Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 213

Reformat results as: short short into frame detailed detailed into frame

_id	f586
authors	Gabriel, G. and Maher, M.L.
year	2000
title	Analysis of design communication with and without computer mediation
source	Proceedings of Co-designing 2000, pp. 329-337
summary	With recent developments in CAD and communication technologies, the way we visualise and communicate design representations is changing. A matter of great interest to architects, practitioners and researchers alike, is how computer technology might affect the way they think and work. The concern is not about the notion of 'support' alone, but about ensuring that computers do not disrupt the design process and collaborative activity already going on (Bannon and Schmidt, 1991). Designing new collaborative tools will then have to be guided by a better understanding of how collaborative work is accomplished and by understanding what resources the collaborators use and what hindrances they encounter in their work (Finholt et al., 1990). Designing, as a more abstract notion, is different than having a business meeting using video conferencing. In design it is more important to 'see' what is being discussed rather than 'watch' the other person(s) involved in the discussion. In other words the data being conveyed might be of more importance than the method with which it is communicated (See Kvan, 1994). Similarly, we believe that by using text instead of audio as a medium for verbal communication, verbal representations can then be recorded alongside graphical representations for later retrieval and use. In this paper we present the results of a study on collaborative design in three different environments: face-to-face (FTF), computer-mediated using video conferencing (CMCD-a), and computer-mediated using "talk by typing" (CMCD-b). The underlying aim is to establish a clearer notion of the collaborative needs of architects using computer-mediation. In turn this has the potential in assisting developers when designing new collaborative tools and in assisting designers when selecting an environment for a collaborative session.
series	other
last changed	2003/04/23 15:50

_id	f9bd
authors	Amor, R.W.
year	1991
title	ICAtect: Integrating Design Tools for Preliminary Architectural Design
source	Wellington, New Zealand: Computer Science Department, Victoria University
summary	ICAtect is a knowledge based system that provides an interface between expert systems, simulation packages and CAD systems used for preliminary architectural design. This thesis describes its structure and development.The principal work discussed in this thesis involves the formulation of a method for representing a building. This is developed through an examination of a number of design tools used in architectural design, and the ways in which each of these describe a building.Methods of enabling data to be transferred between design tools are explored. A Common Building Model (CBM), forming the core of the ICAtect system, is developed to represent the design tools knowledge of a building. This model covers the range of knowledge required by a large set of disparate design tools used by architects at the initial design stage.Standard methods of integrating information from the tools were examined, but required augmentation to encompass the unusual constraints found in some of the design tools. The integration of the design tools and the CBM is discussed in detail, with example methods developed for each type of design tool. These example methods provide a successful way of moving information between the different representations. Some problems with mapping data between very different representations were encountered in this process, and the solutions or ideas for remedies are detailed. A model for control and use of ICAtect is developed in the thesis, and the extensions to enable a graphical user interface are discussed.The methods developed in this thesis demonstrate the feasibility of an integrated system of this nature, while the discussion of future work indicates the scope and potential power of ICAtect.
series	other
last changed	2003/04/23 15:14

_id	8658
authors	Matas, Bellot
year	1991
title	BECOC : A Knowledge Bank and its Use in Construction and CAD Systems
source	The Computer Integrated Future, CIB W78 Seminar. September, 1991. Unnumbered : ill. include some bibliographical references
summary	The Development of the BECOC prototype (Structured Knowledge Bank for Construction Elements) was undertaken in order to test the integration of Data and Knowledge using the SITEC model (Construction Technology Information System). After the graphical definition of a building exterior, the assignment of the construction solutions is dynamically controlled using the Knowledge Bank for real time decision making. To represent the knowledge that acts on the data the knowledge bank consists of an Object Oriented Data Base and a Rule System, developed using the NEXPERT/OBJECT package. In this manner it is possible to establish relationships among properties, concepts, restrictions in values, structural relations and the control of standards compliance, which in this case has been limited to thermal, acoustic and weight requirements. The system helps the user to make decisions and it analyzes the context in order to make the deductions needed to maintain internal data consistency. The positive results of this work indicate the way for further developments, and demonstrate that expert systems and traditional technologies coupled together can be effective and give the desired answers in monitoring design in the everyday problems in construction technology
keywords	construction, expert systems, knowledge base, design, building, envelope, applications, integration, architecture
series	CADline
last changed	2003/06/02 13:58

