Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	6db4
authors	Karakatsanis, Andreas Georgiou
year	1985
title	Floder: A Floor Designer Expert System
source	Department of Civil Engineering, Carnegie Mellon University, Pittsburgh PA
summary	The use of computers in structural design for the last two decades has been limited to algorithmic and procedural tasks. The use of expert system environments facilitates the implementation of conceptual tasks in computer programs. The goal of this study is to develop an expert system for the structural design of floor framings. FLODER, the resulting expert system, generates, analyzes, and evaluates floor framings for a given architectural plan. Framing generation consists of determination of the locations of structural elements in the architectural plan. Analysis involves an approximation of the dimensions of the slabs. Evaluation numerically ranks all generated framings using heuristic features for the alternatives. FLODER is implemented in OPS5 and LISP. The primary representations used are OPS5 production rules for the knowledge-base, and OPS5 working memory elements, for the context. Tasks amenable to algorithmic approaches are implemented in LISP. FLODER, even in its present state, can be viewed as a useful assistant to a designer. It can rapidly generate and evaluate alternative framings for a given architectural plan and thus increase the work productivity of its users [includes bibliography].
keywords	Knowledge Base, Systems, Design, Architecture, Civil Engineering, Representation, Expert Systems, Floor Plans, Synthesis, Structures
series	CADline
last changed	1999/02/15 15:27

_id	678e
authors	Aish, Robert
year	1986
title	Three-dimensional Input and Visualization
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 68-84
summary	The aim of this chapter is to investigate techniques by which man-computer interaction could be improved, specifically in the context of architectural applications of CAD. In this application the object being designed is often an assembly of defined components. Even if the building is not actually fabricated from such components, it is usually conceptualized in these terms. In a conventional graphics- based CAD system these components are usually represented by graphical icons which are displayed on the graphics screen and arranged by the user. The system described here consists of three- dimensional modelling elements which the user physically assembles to form his design. Unlike conventional architectural models which are static (i.e. cannot be changed by the users) and passive (i.e. cannot be read by a CAD system), this model is both 'user generated' and 'machine readable'. The user can create, edit and view the model by simple, natural modelling activities and without the need to learn complex operating commands often associated with CAD systems. In particular, the user can view the model, altering his viewpoint and focus of attention in a completely natural way. Conventional computer graphics within an associated CAD system are used to represent the detailed geometry which the different three-dimensional icons may represent. In addition, computer graphics are also used to present the output of the performance attributes of the objects being modelled. In the architectural application described in this chapter an energy- balance evaluation is displayed for a building designed using the modelling device. While this system is not intended to offer a completely free-form input facility it can be considered to be a specialist man-machine interface of particular relevance to architects or engineers.
series	CAAD Futures
email
last changed	2003/11/21 15:15

