CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 21 to 40 of 53

_id cf2009_poster_17
id cf2009_poster_17
authors Kuo, Chung-Lun and Ellen Yi-Luen Do
year 2009
title Designing Three Dimensional Image Generator
source T. Tidafi and T. Dorta (eds) Joining Languages Cultures and Visions: CAADFutures 2009 CD-Rom
summary Do designers mentally capture the image in the design process? If so, to what degree can these mental images be transformed and interpreted into useful design information? This article discusses the characteristics of designers’ mental activities and proposes the use of mental images to generate design diagrams.
keywords Mental imagery, design sketch, spatial ability
series CAAD Futures
type poster
last changed 2009/07/08 20:12

_id caadria2016_477
id caadria2016_477
authors Ma, Y. P.; M. C. Lin and C. C. Hsu
year 2016
title Enhance Architectural Heritage Conservation Using BIM Technology
source Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 477-486
summary Common problems tend to surface during the restoration and maintenance of wooden structures for architectural heritage: (1) recording and communicating geometric and non-geometric infor- mation, (2) integrating and managing the multiple phases of construc- tion and (3) the structural damage that can be incurred during the dis- mantling process. This leads to less confidence in the quality of restoration and maintenance. This study considers the traditional wooden structures in Taiwan as a basis to discuss the issues faced dur- ing restoration and the gap in communication between designers and builders. Using new techniques, resources and the concept of BIM, a plugin is developed for guiding restoration. It serves as a BIM-based communication platform for designers and builders, enabling the real- time exchange of information to minimise any gaps that may exist be- tween the designers’ information and that of the builders. This allows information related to the restoration to be more accurate and offers the assurance that the traditional architecture retains its original struc- ture and value.
keywords Architectural heritage; conservation; digital achievement; BIM; wooden frameworks
series CAADRIA
email yupin.ma@gmail.com
last changed 2016/03/11 09:21

_id ijac201816407
id ijac201816407
authors Mahankali, Ranjeeth; Brian R. Johnson and Alex T. Anderson
year 2018
title Deep learning in design workflows: The elusive design pixel
source International Journal of Architectural Computing vol. 16 - no. 4, 328-340
summary The recent wave of developments and research in the field of deep learning and artificial intelligence is causing the border between the intuitive and deterministic domains to be redrawn, especially in computer vision and natural language processing. As designers frequently invoke vision and language in the context of design, this article takes a step back to ask if deep learning’s capabilities might be applied to design workflows, especially in architecture. In addition to addressing this general question, the article discusses one of several prototypes, BIMToVec, developed to examine the use of deep learning in design. It employs techniques like those used in natural language processing to interpret building information models. The article also proposes a homogeneous data format, provisionally called a design pixel, which can store design information as spatial-semantic maps. This would make designers’ intuitive thoughts more accessible to deep learning algorithms while also allowing designers to communicate abstractly with design software.
keywords Associative logic, creative processes, deep learning, embedding vectors, BIMToVec, homogeneous design data format, design pixel, idea persistence
series journal
email rnjthmhnkl@gmail.com
last changed 2019/08/07 12:04

_id caadria2006_119
id caadria2006_119
authors MARY LOU MAHER , MIJEONG KIM
year 2006
title THE EFFECTS OF TANGIBLE USER INTERFACES ON DESIGNERS’ COGNITIVE ACTIONS
source CAADRIA 2006 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Research in Asia] Kumamoto (Japan) March 30th - April 2nd 2006, 119-124
summary This paper presents a study of the comparison of tangible user interfaces and graphical user interfaces on designers’ cognitive actions. We conducted individual design experiments using the protocol analysis method. The results reveal that designers using the tabletop system with 3D blocks reasoned more about spatial relationships among 3D objects, while the designers using the keyboard and mouse reasoned more about individual 3D objects.
series CAADRIA
email mary@arch.usyd.edu.au
last changed 2006/04/17 16:48

