CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 20 of 132

_id 417a
authors Cipriani, R., Lagomarsino, A.D., Stagnaro, A., Valenti, E. and Sambolino, T.
year 1990
title Some Years' Experience Teaching CAAD
source The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 347-361
summary In the conventional way of teaching architecture, it is common to think of design as the final synthesis of an intellectual process (composizione in Italian) integrating different elements from different curriculum subjects: history, structural analysis., technology, regional and urban planning, and so on. These elements, being comprehensive of their specific domains, together build the project. This process is supported by a long traditional that cannot easily be modified; however, we must not consider it to be the only one. Architectural practice should be much more. The Scuole di Architettura has walked a long and difficult road in the last thirty years., with a significant widening of interest in social, political, and economic issues. There have been recurring attempts at epistemological reformulation in some areas. There has been an acknowledgment of a crisis in contemporary town planning and a dimming of several certitudes that had developed with the birth and growth of the modernist school. And there has been a weakening of the promises that had given life to the vigorous discussion about town and regional planning. All of this leads to a reconsideration of the meaning and the deeper assumptions that the project implies, a question mark at the center of the human sciences that architectural practice involves. The old tradition., which assigned composition a central role in the project, is no longer sufficient because it is related to a reductive reading of epistemology that views human sciences as defining segments of physical knowledge of the actual world. Contemporary reflection on the difference between understanding and unfolding, together with the attention given to interpreting a moment as compared to purely describing one, gives to the project the task of inquiry instead of solution.
series CAAD Futures
last changed 1999/04/03 17:58

_id 8775
authors Cigolle, Mark and Coleman, Kim
year 1990
title Computer Integrated Design: Transformation as Process
source The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 333-346
summary To bring together poetry, magic and science, to explore beyond preconceptions, to invent spaces and forms which re-form and inform man's experience, these are the possibilities of architecture. Computer integrated design offers a means for extending the search, one which integrates both conceptual and perceptual issues in the making of architecture. The computer may assist in generating constructs which would not have been created by conventional methods. The application of computer techniques to design has to date been focused primarily on production aspects, an area which is already highly organizable and communicable. In conceptual and perceptual aspects of design, computer techniques remain underdeveloped. Since the impetus for- the development of computer applications has come from the immediate economics of practice rather than a theoretically based strategy, computer-aided design is currently biased toward the replication of conventional techniques rather than the exploration of new potentials. Over the last two years we have been involved in experimentation with methodologies which engage the computer in formative explorations of the design idea. Work produced from investigations by 4th and 5th year undergraduate students in computer integrated design studios that we have been teaching at the University of Southern California demonstrates the potential for the use of the computer as a principal tool in the exploration of syntax and perception, space and program. The challenge is to approach the making of architecture as an innovative act, one which does not rely on preconceived notions of design.
series CAAD Futures
email
last changed 2003/05/16 20:58

_id 298e
authors Dave, Bharat and Woodbury, Robert
year 1990
title Computer Modeling: A First Course in Design Computing
source The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 61-76
summary Computation in design has long been a focus in our department. In recent years our faculty has paid particular attention to the use of computation in professional architectural education. The result is a shared vision of computers in the curriculum [Woodbury 1985] and a set of courses, some with considerable historyland others just now being initiated. We (Dave and Woodbury) have jointly developed and at various times over the last seven years have taught Computer Modeling, the most introductory of these courses. This is a required course for all the incoming freshmen students in the department. In this paper we describe Computer Modeling: its context, the issues and topics it addresses, the tasks it requires of students, and the questions and opportunities that it raises. Computer Modeling is a course about concepts, about ways of explicitly understanding design and its relation to computation. Procedural skills and algorithmic problem solving techniques are given only secondary emphasis. In essential terms, the course is about models, of design processes, of designed objects, of computation and of computational design. Its lessons are intended to communicate a structure of such models to students and through this structure to demonstrate a relationship between computation and design. It is hoped that this structure can be used as a framework, around which students can continue to develop an understanding of computers in design.
series CAAD Futures
email
last changed 2003/05/16 20:58

