Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ec87
authors	Buchanan, Bruce G. and Shortliffe, Edward H. (editors)
year	1984
title	Rule- Based Expert Systems : The MYCIN Experiments of the Stanford Heuristic Programming Project
source	xix, 748 p. Reading, Mass.: Addison-Wesley Pub. Co., 1984. includes bibliography: p. 717-738 and subject index
summary	A detailed look at MYCIN, an expert system for diagnosing bacterial infections and prescribing treatment for them. Issues covered include detailed examinations of knowledge acquisition, reasoning, explanation, tutoring, performance evaluation, and human interface
keywords	AI, expert systems, knowledge acquisition, representation, reasoning, user interface
series	CADline
last changed	2003/06/02 13:58

_id	e0a3
authors	Johnson, Robert E.
year	1984
title	Computer-Aided Energy Economics for Early Concept Design Analysis
source	Building Economics, International Symposium Proceedings (3rd : Canada). 1984? vol. 3: pp.46-57 : ill. includes bibliography
summary	Decisions that have the greatest impact on energy cost performance are made very early in the design process. The problem is that these early design decisions are rarely tested thoroughly until very late in design. Usually this is due to the difficulties inherent in the use of the more sophisticated analysis procedures. Hourly energy computer simulations are costly to use, often require detailed input preparation, and use large ''main-frame' computers. Easier to use energy evaluation tools such as manual calculations and simplified computer programs do not yield reliable results. This is particularly true when passive solar design solutions are being tested. However, even the sophisticated approaches often have a limited ability to comprehensively model the economic implications of the more accurate energy simulations. This paper is intended to describe efforts at the University of Michigan to develop a more integrated approach to the assessment of energy economics - one that may be used at the earliest stages of concept design. The approach taken has been to concentrate on developing interactive, easy to use computer programs to describe building design proposals. This computer-generated building model is then used to automatically generate the information required to run a large, sophisticated energy analysis program developed by the U.S. Army Corps of Engineers (BLAST). Total life cycle cost analysis is performed either using procedures within BLAST or an 'electronic spreadsheet' system. Perceived deficiencies in the current state of this energy/cost evaluation system are described, and future research directions are presented
keywords	architecture, energy, analysis, CAD, economics, design, methods
series	CADline
last changed	2003/06/02 10:24

_id	4685
authors	Barsky, Brian A.
year	1984
title	A Description and Evaluation of Various 3-D Models
source	IEEE Computer Graphics and Applications. January, 1984. vol. 4: pp. 38-52 : ill. Includes bibliography
summary	The use of parametric curves and surfaces for object modeling in computer graphics is becoming increasingly popular. There is sometimes, however, a reluctance to use them because it seems that the added power they give is more than offset by the complexity of their formulations and their computations. The purpose of this article is to clarify their meanings and uses and show how much they have in common behind the diversity of their formulations. The author discusses the properties and benefits of using the parametric Hermite, Coons, Bezier, B-spline, and Beta-spline curve and surface formulations
keywords	Hermite, Coons, curved surfaces, Bezier, curves, B- splines, computational geometry, computer graphics
series	CADline
last changed	2003/06/02 10:24

_id	8087
authors	Boehm, Barry W., Penedo, Maria H. and Stuckle, Don E. (et al)
year	1984
title	A Software Development Environment for Improving Productivity
source	IEEE Computer. June, 1984. pp. 30-44 : ill. includes bibliography
summary	The software productivity system (SPS) was developed to support project activities. It involves a set of strategies, including the work environment; the evaluation and procurement of hardware equipment; the provision for immediate access to computing resources through local area networks; the building of an integrated set of tools to support the software development life cycle and all project personnel; and a user support function to transfer new technology. All of these strategies are being accomplished incrementally. The current architecture is VAX-based and uses the Unix operating system, a wideband local network, and a set of software tools. The article describes the steps that led to the creation of the software productivity project and its components and summarized the requirements analyses on which the SPS was based
keywords	productivity, software, hardware, programming
series	CADline
last changed	2003/06/02 10:24