_id	ga0010
id	ga0010
authors	Moroni, A., Zuben, F. Von and Manzolli, J.
year	2000
title	ArTbitrariness in Music
source	International Conference on Generative Art
summary	Evolution is now considered not only powerful enough to bring about the biological entities as complex as humans and conciousness, but also useful in simulation to create algorithms and structures of higher levels of complexity than could easily be built by design. In the context of artistic domains, the process of human-machine interaction is analyzed as a good framework to explore creativity and to produce results that could not be obtained without this interaction. When evolutionary computation and other computational intelligence methodologies are involved, every attempt to improve aesthetic judgement we denote as ArTbitrariness, and is interpreted as an interactive iterative optimization process. ArTbitrariness is also suggested as an effective way to produce art through an efficient manipulation of information and a proper use of computational creativity to increase the complexity of the results without neglecting the aesthetic aspects [Moroni et al., 2000]. Our emphasis will be in an approach to interactive music composition. The problem of computer generation of musical material has received extensive attention and a subclass of the field of algorithmic composition includes those applications which use the computer as something in between an instrument, in which a user "plays" through the application's interface, and a compositional aid, which a user experiments with in order to generate stimulating and varying musical material. This approach was adopted in Vox Populi, a hybrid made up of an instrument and a compositional environment. Differently from other systems found in genetic algorithms or evolutionary computation, in which people have to listen to and judge the musical items, Vox Populi uses the computer and the mouse as real-time music controllers, acting as a new interactive computer-based musical instrument. The interface is designed to be flexible for the user to modify the music being generated. It explores evolutionary computation in the context of algorithmic composition and provides a graphical interface that allows to modify the tonal center and the voice range, changing the evolution of the music by using the mouse[Moroni et al., 1999]. A piece of music consists of several sets of musical material manipulated and exposed to the listener, for example pitches, harmonies, rhythms, timbres, etc. They are composed of a finite number of elements and basically, the aim of a composer is to organize those elements in an esthetic way. Modeling a piece as a dynamic system implies a view in which the composer draws trajectories or orbits using the elements of each set [Manzolli, 1991]. Nonlinear iterative mappings are associated with interface controls. In the next page two examples of nonlinear iterative mappings with their resulting musical pieces are shown.The mappings may give rise to attractors, defined as geometric figures that represent the set of stationary states of a non-linear dynamic system, or simply trajectories to which the system is attracted. The relevance of this approach goes beyond music applications per se. Computer music systems that are built on the basis of a solid theory can be coherently embedded into multimedia environments. The richness and specialty of the music domain are likely to initiate new thinking and ideas, which will have an impact on areas such as knowledge representation and planning, and on the design of visual formalisms and human-computer interfaces in general. Above and bellow, Vox Populi interface is depicted, showing two nonlinear iterative mappings with their resulting musical pieces. References [Manzolli, 1991] J. Manzolli. Harmonic Strange Attractors, CEM BULLETIN, Vol. 2, No. 2, 4 -- 7, 1991. [Moroni et al., 1999] Moroni, J. Manzolli, F. Von Zuben, R. Gudwin. Evolutionary Computation applied to Algorithmic Composition, Proceedings of CEC99 - IEEE International Conference on Evolutionary Computation, Washington D. C., p. 807 -- 811,1999. [Moroni et al., 2000] Moroni, A., Von Zuben, F. and Manzolli, J. ArTbitration, Las Vegas, USA: Proceedings of the 2000 Genetic and Evolutionary Computation Conference Workshop Program – GECCO, 143 -- 145, 2000.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	9ad2
authors	Owen, J.C.
year	1991
title	Algebraic Solution for Geometry from Dimensional Constraints
source	ACM Symp. Found. of Solid Modeling, Austin TX, pp. 397-407
summary	We investigate general configurations of distance and angle dimensions between points, lines and circles on a plane. A simple graphical representation is described for the system of coupled ctuadratic equations which results from treating the geometries as variables and the dimensions as defining equations. For many configurations of practical interest we show that these equations are poorly suited to numerical solution. We describe an algorithm for computing the solution to a subset of all possible configurations of geometry and dimensions using purely algebraic methods (in fact the usual arithmetic operations plus square roots). We show that this algorithm solves for all configurations of a practically useful type and that it solves for any configuration which can in principle be solved using these algebraic operations. Specifically, we use the Galois theory of equations to show that the following statements are equivalent. 1. The geometry can be constructed in principle on a drawing board using a ruler and compasses. 2. The coordinates of the geometries can be computed algebraically using only arithmetic operations plus square root. 3. The coordinates of the geometries lie in a normal field extension over the dimension values of degree 2n for some n. 4. For general (i.e. algebraically independent) dimension values the algorithm described will compute the geometries. We also describe a working implementation of the algorithm and describe some extensions to the basic ideaa which are necessary to make it a practically useful way to specify geometry by means of dimensional constraints.
series	other
last changed	2003/04/23 15:50