_id a12e
authors Decri, Anna
year 1989
title Some Exercises for a First Approach in Architectural Design & CAAD in Macintosh World
doi https://doi.org/10.52842/conf.ecaade.1989.x.m6t
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.13.1-9.13.10
summary Approaching CAAD with Apple Macintosh, an example of some steps with an appropriate software for young students of architecture: (-) an heading for presentation (-) symmetry and bidimensional relationships (-) famous architectures (-) usual buildings (-) environmental impact (-) complementary exercises for their projects.
keywords Macintosh, Architectural Teaching, Exercises
series eCAADe
last changed 2022/06/07 07:50

_id a672
authors Flemming, Ulrich
year 1990
title Syntactic Structures in Architecture: Teaching Composition with Computer Assistance
source The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 31-48
summary The present paper outlines a plan for the teaching of architectural composition with computer assistance.The approach is to introduce students to a series of architectural languages characterized by a vocabulary of elements and a grammar whose rules indicate how these elements can be placed in space. Exercises with each language include the analysis of precedents; the generation of forms using a given rule set; and follow-up studies with an expanded rule set. The paper introduces languages and exercises through illustrative examples. This architectural content can be taught in the traditional way. The use of computers is motivated by expectations which are stated, and some basic requirements for the needed software are listed. Work to develop this software has started.
series CAAD Futures
email
last changed 2003/02/26 17:24

_id e3c7
authors Galle, Per
year 1989
title Computer Methods in Architectural Problem Solving: Critique and Proposals
doi https://doi.org/10.52842/conf.ecaade.1989.x.t9u
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 6.4.1-6.4.21
summary While the development of modeling and drafting tools for computer-aided design has reached a state of considerable maturity, computerized decision support in architectural sketch design is still in its infancy after more than 20 years. The paper analyzes the difficulties of developing computer tools for architectural problem solving in the early stages of design where decisions of major importance are made. The potentials of computer methods are discussed in relation to design as a static system of information and to design as a dynamic creative process. Two key problems are identified, and on this background current computer methods intended for use in architectural sketch design are critically reviewed. As a result some guidelines are suggested for future research into computer- aided architectural problem solving. The purpose of the paper is twofold: (1) to encourage research that will take this field into a state of maturity and acceptance by practitioners, and (2) to provoke further debate on the question of how to do it.

series eCAADe
last changed 2022/06/07 07:50

_id cbdd
authors Lawson, Bryan and Scott, Peter
year 1989
title An Intelligent Tutoring System for Teaching CAD
doi https://doi.org/10.52842/conf.ecaade.1989.x.r4f
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 3.1.1-3.1.13
summary The paper raises some general problems concerning the teaching of CAAD both in schools of architecture and in practice. A new, less 'system-oriented' approach is suggested and some ideas for the design of a computer based intelligent tutoring system are advanced. Some prototype elements of the tutor will be described.
series eCAADe
last changed 2022/06/07 07:50

_id 2bcc
authors Mark, Earl
year 1989
title A Contrast in Pedagogy: The M.l.T. Versus Harvard Approach to Computer Aided Design
doi https://doi.org/10.52842/conf.ecaade.1989.x.d8b
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 5.1.1-5.1.9
summary This is a period of relative detente among academics in the field of computers and architecture, advocating the use of computers in a design studio is today received more politely than, as in the past, when it was received like a declaration of war. Among some research groups at M.I.T. and Harvard to first engage In this field, the approaches were so dissimilar to one another that they could be considered as constituting separate schools of thought. Over time, however, a number of paths have led to a similar direction, if not agreement among principal investigators. The lack of sharply competing ideologies today may be a little less exciting: however, the enormous growth of the academic discipline seems now to allow for a fruitful exchange of ideas between positions that no longer seem mutually exclusive.

Two views are important, among others, at M.I.T. and Harvard. The classic M.I.T. view looks upon the AI Lab as a microcosm for examining how architects think. Underlying this view is the position of 'lets examine the way architects think about design and build tools which can reflect that process'. Another point of view, as expressed at Harvard, is speculative on what architects seem to do in design practice and education, rather than speculative on the nature of thinking per se. Both views seem ultimately to be concerned with representing architectural design knowledge within computers. And in the rob of computers as a design medium. This paper examines how the M.I.T. view and the Harvard view have superficially been associated with separate research directions. As these contrasting points of view incorporate many common themes. The author finds that it may be possible to take an eclectic position in teaching computer aided design.

keywords Constraints, Shape Grammars, Representational World, Emergent Form. Design Thinking, Design Habit
series eCAADe
email
more http://palladio.arch.Virginia.EDU/~arch-con/exhibit/
last changed 2022/06/07 07:50