_id 603d
authors McCall, R., Vlahos, E. and Zabel, J.
year 2001
title Conceptual Design as HyperSketching. Theory and Java Prototype
source Proceedings of the Ninth International Conference on Computer Aided Architectural Design Futures [ISBN 0-7923-7023-6] Eindhoven, 8-11 July 2001, pp. 285-297
summary Hand-done design drawing still has a several advantages over current, CADbased approaches to generating form, especially in the early stages of design. One advantage is the indeterminacy of hand drawing--i.e. its abstractness and ambiguity. Another is a non-destructive drawing process, where new drawings are created without modifying old ones. A third is designers’ creation of large collections of inter-related drawings--i.e. graphical hyperdocuments. A fourth is the unobtrusive character of conventional drawing tools. These advantages might be taken as reasons for continuing to do early design on paper, but they also suggest ways in which CAD might be improved. We have created software prototypes that incorporate these features into a new type of CAD based on sketching with electronic pens on LCD tablets. One prototype, which we call HyperSketch II, simulates tracing paper in the sense that it enables the user to trace over previous drawings and to build stacks of traced over drawings. It also enables the user to create a hypermedia network in which the nodes are sketches and the links represent various relationships between sketches.
keywords Sketching, Hypertext, Hypermedia, Conceptual Design
series CAAD Futures
email wowdesigner@hotmail.com
last changed 2006/11/07 06:22

_id 2064
authors Murakami, Y., Morozumi, M., Iino, K., Homma, R. and Iki, K.
year 1997
title On the Development and the Use of Group Work CAD for Windows-PCS
source CAADRIA ‘97 [Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia / ISBN 957-575-057-8] Taiwan 17-19 April 1997, pp. 179-186
summary With the development of high-band width communication technology, designers’ interests seem to shift gradually from a single-user, single-domain system to a network based group-work design system. So long as one regards that the design activity develops only in a concurrent, but asynchronous fashions, it is possible to say that file transfers through computer networks have already opened up the possibility of a hands-on collaborative design process in which all participants do not have to gather in the same place. However few CAD systems support group design work that develops in a concurrent synchronous fashion. This paper discusses a basic model of group work CAD systems that the authors have developed for windows PCs linked with LAN. Reviewing procedure of system operation, the authors conclude that the system could stimulate and accelerate a process of group wok design.
series CAADRIA
email moro@arch.kumamoto-u.ac.jp
last changed 2003/05/17 07:54

_id sigradi2006_e011c
id sigradi2006_e011c
authors Narahara, Taro and Terzidis, Kostas
year 2006
title Optimal Distribution of Architecture Programs with Multiple-constraint Genetic Algorithm
source SIGraDi 2006 - [Proceedings of the 10th Iberoamerican Congress of Digital Graphics] Santiago de Chile - Chile 21-23 November 2006, pp. 299-303
summary A genetic algorithm (GA) is a search technique for optimizing or solving a problem based on evolutionary biology, using terms and processes such as genomes, chromosomes, cross-over, mutation, or selection. The evolution starts from a population of completely random individuals and happens in generations. In each generation, the fitness of the whole population is evaluated, multiple individuals are stochastically selected from the current population (based on their fitness), modified (mutated or recombined) to form a new population, which becomes current in the next iteration of the algorithm. In architecture, GAs are of special interest mainly because of their ability to address a problem offering a multiplicity of possible solutions. Contrary to other algorithms where the objective is to accommodate a manually conceived diagram, GAs are emergent procedures that evolve over time through multiple attempt cycles (i.e. generations) and therefore offer a bottom-up approach to design. In addition, by using the computational power of computers they can resolve complex interactions between multiple factors and under multiple constraints offering solutions that occasionally surprise the designer. One of the main problems in architecture today is the quantity of the information and the level of complexity involved in most building projects. As globalization and economic development has started to arise at unprecedented levels, the need for large urban developments have become commonplace. Housing projects for a few hundreds to thousands of people have started to emerge over large urban areas. In such cases, the old paradigm for housing design was the development of high rises that served as stacking devices for multiple family housing units. Such a direction was unfortunately the only way to address excessive complexity using manual design skills mainly because it was simple to conceive but also simple to construct. The unfortunate nature of this approach lies rather in the uniformity, similarity, and invariability that these projects express in comparison to individuality, discreteness, and identity that human beings and families manifest. One of the main areas of complexity that could benefit architecture is in housing projects. In these projects there is a typology of residential units that need to be combined in various schemes that will fulfill multiple functional, environmental, and economic constraints. In this paper, the design of a 200-unit residential complex on a corner of two streets in an urban context was investigated as a case study. Recent advancement in tectonics and structural engineering enables the realization of buildings in mega scales and starts to introduce another layer of complexity into the building programs. Conventional design methods relying on the preconceived knowledge based approaches are no longer reliable. Beyond the certain quantitative factors and the complexity of the problems, search occasionally enters into the unpredictable domain of the human perception. Computational approaches to design allows us to go through thousands of iterations in a second and find the solution sets beyond the reach of designers’ intuitive search spaces. Genetic Algorithm can be a potential derivative for finding optimum design solution from indeterminate search spaces constrained by multi dimensional factors.
keywords Genetic Algorithm; Housing Design; Multiple-constraint
series SIGRADI
email narahara@mit.edu
last changed 2016/03/10 08:55