_id	a40d
authors	Paoluzzi, Alberto and Sansoni, Claudio
year	1991
title	Solid Modeling of Architectural Design with PLASM Language
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 203-224
summary	PLASM (Programming LAnguage for Solid Modeling) is a prototype, high level, user oriented, functional design language currently being developed at the University of Rome "La Sapienza". A PLASM "program" is the symbolic definition of a complex of variational polyhedra depending on some unbound variable, and therefore allows for the description of a whole set of geometric solutions to a design problem. In our view the language should be used, possibly with the assistance of a graphical user interface, both in the first steps of the design process as well in the detailed design. In the paper the guide-lines are shown for the preliminary definition of the syntax of the language. The paper also contains the definition of some new and very powerful solid operators.
series	CAAD Futures
last changed	1999/04/07 12:03

_id	f2f6
authors	Papper, M., Danahy, J. and Baecker, R.
year	1991
title	Predictable Modelling Interaction Using High-Level Constraints: Making Objects Behave As They Would In Our Environment
source	Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 211-222
doi	https://doi.org/10.52842/conf.acadia.1991.211
summary	An approach for a graphical CAD system that is capable of representing physical and geometric aspects of a design using high-level constraints (HLCs) is presented. A prototype spatial planning system incorporating constraints is used in an interactive manner to refine designs by following an iterative approach which uses visual information to evaluate the design at each stage of iteration. High-level constraints aid this iterative approach by influencing (or constraining) the behavior of objects as they are interactively manipulated during the design stage of problem solving. High-level constraints also define the scaling properties of objects which are useful during the construction stage of problem solving. This system and its implications for the design of CAD systems incorporating HLCs are discussed.
series	ACADIA
email
last changed	2022/06/07 08:00

_id	0e34
authors	Rumbaugh J., Blaha M., Premerlani W., Eddy F., Lorenson W.
year	1991
title	Object-Oriented Modelling and Design
source	Englewood Cliffs, NJ: Prentice Hall
summary	Object-oriented modelling and design promote better understanding of requirements, cleaner designs and more maintainable systems. Often, books on related subjects rely on programming and coding, forcing readers to think in terms of the computer, and not the application. "Object-oriented Modeling and Design" emphasizes that object-oriented technology is more that just a way of programming. It applies techniques to the entire software development cycle. This volume presents a new object-oriented software development methodology - from analysis, through design, to implementation. Key features of the book include a focus on high-level, front-end conceptual processes of analysis and design, rather than just on the low-level, back-end implementation steps of programming; coverage of the entire development life cycle - analysis, design, implementation without a change of notation at each stage; a presentation of graphical notation and methodology independent of any particular programming language; case studies of industrial object-oriented applications developed by the authors; and examples and exercises that bring out fine points, summary lists of concepts and methodology steps, and almost 300 diagrams.
series	other
last changed	2003/04/23 15:14