_id	2667
authors	Gonzalez, C.J., Williams, M.H. and Atichison, I.E.
year	1984
title	Evaluation of the Effectiveness of PROLOG for a CAD Application
source	IEEE Computer Graphics and Applications March, 1984. vol. 4: pp. 67-75 : ill. includes bibliography.
summary	A comparison between PROLOG and PASCAL by implementing them on a PDP-11/34 in order to study whether PROLOG could be used as a language for programming CAD applications and if so how could it be used. To obtain a fair perspective Pascal was chosen as a model for programming languages because it is well structured, embodying all the control structures required for structured programming and providing a wide range of data structure like PROLOG
keywords	PROLOG, PASCAL, CAD, applications, programming, languages
series	CADline
last changed	2003/06/02 14:41

_id	40d6
authors	Johnson, Robert E.
year	1984
title	The Integration of Economic Analysis and Computer-based Building Models
source	CIB W-65 Symposium. July, 1984. [19] p. : ill. includes bibliography
summary	Most current methods used to evaluate the economics of building designs are inadequate in that they focus on the evaluation of completed designs and do not assist in the development and creation of designs. They are used after most major design decisions have been made. This paper describes the first year of a two year research project (funded by the National Science Foundation, the U.S. Government) which seeks to integrate economic analysis techniques into design decision-making within the context of an interactive computer-aided architectural and engineering design system. Issues reviewed include the current state of computer software, existing economic analysis models and existing economic analysis software. A conclusion is reached that most economic analysis systems fall into the category of single purpose software and are not adaptable to the wide range of idiosyncratic evaluation models used in real estate, architecture, engineering, construction and building management. Objectives are proposed for a general purpose, interactive cost modeling system that is integrated with a geometric computer-based building model. Initial experiments with a prototype of this system at various stages of the design-construction-use process are discussed. Further development of this system as a research tool for exploring alternative economic modeling procedures is presented
keywords	analysis, evaluation, CAD, architecture, design, methods, economics, integration
series	CADline
last changed	2003/06/02 13:58

_id	ab9c
authors	Kvan, Thomas and Kvan, Erik
year	1999
title	Is Design Really Social
source	International Journal of Virtual Reality, 4:1
summary	There are many who will readily agree with Mitchell's assertion that "the most interesting new directions (for computer-aided design) are suggested by the growing convergence of computation and telecommunication. This allows us to treat designing not just as a technical process... but also as a social process." [Mitchell 1995]. The assumption is that design was a social process until users of computer-aided design systems were distracted into treating it as a merely technical process. Most readers will assume that this convergence must and will lead to increased communication between design participants, that better social interaction leads to be better design. The unspoken assumption appears to be that putting the participants into an environment with maximal communication channels will result in design collaboration. The tools provided, therefore, must permit the best communication and the best social interaction. We see a danger here, a pattern being repeated which may lead us into less than useful activities. As with several (popular) architectural design or modelling systems already available, however, computer system implementations all too often are poor imitations manual systems. For example, few in the field will argue with the statement that the storage of data in layers in a computer-aided drafting system is an dispensable approach. Layers derive from manual overlay drafting technology [Stitt 1984] which was regarded as an advanced (manual) production concept at the time many software engineers were specifying CAD software designs. Early implementations of CAD systems (such as RUCAPS, GDS, Computervision) avoided such data organisation, the software engineers recognising that object-based structures are more flexible, permitting greater control of data editing and display. Layer-based systems, however, are easier to implement in software, more familiar to the user and hence easier to explain, initially easier to use but more limiting for an experienced and thoughtful user, leading in the end to a lesser quality in resultant drawings and significant problems in output control (see Richens [1990], pp. 31-40 for a detailed analysis of such features and constraints). Here then we see the design for architectural software faithfully but inappropriately following manual methods. So too is there a danger of assuming that the best social interaction is that done face-to-face, therefore all collaborative design communications environments must mimic face-to-face.
series	journal paper
email
last changed	2003/05/15 10:29

