Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 7 of 7

Reformat results as: short short into frame detailed detailed into frame

_id	7e54
authors	Ömer, Akin
year	1979
title	Models of Architectural Knowledge - An Information Processing Model of Design
source	Carnegie Mellon University, College of Fine Arts, Pittsburgh
summary	Throughout the history of art the position of the artist towards his goals and his product has been constantly redefined. The two opposing views in the above quotation, those of . German Romanticism and Classicism, are typical of the temperamental nature of the state of the art. Today's artist uses intuition as well as reason in his creative work. Similarly, whether we consider the architect an artist or a scientist, he is constantly required to use his intellectal as well as emotional resources while designing. I do not intend to endorse an attitude for the architect which condones only one of those sources at the expense of the other. Today there i s a real opportunity for understanding the reasoning used in problem-solving and applying these to the area of architectural design, the opportunity arises due to a large amount of knowledge accumulated in the area of ' human problem-solving, methods of anlayzing and developing models for human problem solving behavior. The most frequently refered points of departure in this area are Simon's pioneering work in the area of decision-making (1944) and Newell, Shaw and Simon's work on "heuristics" (1957).
series	thesis:PhD
email
last changed	2003/02/12 22:39

_id	ddssar9612
id	ddssar9612
authors	Gorawara-Bhat, Rita
year	1996
title	The physical context of social order
source	Timmermans, Harry (Ed.), Third Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings (Spa, Belgium), August 18-21, 1996
summary	The present ethnographic study of work settings in an established survey research center (Midwest Survey) is unique in that it combines both social organizational specifcs j4 interior physical context in contrast to previous studies that have focussed either on physical aspects or on the social dimensions of work settings. For more than four years the author observed the spatial adaptation by personnel of Midwest Survey. The dates under consideration roughly coincide with a move of Midwest Survey from an original facility to a new (and larger) set of offices. Anchored by seventy three open-ended interviews (constituing roughly 30% of the staff) the observations were carried on during and after the interviews. The synthesis of the ethnographic material revealed that physical settings act not only as a background for facilities, but they become a salient aspect of work life as indicators of status /role congruency and incongruency. Physical settings, therefore, are proposed as "extension" attributes of role structure. In doing so, Nadel's conceptualization of role structure as comprising pivotal arid peripheral attributes (1957) is amplified to include the physical setting as an "extension" attribute. Theoretical and practical implications of the study are suggested.
series	DDSS
last changed	2003/08/07 16:36

_id	sigradi2015_4.87
id	sigradi2015_4.87
authors	Cordido, Mariolly Dávila; González, José Javier Alayón; Prado, Odart Graterol
year	2015
title	Geometric and graphical analysis of the pyramids of Le Corbusier (1950-1957)
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0] Florianópolis, SC, Brasil 23-27 November 2015, pp. 177-182.
summary	This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	acadiaregional2011_003
id	acadiaregional2011_003
authors	Howe, Nathan
year	2011
title	Algorithmic Modeling: Teaching Architecture in Digital Age
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
doi	https://doi.org/10.52842/conf.acadia.2011.x.a0p
summary	Can a working knowledge of algorithmic modeling augment student understanding of building architecture? This question is fundamental when addressing student design education today. This paper demonstrates that when students apply a reductive process more in line with Newell, Shaw and Simon (Newell, Shaw and Simon 1957), they can break down a complex problem into simpler and simpler terms until the problem can be resolved. This type of reduction can be applied systematically to the parametric-driven form through reverse engineering. In the process of reverse engineering, students begin to connect descriptive geometry with complex form, breaking down the complex form into its simplest parts. This design process of reduction and reverse engineering leads designers to take a more systematic approach to theoretical ideas, at once creating complex constructs while pragmatically attacking the issues of buildable form. This paper will delve into teaching analytical tools so students not only comprehend the input of form-making, but the necessary output to test building and material concepts. Fostering a clear methodology for testing built form within the design process also furthers the student’s development as a problem solver and design innovator.
series	ACADIA
last changed	2022/06/07 07:49

_id	sigradi2005_575
id	sigradi2005_575
authors	Murad, Carlos Alberto; Claudia Veloso, Aline Andrade
year	2005
title	The poetic of sight: eye-driven landscapes
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 2, pp. 575-579
summary	This paper is based on the phenomenological approach of the imagination and poetic image of the philosopher Gaston Bachelard (1957, 1960), through a discussion of the role played by imaginary impulse in the comprehension and representation of urban nature. Our aim is to explore the epistemological potential of a poetic interpretation of eye-driven landscapes by an ontology of sight. We will do so by exploring two topopoetics themes given by Bachelard`s phenomenology, such as a blue sky deepness e o movement of intimate immensity, from which Win Wenders`s cinematic urban spaces will be analyzed. We believe the poetic contemplation of film framing would be a way from where the city and its eye-driven landscapes would meet their full human destiny. [Full paper in Portuguese]
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	020d
authors	Shaviv, Edna
year	1986
title	Layout Design Problems: Systematic Approaches
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 28-52
summary	The complexity of the layout design problems known as the 'spatial allocation problems' gave rise to several approaches, which can be generally classified into two main streams. The first attempts to use the computer to generate solutions of the building layout, while in the second, computers are used only to evaluate manually generated solutions. In both classes the generation or evaluation of the layout are performed systematically. Computer algorithms for 'spatial allocation problems' first appeared more than twenty-five years ago (Koopmans, 1957). From 1957 to 1970 over thirty different programs were developed for generating the floor plan layout automatically, as is summarized in CAP-Computer Architecture Program, Vol. 2 (Stewart et al., 1970). It seems that any architect who entered the area of CAAD felt that it was his responsibility to find a solution to this prime architectural problem. Most of the programs were developed for batch processing, and were run on a mainframe without any sophisticated input/output devices. It is interesting to mention that, because of the lack of these sophisticated input/output devices, early researchers used the approach of automatic generation of optimal or quasioptimal layout solution under given constraints. Gradually, we find a recession and slowdown in the development of computer programs for generation of layout solutions. With the improvement of interactive input/output devices and user interfaces, the inclination today is to develop integrated systems in which the architectural solution is obtained manually by the architect and is introduced to the computer for the appraisal of the designer's layout solution (Maver, 1977). The manmachine integrative systems could work well, but it seems that in most of the integrated systems today, and in the commercial ones in particular, there is no route to any appraisal technique of the layout problem. Without any evaluation techniques in commercial integrated systems it seems that the geometrical database exists Just to create working drawings and sometimes also perspectives.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	sigradi2007_af68
id	sigradi2007_af68
authors	Veloso, Claudia; Carlos Murad
year	2007
title	The Film as urban experience: The Fellini´s Roma [O Filme enquanto experiência urbana: A Roma fragmentária de Fellini]
source	SIGraDi 2007 - [Proceedings of the 11th Iberoamerican Congress of Digital Graphics] México D.F. - México 23-25 October 2007, pp. 448-451
summary	This research is done in the field of studies about the potential of imaginal images in the unveiling of the multiple space-time alternances which make up our urban experience and is supported by phenomenological perspective of the imagination and Bachelard´s poetical image (1957,60) in the analysis do filme “Roma de Fellini”(1972). Of cinema as a possibility of highlighting the city and its geometry in a fragmentary and spectacular form. With the intention of arriving at a better dialogue among new languages and styles of life with the intention of opening new possibilities of a better understanding of the urban.
keywords	Poetical image; cinema; poetical urban; landscapes urban; imaginal film
series	SIGRADI
email
last changed	2016/03/10 10:02

No more hits.