_id avocaad_2001_20
id avocaad_2001_20
authors Shen-Kai Tang
year 2001
title Toward a procedure of computer simulation in the restoration of historical architecture
source AVOCAAD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Nys Koenraad, Provoost Tom, Verbeke Johan, Verleye Johan (Eds.), (2001) Hogeschool voor Wetenschap en Kunst - Departement Architectuur Sint-Lucas, Campus Brussel, ISBN 80-76101-05-1
summary In the field of architectural design, “visualization¨ generally refers to some media, communicating and representing the idea of designers, such as ordinary drafts, maps, perspectives, photos and physical models, etc. (Rahman, 1992; Susan, 2000). The main reason why we adopt visualization is that it enables us to understand clearly and to control complicated procedures (Gombrich, 1990). Secondly, the way we get design knowledge is more from the published visualized images and less from personal experiences (Evans, 1989). Thus the importance of the representation of visualization is manifested.Due to the developments of computer technology in recent years, various computer aided design system are invented and used in a great amount, such as image processing, computer graphic, computer modeling/rendering, animation, multimedia, virtual reality and collaboration, etc. (Lawson, 1995; Liu, 1996). The conventional media are greatly replaced by computer media, and the visualization is further brought into the computerized stage. The procedure of visual impact analysis and assessment (VIAA), addressed by Rahman (1992), is renewed and amended for the intervention of computer (Liu, 2000). Based on the procedures above, a great amount of applied researches are proceeded. Therefore it is evident that the computer visualization is helpful to the discussion and evaluation during the design process (Hall, 1988, 1990, 1992, 1995, 1996, 1997, 1998; Liu, 1997; Sasada, 1986, 1988, 1990, 1993, 1997, 1998). In addition to the process of architectural design, the computer visualization is also applied to the subject of construction, which is repeatedly amended and corrected by the images of computer simulation (Liu, 2000). Potier (2000) probes into the contextual research and restoration of historical architecture by the technology of computer simulation before the practical restoration is constructed. In this way he established a communicative mode among archeologists, architects via computer media.In the research of restoration and preservation of historical architecture in Taiwan, many scholars have been devoted into the studies of historical contextual criticism (Shi, 1988, 1990, 1991, 1992, 1995; Fu, 1995, 1997; Chiu, 2000). Clues that accompany the historical contextual criticism (such as oral information, writings, photographs, pictures, etc.) help to explore the construction and the procedure of restoration (Hung, 1995), and serve as an aid to the studies of the usage and durability of the materials in the restoration of historical architecture (Dasser, 1990; Wang, 1998). Many clues are lost, because historical architecture is often age-old (Hung, 1995). Under the circumstance, restoration of historical architecture can only be proceeded by restricted pictures, written data and oral information (Shi, 1989). Therefore, computer simulation is employed by scholars to simulate the condition of historical architecture with restricted information after restoration (Potier, 2000). Yet this is only the early stage of computer-aid restoration. The focus of the paper aims at exploring that whether visual simulation of computer can help to investigate the practice of restoration and the estimation and evaluation after restoration.By exploring the restoration of historical architecture (taking the Gigi Train Station destroyed by the earthquake in last September as the operating example), this study aims to establish a complete work on computer visualization, including the concept of restoration, the practice of restoration, and the estimation and evaluation of restoration.This research is to simulate the process of restoration by computer simulation based on visualized media (restricted pictures, restricted written data and restricted oral information) and the specialized experience of historical architects (Potier, 2000). During the process of practicing, communicates with craftsmen repeatedly with some simulated alternatives, and makes the result as the foundation of evaluating and adjusting the simulating process and outcome. In this way we address a suitable and complete process of computer visualization for historical architecture.The significance of this paper is that we are able to control every detail more exactly, and then prevent possible problems during the process of restoration of historical architecture.
series AVOCAAD
email
last changed 2005/09/09 10:48

_id 8842
authors Van Zutphen, R.H.M.
year 1989
title Computer Aids in Education of CAAD
doi https://doi.org/10.52842/conf.ecaade.1989.x.v3i
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 5.2.1-5.2.7
summary This paper focuses on the first years of the CAAD curriculum of Calibre - Computer Application Laboratory in Building Research and Education - at the Eindhoven University of Technology. It describes the use of computer systems as a modern aid to learning and some aspects of the development of the educational program CALinCAD.
keywords CAL, CAAD, Courseware, Design
series eCAADe
email
last changed 2022/06/07 07:50