_id	870b
authors	Sivaloganathan, Sangarappillai
year	1991
title	Sketching input for computer aided engineering
source	City University, Department of Mechanical Engineering and Aeronautics
summary	The design process often begins with a graphical description of the proposed device or system and sketching is the physical expression of the design engineer's thinking process. Computer Aided Design is a technique in which man and machine are blended into a problem solving team, intimately coupling the best characteristics of each. Solid modelling is developed to act as the common medium between man and the computer. At present it is achieved mainly by designing with volumes and hence does not leave much room for sketching input, the traditional physical expression of the thinking process of the design engineer. This thesis describes a method of accepting isometric free hand sketching as the input to a solid model. The design engineer is allowed to make a sketch on top of a digitizer indicating (i) visible lines; (ii) hidden lines; (iii) construction lines; (iv) centre lines; (v) erased lines; and (vi) redundant lines as the input. The computer then processes this sketch by identifying the line segments, fitting the best possible lines, removing the erased lines, ignoring the redundant lines and finally merging the hidden lines and visible lines to form the lines in the solid in an interactive manner. The program then uses these lines and the information about the three dimensional origin of the object and produces three dimensional information such as the faces, loops, holes, rings, edges and vertices which are sufficient to build a solid model. This is achieved in the following manner. The points in the sketch are first written into a file. The computer than reads this file, breaks the group of points into sub-groups belonging to individual line segments, fits the best lines and identify the vertices in two dimensions. These improved lines in two dimensions are then merged to form the lines and vertices in the solid. These lines are then used together with the three dimensional origin (or any other point) to produce the wireframe model in three dimensions. The loops in the wireframe models are then identified and surface equations are fitted to these loops. Finally all the necessary inputs to build a B-rep solid model are produced.
series	thesis:PhD
last changed	2003/02/12 22:37

_id	90cc
authors	Sohrt, W. and Bruderlin, B.D.
year	1991
title	Interaction with Constraints in 3D Modeling
source	Proceedings of ACM/SIGGRAPH Symposium on Solid Modeling and CADCAM Applications, Austin, TX
summary	The purpose of our research is to simplify and improve the effectiveness of the interactive definition of geometric objects in computer aided geometric modeling. To achieve this goal, two ways of defining geometric objects are combined and interfaced 1) the definition of objects by graphical interaction and 2) the specification of objects by geometric constraints. To demonstrate the practicability of the proposed approach, a geometric modeling system was implemented. In this system, interactive modeling operations automatically generate constraints to maintain the properties intended by their invocatio~ and constraints, in turn, determine the degrees of freedom for further int eractive mouse-controlled modeling operations. A symbolic geometric constraint solver is employed for solvings ystems of constraints. Group hierarchies are utilized for representing dependencies and for locfllzing systems of constraints.
series	other
last changed	2003/04/23 15:50

_id	4c21
authors	Streich, Bernd
year	1991
title	Creating Architecture Models by Computer-Aided Prototyping
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 535-548
summary	In the future architects or urban planners will probably ask for architectural models based on CAD-generated model data, in addition to the usual graphical representation. A stereolithography process makes this possible. Currently, at the University of Kaiserslautern there is a research project investigating and evaluating possible applications for this technology in the fields of architecture and town planning. The first results of this research project are described in the following article.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	2344
authors	White, Richard
year	1991
title	Recognizing Structures: Some Problems in Reasoning with Drawings
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 381-394
summary	This paper describes work on our current project aimed at developing a generalized system for performing automated reasoning tasks in various domains, using information extracted from drawings. It briefly describes the MOLE representation system, a frame-like formalism which can be used to build both description and inheritance hierarchies. The use of MOLE for representing graphical objects as well as the objects they represent is also described.The paper goes on to discuss some of the problems faced in the development of systems which can perform reasoning tasks on such representations. In particular, problems arising from the need to map the structures required by the application domain to the drawing description are outlined and a model which adapts existing Artificial Intelligence (AI) techniques to solve these problems is proposed.
series	CAAD Futures
last changed	1999/04/07 12:03