_id	8c95
authors	Liu, Clive K.
year	1984
title	Drawings as Models for Design: A Computer Drawing System to Build Models Supporting Design Process through Abstractions
source	Carnegie Mellon University, Pittsburgh
summary	A general design process can be characterized by the sequence of defining various abstract objects used to represent the artifact. For example, designers use various abstractions (dclined as abstrnct objects), such as graphs, polygons, etc., to represent the artifact. As design evolves, these abstract objects will be transformed into a definition (eg. of a building) detailed enough to allow manufacturing and to determine that the result will perform as desired. This thesis is concerned with providing a computer drawing system that could support various abstractions in the design process and allow various representations of the design to be processed and interpreted. A precise drawing contains not only the shape information, but also conveys many topological and geometric relations that its elements must hold to correspond to the arbfact in reality. For many operations during design, one wants these type of relations to be maintained. Other than the drawing being an iconic model, these relations are the semantics of the drawing and, if embedded in the drawing, imbue it with many characteristics of a symbolic model. Current CAD systems have no or limited mechanisms for embedding such relations in a drawing. It is my intent to demonstrate that drawings, especially for shape (both topologV and geometry) information, can be defined as various abstract objects during design process. Therefore, drawings are used as models to represent the artifact. When a model is manipulated, relations defined in the model are maintained.
series	thesis:PhD
last changed	2003/02/12 22:37

_id	ac8b
authors	Mitchell, W.
year	1984
title	CAD Technology, Its Effects on Practice and the Response of Education - an Overview
doi	https://doi.org/10.52842/conf.ecaade.1984.x.b3c
source	The Third European Conference on CAD in the Education of Architecture [eCAADe Conference Proceedings] Helsinki (Finnland) 20-22 September 1984.
summary	Related with the evolution of hardware there also is an evolution of CAD techniques. The very first CAD/CAM packages were developed on mainframes. They moved into practice when 16-bit minicomputers became available. The packages mainly were production drafting applications. The 32-bit super minicomputers give wider possibilities, but at the same time some software problems arise, namely the complexity of CAD- databases and the development and maintenance cost of large programs. With VLSI the distribution of intelligence becomes possible, the enthousiasm for CAD increases, but still the gap between available hardware and high quality software, remains high.Concerning CAD teaching there are severe problems. First of all there are not enough really good designers which know CAD in such a way that they can teach it. Second there is a shortage of equipment and a financial problem. Thirdly there is the question what the students need to know about CAD. which is not clear at the moment. At the University of California, Los Angeles, the following 5 subjects are teached: Computer Support, Computer Literacy, Professional Practice Implications, Exploration of CAD as a Design Medium and Theoretical Foundations of CAD. To use computers as a medium it is necessary to understand architecture, its objects, its operators and its evaluation criteria. The last topic is considered at research level.
series	eCAADe
email
more	www.ecaade.org
last changed	2022/06/07 07:50

_id	2b48
authors	Shaviv, Edna
year	1984
title	A Design Tool for Determining the Form of Fixed and Movable Sunshades
source	ASHRAE Transactions. 1984. vol. 90: [14] p. : ill. and tables. includes bibliography: p. [7]
summary	A method for the design of fixed and movable external sunshaeds for windows is presented. The window can have any shape and be located on a wall having an arbitrary orientation. The fundamental idea is to use a computer to generate the entire envelope of the family of shading solutions that satisfies a prescribed set of shading requirements. The envelope of solutions serves as a nomogram on the basis of which sunshades are designed. Any sunshade designed following this nomogram satisfies the prescribed demands. The method creates an unlimited space of solutions, leaving the final design to the architect's imagination
keywords	evaluation, analysis, shading, design, methods, architecture, algorithms, energy
series	CADline
email
last changed	2003/05/17 10:20