_id abdb
authors Wood, D.J., Brown, A.G.P. and Brown, G.Z.
year 1989
title A Sunlight Design Tool
doi https://doi.org/10.52842/conf.ecaade.1989.x.q6i
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.3.1-9.3.7
summary Computer-based techniques for Environmental design tend to be analytical. They are aimed at the engineer who takes a previously designed building and then analyses the environmental performance of the building so as to be able to give performance requirements for servicing plant. Thus the building has been designed by an architect using experience and some broad background knowledge of environmental performance, but it is usually not until the analysis stage is reached that the building's environmental performance is accurately assessed. A sunlight design program (application) has been written to address this problem. This program is aimed at the designer and should allow them to assess quickly the sunlight characteristics of' their building. The intention has been to produce a tool which is easy to understand and use: a tool which is interactive and in which data can be changed easily. Thus the tool can be used: to check the effect of design changes on sunlight performance. The tool is meant to the both an aid to design itself and to the understanding of the environmental performance of buildings. This paper describes the application and the use of it by architectural students. We describe the application, assess it and evaluate its educational value by comparing students' estimations of sunlight performance in their own buildings with performance predicted by it. We look at how students interact with the program to modify their design in response to this interaction and report on their evaluation of the application during a controlled exercise.

keywords Design Tools, Sunlight, Design Education
series eCAADe
email
last changed 2022/06/07 07:50

_id b565
authors Yessios, Chris I. (Ed.)
year 1989
title New Ideas and Directions for the 1990’s [Conference Proceedings]
doi https://doi.org/10.52842/conf.acadia.1989
source ACADIA Conference Proceedings / Gainsville (Florida - USA) 27-29 October 1989, 262 p.
summary About a year ago, a comment of mine to Bob Johnson that recent Acadia Conferences appeared to be bypassing some of the real issues of CAAD and that the attendants seemed to be missing the opportunity to debate and to argue, landed me a request to be the Technical Chair for this Acadia 89. In spite of an expected heavy load this past year, I could not refuse. I certainly did not realize at the time what it would take to put the technical program of this Conference together: two "calls" for papers, many- many phone calls and the gracious acceptance of three invited speakers and twelve panelists. In response to a recommendation by Pamela Bancroft, last year's Technical Chair, the first call for papers had a deadline which was by about a month earlier than it has been in recent years. This must have found our membership unprepared and generated only thirteen submissions. A second call was issued with the end of July as a deadline. It generated another eleven submissions. Out of that total of twenty-four papers, ten were selected and are presented in this Conference. The selection process was based strictly on averaging the grades given by each of the three referees who blindly reviewed each paper. The names of the reviewers have been listed earlier in this volume and I wish to take this opportunity to wholeheartedly thank them. In most cases the reviewers offered extensive comments which were returned to the authors and helped them improve their papers. Many of the papers have actually been rewritten in response to the reviewers' comments and what are included in these Proceedings are substantially improved versions of the papers originally submitted. This is the way it is supposed to be, but could not be done without the excellent response by the authors. I"hey deserve our sincere thanks. It must be noted that the reviewers were not always in agreement, which should tell us something about the diverse orientations of our members. In the case of at least three papers, one reviewer gave a 0 or 1 (very low) when another gave a 9 or 10 (very high). In these cases the third reviewer gave the deciding grade. In no case was there a need for me to break a tie. Under normal circumstances, these "controversial" papers should have gone out for another cycle of reviews. Time did not permit to do so. However, I feel confident that the papers which have been selected deserve to be heard. It may be worth speculating why it took two calls to generate only 24 submissions when last year we had 42. There are a number of factors which must have had an effect. First of all, the early deadline. Secondly, the theme of this year's Conference was more focussed than it has been in the recent past. In addition, it was quite challenging. Even though the calls also encouraged submissions in areas other than the central theme, they discouraged contributions which might be redundant with past presentations. This must have filtered out presentations about "CAD in the studio" which did not have an orientation distinctively different from what everybody else is doing. Last, but possibly the most decisive factor must have been that, this year, Acadia was in competition with the Futures Conference. It does not take much to observe that more than half of the presentations at the CAAD Futures Conference were given by active Acadia members. Acadia should by all means be delighted that the bi-annual Futures took place in the States this year, but it certainly made our organizational task harder. As a matter of fact, as a record of CAAD happenings in 1989, 1 believe the Proceedings of the two Conferences complement each other and should be read as a pair.
series ACADIA
email
more http://www.acadia.org
last changed 2022/06/07 07:49