_id	298e
authors	Dave, Bharat and Woodbury, Robert
year	1990
title	Computer Modeling: A First Course in Design Computing
source	The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 61-76
summary	Computation in design has long been a focus in our department. In recent years our faculty has paid particular attention to the use of computation in professional architectural education. The result is a shared vision of computers in the curriculum [Woodbury 1985] and a set of courses, some with considerable historyland others just now being initiated. We (Dave and Woodbury) have jointly developed and at various times over the last seven years have taught Computer Modeling, the most introductory of these courses. This is a required course for all the incoming freshmen students in the department. In this paper we describe Computer Modeling: its context, the issues and topics it addresses, the tasks it requires of students, and the questions and opportunities that it raises. Computer Modeling is a course about concepts, about ways of explicitly understanding design and its relation to computation. Procedural skills and algorithmic problem solving techniques are given only secondary emphasis. In essential terms, the course is about models, of design processes, of designed objects, of computation and of computational design. Its lessons are intended to communicate a structure of such models to students and through this structure to demonstrate a relationship between computation and design. It is hoped that this structure can be used as a framework, around which students can continue to develop an understanding of computers in design.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	avocaad_2001_02
id	avocaad_2001_02
authors	Cheng-Yuan Lin, Yu-Tung Liu
year	2001
title	A digital Procedure of Building Construction: A practical project
source	AVOCAAD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Nys Koenraad, Provoost Tom, Verbeke Johan, Verleye Johan (Eds.), (2001) Hogeschool voor Wetenschap en Kunst - Departement Architectuur Sint-Lucas, Campus Brussel, ISBN 80-76101-05-1
summary	In earlier times in which computers have not yet been developed well, there has been some researches regarding representation using conventional media (Gombrich, 1960; Arnheim, 1970). For ancient architects, the design process was described abstractly by text (Hewitt, 1985; Cable, 1983); the process evolved from unselfconscious to conscious ways (Alexander, 1964). Till the appearance of 2D drawings, these drawings could only express abstract visual thinking and visually conceptualized vocabulary (Goldschmidt, 1999). Then with the massive use of physical models in the Renaissance, the form and space of architecture was given better precision (Millon, 1994). Researches continued their attempts to identify the nature of different design tools (Eastman and Fereshe, 1994). Simon (1981) figured out that human increasingly relies on other specialists, computational agents, and materials referred to augment their cognitive abilities. This discourse was verified by recent research on conception of design and the expression using digital technologies (McCullough, 1996; Perez-Gomez and Pelletier, 1997). While other design tools did not change as much as representation (Panofsky, 1991; Koch, 1997), the involvement of computers in conventional architecture design arouses a new design thinking of digital architecture (Liu, 1996; Krawczyk, 1997; Murray, 1997; Wertheim, 1999). The notion of the link between ideas and media is emphasized throughout various fields, such as architectural education (Radford, 2000), Internet, and restoration of historical architecture (Potier et al., 2000). Information technology is also an important tool for civil engineering projects (Choi and Ibbs, 1989). Compared with conventional design media, computers avoid some errors in the process (Zaera, 1997). However, most of the application of computers to construction is restricted to simulations in building process (Halpin, 1990). It is worth studying how to employ computer technology meaningfully to bring significant changes to concept stage during the process of building construction (Madazo, 2000; Dave, 2000) and communication (Haymaker, 2000).In architectural design, concept design was achieved through drawings and models (Mitchell, 1997), while the working drawings and even shop drawings were brewed and communicated through drawings only. However, the most effective method of shaping building elements is to build models by computer (Madrazo, 1999). With the trend of 3D visualization (Johnson and Clayton, 1998) and the difference of designing between the physical environment and virtual environment (Maher et al. 2000), we intend to study the possibilities of using digital models, in addition to drawings, as a critical media in the conceptual stage of building construction process in the near future (just as the critical role that physical models played in early design process in the Renaissance). This research is combined with two practical building projects, following the progress of construction by using digital models and animations to simulate the structural layouts of the projects. We also tried to solve the complicated and even conflicting problems in the detail and piping design process through an easily accessible and precise interface. An attempt was made to delineate the hierarchy of the elements in a single structural and constructional system, and the corresponding relations among the systems. Since building construction is often complicated and even conflicting, precision needed to complete the projects can not be based merely on 2D drawings with some imagination. The purpose of this paper is to describe all the related elements according to precision and correctness, to discuss every possibility of different thinking in design of electric-mechanical engineering, to receive feedback from the construction projects in the real world, and to compare the digital models with conventional drawings.Through the application of this research, the subtle relations between the conventional drawings and digital models can be used in the area of building construction. Moreover, a theoretical model and standard process is proposed by using conventional drawings, digital models and physical buildings. By introducing the intervention of digital media in design process of working drawings and shop drawings, there is an opportune chance to use the digital media as a prominent design tool. This study extends the use of digital model and animation from design process to construction process. However, the entire construction process involves various details and exceptions, which are not discussed in this paper. These limitations should be explored in future studies.
series	AVOCAAD
email
last changed	2005/09/09 10:48