_id	a688
authors	Walters, R. J.
year	1984
title	Towards and End User View of Design Systems
source	1984? pp. 17-27 : tables. includes bibliography
summary	Based upon detailed reporting of CAD use in hospital projects, an end user's view of design systems is developed. From the recorded user experience system development, implementation, performance in use and effects upon design practice are assessed. Aspects of user technique are developed. Current systems are found to be flawed but satisfactory results may be obtained under the right conditions. These are identified. The range of factors required in the development of an end user view of design systems also identified. An evaluation of the use of OXSYS/BDS on Milton Keynes DGH is presented together with an assessment of CAD use (both BDS and GDS) on health building projects at Oxford RHA. The paper summaries a detailed report (Walters 83). The paper is presented in 4 parts: an introduction, results of a detailed case study and an assessment leading towards an end user view of current design systems
keywords	design, CAD, systems, applications, practice, user interface, evaluation
series	CADline
last changed	2003/06/02 13:58

_id	avocaad_2001_09
id	avocaad_2001_09
authors	Yu-Tung Liu, Yung-Ching Yeh, Sheng-Cheng Shih
year	2001
title	Digital Architecture in CAD studio and Internet-based competition
source	AVOCAAD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Nys Koenraad, Provoost Tom, Verbeke Johan, Verleye Johan (Eds.), (2001) Hogeschool voor Wetenschap en Kunst - Departement Architectuur Sint-Lucas, Campus Brussel, ISBN 80-76101-05-1
summary	Architectural design has been changing because of the vast and creative use of computer in different ways. From the viewpoint of designing itself, computer has been used as drawing tools in the latter phase of design (Mitchell 1977; Coyne et al. 1990), presentation and simulation tools in the middle phase (Liu and Bai 2000), and even critical media which triggers creative thinking in the very early phase (Maher et al. 2000; Liu 1999; Won 1999). All the various roles that computer can play have been adopted in a number of professional design corporations and so-called computer-aided design (CAD) studio in schools worldwide (Kvan 1997, 2000; Cheng 1998). The processes and outcomes of design have been continuously developing to capture the movement of the computer age. However, from the viewpoint of social-cultural theories of architecture, the evolvement of design cannot be achieved solely by designers or design processes. Any new idea of design can be accepted socially, culturally and historically only under one condition: The design outcomes could be reviewed and appreciated by critics in the field at the time of its production (Csikszentmihalyi 1986, 1988; Schon and Wiggins 1992; Liu 2000). In other words, aspects of design production (by designers in different design processes) are as critical as those of design appreciation (by critics in different review processes) in the observation of the future trends of architecture.Nevertheless, in the field of architectural design with computer and Internet, that is, so-called computer-aided design computer-mediated design, or internet-based design, most existing studies pay more attentions to producing design in design processes as mentioned above. Relatively few studies focus on how critics act and how they interact with designers in the review processes. Therefore, this study intends to investigate some evolving phenomena of the interaction between design production and appreciation in the environment of computer and Internet.This paper takes a CAD studio and an Internet-based competition as examples. The CAD studio includes 7 master's students and 2 critics, all from the same countries. The Internet-based competition, held in year 2000, includes 206 designers from 43 counties and 26 critics from 11 countries. 3 students and the 2 critics in the CAD studio are the competition participating designers and critics respectively. The methodological steps are as follows: 1. A qualitative analysis: observation and interview of the 3 participants and 2 reviewers who join both the CAD studio and the competition. The 4 analytical criteria are the kinds of presenting media, the kinds of supportive media (such as verbal and gesture/facial data), stages of the review processes, and interaction between the designer and critics. The behavioral data are acquired by recording the design presentation and dialogue within 3 months. 2. A quantitative analysis: statistical analysis of the detailed reviewing data in the CAD studio and the competition. The four 4 analytical factors are the reviewing time, the number of reviewing of the same project, the comparison between different projects, and grades/comments. 3. Both the qualitative and quantitative data are cross analyzed and discussed, based on the theories of design thinking, design production/appreciation, and the appreciative system (Goodman 1978, 1984).The result of this study indicates that the interaction between design production and appreciation during the review processes could differ significantly. The review processes could be either linear or cyclic due to the influences from the kinds of media, the environmental discrepancies between studio and Internet, as well as cognitive thinking/memory capacity. The design production and appreciation seem to be more linear in CAD studio whereas more cyclic in the Internet environment. This distinction coincides with the complementary observations of designing as a linear process (Jones 1970; Simon 1981) or a cyclic movement (Schon and Wiggins 1992). Some phenomena during the two processes are also illustrated in detail in this paper.This study is merely a starting point of the research in design production and appreciation in the computer and network age. The future direction of investigation is to establish a theoretical model for the interaction between design production and appreciation based on current findings. The model is expected to conduct using revised protocol analysis and interviews. The other future research is to explore how design computing creativity emerge from the process of producing and appreciating.
series	AVOCAAD
email
last changed	2005/09/09 10:48

