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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	0aba
authors	Carrara, Gianfranco, Kalay, Yehuda E. and Novembri, Gabriele
year	1991
title	Intelligent Systems for Supporting Architectural Design
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 191-202
summary	Design can be considered a process leading to the definition of a physical form that achieves a certain predefined set of objectives. The process comprises three distinct operations: (1) definition of the desired set of performance criteria (design goals); (2) production of alternative design solutions; (3) evaluation of the expected performances of alternative design solutions, and comparing them to predefined criteria. Difficulties arise in performing each one of the three operations, as well as in combining them into a purposeful, unified process. First, it is difficult to define the desired performance criteria prior to and independently of, the search for an acceptable solution that achieves them, since many aspects of the desired criteria can only be discovered through the search for an acceptable solution. Furthermore, the search for such a solution may well alter the definition of these criteria, as new criteria and incompatibilities between existing criteria are discovered. Second the generation of a design solution is a task demanding creativity, judgement, and experience, all three of which are difficult to define, teach, and otherwise capture in some explicit manner. Third, it is difficult to evaluate the expected performances of alternative design solutions and to compare them to the predefined criteria. Design parameters interact with each other in complex ways, which cause effects and side effects. Predicting the expected performances of even primary effects involves extrapolating non-physical characteristics from the proposed solution's physical organization, a process which relies on a host of assumptions (physical, sociological, psychological, etc.) and hence is seldom a reliable measure. A fourth problem arises from the need to coordinate the three operations in an iterative process that will converge on an acceptable design solution in reasonable time. Computational techniques that were developed in the past to assist designers in performing the above mentioned activities have shown limitations and proved inadequate to a large degree. In this paper we discuss the work in progress aimed at developing an intelligent support system for building and architectural design, which will be able to play a decisive role in the definition, evaluation and putting into effect of the design choices.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	eaca
authors	Davis, L. (ed.)
year	1991
title	Handbook of genetic algorithms
source	Van Nostrand Reinhold, New York
summary	This book sets out to explain what genetic algorithms are and how they can be used to solve real-world problems. The first objective is tackled by the editor, Lawrence Davis. The remainder of the book is turned over to a series of short review articles by a collection of authors, each explaining how genetic algorithms have been applied to problems in their own specific area of interest. The first part of the book introduces the fundamental genetic algorithm (GA), explains how it has traditionally been designed and implemented and shows how the basic technique may be applied to a very simple numerical optimisation problem. The basic technique is then altered and refined in a number of ways, with the effects of each change being measured by comparison against the performance of the original. In this way, the reader is provided with an uncluttered introduction to the technique and learns to appreciate why certain variants of GA have become more popular than others in the scientific community. Davis stresses that the choice of a suitable representation for the problem in hand is a key step in applying the GA, as is the selection of suitable techniques for generating new solutions from old. He is refreshingly open in admitting that much of the business of adapting the GA to specific problems owes more to art than to science. It is nice to see the terminology associated with this subject explained, with the author stressing that much of the field is still an active area of research. Few assumptions are made about the reader's mathematical background. The second part of the book contains thirteen cameo descriptions of how genetic algorithmic techniques have been, or are being, applied to a diverse range of problems. Thus, one group of authors explains how the technique has been used for modelling arms races between neighbouring countries (a non- linear, dynamical system), while another group describes its use in deciding design trade-offs for military aircraft. My own favourite is a rather charming account of how the GA was applied to a series of scheduling problems. Having attempted something of this sort with Simulated Annealing, I found it refreshing to see the authors highlighting some of the problems that they had encountered, rather than sweeping them under the carpet as is so often done in the scientific literature. The editor points out that there are standard GA tools available for either play or serious development work. Two of these (GENESIS and OOGA) are described in a short, third part of the book. As is so often the case nowadays, it is possible to obtain a diskette containing both systems by sending your Visa card details (or $60) to an address in the USA.
series	other
last changed	2003/04/23 15:14