_id	a920
authors	Kulcke, Richard
year	1989
title	CAAD in the Architectural Education of the Fachhochschulen in the Federal Republic of Germany
source	CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 4.3.1
doi	https://doi.org/10.52842/conf.ecaade.1989.x.w7a
summary	For over 10 years the author has been a teacher in the field of "computer application in architecture" at the Fachhochschule. Since 1985 he regularly has been taking part in the conferences of A.I.I.D.A. (Arbeitskreis INFORMATIK IN DER ARCHlTEKTENAUSBILDUNG). All the faculties of architecture at the Fachhochschulen (about 10) can send their representatives of CAAD to the conferences. A.I.I.D.A. has been having 2 conferences a year since 1985. At the last conference in Wiesbaden a paper with statements of A.I.I.D.A. for the further education in CAAD was finished. The author presents and explains this paper. On the other hand he shows the actual education program of CAAD of his faculty. The education in CAAD started in 1972 with basic information without practical elements. Now the practical work with the workstation is talking most of the time . The computer application is available for subjects like Building Economics, Building and Structure Design and others. With his assistant the author developed programs of the field of Building Economics. In 1986 he started introduce CAD with AutoCAD in the education program. Now also other colleagues start to integrate CAAD into their subjects.
series	eCAADe
last changed	2022/06/07 07:50

