CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 9 of 9

_id 2006_786
id 2006_786
authors Burry, Jane and Mark Burry
year 2006
title Sharing hidden power - Communicating latency in digital models
source Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 786-793
summary As digital spatial models take on the complex relationships inherent in a lattice of dependencies and variables, how easy is it to fully comprehend and communicate the underlying structure and logical subtext of the architectural model: the metadesign? The design of a building, the relationships between a host of different attributes and performances was ever a complex system. Now the models, the representations, are in the early stages of taking on more of that complexity and reflexivity. How do we share and communicate these modelling environments or work on them together? This paper explores the issue through examples from one particular associative geometry model constructed as research to underpin the collaborative design development of the narthex of the Passion Façade on the west transept of Gaudi’s Sagrada Família church, part of the building which is now in the early stages of construction.
keywords Design communication; CAD CAM; mathematical models
series eCAADe
email jane.burry@rmit.edu.au
last changed 2006/08/16 16:54

_id 36f5
authors Burry, M., Burry, J. and Faulí, J.
year 2001
title Sagrada Família Rosassa: Global Computeraided Dialogue between Designer and Craftsperson (Overcoming Differences in Age, Time and Distance)
source Reinventing the Discourse - How Digital Tools Help Bridge and Transform Research, Education and Practice in Architecture [Proceedings of the Twenty First Annual Conference of the Association for Computer-Aided Design in Architecture / ISBN 1-880250-10-1] Buffalo (New York) 11-14 October 2001, pp. 076-086
summary The rose window (‘rosassa’ in Catalan) recently completed between the two groups of towers that make up the Passion Façade of Gaudí’s Sagrada Família Church in Barcelona measures eight metres wide and thirty-five metres in height [Figure 1]. There were four phases to the design based in three distinct geographical locations. The design was undertaken on site, design description in Australia some eighteen thousand kilometres distant, stone-cutting a thousand kilometres distant in Galicia, with the completion of the window in March 2001. The entire undertaking was achieved within a timeframe of fifteen months from the first design sketch. Within this relatively short period, the entire team achieved a new marriage between architecture and construction, a broader relationship between time-honoured craft technique with high technology, and evidence of leading the way in trans-global collaboration via the Internet. Together the various members of the project team combined to demonstrate that the technical office on site at the Sagrada Família Church now has the capacity to use ‘just-in-time’ project management in order to increase efficiency. The processes and dialogues developed help transcend the tyranny of distance, the difficult relationship between traditional craft based technique and innovative digitally enhanced production methods, and the three generational age differences between the youngest and more senior team members.
keywords Digital Practice, Global Collaboration, Rapid Prototyping
series ACADIA
email mburry@deakin.edu.au
last changed 2002/04/25 17:30

_id acadia04_014
id acadia04_014
authors Burry, Mark
year 2004
title THE SAGRADA FAMíLIA - WEST TRANSEPT ROSE WINDOW, A RAPID PROTOTYPE
source Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 14-19
summary The recently completed design and construction in a little over twelve months of the west transept rose window (Passion Façade) of Antoni Gaudí’s unfinished major work and Barcelona icon, the Sagrada Família church, is a notable example of ‘lean construction’. The processes involved include traditional stone masonry, actual employment of the traits discussed in Evan’s ‘The Projective Cast’, and semi-automated construction methods.
series ACADIA
type normal paper
last changed 2010/05/16 07:09

_id ascaad2014_002
id ascaad2014_002
authors Burry, Mark
year 2014
title BIM and the Building Site: Assimilating digital fabrication within craft traditions
source Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 27-36
summary This paper outlines a particular component of very well known project: Antoni Gaudí’s Sagrada Família Basilica in Barcelona (1882– on-going but scheduled for completion in 2026). At the time of writing the realisation of the project has proceeded for 87 years since Gaudí's death (1852-1926). As a building site it has been a living laboratory for the nexus between traditional construction offsite manufacturing and digital fabrication since the computers were first introduced to the project:CAD in 1989 closely followed by CAAD two years later. More remarkably CAD/CAM commenced its significant influence in 1991 with the take-up of sem robotised stone cutting and carving. The subject of this paper is an elevated auditorium space that is one of the relatively few ‘sketchy’ areas that Gaudí bequeathed the successors for the design of his magnum opus.
series ASCAAD
email mburry@rmit.edu.au
last changed 2016/02/15 12:09

_id 046e
authors Burry, Mark
year 2002
title Rapid prototyping, CAD/CAM and human factors
source Automation in Construction 11 (3) (2002) pp. 313-333
summary CAD/CAM techniques for rapid prototyping, profile cutting, and form sculpting/routing/moulding are well-advanced for the vehicle and manufacturing industries. Although their migration to the building sector is readily achievable as a substitution for much of traditional construction, there are factors that work against this. Apart from the singular `one-off' nature of most architectural projects that limits ready exploitation of techniques derived in the main for mass-manufacture, there remains the problem of apprenticeship, and how to maintain a healthy lineage of skills for work otherwise less readily taken-up using automated manufacturing procedures. Continuing construction for Gaudí's Sagrada Família Church in Barcelona has provided a fertile test-bed for integrating rapid prototyping and CAD/CAM production where appropriate. Nevertheless, human factors such as maintaining the status quo with regard to apprenticeship and maintaining the skill lineage have provided some healthy insights into both the risks as well as the opportunities for greater involvement with CAD/CAM, and in particular, rapid prototyping in the building construction sector. This paper reports on and discusses the findings of case studies from the Sagrada Família Church project.
series journal paper
more http://www.elsevier.com/locate/autcon
last changed 2003/05/15 19:22