_id	fd70
authors	Goldman, Glenn and Zdepski, Michael Stephen (Eds.)
year	1991
title	Reality and Virtual Reality [Conference Proceedings]
source	ACADIA Conference Proceedings / ISBN 1-880250-00-4 / Los Angeles (California - USA) October 1991, 236 p.
doi	https://doi.org/10.52842/conf.acadia.1991
summary	During the past ten years computers in architecture have evolved from machines used for analytic and numeric calculation, to machines used for generating dynamic images, permitting the creation of photorealistic renderings, and now, in a preliminary way, permitting the simulation of virtual environments. Digital systems have evolved from increasing the speed of human operations, to providing entirely new means for creating, viewing and analyzing data. The following essays illustrate the growing spectrum of computer applications in architecture. They discuss developments in the simulation of future environments on the luminous screen and in virtual space. They investigate new methods and theories for the generation of architectural color, texture, and form. Authors address the complex technical issues of "intelligent" models and their associated analytic contents. There are attempts to categorize and make accessible architects' perceptions of various models of "reality". Much of what is presented foreshadows changes that are taking place in the areas of design theory, building sciences, architectural graphics, and computer research. The work presented is both developmental, evolving from the work done before or in other fields, and unique, exploring new themes and concepts. The application of computer technology to the practice of architecture has had a cross disciplinary effect, as computer algorithms used to generate the "unreal" environments and actors of the motion picture industry are applied to the prediction of buildings and urban landscapes not yet in existence. Buildings and places from history are archeologically "re-constructed" providing digital simulations that enable designers to study that which has previously (or never) existed. Applications of concepts from scientific visualization suggest new methods for understanding the highly interrelated aspects of the architectural sciences: structural systems, environmental control systems, building economics, etc. Simulation systems from the aerospace industry and computer media fields propose new non-physical three-dimensional worlds. Video compositing technology from the television industry and the practice of medicine are now applied to the compositing of existing environments with proposed buildings. Whether based in architectural research or practice, many authors continue to question the development of contemporary computer systems. They seek new interfaces between human and machine, new methods for simulating architectural information digitally, and new ways of conceptualizing the process of architectural design. While the practice of architecture has, of necessity, been primarily concerned with increasing productivity - and automation for improved efficiency, it is clear that university based studies and research continue to go beyond the electronic replication of manual tasks and study issues that can change the processes of architectural design - and ultimately perhaps, the products.
series	ACADIA
email
more	http://www.acadia.org
last changed	2022/06/07 07:49

_id	2e3b
authors	Kvan, Thomas and Kvan, Erik
year	1997
title	Is Design Really Social
source	Creative Collaboration in Virtual Communities 1997, ed. A. Cicognani. VC'97. Sydney: Key Centre of Design Computing, Department of Architectural and Design Science, University of Sydney, 8 p.
summary	There are many who will readily agree with Mitchell’s assertion that “the most interesting new directions (for computer-aided design) are suggested by the growing convergence of computation and telecommunication. This allows us to treat designing not just as a technical process... but also as a social process.” [Mitchell 1995]. The assumption is that design was a social process until users of computer-aided design systems were distracted into treating it as a merely technical process. Most readers will assume that this convergence must and will lead to increased communication between design participants; that better social interaction leads to be better design. The unspoken assumption appears to be that putting the participants into an environment with maximal communication channels will result in design collaboration. The tools provided; therefore; must permit the best communication and the best social interaction. We think it essential to examine the foundations and assumptions on which software and environments are designed to support collaborative design communication. Of particular interest to us in this paper is the assumption about the “social” nature of design. Early research in computer-assisted design collaborations has jumped immediately into conclusions about communicative models which lead to high-bandwidth video connections as the preferred channel of collaboration. The unstated assumption is that computer-supported design environments are not adequate until they replicate in full the sensation of being physically present in the same space as the other participants (you are not there until you are really there). It is assumed that the real social process of design must include all the signals used to establish and facilitate face-to-face communication; including gestures; body language and all outputs of drawing (e.g. Tang [1991]). In our specification of systems for virtual design communities; are we about to fall into the same traps as drafting systems did?
keywords	CSCW; Virtual Community; Architectural Design; Computer-Aided Design
series	other
email
last changed	2002/11/15 18:29

_id	acca
authors	McManus, Maureen
year	1991
title	The Message of Multimedia
source	MCN. April, 1991. vol. 6: pp. 25-30
summary	Multimedia computing is the integration and use of different types of computer data: text, images, photos, animation, sound and video. The addition of the last two types of data to the information equation distinguishes multimedia from other form of computing. The article discusses the market, hardware platforms and technology
keywords	multimedia, business, practice, hardware, technology
series	CADline
last changed	1999/02/12 15:09

_id	0d72
authors	Millet, M.S., Hildebrand, G., Cohan, P. and Read, M.
year	1991
title	ArchiMedia Case Studies: Integrative Architectural Education
source	Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 127-134
doi	https://doi.org/10.52842/conf.acadia.1991.127
summary	Few people would argue that architectural education, ideally a complex holistic experience, completely integrates the many aspects and concerns that contribute to the design and realization of a building. This is hardly surprising given the vast array of information that architecture schools with limited resources attempt to present to students within constricted time frames. One may argue that in attempting to approach such a holistic educational goal, representations of reality on a computer screen are no more useful or provocative than conventional communication devices: slides, photographs, drawings, the spoken and printed word, moving pictures (film, video), and various combinations of all of these. The opportunities offered by computer-driven multimedia presentations, however, lie in the speed and relevance of connections made between associated ideas in various media formats. In particular, a multimedia presentation, if carefully authored and developed, can provide a wide range of interactive information gathering pathways. The approach called ArchiMedia offers a means for presenting a wide variety of information about a range of building types in an interactive format with the goal of supporting the creative and practical processes of communication among teachers and students.
series	ACADIA
last changed	2022/06/07 07:59

