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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	09b3
authors	Bier, Eric A. and Sloan, Kenneth R. Jr.
year	1986
title	Two-Part Texture Mappings
source	IEEE Computer Graphics and Applications September, 1986. pp. 40-53 : col. ill. includes bibliography.
summary	Most published techniques for mapping two-dimensional texture patterns onto three-dimensional curved surfaces assume that either the texture pattern has been predistorted to compensate for the distortion of the mapping or the curved surfaces are represented parametrically. The authors address the problem of mapping undistorted planar textures onto arbitrarily represented surfaces. Their mapping technique is done in two parts. First the texture pattern is embedded in 3- space on an intermediate surface. Then the pattern is projected onto the target surface in a way that depends only on the geometry of the target object (not on its parametrization). Both steps have relatively low distortion, so the original texture need not be predistorted. The authors also discuss interactive techniques that make two-part mapping practical
keywords	texture mapping, curved surfaces, computer graphics, rendering
series	CADline
last changed	2003/06/02 10:24

_id	a6f1
authors	Bridges, A.H.
year	1986
title	Any Progress in Systematic Design?
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 5-15
summary	In order to discuss this question it is necessary to reflect awhile on design methods in general. The usual categorization discusses 'generations' of design methods, but Levy (1981) proposes an alternative approach. He identifies five paradigm shifts during the course of the twentieth century which have influenced design methods debate. The first paradigm shift was achieved by 1920, when concern with industrial arts could be seen to have replaced concern with craftsmanship. The second shift, occurring in the early 1930s, resulted in the conception of a design profession. The third happened in the 1950s, when the design methods debate emerged; the fourth took place around 1970 and saw the establishment of 'design research'. Now, in the 1980s, we are going through the fifth paradigm shift, associated with the adoption of a holistic approach to design theory and with the emergence of the concept of design ideology. A major point in Levy's paper was the observation that most of these paradigm shifts were associated with radical social reforms or political upheavals. For instance, we may associate concern about public participation with the 1970s shift and the possible use (or misuse) of knowledge, information and power with the 1980s shift. What has emerged, however, from the work of colleagues engaged since the 1970s in attempting to underpin the practice of design with a coherent body of design theory is increasing evidence of the fundamental nature of a person's engagement with the design activity. This includes evidence of the existence of two distinctive modes of thought, one of which can be described as cognitive modelling and the other which can be described as rational thinking. Cognitive modelling is imagining, seeing in the mind's eye. Rational thinking is linguistic thinking, engaging in a form of internal debate. Cognitive modelling is externalized through action, and through the construction of external representations, especially drawings. Rational thinking is externalized through verbal language and, more formally, through mathematical and scientific notations. Cognitive modelling is analogic, presentational, holistic, integrative and based upon pattern recognition and pattern manipulation. Rational thinking is digital, sequential, analytical, explicatory and based upon categorization and logical inference. There is some relationship between the evidence for two distinctive modes of thought and the evidence of specialization in cerebral hemispheres (Cross, 1984). Design methods have tended to focus upon the rational aspects of design and have, therefore, neglected the cognitive aspects. By recognizing that there are peculiar 'designerly' ways of thinking combining both types of thought process used to perceive, construct and comprehend design representations mentally and then transform them into an external manifestation current work in design theory is promising at last to have some relevance to design practice.
series	CAAD Futures
email
last changed	2003/11/21 15:16

_id	4418
authors	Franklin, Randolph, Wu, Peter, Y. F. and Samaddar, Sumitro (et al)
year	1986
title	Prolog and Geometry Projects
source	IEEE Computer Graphics and Applications. November, 1986. vol. 6: pp. 46-55 : ill. includes bibliography
summary	Prolog is a useful tool for geometry and graphics implementations because its primitives, such as unification, match the requirements of many geometric algorithms. During the last two years, programs have been implemented to solve several problems in Prolog, including a subset of the Graphical Kernel System, convex-hull calculation, planar graph traversal, recognition of groupings of objects, Boolean combinations of polygons using multiple precision rational numbers, and cartographic map overlay. Certain paradigms or standard forms of geometric programming in Prolog are becoming evident. They include applying a function to every element of a set, executing a procedure so long as a certain geometric pattern exists, and using unification to propagate a transitive function. This article describes the experiences, including paradigms of programming that seem useful, and finally lists those considered as the advantages and disadvantages of Prolog
keywords	geometric modeling, computer graphics, PROLOG, programming
series	CADline
last changed	2003/06/02 13:58

_id	6916
authors	Gasparski, W.
year	1986
title	Design Methodology: How I Understand and Develop it
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 16-27
summary	The term 'methodology' is sometimes given two diametrically opposed meanings, well characterized by Mark Blaug in the preface of a very informative book devoted to the methodology of economics. This is also the case with the methodology of design. One can find studies in which 'the methodology of design' is simply a method or methods of design, given a fancy name to make it or them appear more scientific. Authors of such studies should not confuse their readers by taking methodological studies to mean technicalities of design or demanding that their interpretation and assessment of so-called 'practical applicability' should follow this criterion. The methodology of design - as we understand it has parallels in the methodology of Blaug's economics, the philosophy of practical science, the applied sciences or the sciences of artificial objects or artefacts. Understood this way, the methodology of design is neither the method of practising design nor an instruction for its use but a theoretical reflection - in the meaning given to methodology by the philosophy of science - of design. In this connection a study of the methodology of design should be provided with the subtitle, 'How researchers of practical sciences and designers understand the concept of changes'.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	2b40
authors	Hanson, N.L.R. and Radford, Antony D.
year	1986
title	Living on the Edge : A Grammar For Some Country Houses by Glenn Murcutt
source	Architecture Australia. 1986. vol. 75: pp. 66-73
summary	Glenn Murcutt is an award-winning Australian architect whose work displays a consistent pattern of development in its response to the environment and brief. A set of syntactic and abductive rules is developed that models the generation of a subset of his work. The model and the architect's response to its operation is described
keywords	architecture, shape grammars, applications
series	CADline
last changed	2003/06/02 13:58

_id	e26f
authors	Kalay, Y. (ed.)
year	1987
title	Computability of Design
source	New York: Wiley & Sons
summary	Computer-aided design (CAD) has promised to transform the art and science of architectural design. Yet, despite some significant achievements in the past 3 decades, it has so far failed to do so. This stimulating volume, derived from a symposium held at SUNY, Buffalo in December 1986, explores the reasons why design is so difficult to support by computational means, and what can be done to alleviate this difficulty. Written by an interdisciplinary panel of experts, it presents a varied and comprehensive view of the ways creative design processes can be modelled. The contributors do not all reach the same conclusions, which makes this book lively reading. Topics are arranged into four parts: constructing models of the design process, the computational representation of design knowledge (including spatial information and implicit design intent), methods for computing the design process as a whole (including mathematical programming, expert systems, and shape grammars), and the integration of CAD with traditional design practices.
series	other
last changed	2003/04/23 15:14

_id	e115
authors	Pipes, Alan (Ed.)
year	1986
title	Computer-Aided Architectural Design Futures [Conference Proceedings]
source	International Conference on Computer-Aided Architectural Design / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, 245 p.
summary	Computer-Aided Architectural Design Futures was conceived late one evening in the bar of the Metropole Hotel in Brighton, UK. Those present - veterans of a hundred and one CAD conferences - were bemoaning the degree to which big business was taking over the conference scene: exhibiting was replacing conferring, selling was replacing thinking, products were replacing ideas. Wouldn't it be nice, we agreed, to get back to an 'academic' conference which would take stock of current developments in CAAD and attempt to anticipate the direction of future developments and their impact on architectural practice, on the building industry and on the quality of the built environment? Four major themes are explored in CAAD Futures: (1) Systematic design; (2) Drawing and visualization; (3) Artificial intelligence and knowledge engineering; (4) Implications for practice. // Stimulus papers on these four themes were circulated prior to the Conference, and the conference papers themselves elaborated the issues raised in the stimulus papers in such a way as to encourage discussion. The resulting book, we believe, will be a major reference text for students, researchers and practitioners.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	02c6
authors	Wheeler, B.J.Q
year	1986
title	A Unified Model for Building
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 200-231
summary	It is commonly recognized that the time-honoured procedure for preparing an architectural design for building on site is inefficient. Each member of a team of consultant professionals makes an independently documented contribution. For a typical project involving an architect and structural, electrical, mechanical and public services engineers there will be at least five separate sets of general- arrangement drawings, each forming a model of the building, primarily illustrating one discipline but often having to include elements of others in order to make the drawing readable. For example, an air-conditioning duct-work layout is more easily understood when superimposed on the room layout it serves which the engineer is not responsible for but has to understand. Both during their parallel evolution and later, when changes have to be made during the detailed design and production drawing stages, it is difficult and time consuming to keep all versions coordinated. Complete coordination is rarely achieved in time, and conflicts between one discipline and another have to be rectified when encountered on site with resulting contractual implications. Add the interior designer, the landscape architect and other specialized consultants at one end of the list and contractors' shop drawings relating to the work of all the consultants at the other, and the number of different versions of the same thing grows, escalating the concomitant task of coordination. The potential for disputes over what is the current status of the design is enormous, first, amongst the consultants and second, between the consultants and the contractor. When amendments are made by one party, delay and confusion tend to follow during the period it takes the other parties to update their versions to include them. The idea of solving this problem by using a common computer-based model which all members of the project team can directly contribute to is surely a universally assumed goal amongst all those involved in computer-aided building production. The architect produces a root drawing or model, the 'Architect's base plan', to which the other consultants have read-only access and on top of which they can add their own write-protected files. Every time they access the model to write in the outcome of their work on the project they see the current version of the 'Architect's base plan' and can thus respond immediately to recent changes and avoid wasting time on redundant work. The architect meanwhile adds uniquely architectural material in his own overlaid files and maintains the root model as everybody's work requires. The traditional working pattern is maintained while all the participants have the ability to see their colleagues, work but only make changes to those parts for which they are responsible.
series	CAAD Futures
last changed	1999/04/03 17:58

_id	4c79
authors	Aguilar, Lorenzo
year	1986
title	A Format for a Graphical Communications Protocol
source	IEEE Computer Graphics and Applications vol. 6.no. 3 (March, 1986): pp. 52-62
summary	This article describes the requirements for a graphical format on which a graphical on-line communications protocol can be based. It is argued that on-line graphical communications is similar to graphical session capture, and thus the author proposes an interactive graphical communications format using the GKSM session metafile. The discussion includes items that complement the GKSM metafile such as a format for on-line interactive exchange. One key application area of such a format is multimedia on-line conferencing. Therefore, a conferencing software architecture for processing the proposed format is presented. This format specification is made available to those planning multimedia conferencing systems
keywords	user interface, communication, computer graphics, multimedia, standards
series	CADline
last changed	1999/02/12 15:07

_id	678e
authors	Aish, Robert
year	1986
title	Three-dimensional Input and Visualization
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 68-84
summary	The aim of this chapter is to investigate techniques by which man-computer interaction could be improved, specifically in the context of architectural applications of CAD. In this application the object being designed is often an assembly of defined components. Even if the building is not actually fabricated from such components, it is usually conceptualized in these terms. In a conventional graphics- based CAD system these components are usually represented by graphical icons which are displayed on the graphics screen and arranged by the user. The system described here consists of three- dimensional modelling elements which the user physically assembles to form his design. Unlike conventional architectural models which are static (i.e. cannot be changed by the users) and passive (i.e. cannot be read by a CAD system), this model is both 'user generated' and 'machine readable'. The user can create, edit and view the model by simple, natural modelling activities and without the need to learn complex operating commands often associated with CAD systems. In particular, the user can view the model, altering his viewpoint and focus of attention in a completely natural way. Conventional computer graphics within an associated CAD system are used to represent the detailed geometry which the different three-dimensional icons may represent. In addition, computer graphics are also used to present the output of the performance attributes of the objects being modelled. In the architectural application described in this chapter an energy- balance evaluation is displayed for a building designed using the modelling device. While this system is not intended to offer a completely free-form input facility it can be considered to be a specialist man-machine interface of particular relevance to architects or engineers.
series	CAAD Futures
email
last changed	2003/11/21 15:15

_id	a35a
authors	Arponen, Matti
year	2002
title	From 2D Base Map To 3D City Model
source	UMDS '02 Proceedings, Prague (Czech Republic) 2-4 October 2002, I.17-I.28
summary	Since 1997 Helsinki City Survey Division has proceeded in experimenting and in developing the methods for converting and supplementing current digital 2D base maps in the scale 1:500 to a 3D city model. Actually since 1986 project areas have been produced in 3D for city planning and construction projects, but working with the whole map database started in 1997 because of customer demands and competitive 3D projects. 3D map database needs new data modelling and structures, map update processes need new working orders and the draftsmen need to learn a new profession; the 3D modeller. Laser-scanning and digital photogrammetry have been used in collecting 3D information on the map objects. During the years 1999-2000 laser-scanning experiments covering 45 km2 have been carried out utilizing the Swedish TopEye system. Simultaneous digital photography produces material for orto photo mosaics. These have been applied in mapping out dated map features and in vectorizing 3D buildings manually, semi automatically and automatically. In modelling we use TerraScan, TerraPhoto and TerraModeler sw, which are developed in Finland. The 3D city model project is at the same time partially a software development project. An accuracy and feasibility study was also completed and will be shortly presented. The three scales of 3D models are also presented in this paper. Some new 3D products and some usage of 3D city models in practice will be demonstrated in the actual presentation.
keywords	3D City modeling
series	other
email
more	www.udms.net
last changed	2003/11/21 15:16

_id	0f76
authors	Balachandran, M. B. and Gero, John S.
year	1986
title	Knowledge-based Design Optimization
source	IAAI'86 Conference. 1986. pp. i:4:1-14
summary	CADLINE has abstract only. Optimization is a well understood process in design domains. A designer formulates the design problem as a single criterion or multicriteria optimization problem and then selects an appropriate optimization algorithm to search for the optimal values for the design variables. The formulation and algorithm selection procedures have been considered to be activities which relied on substantive human knowledge. This paper describes a computer system, OPTIMA, which formulates design optimization problems from a pseudo-English description into canonical algebraic expressions. It then recognizes the formulation and selects appropriate algorithm(s) for their solutions. Finally, it runs the selected algorithm(s) and sends the results to the original descriptions. Areas of expert knowledge involved in carrying out the above tasks are identified. Such knowledge is explicitly encoded in the systems. The basic philosophy and key features of the system are described and are illustrated by examples
keywords	algorithms, expert systems, knowledge base, design, optimization, structures, engineering
series	CADline
email
last changed	2003/06/02 13:58

_id	4ed0
authors	Bartels, R.H., Beatty, J.C. and Barsky, B.A.
year	1986
title	An Introduction to Splines for Use in Computer Graphics and Geometric Modeling
source	xiv, 476 p. : ill. (some col.) Los Altos, California: Morgan Kaufmann Pub. Inc., 1986. Forewords by Pierre Bezier and Robin A. Forrest. Includes bibliography: p. 455-465 and index
summary	Discusses the use of splines from the point of view of the computer scientist concentrating on parametric spline curves and parametric,tensor-product spline surfaces
keywords	splines, theory, computer graphics, computational geometry
series	CADline
last changed	2003/06/02 14:42

_id	aec8
authors	Bellinghall, Leigh
year	1986
title	The MicroCad Explosion : An Eye to Applications Clarifies Choices
source	computer Graphics World March, 1986. vol. 9: pp. 23-28 : col. ill.
summary	Two strong trends affirm increasing market interest in micro systems. While early programs were developed for personal computers, turnkey system houses are now stretching heavy-duty mini and mainframe-hosted programs down to micros. This article gives a selective survey of popular micro-CAD software, looks at packages in both development areas
keywords	drafting, systems, CAD, software, applications
series	CADline
last changed	1999/02/12 15:07

_id	8060
authors	Bentley, Jon L. and Kernighan, Brian W.
year	1986
title	GRAP - a Language for Typesetting Graphs
source	communications of the ACM. August, 1986. vol. 29: pp. 782-792 : charts. includes bibliography
summary	The authors describe a system that makes it easy and convenient to describe graphs and to include them as an integral part of the document formatting process
keywords	programming, computer graphics, algorithms, business
series	CADline
last changed	2003/06/02 10:24

_id	ed51
authors	Bergeron, Philippe
year	1986
title	A General Version of Crow's Shadow Volumes
source	IEEE Computer Graphics and Applications September, 1986. vol. 6: pp. 17-28 : col. ill. includes bibliography.
summary	In 1977 Frank Crow introduced a new class of algorithms for the generation of shadows. His technique, based on the concept of shadow volumes, assumes a polygonal database and a constrained environment. For example, polyhedrons must be closed, and polygons must be planar. This article presents a new version of Crow's algorithm, developed at the Universite de Montreal, which attempts a less constrained environment. The method has allowed the handling of both open and closed models and nonplanar polygons with the viewpoint anywhere, including any shadow volume. It does not, however, sacrifice the essential features of Crow's original version: penetration between polygons is allowed, and any number of light sources can be defined anywhere in 3D space, including the view volume and any shadow volume. The method has been used successfully in the film Tony de Peltrie and is easily incorporated into an existing scan-line, hidden-surface algorithm
keywords	algorithms, shadowing, polygons, computer graphics
series	CADline
last changed	1999/02/12 15:07

