CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 18 of 18

_id 8ccf
authors Alvarez, Darío
year 2000
title Atravesando el portal digital: la novísima Arquitectura de los tiempos de la Internet. - (Crossing the Digital Gateway: The Latest Architecture of the Times of the Internet)
source SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 30-33
summary Our architectonical environment is based on the material concept - entity whose control marks the relevance of the XX century: the atom. Across the threshold of the XXI century a new virtual entity - concept: the bit, spreads to became the basic unit of power - control - production, being its more dynamic evidence the phenomenon known as Internet, establishing complex relationships with groups constituted in the net like Virtual Communities, outlining metaphors that involve Urbanists and Architects inviting them as protagonist. Against this newest reality the Architect should change his vision of the typical CAAD work in relative isolation with his computer, until crossing the doors of the “digital reality”; we search to show the contemporary Architect as a manager coordinating multiple resources with different importance: into the alternative of building digital realities, inviting the architectonical students to integrated this Virtual Communities or conform his owns.
series SIGRADI
email dalvarez@posta.arq.ucv.ve, alvarezd@camelot.rect.ucv.ve
last changed 2016/03/10 08:47

_id 2004_350
id 2004_350
authors Asanowicz, Alexander
year 2004
title Computer, Creativity and Unpredictability
source Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 350-357
summary Computers in designing are usually considered as a tool for preparing technical documentation, storage and managing information, coordinating of flow of design process, modelling and all kind of visualisations (renderings, animation, VR models). At the early design stages, when an idea of the form is created, computer is not used very often. The reason for this is that traditional computer drawing is too completed to be used at this stage. In new methods of supporting creativity, computer should be used for creation of less precise, unpredictable but more inspiring images. This method are based on the thesis that emotional elements have a great affect on the decision making process in designing. Intuition, unpredictability and no logic are the essence of creativity in the selection of associations. Confirmation of this statement we may find in many theories of creativity (theory of incubation elaborated by Wallas, genploration (Finke, Ward and Smith), redundant generation (Lem), synectics (Gordon)). All these theories emphasize the role of unpredictable associations and metaphors in creativity. Process of metaphorisation is characteristic for our era and plays important role in creative process. That’s why we need the new methods of graphic computer and non-computer transformation, which allows us a fuller exploration of design metaphors. The final conclusion is built on the thesis that too precise tools promote cause to decrease differences.
keywords Creativity; Design Theory; Metaphors
series eCAADe
email asan@pb.bialystok.pl
last changed 2004/09/18 06:45

_id 4555
authors Bergland, Glenn D. and Gordon, Ronald D.
year 1981
title Tutorial : Software Design Strategies.--2nd. ed
source vi, 479 p. Los Angeles: IEEE Computer Society Press, 1981. includes bibliography and permuted title index p.449-477
summary A tutorial text attempting to clarify and focus on aspects of software design that have direct effect on the structure of the final program. Several major design strategies are developed and compared, including: traditional forms of functional decomposition, the data structure design method of Michael Jeckson, the data-flow design method of Larry Constantine, and the programming calculus of Edsger Dijkstra. The process of organizing and coordinating the efforts of the design team is also studied especially practices of top-down development, code walkthroughs, and design reviews are presented and evaluated
keywords software, design, programming, techniques
series CADline
last changed 2003/06/02 11:58

_id ecaadesigradi2019_404
id ecaadesigradi2019_404
authors Collins, Jeffrey and Gentry, Russell
year 2019
title Coordinating Atypical Architectural Precast Concrete Façades - Two categories
source Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 261-268
summary This research focuses on issues of coordination between designers and fabricators during early design. The aim of this work is to improve representations, enable more informed conversations, and streamline exchanges of digital models. In order to show the potential of the work, research is focused on architectural precast concrete facades. Previous work established methods for linking "global" and "local" parametric models of architectural intent and corresponding components, describing processes of mapping from individual custom panels to diagrammatic façade surfaces and vice-versa. Such mapping may be considered "direct," wherein individual panel boundaries - defined by surface patterning - allow simple mapping of data from global to local or from local to global descriptions. However, there are some buildings with architectural precast concrete façades which do not permit direct relationships between global and local descriptions. These atypical facades require "indirect" maps containing additional layers of information in order to coordinate global and local descriptions. This paper describes two categories of these indirect scenarios: "panelization" and "patterns across panels."
keywords BIM; Parametric modelling; Architectural precast concrete; Building facades
series eCAADeSIGraDi
email jcoll133@kennesaw.edu
last changed 2019/08/26 20:26