_id	687b
authors	Lansdown, John
year	1986
title	Requirements for Knowledge-based Systems in Design
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 120-127
summary	Even from the comparatively small amount of work that has been done in this area it is already clear that expert systems can be of value in many architectural applications. This is particularly so in those applications involving what broadly can be called, 'classification' (such as fault diagnosis, testing for conformity with regulations and so on). What we want to look at in this chapter are some of the developments in knowledge-based systems (KBS) which will be needed in order to make them more useful in a broader application area and, especially, in creative design. At the heart of these developments will be two things: (1), more appropriate methods of representing knowledge which are as accessible to humans as they are to computers; and (2), better ways of ensuring that this knowledge can be brought to bear exactly where and when it is needed. Knowledge engineers usually call these elements, respectively, 'knowledge representation' and 'control'.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	02c6
authors	Wheeler, B.J.Q
year	1986
title	A Unified Model for Building
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 200-231
summary	It is commonly recognized that the time-honoured procedure for preparing an architectural design for building on site is inefficient. Each member of a team of consultant professionals makes an independently documented contribution. For a typical project involving an architect and structural, electrical, mechanical and public services engineers there will be at least five separate sets of general- arrangement drawings, each forming a model of the building, primarily illustrating one discipline but often having to include elements of others in order to make the drawing readable. For example, an air-conditioning duct-work layout is more easily understood when superimposed on the room layout it serves which the engineer is not responsible for but has to understand. Both during their parallel evolution and later, when changes have to be made during the detailed design and production drawing stages, it is difficult and time consuming to keep all versions coordinated. Complete coordination is rarely achieved in time, and conflicts between one discipline and another have to be rectified when encountered on site with resulting contractual implications. Add the interior designer, the landscape architect and other specialized consultants at one end of the list and contractors' shop drawings relating to the work of all the consultants at the other, and the number of different versions of the same thing grows, escalating the concomitant task of coordination. The potential for disputes over what is the current status of the design is enormous, first, amongst the consultants and second, between the consultants and the contractor. When amendments are made by one party, delay and confusion tend to follow during the period it takes the other parties to update their versions to include them. The idea of solving this problem by using a common computer-based model which all members of the project team can directly contribute to is surely a universally assumed goal amongst all those involved in computer-aided building production. The architect produces a root drawing or model, the 'Architect's base plan', to which the other consultants have read-only access and on top of which they can add their own write-protected files. Every time they access the model to write in the outcome of their work on the project they see the current version of the 'Architect's base plan' and can thus respond immediately to recent changes and avoid wasting time on redundant work. The architect meanwhile adds uniquely architectural material in his own overlaid files and maintains the root model as everybody's work requires. The traditional working pattern is maintained while all the participants have the ability to see their colleagues, work but only make changes to those parts for which they are responsible.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	avocaad_2001_16
id	avocaad_2001_16
authors	Yu-Ying Chang, Yu-Tung Liu, Chien-Hui Wong
year	2001
title	Some Phenomena of Spatial Characteristics of Cyberspace
source	AVOCAAD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Nys Koenraad, Provoost Tom, Verbeke Johan, Verleye Johan (Eds.), (2001) Hogeschool voor Wetenschap en Kunst - Departement Architectuur Sint-Lucas, Campus Brussel, ISBN 80-76101-05-1
summary	"Space," which has long been an important concept in architecture (Bloomer & Moore, 1977; Mitchell, 1995, 1999), has attracted interest of researchers from various academic disciplines in recent years (Agnew, 1993; Benko & Strohmayer, 1996; Chang, 1999; Foucault, 1982; Gould, 1998). Researchers from disciplines such as anthropology, geography, sociology, philosophy, and linguistics regard it as the basis of the discussion of various theories in social sciences and humanities (Chen, 1999). On the other hand, since the invention of Internet, Internet users have been experiencing a new and magic "world." According to the definitions in traditional architecture theories, "space" is generated whenever people define a finite void by some physical elements (Zevi, 1985). However, although Internet is a virtual, immense, invisible and intangible world, navigating in it, we can still sense the very presence of ourselves and others in a wonderland. This sense could be testified by our naming of Internet as Cyberspace -- an exotic kind of space. Therefore, as people nowadays rely more and more on the Internet in their daily life, and as more and more architectural scholars and designers begin to invest their efforts in the design of virtual places online (e.g., Maher, 1999; Li & Maher, 2000), we cannot help but ask whether there are indeed sensible spaces in Internet. And if yes, these spaces exist in terms of what forms and created by what ways?To join the current interdisciplinary discussion on the issue of space, and to obtain new definition as well as insightful understanding of "space", this study explores the spatial phenomena in Internet. We hope that our findings would ultimately be also useful for contemporary architectural designers and scholars in their designs in the real world.As a preliminary exploration, the main objective of this study is to discover the elements involved in the creation/construction of Internet spaces and to examine the relationship between human participants and Internet spaces. In addition, this study also attempts to investigate whether participants from different academic disciplines define or experience Internet spaces in different ways, and to find what spatial elements of Internet they emphasize the most.In order to achieve a more comprehensive understanding of the spatial phenomena in Internet and to overcome the subjectivity of the members of the research team, the research design of this study was divided into two stages. At the first stage, we conducted literature review to study existing theories of space (which are based on observations and investigations of the physical world). At the second stage of this study, we recruited 8 Internet regular users to approach this topic from different point of views, and to see whether people with different academic training would define and experience Internet spaces differently.The results of this study reveal that the relationship between human participants and Internet spaces is different from that between human participants and physical spaces. In the physical world, physical elements of space must be established first; it then begins to be regarded as a place after interaction between/among human participants or interaction between human participants and the physical environment. In contrast, in Internet, a sense of place is first created through human interactions (or activities), Internet participants then begin to sense the existence of a space. Therefore, it seems that, among the many spatial elements of Internet we found, "interaction/reciprocity" Ñ either between/among human participants or between human participants and the computer interface Ð seems to be the most crucial element.In addition, another interesting result of this study is that verbal (linguistic) elements could provoke a sense of space in a degree higher than 2D visual representation and no less than 3D visual simulations. Nevertheless, verbal and 3D visual elements seem to work in different ways in terms of cognitive behaviors: Verbal elements provoke visual imagery and other sensory perceptions by "imagining" and then excite personal experiences of space; visual elements, on the other hand, provoke and excite visual experiences of space directly by "mapping".Finally, it was found that participants with different academic training did experience and define space differently. For example, when experiencing and analyzing Internet spaces, architecture designers, the creators of the physical world, emphasize the design of circulation and orientation, while participants with linguistics training focus more on subtle language usage. Visual designers tend to analyze the graphical elements of virtual spaces based on traditional painting theories; industrial designers, on the other hand, tend to treat these spaces as industrial products, emphasizing concept of user-center and the control of the computer interface.The findings of this study seem to add new information to our understanding of virtual space. It would be interesting for future studies to investigate how this information influences architectural designers in their real-world practices in this digital age. In addition, to obtain a fuller picture of Internet space, further research is needed to study the same issue by examining more Internet participants who have no formal linguistics and graphical training.
series	AVOCAAD
email
last changed	2005/09/09 10:48

