visions of their works in the most clear way. Though perspective drawings enable verification of the vision, but as a part of technical specification on the site they are, in general, needless. It is the investor, not prepared for perception of two-dimensional drawings, who enforces the designer to look for still more attractive forms of presentation of project propositions. The efforts of the creator are addressed to him - in order to be understood, to enchant him, to win the competition for the client. Until quite lately the most readable (but how expensive) form of visualization was the miniature modelling. In the case of vision which has been already put into shape, there is always somebody who can aid the creator in various forms of visualization. The one who can help in laborious drafting of perspective, or in preparation of a traditional miniature model, or in creation of a modern (i.e. computer) one.
series plCAD
last changed 2000/01/24 09:08

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