_id fe60
authors Cumming, Michael
year 2002
title Flexible and distributed coordination models for collaborative design
source Connecting the Real and the Virtual - design e-ducation [20th eCAADe Conference Proceedings / ISBN 0-9541183-0-8] Warsaw (Poland) 18-20 September 2002, pp. 268-275
summary Designers working in collaborative design situations, attempt to plan or anticipate their activities, such that their work progresses in an orderly manner, according to technical demands of their domain. Designers, and the organizations that employ them, often attempt to formally represent such plans using process representations, such critical path diagrams, or Petri nets. Such process articulation and formalization can have benefits for designers and organizations, such as standardization and improvement of work practices, and improved collaboration and coordination between design parties. In addition to plan making, designers also try to coordinate their actions with the actions of others on the design team. This coordination, which often takes place in real time, is a process that is necessarily social, interactive, and iterative. Here the formulation of suitable process representations is more difficult, due to the dynamic and complex nature of social interactions. How to represent and design such coordination processes, is a continuing research question in the process modeling community. It is possible there exists general coordination mechanisms that could be useful in a variety of domains. Possibilities for distributed methods of design process coordination are examined. A coordination method is proposed that involves the exchange of design process models, represented as Petri nets. Rather than concentrating on the specific content of these models - which is assumed to vary considerably between design domains - general coordinating mechanisms are proposed. One such mechanism involves the communication of social commitments to process models, in addition to communication of the content and authorship of these models.
series eCAADe
email m.cumming@bk.tudelft.nl
last changed 2002/09/09 17:19

_id f51a
authors Del Pup, Claudio
year 1999
title Carbon Pencil, Brush and Mouse, Three Tools in the Learning Process of New University Art Designers
source III Congreso Iberoamericano de Grafico Digital [SIGRADI Conference Proceedings] Montevideo (Uruguay) September 29th - October 1st 1999, pp. 420-425
summary This article develops the introduction of computer technologies in the fine arts environment the use of these new tools, sharing the process of creation and interacting at the same level with older technics, breaks the myth of technology and tries to reach the right place according to current or modern advances. As an introduction, it explains the insertion in the current courses of study of the "computer languages area", its implementation, present situation and future stages. An important point we have developed is the teaching methodology, to solve the transition of those who, challenging their investigations in different areas, like fire arts, graphic arts, film or video, need the support of computers. The first steps consist in designing sample courses, which allow the measurement of results, the definition of concepts like extension, capacities, teaching hours and the most important, a methodology to share the enthusiasm of creation with the difficulties of learning a new technique it is necessary to discover limits, to avoid easy results as a creative tool one of the most important problems we have faced is the necessity of coordinating the process of creation with the individual time of a plastic artist, finding the right way that allows the integration of all the group, minimizing desertion and losing of motivation. Two years later, the first results in the field of digital image investigations and assistance in form design. Volume as a challenge and solutions supported in techniques of modeling in 3D (experiences of modeling a virtual volume from a revolution profile, its particular facts and the parallelism with potter's lathe the handling of image as the most important element, as an work of art itself, but also as a support in the transmission of knowledge (design of a CD as a tool for the department of embryology of medical school with the participation of people from the medical school, engineering school and school of fine arts). Time as a variable, movement, animation and its techniques, multimedia (design of short videos for the 150th anniversary of the Republic University). Conclusions, good hits, adjustments, new areas to include, problems to solve, the way of facing a constantly evolving technology.
series SIGRADI
email claudio.delpup@quanam.com.uy
last changed 2016/03/10 08:50

_id 412e
authors Gross, M.D., Do, E. and McCall, R.J.
year 1997
title Collaboration and Coordination in Architectural Design: approaches to computer mediated team work
source TeamCAD 97, 17-23
summary In 1993 and 1994, instructors and students of architecture at several universities around the world* collaborated briefly on two "virtual design studio" projects. Using off-the-shelf technology of the time-email, CU-See-Me internet video, international conference calls, and exchange of CAD drawings, images, and Quicktime animations-this ambitious project explored the possibility of bringing together diverse members of an international design team together to collaborate on a short term (two week) project. Central to the "Virtual Design Studio" was a 'digital pinup board', an area where participating designers could post and view drawings and textual comments; video links and email exchange provided the media for direct communication media about designs. A report on the project [21] makes clear that the process was not without technical difficulties: a significant amount of communication concerned scheduling and coordinating file formats; disappointingly little was devoted to discussions of design issues. Although it's clear that many of the minor technical problems that inevitably plague a forward-looking effort like the Virtual Design Studio will be solved in the near term, the project also reveals the need for research on software and design practices to make computer mediated design collaboration realize its attractive promise.
series journal paper
email mdgross@u.washington.edu
last changed 2003/04/23 13:50

