Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	cf2011_p170
id	cf2011_p170
authors	Barros, Mário; Duarte José, Chaparro Bruno
year	2011
title	Thonet Chairs Design Grammar: a Step Towards the Mass Customization of Furniture
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 181-200.
summary	The paper presents the first phase of research currently under development that is focused on encoding Thonet design style into a generative design system using a shape grammar. The ultimate goal of the work is the design and production of customizable chairs using computer assisted tools, establishing a feasible practical model of the paradigm of mass customization (Davis, 1987). The current research step encompasses the following three steps: (1) codification of the rules describing Thonet design style into a shape grammar; (2) implementing the grammar into a computer tool as parametric design; and (3) rapid prototyping of customized chair designs within the style. Future phases will address the transformation of the Thonet’s grammar to create a new style and the production of real chair designs in this style using computer aided manufacturing. Beginning in the 1830’s, Austrian furniture designer Michael Thonet began experimenting with forming steam beech, in order to produce lighter furniture using fewer components, when compared with the standards of the time. Using the same construction principles and standardized elements, Thonet produced different chairs designs with a strong formal resemblance, creating his own design language. The kit assembly principle, the reduced number of elements, industrial efficiency, and the modular approach to furniture design as a system of interchangeable elements that may be used to assemble different objects enable him to become a pioneer of mass production (Noblet, 1993). The most paradigmatic example of the described vision of furniture design is the chair No. 14 produced in 1858, composed of six structural elements. Due to its simplicity, lightness, ability to be stored in flat and cubic packaging for individual of collective transportation, respectively, No. 14 became one of the most sold chairs worldwide, and it is still in production nowadays. Iconic examples of mass production are formally studied to provide insights to mass customization studies. The study of the shape grammar for the generation of Thonet chairs aimed to ensure rules that would make possible the reproduction of the selected corpus, as well as allow for the generation of new chairs within the developed grammar. Due to the wide variety of Thonet chairs, six chairs were randomly chosen to infer the grammar and then this was fine tuned by checking whether it could account for the generation of other designs not in the original corpus. Shape grammars (Stiny and Gips, 1972) have been used with sucesss both in the analysis as in the synthesis of designs at different scales, from product design to building and urban design. In particular, the use of shape grammars has been efficient in the characterization of objects’ styles and in the generation of new designs within the analyzed style, and it makes design rules amenable to computers implementation (Duarte, 2005). The literature includes one other example of a grammar for chair design by Knight (1980). In the second step of the current research phase, the outlined shape grammar was implemented into a computer program, to assist the designer in conceiving and producing customized chairs using a digital design process. This implementation was developed in Catia by converting the grammar into an equivalent parametric design model. In the third phase, physical models of existing and new chair designs were produced using rapid prototyping. The paper describes the grammar, its computer implementation as a parametric model, and the rapid prototyping of physical models. The generative potential of the proposed digital process is discussed in the context of enabling the mass customization of furniture. The role of the furniture designer in the new paradigm and ideas for further work also are discussed.
keywords	Thonet; furniture design; chair; digital design process; parametric design; shape grammar
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ecaade2015_217
id	ecaade2015_217
authors	Davis, Felecia and Dumitrescu, Delia
year	2015
title	What and When Is the Textile? Extending the Reach of Computation through Textile Expression
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 417-426
doi	https://doi.org/10.52842/conf.ecaade.2015.2.417
wos	WOS:000372316000048
summary	The authors of this article argue for 'making time appear' in computational materials and objects so that it can be used to help people become aware of their relation to their environments. [Hallnäs & Redström 2001] As more computational and responsive materials come into play when designing architectural spaces designers might consider opening up the dimension of time to 'make time appear' rather than disappear. [Hallnäs & Redström 2001] Computational materials are materials which transform expression and respond to inputs read by computer programs. Making time appear can have many uses particularly in applications where people can be helped by the awareness of unfolding of time, where the temporality is linked to transformative body experience rather than project efficiency or collapsing distance. If architects, designers, engineers and others could begin to consider and use time as a way to promote reflection then it would be possible to design materials which could expand human thinking through the material itself.
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=44daf674-70d7-11e5-8041-1b36fa35af4a
last changed	2022/06/07 07:56

_id	acadia22pr_64
id	acadia22pr_64
authors	Davis, Michael; Hurley, Daniel; Lawrence, Ben; Liu, Yinan; Print, Cristin; Rieger, Uwe; Robb, Tamsin; Windahl, Charlotta; Woodhouse, Braden
year	2022
title	XR Tumor Evolution Project - A Hybrid Architectural Space for Cancer Research
source	ACADIA 2022: Hybrids and Haecceities [Projects Catalog of the 42nd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-7-4]. University of Pennsylvania Stuart Weitzman School of Design. 27-29 October 2022. edited by M. Akbarzadeh, D. Aviv, H. Jamelle, and R. Stuart-Smith. 64-69.
summary	The Extended Reality Tumor Evolution Project (XRTEP) is a unique, real-world application of extended reality technology in cancer research. It is enabled by a rare inter-disciplinary collaboration between the School of Architecture and Planning, the Faculty of Medical and Health Sciences, and the Centre for E-Research at the University of Auckland
series	ACADIA
type	project
email
last changed	2024/02/06 14:04