_id	2928
authors	Barsky, Brian A. and De Rose, Tony D.
year	1985
title	The Beta2-spline : A Special Case of the Beta-spline Curve and Surface Representation
source	IEEE Computer Graphics and Applications September, 1985. vol. 5: pp. 46-58 : ill. includes bibliography.
summary	This article develops a special case of the Beta-spline curve and surface technique called the Beta2-spline. While a general Beta-spline has two parameters (B1 and B2) controlling its shape, the special case presented here has only the single parameter B2. Experience has shown this to be a simple but very useful special case that is computationally more efficient than the general case. Optimized algorithms for the evaluation of the Beta2-spline basis functions and rendering of Beta2-spline curves and surfaces via subdivision are presented. This technique is proving to be quite useful in the modeling of complex shapes. The representation is sufficiently general and flexible so as to be capable of modeling irregular curved-surface objects such as automobile bodies, aircraft fuselages, ship hulls, turbine blades, and bottles
keywords	B-splines, curved surfaces, computational geometry, representation, algorithms, computer graphics, rendering
series	CADline
last changed	2003/06/02 14:41

_id	4532
authors	Bono, Peter R.
year	1985
title	A Survey of Graphics Standards and Their Role in Information Interchange
source	IEEE Computer. October, 1985. vol. 18: pp. 63-75 : ill. ; tables. includes bibliography
summary	The survey describes each graphic standard and explains the interrelationships among the standards. The role and commercial impact of PCs serving as workstations in a distributed, network, multimedia environment is emphasized. It is shown that current graphics standardization activity focused on three principal areas: the application interface, the device interface, and picture exchange. The operator interface and hardware interfaces will be expected to be the subjects for standardization in the future. In addition, picture exchange will be replaced by information exchange, where information includes text, image, and voice components merged with graphics to create an integrated whole
keywords	computer graphics, standards, GKS, communication
series	CADline
last changed	2003/06/02 13:58

_id	e4bc
authors	Cass, Christopher
year	1985
title	Creativity and Automation: Thoughtful Training Guarantees Room for Both
source	computer Graphics World. November, 1985. vol. 8: pp. 33-34, 36 : col. ill
summary	To avoid losing and ignoring the conceptual and functional importance of traditional design and modeling skills, firms should control the use of new technology in such a way that traditional organizational benefits are retained. Problems and suggestions were presented for the training programs given to those who already possess design skills in order to enhance creativity
keywords	creativity, training, automation, practice
series	CADline
last changed	1999/02/12 15:07

_id	0533
authors	Clemons, Eric K. and Greenfield, Arnold J.
year	1985
title	The SAGE System Architecture: A System for the Rapid Development of Graphics Interfaces for Decision Support
source	IEEE Computer Graphics and Applications. November, 1985. vol. 5: pp. 38-50 : ill. includes bibliography
summary	Graphics interfaces support the decision maker in sensitivity analysis - the exploration of proposed solutions and examination of alternatives. The authors present an architecture for rapid preparation of graphics interfaces for large classes of management sciences, operations research, and expert systems models. This architecture is based on a detailed study of sensitivity analysis requests is also presented. The architecture was the basis of a prototype, now operational, which is illustrated through a case study of sensitivity analysis in a vehicle-routing system
keywords	expert systems, user interface, operations research
series	CADline
last changed	2003/06/02 10:24