_id e3b0
authors Cottone, Antonio and Buscemi, Maria Rosa
year 1989
title And if We Take a Bacxward Step...
doi https://doi.org/10.52842/conf.ecaade.1989.x.f6i
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.15.1.9.15.8
summary In these years the researches on the computer science applied to the building have had a considerable development. The applications concern the whole design process, from the programming to the design and from the execution control to the programmed maintenance with a great deal of problems solved using expert systems. It doesn't seem that the same care of men and means has been dedicated to the architectural design theory, to its deep roots which motivate it and to its peculiarity in comparison with other fields in which now the design, with the aid of the computer, is the only one possible. The designer of architectural objects has been always helped by design assistants: it is enough to think that the sixteenth century treatises are a group of rules, descriptions, solutions to design problems and that they represent the "knowledge" of the age. As the knowledge increased those treatises amplified to the encyclopaedic dimensions of the nineteenth-century handbooks and of those of the first years of this century, while new professional figures rose, the teaching developed and the building art became more and more complex.

series eCAADe
last changed 2022/06/07 07:50

_id 8cff
authors Fridqvist, Sverker
year 1989
title Computers as a Creative Tool in Architecture
doi https://doi.org/10.52842/conf.ecaade.1989.x.k1l
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.6.1-9.6.4
summary The School of Architecture at Lund Institute of Technology was augmented by the establishment of the Computer Studio in 1987. As a result the school now has a device for teaching and research in the architects' use of computers. We are now conducting several research projects as well as courses and an education project. The third and fourth years of the education at the school of architecture are arranged as education projects instead of traditional lecturing. The students choose from projects that are organised by different departments at the School of Architecture. The issue is that the students will ask for instruction when felt needed, and that learning will therefore be more efficient. The Computer Studio has conducted such a project during the first half of 1989. We have tried to encourage the students to use our different computers and programs in new and creative ways. One of the issues of the computer project is to teach the students how computers are used at the architects offices today as well as expected future developments. The students shall be acquainted well enough with present and future possibilities to make good choices when deciding upon buying computers for architectural use. Another issue is to develop new ways of making and presenting architecture by using computers. As a group the teachers at the school of architecture have a very restrictive attitude towards the use of computers. We hope that our project will open their minds for the possibilities of computers, and to engage them in the development of new ways to use computers creatively in architecture. An interesting question is if the use of computers will yield different outcomes of he students' work than traditional methods. An object for research is whether the added possibilities of considering different aspects of he design by using a computer will make for higher quality of the results.

series eCAADe
email
more http://www.caad.lth.se/
last changed 2022/06/07 07:50

_id c903
authors Mark, Earl
year 1990
title Case Studies in Moviemaking and Computer-Aided Design
source The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 393-412
summary A movie which is developed from site location video, sync sound, and computer graphics animation can provide a highly convincing simulation of reality. A movie that conveys a sense of the space, materials and juxtaposition of objects of a proposed architectural design provides a special kind of realism, where the representation may be of a proposed building that exists only within the mind of an architect. For an experienced architect, however, the movie may not provide a good surrogate experience for what it feels like to actually be within the architectural space. In these case studies, a few projects that combine moviemaking and computer-aided design technologies are examined. These projects were completed using a combination of resources at the MIT School of Architecture and Planning and the Harvard Graduate School of Design. The integrated use of these media is presented as conceptualized with the Electronic Design Studio, a research project that has been supported over the past five years by Project Athena at MIT. The impact of movies and computer-aided design on the perception of architectural space is also reported- based on a pilot study of twenty architectural students.
series CAAD Futures
email
last changed 2003/05/16 20:58

_id 0ecb
authors Waerum, Jens and Rüdiger Kristiansen, Bjarne
year 1989
title CAAD Education at the School of Architecture Copenhagen
doi https://doi.org/10.52842/conf.ecaade.1989.x.q8k
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 4.5.1-4.5.9
summary The establishment of Datacentret (the Data Centre) in summer 1985 was preceded by 15 years slow- moving, arduous work from the early experiments in what was then the computing laboratory under the supervision of architect Per Jacobi, author of the Danish 3D drawing system MONSTER, until 1984, when a special committee was commissioned to draw up proposals for the introduction of teaching in computing at the Architects School. In spring 1985 the school administrators decided that a central computer workshop should be set up and in cooperation with the school's institutes placed jointly in charge of instructing teachers and students, carrying out research and development within the field of architecture and taking steps to work out a curriculum of supplementary training for practising architects. With the aid of a special grant, 12 PC's were successfully acquired in the 2 years that followed, as well as a screen projector and other peripherals.
series eCAADe
last changed 2022/06/07 07:50

_id e365
authors Danahy, John
year 1989
title Intuition & Computer Visualization in an Urban Design Studio
doi https://doi.org/10.52842/conf.ecaade.1989.x.i5v
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 4.2.1-4.2.6
summary This paper will present prototypical software being used in the teaching of urban design to students and for use by professionals in the early stages of a project. The system is intended to support a heuristic approach to design. That is, it supports a process of refining ideas and understandings through a process of trial and error. The support or aid to design comes in the form of a didactic real-time programme. Its power lies in its ability to provide instantaneous response to operations on the data that can allow one to develop three-dimensional spatial ideas in an intuitively driven manner. This condition appears to occur for both novice and expert computer operators.

The presentation will present our experience to-date in using conventional computer graphic tools to represent design ideas and contrast it with a video demonstration of ow prototypical dynamic urban design modelling software for the Silicon Graphics IRIS computers.

keywords Intuition, Visualization, Urban Design, Modelling, Real-Time
series eCAADe
email
last changed 2022/06/07 07:50

_id 086b
authors Maver, Thomas W.
year 1989
title Computer Graphics in Architectural Education - The Strathclyde Experience
doi https://doi.org/10.52842/conf.ecaade.1989.x.l8r
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 5.4.1-5.4.14
summary The following paper describes the teaching and research activities of the Department of Architecture and Building Science at the University of Strathclyde and highlights the role of CAAD and, more specifically, of Computer Graphics in the curriculum. The presentation during the Conference will deal in greater depth with how students use increasingly sophisticated hardware and software in their investigation of the formal qualities of buildings and of how best they can be visualised on site.
keywords Computer Graphics, Photomontage, Animation, Video Mixing
series eCAADe
email
last changed 2022/06/07 07:50

_id 449a
authors Valenti, Elisabetta
year 1989
title The Teaching of CAAD: From ''Elite'' to the Mass Teaching Method
doi https://doi.org/10.52842/conf.ecaade.1989.x.i7h
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.14.1-9.14.6
summary In the following notes I explain the development of CAAD teaching method from the initially "elite" to the finally mass teaching method in my experience during the courses of Composizione Architettonica at the university of Genoa.
keywords Research
series eCAADe
last changed 2022/06/07 07:50

_id 0e93
authors Af Klercker, Jonas
year 1989
title Interactive Animation on the Macintosh II
doi https://doi.org/10.52842/conf.ecaade.1989.x.a0t
source CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 9.5.1-9.5.6
summary The efficiency of images in communication between humans has so far been used almost exclusively by TV and other mass medias. The costs have been too great to encourage the use of images in the financially restricted everyday practice of architecture. With a range of application programs for the Apple Macintosh II the vision has come close to reality. It is now possible to create guided walks with the chance to choose different routes and views in a model of buildings and surroundings in 256 colour graphics. The makers of these programs may not have foreseen this use for their products and that is why it takes quite a lot of effort to make all the necessary images. With some supplementary routines however, this will be made much easier. Animation can also be used to visualize different processes inside a building. We have been studying the working environment in mechanical industry. The goal of this project is to make communication possible between the workers at all levels of an organization in planning changes and has so far been very successful. The use of this technique is only limited by our imagination and funding. Some examples to be tested in the near future are "Escape at a fire", "Animation of a Dairy", "Traffic situations in a parking lot-, "CAD-working place" and others. One of the difficulties in interactive planning with users has been to come close enough to their reality. With animated images it is possible to visualize what is going to happen and what it is going to look like in a more understandable way. In education this must be a challenging possibility. Changes and processes are some of the most difficult subjects to describe and explain! The software used is a handful of individual programs which, thanks to the graphics standards of the Macintosh, can exchange data with each other.

series eCAADe
email
more http://www.caad.lth.se/
last changed 2022/06/07 07:50

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