(1960)
The image of the city
, Cambridge: The M.I.T. Press
(1961)
The Death and Life of Great American Cities
, New York: Random House
(1961)
The Turning Point of Building: structure and design
, Reinhold Pub. Corp
(1961)
Information and an Organized Process of Design
, National Academy of Sciences, Proceedings of the Building Research Institute (Washington, D.C.: National Academy of Sciences, 1961), 115-24
(1961)
The Death and Life of Great American Cities
, Harmondsworth, England
(1961)
The concise townscape
, Oxford: The Architectural Press
(1962)
Algorithm 97: Shortest path
, Communications of the ACM, ACM, New York, Pp 345. doi:10.1145/367766.368168
(1962)
The associative basis of the creative process
, Psychol. Rev., 69(3), 220-232
(1963)
Non-Euclidean Zoning: the Use of the Floating Zone
, 23 Md. L. Rev. 105 (1963)
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The Invention of Morel
, New York Review of Books, New York
(1964)
Notes on the Synthesis of Form
, Cambridge: Harvard University Press
(1964)
Experiencing Architecture. 2nd Edition
, The MIT Press
(1964)
An approach to the Optimum Layout of Single-storey Buildings
, The Architect's Journal Information Library, 17, 1373-1380
(1964)
The Primacy of Perception
, Evanston, Illinois: Northwestern University Press. (Original work published 1964)
(1964)
The act of creation
, Penguin Group, London
(1964)
The Highway and the City
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(1964)
Identifying the creative man
, Journal of Value Engineering, 2(4), 5-12
(1965)
Personality and the realisation of creative potential
, American Psychologist, 20(4), 273-281
(1965)
The Ultimate display
, Proceedings of the Int.Fed. of Information Processing Congress, vol 2, p. 506–508
(1965)
On the Computational Complexity of Algorithms
, Transactions of the American Mathematical Society, 117:285-306