(1964)
Experiencing Architecture. 2nd Edition
, The MIT Press
(1964)
The act of creation
, Penguin Group, London
(1964)
The Primacy of Perception
, Evanston, Illinois: Northwestern University Press. (Original work published 1964)
(1964)
The Invention of Morel
, New York Review of Books, New York
(1964)
Remote associates test as a predictor of creativity in engineers
, Journal of Applied Psychology, 48(3), 183
(1964)
An approach to the Optimum Layout of Single-storey Buildings
, The Architect's Journal Information Library, 17, 1373-1380
(1964)
Identifying the creative man
, Journal of Value Engineering, 2(4), 5-12
(1964)
Notes on the Synthesis of Form
, Cambridge: Harvard University Press
(1965)
An introduction to Metaphysics
, Rowman and Allanheld, New Jersey
(1965)
Continuous Tension, Discontinuous Compression Structure
, Patente estadounidense, No. 3,169,611. 6 Feb 1965
(1965)
On the Computational Complexity of Algorithms
, Transactions of the American Mathematical Society, 117:285-306
(1965)
Personality and the realisation of creative potential
, American Psychologist, 20(4), 273-281
(1965)
The Ultimate display
, Proceedings of the Int.Fed. of Information Processing Congress, vol 2, p. 506–508
(1966)
Understanding Media: The Extensions of Man
, MIT Press, USA
(1966)
Torrance test of creative thinking
, Personnel, Princeton
(1966)
The Hidden Dimension
, Garden City, N.Y.: Doubleday
(1966)
From A Set of Forces to a Form
, G. KEPES, ed. The man-made object. London: Studio Vista
(1967)
Changes in French Architectural Education
, J. Archit. Educ. 1947-1974 21, 1–3
(1967)
Mental imagery in the child: a study if the development of imaginal representation
, P.A. Chilton (trans.). New York
(1967)
New problems in school design: comprehensive schools from existing buildings
, London: H.M.S.O. Her Majesty’s Stationary Office