| id |
acadia16_402 |
| authors |
Pinochet, Diego |
| year |
2016 |
| title |
Antithetical Colloquy: From operation to interaction in digital fabrication |
| source |
ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 402-411 |
| summary |
This paper, introduces a cybernetic approach to digital design and fabrication by embracing aspects of embodied interaction, behavior and communication between designers and machines. To do so, it proposes the use of body gestures, digital/tangible interfaces and Artificial Intelligence to create a more reciprocal way of making. The goal is to present a model of designing and making as a ‘conversation’ instead a mere dialog from creator to executor of a predefined plan to represent an idea. In other words, this paper proposes a platform for interaction between two antithetical worlds—one binary/deterministic and the other perceptual/ambiguous—by focusing in the exploratory aspects of design and embracing aspects of improvisation, ambiguity, imprecision and discovery in the development of an idea. |
| keywords |
compuatational making, computational design, interactive fabrication, digital fabrication |
| series |
ACADIA |
| type |
paper |
| email |
diegopinochet@gmail.com |
| full text |
 file.pdf (749,061 bytes) |
| references |
Content-type: text/plain
| details |
citation |
check to select |
|
(1992)
 What Computers Still Can’t Do: A Critique of Artificial Reason
, Cambridge, MA: The MIT Press
|
|
|
|
Clark, Andy (2004)
Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence
, New York: Oxford University Press
|
|
|
|
Dreyfus, Herbert L. (1986)
Mind Over Machine: The Power of Human Intuition and Expertise in the Era of the Computer
, New York: Free Press
|
|
|
|
Flusser, Vilém (2014)
Gestures
, Translated by Nancy A. Roth. Minneapolis, MN: University of Minnesota Press.
|
|
|
|
Gillian, Nicholas, R. Benjamin Knapp, and Sile O’Modhrain (2011)
An Adaptive Classification Algorithm for Semiotic Musical Gestures
, Proceedings of the 8th International Conference on Sound and Music Computing. Padova, Italy: SMC.
|
|
|
|
Ihde, Don (2002)
Bodies in Technology
, Minneapolis, MN: University of Minnesota Press
|
|
|
|
Latour, Bruno (1994)
On Technical Mediation—Philosophy, Sociology, Genealogy
, Common Knowledge 3 (2): 29–64
|
|
|
|
Maldonato, Mauro (2014)
The Predictive Brain: Consciousness, Decision and Embodied Action
, Eastbourne, England: Sussex Academic Press
|
|
|
|
Nakamura, Fuyubi (2008)
Creating or Performing Words? Observations on Contemporary Calligraphy
, Creativity and Cultural Improvisation, edited by Elizabeth Hallam and Tim Ingold.New York: Bloomsbury Academic. 79–98
|
|
|
|
Pérez-Gómez, Alberto (2012)
The Historical Context of Contemporary Architectural Representation
, Persistent Modelling: Extending the Role of Architectural Representation, edited by Phil Ayres. London: Routledge. 13–25.
|
|
|
| last changed |
2016/10/24 11:12 |
|
