Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	eaea2015_t2_paper06
id	eaea2015_t2_paper06
authors	Iliou, Romain
year	2015
title	Modernity and School Architecture of the Thirties in France. A Complex Parenthesis of Progress and Hope Today Vanished
source	ENVISIONING ARCHITECTURE: IMAGE, PERCEPTION AND COMMUNICATION OF HERITAGE [ISBN 978-83-7283-681-6],Lodz University of Technology, 23-26 September 2015, pp.177-185
summary	From the analysis of the project of preservation and rehabilitation of the “groupe scolaire” Karl Marx (1932) in Villejuif designed by André Lurçat, it was possible to bring into light the existence of a corpus of homogenous constructions, which unfortunately did not receive a fair recognition until today. It consists in a group of elementary schools – nursery and primary – designed and built during the 1929 -1939 decade, located in close Paris’ suburb, and among which most of them keep their original purpose today. Regrettably, their vicissitudes altered their image and actual perception, and consequently their meaning escapes us, their importance, what they can communicate to us as testimonies of a period of strong ideological conflicts, where the claimed modernity of these buildings seemed to announce the freeing of the man from class struggle. The aims of this study are to question about the value of this heritage, to try to bring out its meaning and to envision which would be the mechanisms that should allow modifying its actual blurred and wrong perception.
keywords	school architecture history; preservation of architectural heritage; Paris’ suburb development
series	EAEA
email
last changed	2016/04/22 11:52

_id	ecaade2007_038
id	ecaade2007_038
authors	Campbell, Cameron
year	2007
title	The Kino-eye in Digital Pedagogy
source	Predicting the Future [25th eCAADe Conference Proceedings / ISBN 978-0-9541183-6-5] Frankfurt am Main (Germany) 26-29 September 2007, pp. 543-550
doi	https://doi.org/10.52842/conf.ecaade.2007.543
summary	“I am the kino-eye” states Dziga Vertov in his classic movie The Man with the Movie Camera (1929). The relationship of the cameraman, the subject, and audience is a dynamic that he investigates through cinema. It is also a dynamic that inspires an innovative way for advanced digital media to be explored in architecture pedagogy. This paper is focused on three ways to translate the cinematic relationship developed in Dziga’s work to digital media in architecture: the way designers capture and manipulate digital media to make architecture; how the discourse of film and architecture can be informed by an understanding of the manipulation of digital media; and the role of digital media production as a form of research for architecture. The film is noteworthy because it is not a typical narrative screenplay, rather it is a visual experiment. In standard films the perceptions of space are manipulated through the camera and through other means, but the audience is rarely aware of it. However, Vertov is acutely aware of this dynamic and engages the audience by self-consciously using what would otherwise be considered a mistake – the viewer is aware that the camera looks at his/her own relationship with film not just the relationship of camera and scene. The translation of this into the classroom is that the same tools allow designers to be critical of their relationship with the medium and the way media is used to make architecture. This concept can be applied to any medium, but in this class it is applied to how students relate with produced motion images and editing that into a video production. The three elements described in this text are key aspects of not simply producing short films, but an opportunity to actually be introspective of architecture through an alternative media. Student projects include video montages that develop a cultural perspective on design and projects that are self-conscious of technology and how it impacts the production. The film-work necessary to achieve these productions is simultaneously conscious of the way in which the author relates to the scene and conscious of how that scene is edited in the context of the production.
keywords	Pedagogy, video, hyperspace, film
series	eCAADe
email
last changed	2022/06/07 07:54

_id	fe63
authors	Lindsey, B.
year	2001
title	Digital Gehry
source	Princeton, NJ: Princeton Architectural Press
summary	Frank O. Gehry, born in 1929, founded his own architectural firm in Los Angeles in 1962, and since the building of the Guggenheim Museum in Bilbao, he is undoubtedly among the ranks of international architecture superstars. His buildings are complex constructions, with curves and distortions, skilful plastic shapes which never cease to surprise with their breath-taking spatial effects. To create these daring designs, Gehry makes extensive use of the latest electronic tools, physical models are transformed into digital models using software and hardware which has been adapted from the space industry and medical research. This book provides a colourful insight into Gehry's design methods and the creative process behind his fantastic buildings.
series	other
last changed	2003/04/23 15:14

_id	41a6
authors	Thomas, Wolfgang
year	1993
title	Oberhausen ”Center” — Marketstreet under One Roof
source	Endoscopy as a Tool in Architecture [Proceedings of the 1st European Architectural Endoscopy Association Conference / ISBN 951-722-069-3] Tampere (Finland), 25-28 August 1993, pp. 99-108
summary	Oberhausen/Germany is said to be the birth place of the Ruhr industry. At present we can witness a unique structural change in the history of this city. Well into the sixties still an internationally renowned industrial location for coal and steel Oberhausen shall, according to the plans of local and regional governments, be developed into a center of service industries of top European niveau within the next three years. This development was and is the logical consequence of its salient position in the nexus of important European traffic routes. If one includes nearby Holland which is situated to the northwest Oberhausen can draw on the resources of a substantial market area. Attractive services provided, it can and shall be developed into an international center of attraction for more than 13 million people within a travel time radius of only 60 minutes. In its present borders, the town comprises the communities of Sterkrade, Osterfeld and old Oberhausen which had been independent up to 1929. On their joint boundaries a competitive metropolis of coal related and heavy industry developed, and that particularly after the Second World War. Oberhausen had excellent connections on water, rail and road with all the supraregional transportation networks. The continuous economic power of the settlement area could, apparently, not be questioned. At the beginning of the sixties Oberhausen was hit the harder by the downfall of this seemingly safe economic branch. Up to 1992 almost 40 000 jobs were lost in the city. Within 30 years Oberhausen lost everything it had gained in the years since its foundation. In the heart of the city a huge industrial wasteland was left.
keywords	Architectural Endoscopy
series	EAEA
more	http://info.tuwien.ac.at/eaea/
last changed	2005/09/09 10:43

_id	22cd
authors	Wojtowicz, Jerzy and Gilliard, Jeff
year	1995
title	Purist Lessons: Constructing the Unrealized Villas of Le Corbusier
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 507-516
summary	The villas of Le Corbusier from his Purist Corpus (1923-1929) are appropriate for reconstruction using computational tools for how their inherent logic is revealed by this process. Conceived but never built, the following seven design examples are inferred from incomplete and fragmentary original documentation and rebuilt as three-dimensional computer models. The analytic process of reconstruction depends upon available descriptive information, but more significant is the assumption of a design methodology based in geometry and elemental volumes. Understanding the basis of this method and its rules begins the systematic geometric reconstruction of the villas. The record of this process and the role of the machine in representing the object and its cognitive aspects is supported by the syntactic organization of images.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	e5ea
authors	Maver, T. and Petric, J.
year	1999
title	The Future Will Be Just Like the Past: Only More So: A Tribute to the Late John Lansdown
source	Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 3-5
doi	https://doi.org/10.52842/conf.ecaade.1999.003
summary	The contribution made by the late John Lansdown (1929 - 1999) to the application of computers to a range of creative disciplines, including architecture is outstanding. This paper attempts to capture the essence of his contribution, to celebrate its impact and to conjecture on the trajectory of his vision.
keywords	Future, Polymath, Visionary, Inspiration, Legacy
series	eCAADe
email
last changed	2022/06/07 07:58

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