_id	9e4e
authors	Minneman, S. and Bly, S.
year	1991
title	Managing a Trois: a study of a multi-user drawing tool in distributed design work
source	Proceedings of the Conference on Computer Human Interaction (CHI) '91, pp. 217-224,1991
summary	A multi-user drawing tool was used by participants in a distributed design exercise conducted in a multi-media working environment. The goal of the study was to explore how observations from our earlier studies of shared drawing in two-person design activity would hold up when three participants worked together. Additionally, the study provided opportunities to contrast video/audio connections with audio-only connections and to discover new behaviors that emerge in the use of new technologies. Participants successfully used the shared drawing system with no observed difficulties attributable to the addition of a third user. Audio-only connections appeared to adequately suppofi this work activity, but details of the participants' interactions in the exercise raised questions that deserve further study. Finally, observations suggest that drawing tools such as the one reported here may offer support for alternative forms of participation in collaborative work.
series	other
last changed	2003/04/23 15:50

_id	82c6
authors	Sabater, Txatxo
year	1991
title	Learning from Volume Processing
source	Experiences with CAAD in Education and Practice [eCAADe Conference Proceedings] Munich (Germany) 17-19 October 1991
doi	https://doi.org/10.52842/conf.ecaade.1991.x.o9t
summary	We will expose a kind of chosen curriculum about the activities we have been working on, basically at the Politechnical University of Barcelona Valles School of Architecture. Our activities, in the realm of Apple Macintosh, involve undergraduate students and a Master degree as well. The way we use graphic computers and 3D software has been formulated gradually through a continuous and progressive use. Dedicating work with Apple Macintosh computers doesn't concern to teaching drawing programmes, but we try to "normalize" its use. How? Integrating it in different tasks and suggesting its use in a range of programmes. And, sometimes, letting the visual transcriptions suggest new arguments. The visual system of values developed by the Modernists (now history) and through the mass media, especially photography, cinema, video, are, nowadays, part of our visual language.
series	eCAADe
last changed	2022/06/07 07:50

_id	85c5
authors	Strauss, Wolfgang
year	1991
title	Organization Principles in Virtual Space - Digital Casa in Media City
source	Experiences with CAAD in Education and Practice [eCAADe Conference Proceedings] Munich (Germany) 17-19 October 1991
doi	https://doi.org/10.52842/conf.ecaade.1991.x.o4m
summary	Omitting the "virtual": the organization of the space - that is architecture. How the design process itself has been changed by the new media, is the topic of this discussion - the process of designing in its penetration and extension into other techniques and media, for example video montage or image data banks. The process of designing becomes an electronic working of images differing substantially from the traditional process by the employed electronic devices.
series	eCAADe
last changed	2022/06/07 07:50

_id	e336
authors	Achten, H., Roelen, W., Boekholt, J.-Th., Turksma, A. and Jessurun, J.
year	1999
title	Virtual Reality in the Design Studio: The Eindhoven Perspective
source	Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 169-177
doi	https://doi.org/10.52842/conf.ecaade.1999.169
summary	Since 1991 Virtual Reality has been used in student projects in the Building Information Technology group. It started as an experimental tool to assess the impact of VR technology in design, using the environment of the associated Calibre Institute. The technology was further developed in Calibre to become an important presentation tool for assessing design variants and final design solutions. However, it was only sporadically used in student projects. A major shift occurred in 1997 with a number of student projects in which various computer technologies including VR were used in the whole of the design process. In 1998, the new Design Systems group started a design studio with the explicit aim to integrate VR in the whole design process. The teaching effort was combined with the research program that investigates VR as a design support environment. This has lead to increasing number of innovative student projects. The paper describes the context and history of VR in Eindhoven and presents the current set-UP of the studio. It discusses the impact of the technology on the design process and outlines pedagogical issues in the studio work.
keywords	Virtual Reality, Design Studio, Student Projects
series	eCAADe
email
last changed	2022/06/07 07:54

For more results click below: