CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 9 of 9

_id c9cf
authors Logan, B. and Smithers, T.
year 1993
title Creativity and design as exploration
source J.S. Gero and M. L. Maher (eds), Modelling Creativity and Knowledge-Based Creative Design, Lawrence Erlbaum Associates, pp. 139-175
summary This paper considers the problem of creative design, and in particular the role of a priori knowledge or "prototypes" in the design process. A design problem is characterised as one in which both the objectives and the means available for achieving these objectives are (of necessity) initially only poorly defined. Some observations concerning the nature of design process based on this characterisation are presented, and a model of the design process as a knowledge-based exploration task described. The role of prototypes in organising this knowledge is examined, and the widely accepted view that prototypes can form the principle source of knowledge for creativity in design is challenged. In a final section we outline the structural principles of a representation scheme which aims to overcome of these difficulties and describe a design support system which uses this scheme to support the design process.
series other
last changed 2003/04/23 15:14

_id a944
authors Maher, M.L., Gero, J.S. and Saad, M.
year 1993
title Synchronous Support and Emergence in Collaborative CAAD
source CAAD Futures ‘93 [Conference Proceedings / ISBN 0-444-89922-7] (Pittsburgh / USA), 1993, pp. 455-470
summary Design is rarely an activity that is commenced and completed by an individual The more common design environment is one in which teams of designers work together towards a final solution. In this paper we consider issues involved in the development of computer-based design environments in which teams of design professionals can collaborate, focusing on the need for visual and underlying representations which can support multiple interpretations. We consider the environment as providing a shared workspace which facilitates both communication and progression of design ideas, concepts, and drawings. In the environment presented here, the shared workspace has two foci: the workspace that designers see and interact with, and the workspace that provides an underlying computer-based representation for persistent memory. The emphasis is on providing representations that support emergence that occurs during collaboration.
keywords Collaborative Design, Team Design, Multi-User Synchronous CAAD, Shared Representation, Shared Workspace, Emergence
series CAAD Futures
email
last changed 2003/05/16 20:58

_id 1766
id 1766
authors Gero, J. S.
year 1993
title New knowledge-based CAD models of design
source K. Mathur, M. Betts and K. W. Tham (eds), Management of Information Technology for Construction, World Scientific, Singapore, pp. 199-208
summary Knowledge-based systems utilise concepts from artificial intelligence. They are the bases of new models of design which have the potential to extend the utility of computers in design. This paper briefly reviews current research support new knowledge-based CAd-models if design before describing and elaborating two such models. One is case-based design and the other is creative design.
series other
type normal paper
email
more http://www.arch.usyd.edu.au/~john/
last changed 2006/05/27 18:27

_id f4df
id f4df
authors Rosenman, M. A., Gero, J. S. and Hwang, Y-S.
year 1993
title Representation of multiple concepts of a design object based on multiple functions
source K. Mathur, M. Betts and K. W. Tham (eds), Management of Information Technology for Construction, World Scientific, Singapore, pp. 239-254
summary Current representatuin schemas for design objects in CAD environments make assumptions regarding particular representations of the design object. In the AEC environemnt, many disciplines are involved, each with its own concept of the design object. Each such concept must be respected and accomodated in any representation. This paper presents the ideas behind the representation of multiple concepts from an underlying description of a design such that the inter and intra-discipline views of that design can be formed dynamically.
keywords information technology, concewptual modeling, multiple abstraction representation, building design, function
series other
type normal paper
email
more http://www.arch.usyd.edu.au/~john/
last changed 2006/05/27 18:35

_id e994
id e994
authors Gero, J. S.
year 1993
title The role of visual emergence in collaborative design
source Computational Support for Distributed Collaborative Design, Key Centre of Design Computing, University of Sydney, pp. 103-115
summary There are two fundamental approaches to the use of computers to support collaborative design: (i) to use the computer as a device which increases the efficiency of what designers could do previously, and (ii) to use the computer as an active device which allows designers to do what they could not readily do previously. // This paper is concerned with the latter approach by introducing the concept of visual or graphical emergence as one form of collaboration at a distance that can not readily be carried out without the aid of the computer.
series other
type normal paper
email
more http://www.arch.usyd.edu.au/~john/
last changed 2006/05/27 18:21

