(1969)
The Work of Art in the Age of Mechanical Reproduction
, Illuminations: Essays and Reflections, USA: Schocken Books, 217-252
(1985)
Interview with James Turrell. In J. Turrell, J. Brown, & C. E. Adcock, Occulded Fronts (pp. 13-48)
, Los Angeles: Fellows of Contemporary Art, The Lapis Press
(1985)
Light Spaces
, J. Turrell, & J. Brown, Occluded Fronts (pp. 53-60). Los Angeles: Fellows of Contemporary Art, The Lapis Press
(1989)
Artifacts and History Series 21: The Flowing Brush – the Art of Chinese Calligraphy
, Taipei: National Museum of History
(1991)
Connectivity: Art and Interactive Telecommunication
, Leonardo, 24
(1992)
The art of memory
, Pimlico ed. London: Pimlico.
(1993)
Art of the Eletronic Age
, London: Thames and Hudson Ltd
(1993)
The Art and Science of Handwriting
, Oxford:Intellect Books
(1993)
Islamic art and architecture: the system of geometric design
, Garnet Pub
(1995)
The Topkap? Scroll: Geometry and Ornament in Islamic Architecture: Topkap? Palace Museum Library MS
, Getty Center for the History of Art and the Humanities
(1995)
Malevich: Suprematism as the space of energy
, Russian Avant-garde, Theories of Art, Architecture and the City, Academy Editions, London, pp.154-157
(1996)
Deep image: 3D in art and science
, Electronic Imaging: Science & Technology. International Society for Optics and Photonics
(1998)
Rendering with Shakespeare – The Art and Science of Lighting Visualization
, Booksurge LLC, Charleston
(1999)
Two-Way Mirror Power: Selected Writings by Dan Graham on his Art
, Boston: The MIT Press
(1999)
The science of art: A neurological theory of aesthetic experience’
, Journal of Consciousness Studies, 6 (6–7), pp. 15–51
(1999)
Microgenesis. The Architect as Toolmaker: Computer-Based GenerativeDesign Tools and Methods
, Soddu, C. (ed.): The Proceedings of the First International Generative Art Conference. Generative Design Lab at DiAP, Politecnico di Milano University
(1999)
Essay on Video, Architecture and Television
, ALBERRO, A. (Ed.), Two-Way Mirror Power: Selected Writings by Dan Graham on his Art (pp. 52-61). Boston: The MIT Press
(2000)
Delusions of dialogue: control and choice in interactive art
, Leonardo, 33(2),133-136
(2001)
The Economist, “Showing Video Art: The Glass House Effect”
, 1 September 2001. pp. 69, 70
(2004)
One place after another: Site-Specific Art and Locational Identity
, Boston: The MIT Press