_id cf2011_p073
id cf2011_p073
authors Nasirova, Diliara; Erhan Halil, Huang Andy T, Woodbury Robert, Riecke Bernhard E.
year 2011
title Change Detection in 3D Parametric Systems: Human-Centered Interfaces for Change Visualization
source Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 751-764.
summary The research on current parametric modeling systems concerns mainly about the underlying computational technology and designs produced; and emphasizes less human factors and design tasks. We observe users being challenged in interacting with these systems regardless of their expertise level. In these systems, user’s attention is divided on system-imposed actions such as tool selection and set-up, managing obscured views, frequent view manipulation, and switching between different types of representations. In essence, control of the system can become more demanding than the design task itself. We argue that this unbalanced emphasis inhibits one of the most important functions of parametric design: agility in exploration of design alternatives by applying frequent user-introduced or system-generated changes on the parametric design models. This compounded by the effect of cognitive limitations such as change blindness and shifts in locus of attention hinders change control and imposes an extra cognitive load in design. In this paper, we made a first step in developing a set of heuristics that is going to present how designers’ change control and detection can be improved. We experimented with three interfaces that control and visualize changes on three different compositions in relation to the designer’s locus of attention: on-model, peripheral and combined views. We measured designers’ performance as the number of changes detected, number of trials, and time required to complete each change detection task. The results support our hypothesis that change blindness significantly slows down and overloads design thinking, and thus should not be ignored. Furthermore, an interesting finding shows that visualizations on the visual periphery can equally support change detection as on-model visualizations, but it is significantly easier and faster to detect changes when they are visualized in both views. These findings can guide us to develop better interfaces in 3D parametric systems.
keywords parametric design, change detection, change blindness, user-centered design, interface ergonomics, HCI, CAD, visualization
series CAAD Futures
email dnasirov@sfu.ca
last changed 2012/02/11 18:21

_id cdc2008_057
id cdc2008_057
authors Onur, Gun and Jonas Coersmeier
year 2008
title Progressions in Defining the Digital Ground for Component Making
source First International Conference on Critical Digital: What Matters(s)? - 18-19 April 2008, Harvard University Graduate School of Design, Cambridge (USA), pp. 57-64
summary Terms digital and computation, once accepted as emergent understandings in design, became commonly known and used in recent years. Transformation of techniques from analog to digital created a shift in the understandings as well as products of design. Digital design exploration enabled the designers’ exposure to variety and richness. Increasing number of digital tools became easily-accessible. Thus design thinking in both practice and academia was transformed. Computation, via increasing power and speed of processing, offers mass information execution. Once this power was utilized to inform the discrete pieces of design, “component making” quickly became one of the trends in architectural design. Idea of components transformed the enclosing forms of architecture into subdivision surfaces which act as fields for components to aggregate on. While there has been a great interest in creating variety via manipulation of components as individual members, the characteristics of the surfaces became overlooked via common use of parametric (UV) subdivision. This paper, with a critical look at the current component field generation techniques, focuses on alternative methods of transforming a surface into a digital ground for component aggregation. Series of studies address and deal with various pitfalls of component design and application on software-dictated UV subdivision surfaces. Studies aim to release the component design logic from being software-specific by creation and use of customized digital tools and scripts.
email onuryucegun@alum.mit.edu
last changed 2009/01/07 07:05

_id e7e7
authors Popova, M., Johansson, P. and Lindgren, H.
year 2001
title Case-based Reasoning in Collaborative Design: The role of product models and information structures
source Architectural Information Management [19th eCAADe Conference Proceedings / ISBN 0-9523687-8-1] Helsinki (Finland) 29-31 August 2001, pp. 92-97
summary This paper discusses methods for information management through the rational application of IT within collaborative design. We explore the possible integration of the platforms of case-based reasoning and information structures. We examine the potential combination of existing techniques (CAD-tools, word processors, general applications, WWW) and standards (IFC, national classification systems) into a system for information management. We focus on the designers’ use of heterogeneous information and the further development of a prototype based on product-model and process-model technology. Today, XML helps us structure various kinds of information before the system performs case-based reasoning sessions. The aim is to promote efficient and flexible information management in a casebased design process. Through the use of standardized product models, this information will be sharable and suitable for reuse and feedback. The more often the information is reused, the more general and adaptable it becomes i.e. it evolves. This scenario requires, though, efficient information management in the design office: a quality system for evaluating the information for reuse, consequent use of standardized product models and IT.
keywords Case-Based Reasoning, Product Models, Information Structures, Collaborative Design And Construction Process
series eCAADe
last changed 2001/08/06 20:38

