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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia08_208
id	acadia08_208
authors	Griffiths, Jason
year	2008
title	Man + Water + Fan = Freshman: Natural Process of Evaporative Cooling and the Digital Fabrication of the ASU Outdoor Dining Pavilion
doi	https://doi.org/10.52842/conf.acadia.2008.208
source	Silicon + Skin: Biological Processes and Computation, [Proceedings of the 28th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) / ISBN 978-0-9789463-4-0] Minneapolis 16-19 October 2008, 208-213
summary	To the east of Johnson City TX is the Lyndon B. Johnson’s family home. Part of the Johnson Estate2 is given over to a working farm circa 1870 that presents various aspects of domestic practice from the era. This includes a desert fridge which is a simple four-legged structure with a slightly battered profile that’s draped in calico. Its principle is simple; water from an upturned jar is drawn by osmosis down the sides of the calico where it evaporates in wind currents drawn though a “dog run” between two log cabins. Cooled air circulates within the structure and where cheese and milk are kept fresh during the summer. The desert fridge is a simple system that reaches a state of equilibrium through the natural process of evaporation. ¶ This system provides a working model for a prototype structure for an outdoor dining pavilion that was designed and constructed on the campus of Arizona State University. The desert fridge is the basis for a “biological process”3 of evaporative cooling that has been interpreted in terms a ritual of outdoor dining in arid climates. The pavilion is intended as a gathering point and a place of interaction for ASU freshmen. The long-term aim of this project is to provide a multiple of these pavilions across the campus that will be the locus of a sequence of dining events over a “dining season”4 during the fall and spring semester. ; This paper describes how the desert fridge principle has been interpreted in the program and construction of the dining pavilion. It explores a sequence of levels by which the structure, via digital production process, provides an educational narrative on sustainability. This communicative quality is portrayed by the building in direct biological terms, through tacit knowledge, perceived phenomena, lexical and mechanical systems. The paper also describes how these digital production process were used in the building’s design and fabrication. These range from an empirical prognosis of evaporative cooling effects, fluid dynamics, heat mapping and solar radiation analysis through to sheet steel laser cutting, folded plate construction and fully associative variable models of standard steel construction. The aim of the pavilion is to create an environment that presents the evaporative cooling message at a multiple of levels that will concentrate the visitor in holistic understanding of the processes imbued within the building.5
keywords	Communication; Digital Fabrication; Environment; System
series	ACADIA
last changed	2022/06/07 07:51

_id	ecaade2014_014
id	ecaade2014_014
authors	Wolfgang E. Lorenz
year	2014
title	Measurability of Loos' rejection of the ornament - Using box-counting as a method for analysing facades
doi	https://doi.org/10.52842/conf.ecaade.2014.1.495
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 495-504
summary	As evidence from recent years has demonstrated, box-counting provides an objective fractal analytical method to evaluate the visual complexity of architecture. This paper for the first time explores the potential of box-counting with regard to the work of the Viennese architect Adolf Loos (1870-1933). Loos is seen as the pioneer of modern architecture, as someone who anticipated the International Style. This impression derives from his resentments towards the ornament, expressed especially in his texts. However, Loos did not reject ornamentation in general. Thus, the group of smooth plastered facades provides a narrowed view on his overall architectural concept. A more differentiated view on Loos' oeuvre is not new; however, the author further develops the possibilities of describing facades geometrically by using an implementation of the fractal analytical method, especially created for facades. This paper not only focuses on the possibility of grouping facades with similar characteristic values, but considers other aspects of Loos' design such as space as well.
wos	WOS:000361384700049
keywords	Box-counting; adolf loos; complexity; fractal geometry
series	eCAADe
email
last changed	2022/06/07 07:57

_id	sigradi2009_993
id	sigradi2009_993
authors	Fernandes da Costa, Ana Lúcia Reis Melo;
year	2009
title	Anastilose Digital da Arquitetura Vernácula em Madeira, dos Barracões da Borracha no Rio Acre – Amazônia Ocidental Brasileira – 1870 a 1910 [Digital anastilosi of vernacular architecture in wooden huts of rubber tappers in the Acre river - Western Brazilian Amazon - 1870 to 1910]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Discusses the difficulties in (re)compose in digital form (digital anastilosi) the vernacular architecture of the wooden huts of the Amazon rubber Acreana through imagistic and literary documents in the period from 1870 to 1910. The trading of rubber are the cores of settlement have been established to collect the latex from Hevea brasiliensis (Muell.Arg., 1865), for industrial purposes, along the Amazonian rivers in the mid-nineteenth century. Currently there are fragments in the ruins scattered in rural areas or urban entwined in the meshes of cities along the river Acre.
keywords	anastilose digital; arquitetura; vernacular; madeira; amazônia
series	SIGRADI
email
last changed	2016/03/10 09:51

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