_id	fd70
authors	Goldman, Glenn and Zdepski, Michael Stephen (Eds.)
year	1991
title	Reality and Virtual Reality [Conference Proceedings]
source	ACADIA Conference Proceedings / ISBN 1-880250-00-4 / Los Angeles (California - USA) October 1991, 236 p.
doi	https://doi.org/10.52842/conf.acadia.1991
summary	During the past ten years computers in architecture have evolved from machines used for analytic and numeric calculation, to machines used for generating dynamic images, permitting the creation of photorealistic renderings, and now, in a preliminary way, permitting the simulation of virtual environments. Digital systems have evolved from increasing the speed of human operations, to providing entirely new means for creating, viewing and analyzing data. The following essays illustrate the growing spectrum of computer applications in architecture. They discuss developments in the simulation of future environments on the luminous screen and in virtual space. They investigate new methods and theories for the generation of architectural color, texture, and form. Authors address the complex technical issues of "intelligent" models and their associated analytic contents. There are attempts to categorize and make accessible architects' perceptions of various models of "reality". Much of what is presented foreshadows changes that are taking place in the areas of design theory, building sciences, architectural graphics, and computer research. The work presented is both developmental, evolving from the work done before or in other fields, and unique, exploring new themes and concepts. The application of computer technology to the practice of architecture has had a cross disciplinary effect, as computer algorithms used to generate the "unreal" environments and actors of the motion picture industry are applied to the prediction of buildings and urban landscapes not yet in existence. Buildings and places from history are archeologically "re-constructed" providing digital simulations that enable designers to study that which has previously (or never) existed. Applications of concepts from scientific visualization suggest new methods for understanding the highly interrelated aspects of the architectural sciences: structural systems, environmental control systems, building economics, etc. Simulation systems from the aerospace industry and computer media fields propose new non-physical three-dimensional worlds. Video compositing technology from the television industry and the practice of medicine are now applied to the compositing of existing environments with proposed buildings. Whether based in architectural research or practice, many authors continue to question the development of contemporary computer systems. They seek new interfaces between human and machine, new methods for simulating architectural information digitally, and new ways of conceptualizing the process of architectural design. While the practice of architecture has, of necessity, been primarily concerned with increasing productivity - and automation for improved efficiency, it is clear that university based studies and research continue to go beyond the electronic replication of manual tasks and study issues that can change the processes of architectural design - and ultimately perhaps, the products.
series	ACADIA
email
more	http://www.acadia.org
last changed	2022/06/07 07:49

_id	ecaade2014_163
id	ecaade2014_163
authors	Ioannis Chatzikonstantinou
year	2014
title	A 3-Dimensional Architectural Layout Generation Procedure for Optimization Applications : DC-RVD
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 287-296
doi	https://doi.org/10.52842/conf.ecaade.2014.1.287
wos	WOS:000361384700028
summary	A procedure for generating 3-dimensional spatial configurations for optimization applications, termed Dimension Constrained Rectangular Voronoi Diagram (DC-RVD), is presented in this paper. The procedure is able to generate a non-overlapping configuration of spatial units in 3-dimensional space, given a string of real values. It constitutes an extension and adaptation of the Rectangular Voronoi Diagram generating procedure, found in the work of Choi and Young (1991). An extensive description of the procedure, with the relevant pseudocode is included in the paper. The procedure is tested in a stochastic optimisation-based decision support environment. Testing is done using a case study of a medium-sized family house. The result indicate promising performance.
keywords	Optimization; layout; representation
series	eCAADe
email
last changed	2022/06/07 07:50