_id a10d
authors Hall, Theodore W.
year 1997
title Hand-Eye Coordination in Desktop Virtual Reality
source CAAD Futures 1997 [Conference Proceedings / ISBN 0-7923-4726-9] München (Germany), 4-6 August 1997, pp. 177-182
summary For hand-eye coordination and intuitive interaction with virtual-reality displays, the projected image of a 3-D cursor in virtual space should correspond to the real position of the 3-D input device that controls it. This paper summarizes some of the issues and algorithms for coordinating the physical and virtual worlds.
series CAAD Futures
email twhall@cuhk.edu.hk
last changed 1999/04/06 07:19

_id 041e
authors Hall, Theodore W.
year 1997
title Hand-Eye Coordination in Virtual Reality, Using a Desktop Display, Stereo Glasses and a 3-D Mouse
source CAADRIA ‘97 [Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia / ISBN 957-575-057-8] Taiwan 17-19 April 1997, pp. 73-82
summary Many virtual-reality displays augment the user’s view of the real world but do not completely mask it out or replace it. Intuitive control and realistic interaction with these displays depend on accurate hand-eye coordination: the projected image of a 3-D cursor in virtual space should align visually with the real position of the 3-D input device that controls it. This paper discusses some of the considerations and presents algorithms for coordinating the physical and virtual worlds.
series CAADRIA
email twhall@cuhk.edu.hk
last changed 1999/02/01 11:49

_id e6c5
authors Heintz, John L.
year 2001
title Coordinating virtual building design teams
source Stellingwerff, Martijn and Verbeke, Johan (Eds.), ACCOLADE - Architecture, Collaboration, Design. Delft University Press (DUP Science) / ISBN 90-407-2216-1 / The Netherlands, pp. 65-76 [Book ordering info: m.c.stellingwerff@bk.tudelft.nl]
summary Most research in design project management support systems treats the subject as an isolated objective problem. The goals to be met are defined in terms of a supposed universal view of the project, and now outside concerns are taken into account. While such approaches, including project simulation, may yield excellent results, they ignore what, for many projects, are the real difficulties. Design projects are not isolated. All participants have other obligations that compete with the given project for attention and resources. The various participants in the design process have different goals. For these reasons it is proposed that design project management can be best facilitated by tools which assist the participating actors to share suitable management information in order to make better co-ordination possible, while allowing the resource balancing between projects to occur in private. Such a tool represents the design project management task as a negotiation task that spans both projects and firms; the management of one project is the management of all. The model of design collaboration upon which the Design Coordination System (DeCo) is built was developed from 1) a heuristic case study used to gain insight into the ways in which designers co-ordinate their efforts, and 2) the application of the theory of the social contract as developed by John Rawls to the problem of design project management. The key innovation in the DeCo system is the shaping of the project management system around existing practices of collaborative project design management and planning. DeCo takes advantage of how designers already co-ordinate their work with each other and resolve disputes over deadlines and time lines. The advantage of DeCo is that it formalises these existing practices in order to accommodate both the increasing co-ordination burden and the difficulties brought about by the internationalisation of design practice. DeCo, the design project management system proposed here, provides a representation, a communications protocol, and a game theoretical decision structure. The combination of these three units provides users with the ability to exchange structured pictures of the project as seen from the points of view of individual actors. Further, it suggests a mechanism based on a specific principle of fairness for arriving at mutually acceptable project plans. The DeCo system permits the users freedom to manage their design processes as they will, while providing a basic compatibility between practices of design team members which supports their collaborative efforts to co-ordinate their design work.
series other
last changed 2001/09/14 19:30

_id 6b02
authors Heintz, John Linke
year 1999
title COORDINATING COLLABORATIVE BUILDING DESIGN
source Delft University of Technology [ISBN 90-9012838-7]
series thesis:PhD
type normal paper
email J.L.Heintz@bk.tudelft.nl
last changed 2004/09/18 17:25