_id	409c
authors	Akin, Omer, Flemming, Ulrich and Woodbury, Robert F.
year	1984
title	Development of Computer Systems for Use in Architectural Education
source	1984. ii, 47 p. includes bibliography
summary	Computers have not been used in education in a way that fosters intellectual development of alternate approaches to design. Sufficient theory exists to use computing devices to support other potentially fruitful approaches to design. A proposal is made for the development of a computer system for architectural education which is built upon a particular model for design, that of rational decision making. Within the framework provided by the model, a series of courseware development projects are proposed which together with hardware acquisitions constitute a comprehensive computer system for architectural education
keywords	architecture, education, design, decision making
series	CADline
email
last changed	2003/06/02 13:58

_id	44b1
authors	Balas, Egon
year	1984
title	On the Facial Structure of Scheduling Polyhedra
source	49 p., 6 p. of appendix : ill. Pittsburgh, PA: Design Research Center, Carnegie Mellon Univ., December, 1984. includes bibliography
summary	A well-known job shop scheduling problem can be formulated as follows. Given a graph G with node set N and with directed and undirected arcs, find an orientation of the undirected arcs that minimizes the length of a longest path in G. The author treats the problem as a disjunctive program, without recourse to integer variables, and give a partial characterization of the scheduling polyhedron P(N), i.e., the convex hull of feasible schedules. In particular, he derives all the facets inducing inequalities for the scheduling polyhedron P(K) defined on some clique with node set K, and gives a sufficient condition for such inequalities to also induce facets of P(N). One of our results is that any inequality that induces a facet of P(H) for some HCK, also induces a facet of P(K). Another one is a recursive formula for deriving a facet inducing inequality with p positive coefficients from one with p-1 positive coefficients. The author also addresses the constraint identification problem, and gives a procedure for finding an inequality that cuts off a given solution to a subset of the constraints
keywords	polyhedra, graphs, optimization, convex hull
series	CADline
last changed	1999/02/12 15:07

_id	ecaadesigradi2019_449
id	ecaadesigradi2019_449
authors	Becerra Santacruz, Axel
year	2019
title	The Architecture of ScarCity Game - The craft and the digital as an alternative design process
doi	https://doi.org/10.52842/conf.ecaade.2019.3.045
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 45-52
summary	The Architecture of ScarCity Game is a board game used as a pedagogical tool that challenges architecture students by involving them in a series of experimental design sessions to understand the design process of scarcity and the actual relation between the craft and the digital. This means "pragmatic delivery processes and material constraints, where the exchange between the artisan of handmade, representing local skills and technology of the digitally conceived is explored" (Huang 2013). The game focuses on understanding the different variables of the crafted design process of traditional communities under conditions of scarcity (Michel and Bevan 1992). This requires first analyzing the spatial environmental model of interaction, available human and natural resources, and the dynamic relationship of these variables in a digital era. In the first stage (Pre-Agency), the game set the concept of the craft by limiting students design exploration from a minimum possible perspective developing locally available resources and techniques. The key elements of the design process of traditional knowledge communities have to be identified (Preez 1984). In other words, this stage is driven by limited resources + chance + contingency. In the second stage (Post-Agency) students taking the architects´ role within this communities, have to speculate and explore the interface between the craft (local knowledge and low technological tools), and the digital represented by computation data, new technologies available and construction. This means the introduction of strategy + opportunity + chance as part of the design process. In this sense, the game has a life beyond its mechanics. This other life challenges the participants to exploit the possibilities of breaking the actual boundaries of design. The result is a tool to challenge conventional methods of teaching and leaning controlling a prescribed design process. It confronts the rules that professionals in this field take for granted. The game simulates a 'fake' reality by exploring in different ways with surveyed information. As a result, participants do not have anything 'real' to lose. Instead, they have all the freedom to innovate and be creative.
keywords	Global south, scarcity, low tech, digital-craft, design process and innovation by challenge.
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	4e4e
authors	Boissonnat, Jean-Daniel
year	1984
title	Geometric Structures for Three- Dimensional Shape Representation
source	ACM Transactions on Graphics. October, 1984. vol. 3: pp. 266-286 : ill. includes bibliography
summary	Different geometric structures are investigated in the context of discrete surface representation. It is shown that minimal representations (i.e., polyhedra) can be provided by a surface-based method using nearest neighbors structures or by a volume-based method using the Delaunay triangulation. Both approaches are compared with respect to various criteria, such as space requirements, computation time, constraints on the distribution of the points, facilities for further calculations, and agreement with the actual shape of the object
keywords	algorithms, polyhedra, curves, curved surfaces, solids, representation, geometric modeling, data structures
series	CADline
last changed	1999/02/12 15:07