_id	a113
authors	Milne, Murray
year	1991
title	Design Tools: Future Design Environments for Visualizing Building Performance
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 485-496
summary	In the future of Computer Aided Architectural Design (CAAD), architects clearly need more than just computer aided design and drafting systems (CAD). Unquestionably CAD systems continue to become increasingly powerful, but there is more to designing a good building than its three-dimensional existence, especially in the eyes of all the non-architects of the world: users, owners, contractors, regulators, environmentalists. The ultimate measure of a building's quality has something to do with how well it behaves over time. Predictions about its performance have many different dimensions; how much it costs to build, to operate, and to demolish; how comfortable it is; how effectively people can perform their functions in it; how much energy it uses or wastes. Every year dozens of building performance simulation programs are being written that can predict performance over time along any of these dimensions. That is why the need for both CAD systems and performance predictors can be taken for granted, and why instead it may be more interesting to speculate about the need for 'design tools'. A design tool can be defined as a piece of software that is easy and natural for architects to use, that easily accommodates three-dimensional representations of the building, and that-predicts something useful about a building's performance. There are at least five different components of design tools that will be needed for the design environment of the future.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	ga0010
id	ga0010
authors	Moroni, A., Zuben, F. Von and Manzolli, J.
year	2000
title	ArTbitrariness in Music
source	International Conference on Generative Art
summary	Evolution is now considered not only powerful enough to bring about the biological entities as complex as humans and conciousness, but also useful in simulation to create algorithms and structures of higher levels of complexity than could easily be built by design. In the context of artistic domains, the process of human-machine interaction is analyzed as a good framework to explore creativity and to produce results that could not be obtained without this interaction. When evolutionary computation and other computational intelligence methodologies are involved, every attempt to improve aesthetic judgement we denote as ArTbitrariness, and is interpreted as an interactive iterative optimization process. ArTbitrariness is also suggested as an effective way to produce art through an efficient manipulation of information and a proper use of computational creativity to increase the complexity of the results without neglecting the aesthetic aspects [Moroni et al., 2000]. Our emphasis will be in an approach to interactive music composition. The problem of computer generation of musical material has received extensive attention and a subclass of the field of algorithmic composition includes those applications which use the computer as something in between an instrument, in which a user "plays" through the application's interface, and a compositional aid, which a user experiments with in order to generate stimulating and varying musical material. This approach was adopted in Vox Populi, a hybrid made up of an instrument and a compositional environment. Differently from other systems found in genetic algorithms or evolutionary computation, in which people have to listen to and judge the musical items, Vox Populi uses the computer and the mouse as real-time music controllers, acting as a new interactive computer-based musical instrument. The interface is designed to be flexible for the user to modify the music being generated. It explores evolutionary computation in the context of algorithmic composition and provides a graphical interface that allows to modify the tonal center and the voice range, changing the evolution of the music by using the mouse[Moroni et al., 1999]. A piece of music consists of several sets of musical material manipulated and exposed to the listener, for example pitches, harmonies, rhythms, timbres, etc. They are composed of a finite number of elements and basically, the aim of a composer is to organize those elements in an esthetic way. Modeling a piece as a dynamic system implies a view in which the composer draws trajectories or orbits using the elements of each set [Manzolli, 1991]. Nonlinear iterative mappings are associated with interface controls. In the next page two examples of nonlinear iterative mappings with their resulting musical pieces are shown.The mappings may give rise to attractors, defined as geometric figures that represent the set of stationary states of a non-linear dynamic system, or simply trajectories to which the system is attracted. The relevance of this approach goes beyond music applications per se. Computer music systems that are built on the basis of a solid theory can be coherently embedded into multimedia environments. The richness and specialty of the music domain are likely to initiate new thinking and ideas, which will have an impact on areas such as knowledge representation and planning, and on the design of visual formalisms and human-computer interfaces in general. Above and bellow, Vox Populi interface is depicted, showing two nonlinear iterative mappings with their resulting musical pieces. References [Manzolli, 1991] J. Manzolli. Harmonic Strange Attractors, CEM BULLETIN, Vol. 2, No. 2, 4 -- 7, 1991. [Moroni et al., 1999] Moroni, J. Manzolli, F. Von Zuben, R. Gudwin. Evolutionary Computation applied to Algorithmic Composition, Proceedings of CEC99 - IEEE International Conference on Evolutionary Computation, Washington D. C., p. 807 -- 811,1999. [Moroni et al., 2000] Moroni, A., Von Zuben, F. and Manzolli, J. ArTbitration, Las Vegas, USA: Proceedings of the 2000 Genetic and Evolutionary Computation Conference Workshop Program – GECCO, 143 -- 145, 2000.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	a9bc
authors	Ronchi, Alfredo
year	1991
title	CAAD Technical Information Management by Hypertext
source	Experiences with CAAD in Education and Practice [eCAADe Conference Proceedings] Munich (Germany) 17-19 October 1991
doi	https://doi.org/10.52842/conf.ecaade.1991.x.j4d
summary	The research of applications concerning design, sizing and building of computer models have been, during the last years, undoubtedly of great importance and interest. Therefore, analyzing in detail the graphic packages concerning drafting and solid modelling we can undoubtedly say that these are nowadays an integral part of our daily work. In the near future, we can of course expect from those applications, new studies and research mainly concerning an easier start up and the standardization of the graphic interface; if we analyze, for example the well known package AutoCAD we can consider a new real data-base and the redesign of the interface on a graphic base (graphic choice of drawings and blocks, icons for commands, better capability of text editing, pattern editing and stretching, loading capability and visualization of various drawings in graphic windows, full compatibility with MS WINDOWS, etc. etc.). As above mentioned, these studies work on updating well known existing applications aiming to consolidate their uses; one specific section of design not yet supported by computer application is that related to the management of technical and non-technical information, nowadays still written and stored on paper.
series	eCAADe
email
last changed	2022/06/07 07:50

_id	c00e
authors	Tolman, F. P. and Kuiper, P.
year	1991
title	Some Integration Requirements for Computer Integrated Building
source	The Computer Integrated Future, CIB W78 Seminar. september, 1991. Unnumbered : ill. includes a short bibliography
summary	Introduction of computer technology in the Building and Construction industries follows a bottom-up approach. Bottom up approaches always lead to (1) communication problems on higher levels -- in this case recognized as 'islands of automation' -- subsequently followed by more recently (2) a plea for integration. Although the word 'integration' quickly became in vogue, it is not clear what it really means and what it is that we are supposed to integrate. Another interesting and pressing question is: 'How to integrate the different integration efforts'? The paper discusses five hierarchical technical levels of integration. Each level is elaborated in some detail. Also the relations between the levels are brought into perspective. Non-technical integration requirements (e.g. social, organizational, or legal) are not discussed
keywords	integration, systems, CAD, building, construction
series	CADline
last changed	2003/06/02 10:24

