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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures
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50%; open Picon A. (2012) Find in CUMINCAD Architecture as performative art , Grobman Y.J. and Neuman E. (eds) Performalism: form and performance in digital architecture. Abington: Routledge, 2012, pp. 15–19
50%; open Picon, A (2011) Find in CUMINCAD Architecture as performative art , Grobman, YJ and Neumann, E (eds), Performalism: Form and Performance in Digital Architecture, Routledge, London ; New York, pp. 15-19
50%; open Pontecorvo M.S. (1999) Find in CUMINCAD Designing the Undesigned: Emergence as tool for design , Generative Art, Dedalo, Roma 1999
50%; open Redström, J., T. Skog, and L. Hallnäs (2000) Find in CUMINCAD Informative art: Using amplified artworks as information displays , Designing Augmented Reality Environments (DARE 2000), 103-114. Elsinore, Denmark: ACM
50%; open Rykwert, J. (1982) Find in CUMINCAD Art as Things Seen , The Necessity of Artifice, Rizzoli International, New York
50%; open Shklovsky, S.j. (1965) Find in CUMINCAD Art as Technique , Lee Lemon y Marin Reis (eds.) Russian Formalist Criticism: Four Essays, Lincon: University of Nebraska Press
50%; open Shklovsky, V. (1965) Find in CUMINCAD Art as Technique , L.Lemon and M.Reis (Eds.) Russian Formalist Criticism Lincoln and London, University of Nebraska Press, pp.3-25
50%; open Shklovsky, V. (1965) Find in CUMINCAD Art as Technique , (1917) translated in Russian Formalist Criticism, Four Essays, L.T. Lemon and M.J. Reis, eds., London, 1965, pp.3-24
50%; open Shklovsky, V. (1988) Find in CUMINCAD Art as Technique , Reprinted in Lodge D. , Modern Criticism and Theory: A Reader, Longmans, London, pp. 16-30
50%; open Shklovsky, V. (1990) Find in CUMINCAD Art as Device in Theory of Prose , Dalkey Archive Press
50%; open Sloterdijk, P (2011) Find in CUMINCAD Architecture As an Art of Immersion , Interstices, 12, pp. 106-109
50%; open Stafford, B. (2001) Find in CUMINCAD Visual analogy: consciousness as the art of connecting , MIT Press, USA
50%; open Steinfeld K (2021) Find in CUMINCAD Significant others: machine learning as actor, material and provocateur in art and design , I As and P Basu (eds). The Routledge companion to artificial intelligence in architecture. Abington, Oxon; New York: RoutledgeRoutledge, 2021.
50%; open Steinfeld K (2021) Find in CUMINCAD Significant others: Machine learning as actor, material, and provocateur in art and design. The Routledge , Companion to Artificial Intelligence in Architecture. London: Routledge, 2021, pp. 3–12.
50%; open Steinfield, K. (2021) Find in CUMINCAD Significant others: Machine learning as actor, material, and provocateur in art and design , The Routledge Companion to Artificial Intelligence in Architecture (pp. 3-12). Routledge
50%; open Stoter, J. E., Arroyo Ohori, G. a. K., Dukai, B., Labetski, A., Kavisha, K., Vitalis, S. & Ledoux, H. (2020) Find in CUMINCAD State of the Art in 3D City Modelling: Six Challenges Facing 3D Data as a Platform , GIM International: The Worldwide Magazine for Geomatics, 34
50%; open Tanchis, A. (1987) Find in CUMINCAD Bruno Munari: Design As Art , Cambridge: MIT Press
50%; open Tavares P., Ingi D., Araújo L., Pinho P., Bhusal P. (2021) Find in CUMINCAD A calibration methodology for light sources aimed at using immersive virtual reality game engine as a tool for lighting design in buildings , Sustainability (Switzerland), 13 (22), art no. 12657. doi: 10.3390/su132212657
50%; open Tenhaaf N. (1998) Find in CUMINCAD As Art Is Lifelike: Evolution, Art and the Readymade , Leonardo 31, no. 5 (1998), ref in Mitchell Whitelaw (2004), p. 184
50%; open Text, Context, Architext:The Qur’an as Architectural Inscription (1991) Find in CUMINCAD EDWARDS H. , C. G. Fisher, ed. Brocade of the Pen: the art of Islamic writing. Michigan: Michigan State University, 64 – 73

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