_id caadria2015_016
id caadria2015_016
authors Hong, Seung Wan; Yehuda E. Kalay and Davide Schaumann
year 2015
title The Effects of Human Behavior Simulation on Architectural Design Education
source Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 459-468
summary Previous studies argued that human behaviour simulation is an effective analytic evaluation method to predict dynamic and complex human behaviour and social phenomena in not-yet built design solutions. However, its educational effects on architectural design have not been reported. The present study aims to investigate ways in which human behaviour simulation affects students’ feedback and design development. To achieve this, the study analysed weekly design productions, interviews and surveys collected in two experimental design courses using human behaviour simulation, held in the Technion – Israel Institute of Technology. In result, the analytic experimentation and observable representation of human behaviour simulation enabled students to evaluate and develop functional operability of buildings, accounting for users’ activities and social interactions, and develop design narratives relevant to social & cultural factors. However, the complexity of establishing & coordinating virtual people’ rules hindered fluent iterations of design development. Despite its technical limitations, human behaviour simulation has significant & unique educational advantages that can facilitate quantitative & qualitative aspects of design analysis, evaluation, & dynamic feedback to the students during design processes.
keywords Human behavior simulation, architectural design education, design analysis and evaluation, social and cultural behaviors.
series CAADRIA
email hongsw@inha.ac.kr
last changed 2015/06/05 05:14

_id ijac20109205
id ijac20109205
authors Hudson, Roly; Paul Shepherd, David Hines
year 2011
title Aviva Stadium: A case study in integrated parametric design
source International Journal of Architectural Computing vol. 9 - no. 2, 187-204
summary The nature of large complex buildings requires specialized skills across a multi-disciplinary team and high levels of collaboration and communication. By taking a parametric approach to design and construction, high quality results can be delivered on budget on time. This type of approach facilitates the opportunity for design teams to work in an iterative manner.A parametric model reduces the time associated with complex design changes while providing a centralized method for coordinating communication. In this paper the recently completed Aviva Stadium is used to illustrate the ways in which these benefits manifest themselves on built work.The authors identify the moments in the design and construction process that truly justify the effort in implementing a parametric approach. By approaching design in this way a “design conversation” can take place between parties involved, resulting in a better building.
series journal
last changed 2019/05/24 07:55

_id 4ae8
authors Kokosalakis, Jen, Hohmann, L.M. and Pamplin, I.
year 1999
title Benefits of Data Integration in Building Modelling: 3D Object Oriented Professional Collaboration
source AVOCAAD Second International Conference [AVOCAAD Conference Proceedings / ISBN 90-76101-02-07] Brussels (Belgium) 8-10 April 1999, pp. 103-130
summary This paper will review current progress across the building construction industry in meeting demands for use of data integration with the 3D building model as the coordinating device in building design and development. Decades of national initiatives from NEDO (1990) to Egan (1998) have striven to encourage collaboration in first the building design team and later targetting in programmas the means to accomplish this. In its 14th year 'The User Group' has intensified efforts to persuade the industry of the benefits of associating all data involved from the first briefing and conception of design needs and ideas, through the development of the design, testing for structures, costs, heating, lighting, urban and rural environmental impact, facilities management, adaptation and even the eventual controlled demolition of the building. Examples in this paper will be reported from 'The User Group' conference, "Profit from Data Integration: An industry update", (NEC, Birmingham, Nov. 1998), to indicate how various organisations are now profiting from data integration in 3D object orientated modelling.
series AVOCAAD
email j.kokosalakis@livjm.ac.uk, Imh@globalnet.co.uk, ian@pamplinass.source.co.uk
last changed 2005/09/09 08:48