_id	ae74
authors	Zamanian, Kiumarse and Fenves, Steven J.
year	1991
title	A Framework for Modeling and Communicating Abstractions of Constructed Facilities
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 245-260
summary	Management of information about constructed facilities in a computer-integrated environment is a challenging task because this information evolves from, and is viewed by many different disciplines throughout the facility's lifecycle. We present a general framework for modeling and reasoning about the components of a constructed facility at any desired level of abstraction, and communicating the information across disciplines at any stage in the lifecycle of the facility, as well as across stages. Our research has been motivated by an objective similar to that of STEP, which intends to establish an international protocol for the exchange of CAD data. The descriptive information about a facility is divided into two separate but linked groups: spatial and non-spatial attributes. The primary emphasis of this research is to provide a single, uniform representation and reasoning paradigm for dealing with the various spatial abstractions of the facility components regardless of their geometric dimensionalities.
series	CAAD Futures
last changed	1999/11/23 19:42

_id	0faa
authors	Duelund Mortensen, Peder
year	1991
title	THE FULL-SCALE MODEL WORKSHOP
source	Proceedings of the 3rd European Full-Scale Modelling Conference / ISBN 91-7740044-5 / Lund (Sweden) 13-16 September 1990, pp. 10-11
summary	The workshop is an institution, available for use by the public and established at the Laboratory of Housing in the Art Academy's school of Architecture for a 3 year trial period beginning April 1985. This resumé contains brief descriptions of a variety of representative model projects and an overview of all projects carried out so far, including the pilot projects from 1983 and planned projects to and including January 1987. The Full Scale Model Workshop builds full size models of buildings, rooms and parts of buildings. The purpose of the Full Scale Model Workshop is to promote communication among building's users. The workshop is a tool in an attempt to build bridges between theory and practice in research, experimentation and communication of research results. New ideas and experiments of various sorts can be tried out cheaply, quickly and efficiently through the building of full scale models. Changes can be done on the spot as a planned part of the project and on the basis of ideas and experiments achieved through the model work itself. Buildings and their space can thus be communicated directly to all involved persons, regardless of technical background or training in evaluation of building projects.
keywords	Full-scale Modeling, Model Simulation, Real Environments
series	other
type	normal paper
more	http://info.tuwien.ac.at/efa
last changed	2004/05/04 15:23

_id	a607
authors	Durisch, Peter and Anderheggen, Edoardo
year	1991
title	Leaving the Planar Universe
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 521-534
summary	A computer program is presented which generates realistic images of planned buildings embedded in their future environment through photomontage. The planar universe of conventional photomontaging is extended to three dimensions. During an interactive preprocessing step, a three- dimensional model of the building's environment is created: Geometrical data is retrieved photogrammetrically from a number of site photographs. Atmospheric parameters and the relative weights of the components of natural daylight are also retrieved from the photographs. The final image, combining the artificial model of the building and the photographs of its surroundings, is rendered by an extended ray-tracing algorithm in three-dimensional object space.
series	CAAD Futures
last changed	1999/04/07 12:03

_id	f85d
authors	Geraedts, Rob P and Pollalis, Spiro N.
year	2001
title	Remote Teaching in Design Education - Educational and Organizational Issues and Experiences
source	Architectural Information Management [19th eCAADe Conference Proceedings / ISBN 0-9523687-8-1] Helsinki (Finland) 29-31 August 2001, pp. 305-310
doi	https://doi.org/10.52842/conf.ecaade.2001.305
summary	The Department of Real Estate and Project Management (BMVB) of the Faculty of Architecture at the Delft University of Technology has been working closely with Professor Spiro N. Pollalis of Harvard University, Graduate School of Design in Cambridge, USA since 1991. His case-based interactive seminars about the management of the design & construction process have been highly appreciated by many generations of students. In Spring 2000, Pollalis suggested to extend the scope of his involvement by introducing a remote teaching component, the subject of his research in the last few years. As Information and Communication Technology (ICT) in the Design and Construction Industry is part of his lectures, it was appropriate to provide the students with a first hand experience on the subject. In the following experiment, the teacher would remain in his office at Harvard while the interactive work and discussion sessions with 130 students in a full lecture room would take place in Delft as planned. The consequences this experiment has had for the course, for the techniques and facilities used, how teachers and students experienced these, and which conclusions and recommendations can be made, are the topics of this paper.
keywords	Remote Teaching, Design & Construction Education, And ICT
series	eCAADe
last changed	2022/06/07 07:51

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