_id caadria2011_003
id caadria2011_003
authors Davis, Daniel; Jane Burry and Mark Burry
year 2011
title The flexibility of logic programming : Parametrically regenerating the Sagrada Família
source Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 29-38
summary Flexibility is a major attribute of parametric modelling, however designers find it hard to maintain flexibility throughout their projects. One cause may be the programming paradigm of the parametric model. Currently this is dataflow programming, which makes it easy to create and flex parameters, but difficult to modify relationships. This paper investigates the implications of changing the programming paradigm in a parametric model to logic programming. A qualitative account is given of using dataflow programming and logic programming to generate a portion of the Sagrada Família church. It finds logic programming adept at translating explicit models into parametric models, but lacking continuous flexibility. This research demonstrates there are different types of flexibility within the model and architects can privilege certain flexibility types by selecting the programming paradigm of the model.
keywords Logic programming; parametric modelling; end user programming; practice based research
series CAADRIA
email daniel.davis@rmit.edu.au
last changed 2012/05/30 19:29

_id sigradi2004_307
id sigradi2004_307
authors Eduardo Wagner Rogério
year 2004
title Utilização dos dados do programa de saúde da família como subsídio para a construção de um sistema geográfico de informações [The Use of Data from the "Family Health Program" to support a GIS Construction]
source SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary The objective of this paper is to develop a methodology in integrated municipal planning in Family Health, using tools such as the Geographic Information System and programs already implemented in towns, to provide the methodology of sustainable and participative urbanization derived from new federal, state and municipal legislations. By the end of the study it was possible to build a data model spacial oriented, located in Tubarão, Santa Catarina, at Dehon and Morrotes suburbs, achieving about 6 thousand people. The obtained results justify the implementaion of a Geographic Information System in health, in order to manage the daily collected data in Family Health Program, optimizing and helping in the application of public politics. Key words: Family Health, Geographic Information System, Public Politics, Daily Collection.
series SIGRADI
email morroabaixo@hotmail.com
last changed 2016/03/10 08:51

_id b0c3
authors Flanagan, Robert
year 1999
title Designing by Simulation
source III Congreso Iberoamericano de Grafico Digital [SIGRADI Conference Proceedings] Montevideo (Uruguay) September 29th - October 1st 1999, pp. 25-30
summary This article evaluates ‘simulation’ as a contributing factor in architectural design. While computers enhance simulation, they have yet to transform the art of architecture. A partial explanation is found at the extremes of design processes: Gaudí’s Sagrada Família Cathedral of Barcelona is an empiricist’s culminating achievement -- faith expressed in stone. By contrast, SOM’s Sear’s Tower of Chicago is the modernist monument to rational process -- (financial) faith engineered in steel and glass. Gaudí employed an understanding of the heritage of stone and masonry to fashion his design while SOM used precise relationships of mathematics and steel. However, the designs in both the Sear’s Tower and Sagrada Família are restricted by the solutions inherent in the methods. In contrast, student designs often have no inherent approach to building. While the solution may appear to be evident, the method must often be invented; this is potentially more costly and complex than the design itself. This issue is not new to computers, but its hyper--reality is potentially more complex and disruptive. In evaluating the role of computer simulation in architectural design, this article employs two methods: 1.) Exoskeletal design: A limited collection of connected plates is formed and designed through warping, bending and forming. Reference architect Buckminster Fuller. 2.) Endoskeletal design: Curtain wall construction is taken to its minimalist extreme, using pure structure and membrane. Reference artist Christo.
series SIGRADI
email rflanaga@carbon.cudenver.edu
last changed 2016/03/10 08:52

_id 6533
authors Maher, A.M. and Burry, M.C.
year 2002
title Hybridized Measurement: Interpreting historical images of Sagrada Família Church in Barcelona using CAD-based digital photogrammetry
source Connecting the Real and the Virtual - design e-ducation [20th eCAADe Conference Proceedings / ISBN 0-9541183-0-8] Warsaw (Poland) 18-20 September 2002, pp. 448-455
summary This paper gives an account of the extrapolated use of digital photogrammetry undertaken by the Spatial Information Architecture Laboratory (SIAL) in the pursuit for new interpretations of historical images at the Sagrada Família Church. The work is an extension of the research activities undertaken as part of the Australian Research Council (ARC) Strategic Partnerships with Industry – Research and Training (SPIRT) project New onto Old : 3D flexible computer modelling to aid heritage building restoration, recycling and extension, where digital photogrammetry was first explored as a measurement tool for non-specialist implementation. The research makes use of the link between Computer Aided Design (CAD) and digital photogrammetry in a reverse manner, using built spatial data to produce orthographic rectified images of what was intended from the historical drawings and models of the architect Antoni Gaudí (1852-1926).
series eCAADe
email mary@arch.usyd.edu.au
last changed 2002/09/09 17:19

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