_id caadria2011_041
id caadria2011_041
authors Pérez, Edgar and Tomás Dorta
year 2011
title Assessment of design tools for ideation
source Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 429-438
summary Designers interact with a wide range of design tools, in a variety of ways, in order to support their work. Any attempt to produce digital tools aimed at supporting ideation raises the question of the kind of information considered account and what is appropriate to the needs and expectations of designers. We developed and implemented an assessment method for digitally supported conceptual design based on reflective conversation, flow, cognitive ergonomics and activity theory. Our approach opens up the evaluation spectrum to include parameters beyond performances factors for conceiving new digital design tools. This assessment approach considers user (the designer), action (ideation) and object (the tool) in the ideation process, namely the designer’s experience interrelated to the needs of the task and the characteristics of the tool. In this paper we present the results of several research protocols in which we observed, analyzed and successively acted upon five different stages of the interface of a design tool as it was being developed, the Hybrid Ideation Space (HIS). Taken as a whole, these results suggest the limits and support of designers’ optimal relationship with an ideation interface.
keywords Ideation; assessment method; design tools; human computer interaction
series CAADRIA
email uriel.edgar.perez@umontreal.ca
last changed 2012/05/30 19:29

_id acadia07_230
id acadia07_230
authors Qian, Cheryl Z.; Chen, Victor Y.; Woodbury, Robert F.
year 2007
title Participant Observation Can Discover Design Patterns in Parametric Modeling
source Expanding Bodies: Art • Cities• Environment [Proceedings of the 27th Annual Conference of the Association for Computer Aided Design in Architecture / ISBN 978-0-9780978-6-8] Halifax (Nova Scotia) 1-7 October 2007, 230-241
summary Our research aims to understand the mid-level patterns of work that recur across designers and tasks. Our users comprise active architects and civil engineers. The hypothesis is that making such patterns explicit will result in improved expert work practices, in better learning material and suggestions for improvements in parametric design. The literature shows that patterns express design work at a tactical level, above simple editing and below overall conception. We conducted a user experience study based on Bentley’s GenerativeComponents, in which geometry can be related, transformed, generated, and manipulated parametrically within a user-defined framework. After interviewing the system’s chief, we ran a participant-observer study in the January 2007 SmartGeometry workshop. We engaged designers through the role of tutor and simultaneously observed and discussed their design process. We found clear evidence of designers using patterns in the process and discerned several previously unknown patterns. In February at another 10-day workshop, we found more evidence supporting prior findings. The paper demonstrates that participant observation can be an efficient method of collecting patterns about designers’ work and introduces such new patterns. We believe these patterns may help designers work at more creative levels and may suggest new ideas of interest to CAD application developers.
series ACADIA
email cherylq@sfu.ca
last changed 2007/10/02 06:13

_id 2abf
id 2abf
authors Rafi, A
year 2001
title Design creativity in emerging technologies
source In Von, H., Stocker, G. and Schopf, C. (Eds.), Takeover: Who’s doing art of tomorrow (pp. 41-54), New York: SpringerWein.
summary Human creativity works best when there are constraints – pressures to react to, to shape, to suggest. People are generally not very good at making it all up from scratch (Laurel, 1991). Emerging technology particularly virtual reality (VR) Multimedia and Internet is yet to be fully discovered as it allows unprecedented creative talent, ability, skill set, creative thinking, representation, exploration, observation and reference. In an effort to deliver interactive content, designers tend to freely borrow from different fields such as advertising, medicine, game, fine art, commerce, entertainment, edutainment, film-making and architecture (Rafi, Kamarulzaman, Fauzan and Karboulonis, 2000). As a result, content becomes a base that developers transfer the technique of conventional medium design media to the computer. What developers (e.g. artist and technologist) often miss is that to develop the emerging technology content based on the nature of the medium. In this context, the user is the one that will be the best judge to value the effectiveness of the content.

