CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

id ecaade2015_79
authors Sauda, Eric; Hess, Trevor, Danchenka, Evan, Christian, Scott and Beorkrem, Chris
year 2015
title Prepared Music Field: Interactive Spatial Music Performances
source Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 707-714
summary As part of ongoing research, the Digital Arts Center at UNC Charlotte has commissioned of a new music composition by Andy Akiho, a fellow at the American Academy in Rome. The presentation of this piece will begin with a premiere in Charlotte, followed by performances in Rome, New York ,Cleveland and Charleston. This collaboration focuses on responsive architecture (an interweaving of space and digital media as a critical element in contemporary architecrue) and expanded musical performance venues (an engaging, inclusive and unique atmosphere for both performers and audience). To accomplish these goals, we have created a “prepared music field” that will allow the audience to move through the space using their smart phones to engage both with live performers and digitally delivered augmented compositional elements. Audience members will have a unique listening experience depending upon their position and movement during the performance. In this work, we reconnect music with its temporal dimension by using digital methods to create a real time experience.
wos WOS:000372316000078
series eCAADe
email ejsauda@uncc.edu
more https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=e268f938-6e91-11e5-a2a9-00190f04dc4c
full text file.pdf (5,585,376 bytes)
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100%; open Kirke, A and Miranda, E (2013) Find in CUMINCAD An overview of computer systems for expressive music performance , Kirke, A and Miranda, E (eds), Guide to computing for expressive music performance, Springer
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100%; open Winkler, T (2001) Find in CUMINCAD Composing interactive music: techniques and ideas using Max , MIT

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