_id	c341
authors	Cohen, Michael F. and Greenberg, Donald P.
year	1985
title	The Hemi-Cube: A Radiosity Solution for Complex Environments
source	SIGGRAPH '85 conference proceedings. July, 1985. vol. 19 ; no. 3: pp. 31-39 : ill. (some col.). includes bibliography
summary	This paper presents a comprehensive method to calculate object to object diffuse reflections within complex environments containing hidden surfaces and shadows. In essence, each object in the environment is treated as a secondary light source. The method provides an accurate representation of the 'diffuse' and 'ambient' terms found in typical image synthesis algorithms. The phenomena of 'color bleeding' from one surface to another, shading within shadow envelopes, and penumbras along shadow boundaries are accurately reproduced. Additional advantages result because computations are independent of viewer position. This allows the efficient rendering of multiple views of the same scene for dynamic sequences. Light sources can be modulated and object reflectivities can be changed, with minimal extra computation. The procedures extend the radiosity method beyond the bounds previously imposed
keywords	hidden surfaces, shadowing, computer graphics, geometric modeling, radiosity
series	CADline
last changed	2003/06/02 13:58

_id	23bc
authors	Demko, Stephen, Hodges, Laurie and Naylor, Bruce F.
year	1985
title	Construction of Fractal Objects with Iterated Function Systems
source	SIGGRAPH '85 Conference Proceedings. July, 1985. vol. 19 ; no. 3: pp. 271-278 : ill. col. includes bibliography
summary	In computer graphics, geometric modeling of complex objects is a difficult process. An important class of complex objects arise from natural phenomena: trees, plants, clouds, mountains, etc. Researchers are investigating a variety of techniques for extending modeling capabilities to include these as well as other classes. One mathematical concept that appears to have significant potential for this is fractals. Much interest currently exists in the general scientific community in using fractals as a model of complex natural phenomena. However, only a few methods for generating fractal sets are known. We have been involved in the development of a new approach to computing fractals. Any set of linear maps (affine transformations) and an associated set of probabilities determines an Iterated Function System (IFS). Each IFS has a unique 'attractor' which is typically a fractal set (object). Specification of only a few maps can produce very complicated objects. Design of fractal objects is made relatively simple and intuitive by the discovery of an important mathematical property relating the fractal sets to the IFS. The method also provides the possibility of solving the inverse problem, given the geometry of an object, determine an IFS that will (approximately) generate that geometry. This paper presents the application of the theory of IFS to geometric modeling
keywords	computer graphics, geometric modeling, fractals, visualization
series	CADline
last changed	2003/06/02 13:58

_id	29ff
authors	Farouki, Rida T. and Hinds, John K.
year	1985
title	A Hierarchy of Geometric Forms
source	IEEE Computer Graphics and Applications. May, 1985. vol. 5: pp. 51-78 : ill. includes bibliography
summary	This article describes a unified approach to geometric modeling based on the mathematics of parametric polynomial functions. Such a unified scheme for geometric representation and computation provides a natural base for a geometric modeler of considerable versatility and robustness
keywords	geometric modeling, parametrization, representation, curves, curved surfaces, B-splines
series	CADline
last changed	2003/06/02 13:58

_id	e191
authors	Fuchs, Henry, Goldfeather, Jack and Hultquist, Jeff P.
year	1985
title	Fast Spheres, Shadows, Textures, Transparencies, and Image Enhancements in Pixel-Planes
source	SIGGRAPH '85 Conference Proceedings. July, 1985. 1985. vol. 19 ; no. 3: pp. 111-120 : ill. includes bibliography
summary	Pixel-planes is a logic-enhanced memory system for raster graphics and imaging. Although each pixel-memory is enhanced with a one-bit ALU, the system's real power comes from a tree of one-bit address that can evaluate linear expressions Ax + By + C for every pixel (x,y) simultaneously, as fast as the ALUs and the memory circuits can accept the results. The development of a variety of algorithms that exploit this fast linear expression evaluation capability has started. The paper reports some of those results. Illustrated in this paper is a sample image from a small working prototype of the Pixel- planes hardware and a variety of images from simulations of a full-scale system. Timing estimates indicate that 30,000 smooth shaded triangles can be generated per second, or 21, 000 smooth-shaded and shadowed triangles can be generated per second, or over 25,000 shaded spheres can be generated per second. Image-enhancement by adaptive histogram equalization can be performed within 4 seconds on a 512 x 512 image
keywords	shadowing, image processing, algorithms, polygons, clipping, computer graphics, technology, hardware
series	CADline
last changed	2003/06/02 10:24