_id 7d26
authors Pearson, D.G., Alexander, C. and Webster, Robin
year 2001
title Working Memory and Expertise Differences in Design.
source J. S. Gero, B. Tversky and T. Purcell (eds), 2001, Visual and Spatial Reasoning in Design, II - Key Centre of Design Computing and Cognition, University of Sydney, Australia
summary The Creative Synthesis task devised by Finke and Slayton(1988) has been widely used as an experimental measure of mentalsynthesis, but previous studies have often failed to demonstrate anysignificant benefits of external support on participants’ performance.This paper discusses a study that examined novice and expert drawers’performance of synthesis using a modified stimuli set that was designedto increase the load on visuo-spatial working memory. The resultsshowed a significant increase in Transformational Complexity(Anderson & Hesltrup, 1993) of patterns produced by the expert groupwhile using sketching. It is argued that experts are more effective atusing sketching interactively to increase complexity, while novices relymore on using it as a simple memory aid.
series other
email
more http://www.arch.usyd.edu.au/kcdc/conferences/vr01/
last changed 2003/05/02 11:14

_id ea5a
authors Wojtowicz, J., Papazian, P., Fargas, J., Davidson, J.N. and Cheng, N.
year 1993
title Asynchronous Architecture
source Education and Practice: The Critical Interface [ACADIA Conference Proceedings / ISBN 1-880250-02-0] Texas (Texas / USA) 1993, pp. 107-117
doi https://doi.org/10.52842/conf.acadia.1993.107
summary Computer culture creates new demands on the process of making architecture. Both academia and practice are undergoing rapid changes due to the impact of information technology, and one of the most significant phenomena which has resulted from this transformation is collaborative design in a networked environment. Many researchers in the field have focused their efforts on minimizing or eliminating an apparent shortcoming of networked collaboration, namely the difficulty of immediate interaction between participants [Maher, Gero and Sand, 1993]. In an ongoing experiment in collaborative design we have taken a different approach. Instead of trying to work in a synchronous environment, we have taken the asynchronous nature of networked collaboration to be one of the important features of this ethereal medium, a feature whose consequences need to be explored.

series ACADIA
email
last changed 2022/06/07 07:57

_id caadria2007_659
id caadria2007_659
authors Chen, Zi-Ru
year 2007
title The Combination of Design Media and Design Creativity _ Conventional and Digital Media
source CAADRIA 2007 [Proceedings of the 12th International Conference on Computer Aided Architectural Design Research in Asia] Nanjing (China) 19-21 April 2007
doi https://doi.org/10.52842/conf.caadria.2007.x.w5x
summary Creativity is always interested in many fields, in particular, creativity and design creativity have many interpretations (Boden, 1991; Gero and Maher, 1992, 1993; Kim, 1990; Sternberg, 1988; Weisberg, 1986). In early conceptual design process, designers used large number of sketches and drawings (Purcell and Gero, 1998). The sketch can inspire the designer to increase the creativity of the designer’s creations(Schenk, 1991; Goldschmidt, 1994; Suwa and Tversky, 1997). The freehand sketches by conventional media have been believed to play important roles in processes of the creative design thinking(Goldschmidt, 1991; Schon and Wiggins, 1992; Goel, 1995; Suwa et al., 2000; Verstijnen et al., 1998; Elsas van and Vergeest, 1998). Recently, there are many researches on inspiration of the design creativity by digital media(Liu, 2001; Sasada, 1999). The digital media have been used to apply the creative activities and that caused the occurrenssce of unexpected discovery in early design processes(Gero and Maher, 1993; Mitchell, 1993; Schmitt, 1994; Gero, 1996, 2000; Coyne and Subrahmanian, 1993; Boden, 1998; Huang, 2001; Chen, 2001; Manolya et al. 1998; Verstijinen et al., 1998; Lynn, 2001). In addition, there are many applications by combination of conventional and digital media in the sketches conceptual process. However, previous works only discussed that the individual media were related to the design creativity. The cognitive research about the application of conceptual sketches design by integrating both conventional and digital media simultaneously is absent.
series CAADRIA
email
last changed 2022/06/07 07:50

_id cd6f
authors Gero, John S. and Yani, Min
year 1993
title Discovering Emergent Shapes Using a Data-Driven Symbolic Model
source CAAD Futures ‘93 [Conference Proceedings / ISBN 0-444-89922-7] (Pittsburgh / USA), 1993, pp. 3-17
summary This paper presents a model for discovering emergent shapes based on the concept of shape hiding and data-driven search. It is founded on representing polyline bounded shapes using infinite maximal lines, an extension of the concept of maximal lines. A process model of shape emergence is presented and a number of examples given which demonstrate the utility of both the representation and the model.
keywords Shape, Emergence, Symbolic Model, Data-Driven Search
series CAAD Futures
email
last changed 2003/05/16 20:58

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