_id ga0008
id ga0008
authors Koutamanis, Alexander
year 2000
title Redirecting design generation in architecture
source International Conference on Generative Art
summary Design generation has been the traditional culmination of computational design theory in architecture. Motivated either by programmatic and functional complexity (as in space allocation) or by the elegance and power of representational analyses (shape grammars, rectangular arrangements), research has produced generative systems capable of producing new designs that satisfied certain conditions or of reproducing exhaustively entire classes (such as all possible Palladian villas), comprising known and plausible new designs. Most generative systems aimed at a complete spatial design (detailing being an unpopular subject), with minimal if any intervention by the human user / designer. The reason for doing so was either to give a demonstration of the elegance, power and completeness of a system or simply that the replacement of the designer with the computer was the fundamental purpose of the system. In other words, the problem was deemed either already resolved by the generative system or too complex for the human designer. The ongoing democratization of the computer stimulates reconsideration of the principles underlying existing design generation in architecture. While the domain analysis upon which most systems are based is insightful and interesting, jumping to a generative conclusion was almost always based on a very sketchy understanding of human creativity and of the computer's role in designing and creativity. Our current perception of such matters suggests a different approach, based on the augmentation of intuitive creative capabilities with computational extensions. The paper proposes that architectural generative design systems can be redirected towards design exploration, including the development of alternatives and variations. Human designers are known to follow inconsistent strategies when confronted with conflicts in their designs. These strategies are not made more consistent by the emerging forms of design analysis. The use of analytical means such as simulation, couple to the necessity of considering a rapidly growing number of aspects, means that the designer is confronted with huge amounts of information that have to be processed and integrated in the design. Generative design exploration that can combine the analysis results in directed and responsive redesigning seems an effective method for the early stages of the design process, as well as for partial (local) problems in later stages. The transformation of generative systems into feedback support and background assistance for the human designer presupposes re-orientation of design generation with respect to the issues of local intelligence and autonomy. Design generation has made extensive use of local intelligence but has always kept it subservient to global schemes that tended to be holistic, rigid or deterministic. The acceptance of local conditions as largely independent structures (local coordinating devices) affords a more flexible attitude that permits not only the emergence of internal conflicts but also the resolution of such conflicts in a transparent manner. The resulting autonomy of local coordinating devices can be expanded to practically all aspects and abstraction levels. The ability to have intelligent behaviour built in components of the design representation, as well as in the spatial and building elements they signify, means that we can create the new, sharper tools required by the complexity resulting from the interpretation of the built environment as a dynamic configuration of co-operating yet autonomous parts that have to be considered independently and in conjunction with each other.   P.S. The content of the paper will be illustrated by a couple of computer programs that demonstrate the princples of local intelligence and autonomy in redesigning. It is possible that these programs could be presented as independent interactive exhibits but it all depends upon the time we can make free for the development of self-sufficient, self-running demonstrations until December.
series other
more http://www.generativeart.com/
last changed 2003/08/07 15:25

_id ddssar9620
id ddssar9620
authors Koutamanis, Alexander
year 1996
title Elements and coordinating devices in architecture: An initial formulation
source Timmermans, Harry (Ed.), Third Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings (Spa, Belgium), August 18-21, 1996
summary Design representations of the built environment are essentially atomistic. A design is represented by its atomic components which may vary according to abstraction level, their properties and, if possible, their relationships. The utility of such representations has been amply demonstrated in academic research. However, the transition to practice means a substantial growth of the size of these representations in order to cover the many abstraction levels and the multiple aspects involved in the design and the management of the built environment. In most cases the complexity of larger representations renders them unmanageable for both computers and humans. The paper outlines an approach which enriches the atomistic basis of the representation with connected but independent coordinating devices. This facilitates the transformation of the basic relational representations into multilevel structures where each level corresponds to different aspects and abstraction scales. Coordinating devices are instrumental for the representation of multilateral relationships and abstract spatial schemata which precede or supersede the placement and arrangement of elements.
series DDSS
last changed 2003/08/07 14:36

_id sigradi2016_590
id sigradi2016_590
authors Pezzica, Camilla; Lopes, Jo?o V.; Paio, Alexandra
year 2016
title Square Design: from digital analysis to urban design
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.86-93
summary This work proposes and tests, through the application to a Portuguese case study (Largo da Graça in Lisbon historic center), an original method of analysis specifically oriented to the study of public squares. Collecting contributions from the disciplines of urban morphology, social studies, environmental and site analysis, the presented methodology aims to synchronously and multi-dimensionally characterize and classify urban spaces at a multi-scale scale level, by coordinating multiple tools and advanced analysis techniques, in a process whose ultimate goal is to understand and improve the quality of public open spaces and to encourage its appropriation and enjoyment by the local community and the visitors.
keywords Design research; Public space design; Parametric modelling; Multidimensional analysis; Space syntax
series SIGraDi
email camilla.pezzica@gmail.com
last changed 2017/06/21 12:20

_id 0d59
authors Vaupel, Jesper
year 1991
title Reference Architecture for Computer Integration in Denmark
source The Computer Integrated Future, CIB W78 Seminar. September, 1991. Unnumbered : ill
summary This paper gives an overview of the principles and the existing integration framework for a new set of projects in Denmark, intended to develop a common reference architecture for the integration of design, construction, distribution and use of building products. The budget for these projects is 6 million dkr. The new projects are based upon existing reference architectures from previous projects - called 'DIGIDOK' (Digital building documents) and 'EITI' (Contractors Association IT-initiative) - which over the past 4 years have provided a set of generic application models, data models and EDIFACT specifications. The total budget was around 15 million dkr. New projects serve as a coordinating link and part of a greater IT-initiative 'data interchange in the construction sector' comprising 15-20 subprojects with a budget or around 30 million dkr
keywords integration, systems, standards, research, building, construction
series CADline
last changed 1999/02/12 14:09

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