_id	b25c
authors	Bergeson, Donald E. and Cetin, Randal F.
year	1986
title	ADAM - Architectural Design Applications Model
source	ACADIA Workshop ‘86 Proceedings - Houston (Texas - USA) 24-26 October 1986, pp. 37-54
doi	https://doi.org/10.52842/conf.acadia.1986.037
summary	This paper will describe ADAM, a project to explore the potential for interfacing independent graphics software for the purpose of developing a microcomputer based design system. This system will be implemented in three undergraduate design studios at the University of Illinois (Urbana-Champaign) School of Architecture. The three design studios are part of an experimental project to determine the usefulness of computers in the architectural design curriculum. The concept used throughout the design of this system is: "make use of what already exists, but use it smoothly together in such a way that the management system is totally invisible to the user." Many low- end quality graphics software packages are commercially available. Each has the capacity to address some aspect of the architectural design process, none will do it all . The problem is a lack of compatibility between software. ADAM is a management system designed to invisibly control and interface the use of an assembly of graphics programs and data base management systems to achieve compatibility. Because of these compatible interfaces, new and varied design tools can be created from existing software..
series	ACADIA
last changed	2022/06/07 07:54

_id	644f
authors	Bijl, Aart
year	1986
title	Designing with Words and Pictures in a Logic Modelling Environment
source	Computer-Aided Architectural Design Futures [CAAD Futures Conference Proceedings / ISBN 0-408-05300-3] Delft (The Netherlands), 18-19 September 1985, pp. 128-145
summary	At EdCAAD we are interested in design as something people do. Designed artefacts, the products of designing, are interesting only in so far as they tell us something about design. An extreme expression of this position is to say that the world of design is the thoughts in the heads of designers, plus the skills of designers in externalizing their thoughts; design artifacts, once perceived and accepted in the worlds of other people, are no longer part of the world of design. We can describe design, briefly, as a process of synthesis. Design has to achieve a fusion between parts to create new parts, so that the products are recognized, as having a right and proper place in the world of people. Parts should be understood as referring to anything - physical objects, abstract ideas, aspirations. These parts occur in some design environment from which parts are extracted, designed upon and results replaced; in the example of buildings, the environment is people and results have to be judged by reference to that environment. It is characteristic of design that both the process and the product are not subject to explicit and complete criteria. This view of design differs sharply from the more orthodox understanding of scientific and technological endeavours which rely predominantly on a process of analysis. In the latter case, the approach is to decompose a problem into parts until individual parts are recognized as being amenable to known operations and results are reassembled into a solution. This process has a peripheral role in design when evaluating selected aspects of tentative design proposals, but the absence of well-defined and widely recognized criteria for design excludes it from the main stream of analytical developments.
series	CAAD Futures
last changed	2003/11/21 15:16

_id	caadria2006_601
id	caadria2006_601
authors	BINSU CHIANG, MAO-LIN CHIU
year	2006
title	PRIVATE/UN-PRIVATE SPACE: Scenario-based Digital Design for Enhancing User Awareness
source	CAADRIA 2006 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Research in Asia] Kumamoto (Japan) March 30th - April 2nd 2006, 601-603
doi	https://doi.org/10.52842/conf.caadria.2006.x.s8b
summary	Context awareness is important for human senses of places as well as human computer interaction. The aim of this research paper is focusing on controlling the user's privacy in a smart space which is adaptive to different users for enhancing the user's awareness in his diary life. In Environmental Psychology, the definition of privacy is that an individual has the control of deciding what information of himself is released to others, and under how he interact with others. (Westin 1970) And privacy is categorized as the linguistic privacy and visual privacy. (Sundstorm 1986). Solutions for privacy control: Plan Layout, Vision Boundary, Access Control and Architecture Metaphor - the transmission of information is not ascertainable for every single user. Although information are shown in public, but information is implied by cues and symbols. Only a certain user or a group of users have access to the full context of information. The methodology is to form an analytic framework to study the relationship between information, user and activities by using the computational supports derived from KitchenSense, ConceptNet, Python, 3d Studio Max and Flash; and to record patterns built up by users' behaviour and actions. Furthermore, the scenario-based simulation can envision the real world conditions by adding interfaces for enhancing user awareness.
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	4361
authors	Bishop, G. and Weimer, D.M.
year	1986
title	Fast Phong Shading
source	Computer Graphics (20) 4 pp. 103-106
summary	Computer image generation systems often represent curved surfaces as a mesh of polygons that are shaded to restore a smooth appearance. Phong shading is a well known algorithm for producing a realistic shading but it has not been used by real-time systems because of the 3 additions, 1 division and 1 square root required per pixel for its evaluation. We describe a new formulation for Phong shading that reduces the amount of computation per pixel to only 2 additions for simple Lambertian reflection and 5 additions and 1 memory reference for Phong's complete reflection model. We also show how to extend our method to compute the specular component with the eye at a finite distance from the scene rather than at infinity as is usually assumed. The method can be implemented in hardware for real-time applications or in software to speed image generation for almost any system.
series	journal paper
last changed	2003/11/21 15:16

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