_id	a6f1
authors	Bridges, A.H.
year	1986
title	Any Progress in Systematic Design?
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 5-15
summary	In order to discuss this question it is necessary to reflect awhile on design methods in general. The usual categorization discusses 'generations' of design methods, but Levy (1981) proposes an alternative approach. He identifies five paradigm shifts during the course of the twentieth century which have influenced design methods debate. The first paradigm shift was achieved by 1920, when concern with industrial arts could be seen to have replaced concern with craftsmanship. The second shift, occurring in the early 1930s, resulted in the conception of a design profession. The third happened in the 1950s, when the design methods debate emerged; the fourth took place around 1970 and saw the establishment of 'design research'. Now, in the 1980s, we are going through the fifth paradigm shift, associated with the adoption of a holistic approach to design theory and with the emergence of the concept of design ideology. A major point in Levy's paper was the observation that most of these paradigm shifts were associated with radical social reforms or political upheavals. For instance, we may associate concern about public participation with the 1970s shift and the possible use (or misuse) of knowledge, information and power with the 1980s shift. What has emerged, however, from the work of colleagues engaged since the 1970s in attempting to underpin the practice of design with a coherent body of design theory is increasing evidence of the fundamental nature of a person's engagement with the design activity. This includes evidence of the existence of two distinctive modes of thought, one of which can be described as cognitive modelling and the other which can be described as rational thinking. Cognitive modelling is imagining, seeing in the mind's eye. Rational thinking is linguistic thinking, engaging in a form of internal debate. Cognitive modelling is externalized through action, and through the construction of external representations, especially drawings. Rational thinking is externalized through verbal language and, more formally, through mathematical and scientific notations. Cognitive modelling is analogic, presentational, holistic, integrative and based upon pattern recognition and pattern manipulation. Rational thinking is digital, sequential, analytical, explicatory and based upon categorization and logical inference. There is some relationship between the evidence for two distinctive modes of thought and the evidence of specialization in cerebral hemispheres (Cross, 1984). Design methods have tended to focus upon the rational aspects of design and have, therefore, neglected the cognitive aspects. By recognizing that there are peculiar 'designerly' ways of thinking combining both types of thought process used to perceive, construct and comprehend design representations mentally and then transform them into an external manifestation current work in design theory is promising at last to have some relevance to design practice.
series	CAAD Futures
email
last changed	2003/11/21 15:16