The paper will introduce Global Information Infrastructure (GII) that is currently being developed in the Asian region and discuss its impact on the Information Age society. It will further highlight the ‘natural’ value and characteristics of the emerging technologies in particular Virtual Reality (VR), Multimedia and Internet as a guidance to design an effective, rich and innovative content development. This paper also argues that content designers of the future must not only be both artist and technologist, but artist and technologist that are aware of the re-convergence of art and science and context in which content is being developed. Some of our exploration at the Faculty of Creative Multimedia, Multimedia University will also be demonstrated. It is hoped that this will be the evidence to guide future ‘techno-creative designers’.

keywords design, creativity, content, emerging technologies
series book
type normal paper
email ahmadrafi.eshaq@mmu.edu.my
last changed 2007/09/13 01:46

_id acadia10_320
id acadia10_320
authors Rajus, Vinu Subashini; Woodbury, Robert; Erhan, Halil I.; Riecke, Bernhard E.; Mueller, Volker
year 2010
title Collaboration in Parametric Design: Analyzing User Interaction during Information Sharing
source ACADIA 10: LIFE in:formation, On Responsive Information and Variations in Architecture [Proceedings of the 30th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-4507-3471-4] New York 21-24 October, 2010), pp. 320-326
summary Designers work in groups. They need to share information either synchronously or asynchronously as they work with parametric modeling software, as with all computer-aided design tools. Receiving information from collaborators while working may intrude on their work and thought processes. Little research exists on how the reception of design updates influences designers in their work. Nor do we know much about designer preferences for collaboration. In this paper, we examine how sharing and receiving design updates affects designers’ performances and preferences. We present a system prototype to share changes on demand or in continuous mode while performing design tasks. A pilot study measuring the preferences of nine pairs of designers for different combinations of control modes and design tasks shows statistically significant differences between the task types and control modes. The types of tasks affect the preferences of users to the types of control modes. In an apparent contradiction, user preference of control modes contradicts task performance time.
keywords Parametric Design, Collaboration, Human Interaction
series ACADIA
type normal paper
email vrajus@sfu.ca
last changed 2010/11/10 06:27

_id ecaade03_133_119_reffat
id ecaade03_133_119_reffat
authors Reffat, Rabee M.
year 2003
title Semantic-Based Virtual Design Environments for Architecture
source Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 133-140
summary 3D Virtual Environments (VEs) have the potential to reach beyond the limitations of CAD systems and can be utilised as design tools for architecture. This paper introduces a framework of semantic-based Virtual Design Environment(VDE) that aims to provides designers of VEs with virtual observers of designers’ actions (intelligent design agents and collaborative assistant agent) to investigate the current design and respond to these actions when the need arises. The paper presents the development of a representation structure of building-objects and their relationships to be used in constructing building designs in the 3D VDE and outlines sets of design semantics to be incorporated within the VDE.
series eCAADe
email rabee@arch.usyd.edu.au
last changed 2003/09/18 07:13

_id acadia15_497
id acadia15_497
authors Sandoval Olascoaga, Carlos; Victor-Faichney, John
year 2015
title Flows, Bits, Relationships: Construction of Deep Spatial Understanding
source ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 497-512
summary The number of variables acting upon urban landscapes is numerous and interconnected, closely resembling complex systems in constant dynamic transformation. Current analytical methods and descriptions of the city are domain specific, limited in scope, and discretize the city into quantifiable individual representations, resulting in an equally limited urban policy and design. If we are to produce urban systems capable of contributing to the robustness and resiliency of cities, we ought to understand and represent the comprehensive network of actors that construct contemporary urban landscapes. On one hand, the natural sciences approach the analysis of complex systems by primarily focusing on the development of models capable of describing their stochastic formation, remaining agnostic to the contextual properties of their individual components and oftentimes discretizing the otherwise continuous relationships among parts. signers work in groups. They need to share information either synchronously or asynchronously as they work with parametric modeling software, as with all computer-aided design tools. Receiving information from collaborators while working may intrude on their work and thought processes. Little research exists on how the reception of design updates influences designers in their work. Nor do we know much about designer preferences for collaboration. In this paper, we examine how sharing and receiving design updates affects designers’ performances and preferences. We present a system prototype to share changes on demand or in continuous mode while performing design tasks. A pilot study measuring the preferences of nine pairs of designers for different combinations of control modes and design tasks shows statistically significant differences between the task types and control modes. The types of tasks affect the preferences of users to the types of control modes. In an apparent contradiction, user preference of control modes contradicts task performance time.
keywords Networks, graphs, web-mapping, GIS, urban mapping, spatial analysis, urban databases, visual representation, spatial cognition
series ACADIA
type normal paper
email csandova@mit.edu
last changed 2016/08/05 11:37