_id	68aa
authors	Greenberg, Donald P.
year	1986
title	Computer Graphics and Visualization
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 63-67
summary	The field of computer graphics has made enormous progress during the past decade. It is rapidly approaching the time when we will be able to create images of such realism that it will be possible to 'walk through' nonexistent spaces and to evaluate their aesthetic quality based on the simulations. In this chapter we wish to document the historical development of computer graphics image creation and describe some techniques which are currently being developed. We will try to explain some pilot projects that we are just beginning to undertake at the Program of Computer Graphics and the Center for Theory and Simulation in Science and Engineering at Cornell University.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	027b
authors	Griffiths, J.G.
year	1985
title	Table-Driven Algorithms for Generating Space-Filling Curves
source	Computer Aided Design. January/ February, 1985. vol. 17: pp. 37-41 : ill. includes bibliography
summary	A simple general method for constructing space-filling curves is presented, based on the use of tables. It is shown how the use of Hilbert's curve can enhance the performance of Warnock's algorithm. A procedure is given which generates Hilbert curves or Sierpinski curves. A second procedure is given which generates Warnock's windows in Hilbert order
keywords	computer graphics, rendering, algorithms, curves, representation, display
series	CADline
last changed	2003/06/02 13:58

_id	4839
authors	Kripac, Jiri
year	1985
title	Classification of Edges and its Application in Determining Visibility
source	Computer Aided Design. January/ February 1985. vol. 17: pp.30-36 : ill. includes bibliography
summary	A new hidden-line algorithm is proposed for illustrating objects consisting of plane faces. The algorithm determines the degree of edge and classifies edges and faces into contoural and non-contoural. To reduce memory requirements, sequential files and sorting are used. The algorithm is particularly intended for illustrating complex objects, such as curved surfaces approximated by plane faces
keywords	algorithms, hidden lines, curved surfaces, geometric modeling, computer graphics
series	CADline
last changed	1999/02/12 15:08

_id	ae09
authors	Lieberman, Henry
year	1985
title	There's More to Menu Systems Than Meets the Screen
source	SIGGRAPH '85 Conference Proceedings. July, 1985. vol. 19 ; no. 3: pp. 181-189 : ill. includes bibliography
summary	Love playing with those fancy menu-based graphical user interfaces, but afraid to program one yourself for your own application? Do windows seem opaque to you? Are you scared of Mice? Like what-you-see-is-what-you-get but don't know how to get-what-you-want-to-see on the screen? Everyone agrees using systems like graphical document illustrators, circuit designers, and iconic file systems is fun, but programming user interfaces for these systems isn't as much fun as it should be. Systems like the Lisp Machines, Xerox D- Machines, and Apple Macintosh provide powerful graphics primitives, but the casual applications designer is often stymied by the difficulty of mastering the details of window specification, multiple processes, interpreting mouse input, etc. This paper presents a kit called EZWin, which provides many services common to implementing a wide variety of interfaces, described as generalized editors for sets of graphical objects. An individual application is programmed simply by creating objects to represent the interface itself, each kind of graphical object, and each command. A unique interaction style is established which is insensitive to whether commands are chosen before or after their arguments. The system anticipates the types of arguments needed by commands preventing selection mistakes which are a common source of frustrating errors. Displayed objects are made 'mouse-sensitive' only if selection of the object is appropriate in the current context. The implementation of a graphical interface for a computer network simulation is described to illustrate how EZWin works
keywords	user interface, computer graphics
series	CADline
last changed	1999/02/12 15:09

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