_id	architectural_intelligence2023_10
id	architectural_intelligence2023_10
authors	Cheng Bi Duan, Su Yi Shen, Ding Wen Bao & Xin Yan
year	2023
title	Innovative design solutions for contemporary Tou-Kung based on topological optimisation
doi	https://doi.org/https://doi.org/10.1007/s44223-023-00028-x
source	Architectural Intelligence Journal
summary	Tou-Kung, which is pronounced in Chinese and known as Bracket Set (Liang & Fairbank, A pictorial history of Chinese architecture, 1984), is a vital support component in the Chinese traditional wooden tectonic systems. It is located between the column and the beam and connects the eave and pillar, making the heavy roof extend out of the eaves longer. The development of Tou-Kung is entirely a microcosm of the development of ancient Chinese architecture; the aesthetic structure and Asian artistic temperament behind Tou-Kung make it gradually become the cultural and spiritual symbol of traditional Chinese architecture. In the contemporary era, inheriting and developing Tou-Kung has become an essential issue. Several architects have attempted to employ new materials and techniques to integrate the traditional Tou-Kung into modern architectural systems, such as the China Pavilion at the 2010 World Expo and Yusuhara Wooden Bridge Museum. This paper introduces the topological optimisation method bi-directional evolutionary structural optimisation (BESO) for form-finding. BESO method is one of the most popular topology optimisation methods widely employed in civil engineering and architecture. Through analyzing the development trend of Tou-Kung and mechanical structure, the authors integrate 2D and 3D optimisation methods and apply the hybrid methods to form-finding. Meanwhile, mortise and tenon joint used to create stable connections with components of Tou-Kung are retained. This research aims to design a new Tou-Kung corresponding to “structural performance-based aesthetics”. The workflow proposed in this paper is valuable for Architrave and other traditional building components.
series	Architectural Intelligence
email
last changed	2025/01/09 15:00

_id	8860
authors	Choi, B.K., Barash, M.M. and Anderson, D.C.
year	1984
title	Automatic Recognition of Machined Surfaces from a 3D Solid Model
source	computer Aided Design. March, 1984. vol. 16: pp. 81-86 : ill. includes bibliography
summary	It has been proposed that a direct link between CAD and CAM be provided through a computer-automated process planning system. Described in this paper are algorithmic procedures to identify machined surfaces (i.e., machining requirements) for a workpiece directly from its 3D geometric description. A machined surface is a portion of workpiece that can be generated by a certain mode of metal removal operation. Machined surfaces are algorithmically recognized from a 3D boundary file, and then their 2 1/2D descriptions are obtained in a data structure (format) suitable for an automated process planning system. A simplified boundary file data structure is introduced in order to explain the machined surface recognition procedures
keywords	A machined surface type is defined as a pattern of faces, and a syntactic pattern recognition method is used to find the machined surface from the boundary file
series	CADline
last changed	2003/06/02 13:58

_id	caadria2020_118
id	caadria2020_118
authors	Chow, Ka Lok and van Ameijde, Jeroen
year	2020
title	Generative Housing Communities - Design of Participatory Spaces in Public Housing Using Network Configurational Theories
doi	https://doi.org/10.52842/conf.caadria.2020.2.283
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 283-292
summary	This research-by-design project explores how public housing estates can accommodate social diversity and the appropriation of shared spaces, using qualitative and quantitative analysis of circulation networks. A case study housing estate in Hong Kong was analysed through field observations of movements and activities and as a site for the speculative re-design of shared spaces. Generative design processes were developed based on several parameters, including shortest paths, visibility integration and connectivity integration (Hillier & Hanson, 1984). Additional tools were developed to combine these techniques with optimisation of sunlight access, maximisation of views for residential towers and the provision of permeability of ground level building volumes. The project demonstrates how flexibility of use and social engagement can constitute a platform for self-organisation, similar to Jane Jacobs' notion of vibrant streets leading to active and progressive communities. It shows how computational design and configurational theories can promote a bottom-up approach for generating new types of residential environments that support participatory and diverse communities, rather than a conventional top-down approach that is perceived to embody mechanisms of social regimentation.
keywords	Urban Planning and Design; Network Configuration; Community Space and Social Interaction; Hong Kong Public Housing
series	CAADRIA
email
last changed	2022/06/07 07:56

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