_id ddssar0212
id ddssar0212
authors Scott Gowans and John Graham
year 2002
title Appropriate Collectives: A Contemporary Structure For Collaborative Working
source Timmermans, Harry (Ed.), Sixth Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings Avegoor, the Netherlands), 2002
summary This paper attempts to illustrate the importance of the conceptual initiative in the design process and how, through the development of a poetic narrative, it can inform the process of creative design andmanufacture. The argument outlined proposes the adoption of a poetic narrative as a mechanism for defining and clarifying the designers’ intention with the use of metaphorical associations advocated as ameans of exploiting our innate ability for intuitive extrapolation. Our approach gives emphasis to the conceptual corollary or intellectual process that underpins all considered design work and challenges the traditionally accepted methods of project development where this phase of the process is seen as having a pre-prescribed beginning and end. The paper is also intended as a statement of intent that celebrates the unique nature of our interdisciplinary working practices and, as a contextualisingdocument that posits a realistic and contemporary vision for the future of collaborative endeavours. We illustrate how, through the adherence to a philosophy of creative realism and by the establishment of legitimate, ephemeral collectives; we can effectively instigate and address opportunities in many areas at any given time. In the paper we actively promote an expansive and creative engagement with the dynamics of project inception, development and control as a means of realising our collective aspirations and of ensuring project ownership in the widest sense. The paper discusses creatively critical architectural and new media projects that attempt to subvert a number of modern orthodoxies bysupplanting them with an affective internal logic.
series DDSS
last changed 2003/08/07 14:36

_id sigradi2013_429
id sigradi2013_429
authors Sharif, Shani
year 2013
title Material Cognition: Designer’s Perception of Material in a Creative Design Process
source SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 23 - 26
summary The new trends in digital design and fabrication attempt to utilize material information as a generative factor in the design and form exploration processes. An investigation on the designers’ cognitive processes in perceiving materiality in an integrated design process could potentially impact these integrated digital endeavors. As a result, this research explores the role of materiality as an external representation based on two main concepts in cognitive science, situated and distributed cognition.
keywords Material; Material integrated design; Distributed cognition; Representation
series SIGRADI
email shani@gatech.edu
last changed 2016/03/10 09:00

_id ecaade2009_196
id ecaade2009_196
authors Sönmez, N.Onur; Erdem, Arzu
year 2009
title Design Games as a Framework for Design and Corresponding System of Design Games
source Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 119-126
summary Borrowing from Wittgenstein, we devised a concept of ‘design games’, for a better understanding of the design process. A design game is the elusive basic unit of a design process. When we characterize design process with blurry components and indefinite stages, we can model design as a complex, collaborative process, where the designers’ biological states lose importance. This approach, may give rise to a better conception of design, where human-human, human-machine, machine-machine, or process to process interactions are inevitable, thus a thorough framework of collaboration might be defined. Moreover, if we start from this conception to produce a design framework, we may obtain a model for design automation studies. The loose pattern of design games, when combined with the possibility of all the agents’ being non-humans, seems us to indicate the road to ‘creative design automation’.
wos WOS:000334282200014
keywords Language games, design games, collaborative design, agent-based design, design automation
series eCAADe
email onursonmezn@yahoo.com, arzuerdem@superonline.com
last changed 2016/05/16 09:08

_id 679a
authors Tang, Hsien-Hui and Gero, John S
year 2001
title Cognition-based CAAD. How CAAD systems can support conceptual design
source Proceedings of the Ninth International Conference on Computer Aided Architectural Design Futures [ISBN 0-7923-7023-6] Eindhoven, 8-11 July 2001, pp. 521-531
summary This paper introduces the concept of cognition-based CAAD. Protocol analysis and a content-oriented coding scheme are utilised to produce cognitive results of designers’ behaviour. This empirical analysis suggests that the speed of thought and vagueness among actions are the main areas to be supported by any cognition-based CAAD system. Three different modes of design thinking are presented as the basis of a possible CAAD system.
keywords Design Cognition, Protocol Analysis, Conceptual Design, CAAD
series CAAD Futures
email hhtang@arch.usyd.edu.au
last changed 2006/11/07 06:22

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