_id	acadia22_244
id	acadia22_244
authors	Dunaway, Davis; Rothbart, Dan; Gwinn, Layton; King, Nathan; Stuart-Smith, Robert
year	2022
title	Introducing Bespoke Properties to Slip-Cast Elements
source	ACADIA 2022: Hybrids and Haecceities [Proceedings of the 42nd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. University of Pennsylvania Stuart Weitzman School of Design. 27-29 October 2022. edited by M. Akbarzadeh, D. Aviv, H. Jamelle, and R. Stuart-Smith. 244-255.
summary	This research explores a novel technique for creating bespoke, slip-cast artifacts through the use of 6-axis robotic motion. By incrementally injecting different amounts of colored slip into the mold while it is rotated, we are able to achieve variable color, pattern, and structure. Because of the highly precise nature of the robotic motion, this variation can be repeated with a high degree of accuracy. In addition, the incremental injection of slip also allows us to achieve a full cast with a minimal amount of slip, removing the draining process of traditional slip casting entirely. The level of control this process might give a designer is explored through a series of tetrahedral components that demonstrate the types of marbling that can be achieved.
series	ACADIA
type	paper
email
last changed	2024/02/06 14:00

_id	acadia23_v1_128
id	acadia23_v1_128
authors	Fayyad, Iman
year	2023
title	Bending Cylinders: Geometries of the Anthropocene
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 128-135.
summary	Over the past several decades, the conception and construction of formal complexity has disregarded the realities of material waste, costs, and accessibility. By engaging the isometric relationship between flatness and three-dimensional form, the research shown here investigates how waste-conscious approaches to geometric innovation can create new architectural languages. Specifically, the work deploys a subset of curved-crease folding that uses planar reflections referred to as sectional mirror operations to create unique forms comprised of composite cylindrical and conical surfaces (Figure 1). Whereas known studies in curved-crease folding typically explore singular (one-off, figural) compositions (Davis et al. 2013), this process develops a module aggregation strategy to suggest large inhabitable structures as both figural and field-like conditions.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	acadia12_419
id	acadia12_419
authors	Hsiao, Chih-Pin ; Davis, Nicholas M. ; Do, Ellen Yi-Luen
year	2012
title	Dancing on the Desktop
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 419-428
doi	https://doi.org/10.52842/conf.acadia.2012.419
summary	Dancing on the Desktop is a gesture-based modeling system. In this prototype, two interactive display screens are projected on the top of a desk and the wall behind it to show the plan and perspective views of an architectural model, respectively. A depth camera detects gestural interactions between these two displays to create an immersive gestural interaction space to manipulate the model. Additionally, visual images and text are projected on the user’s hands to provide different types of feedback about gestural interactions. We argue that Dancing on the Desktop helps users develop an embodied understanding of the spatial and volumetric properties of virtual objects. In this paper, we will review related gestural prototypes and examine their shortcomings. Then, we will introduce distributed cognition and describe how it helped our system address the shortcomings of typical gestural prototypes. Next, we will describe the implementation details and explain each type of gestural interaction in detail. Finally, we will discuss our preliminary tests and conclusions.
keywords	Design Cognition , Architectural Modeling , Gestural Inputs , Immersive Environment , Augmented Reality
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	acadia22_326
id	acadia22_326
authors	Oghazian, Farzaneh; Moradzadeh, Sam; Davis, Felicia
year	2022
title	Form-finding of Architectural Knitted Tensioned Structures
source	ACADIA 2022: Hybrids and Haecceities [Proceedings of the 42nd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. University of Pennsylvania Stuart Weitzman School of Design. 27-29 October 2022. edited by M. Akbarzadeh, D. Aviv, H. Jamelle, and R. Stuart-Smith. 326-335.
summary	This study discusses the form-finding process of tensile structures and specially knitted tensioned structures. The performance of different plugins in Grasshopper is investigated for behavioral simulation of architectural knitted tensioned structures. Whereas multi-directionality and flexibility are the main characteristics of knitted textiles and allow these materials to be used to develop more complex architectural shapes, such characteristics also make digital simulation of knitted textiles more challenging. We explore the extent to which available tools can assist during the design process.
series	ACADIA
type	paper
email
last changed	2024/02/06 14:00

_id	230a
authors	Taffs, D.
year	1997
title	Case study Client and project
source	Automation in Construction 6 (1) (1997) pp. 59-64
summary	This paper describes the use of IT on a major research campus for Glaxo Group research. Ove Arup & Partners were appointed with Sheppard Robson and Davis Langdon & Everest as the Project Engineer Architect. 350 architects and engineers were assembled in a single office and 4,500 drawings produced using CAD with linked networks of Autocad and Intergraph systems. The M & E subcontractors were invited to use the Autocad system which had been bought by the client. CAD was essential to the delivery of the project on time. Outsourcing was rejected. Good management and standards were essential to overcome difficulties and deliver a very complex project.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:23

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