Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	7f71
authors	De Landa, Manuel
year	1998
title	Meshworks, Hierarchies and Interfaces
source	Virtual Dimension Ed. Beckmann, J., Princeton Architectural Press, NewYork
summary	The world of interface design is today undergoing dramatic changes which in their impact promise to rival those brought about by the use of the point-and-click graphical interfaces popularized by the Macintosh in the early 1980's. The new concepts and metaphors which are aiming to replace the familiar desk-top metaphor all revolve around the notion of semi-autonomous, semi-intelligent software agents. To be sure, different researchers and commercial companies have divergent conceptions of what these agents should be capable of, and how they should interact with computer users. But whether one aims to give these software creatures the ability to learn about the users habits, as in the non-commercial research performed at MIT autonomous agents group, or to endow them with the ability to perform transactions in the users name, as in the commercial products pioneered by General Magic, the basic thrust seems to be in the direction of giving software programs more autonomy in their decision-making capabilities.
series	other
last changed	2003/04/23 15:50

_id	c65d
authors	Habraken, N.J. and Teicher, J (ed.)
year	1998
title	The Structure of the Ordinary
source	MIT Press, Cambridge, USA, pp. 73-76
summary	According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a recognition and analysis of everyday environment as the wellspring of urban design and formal architecture. The author's central argument is that built environment is universally organized by the Orders of Form, Place, and Understanding. These three fundamental, interwoven principles correspond roughly to physical, biological, and social domains. Historically, "ordinary" environment was the background against which architects built the "extraordinary." Drawing upon extensive examples from archaeological and contemporary sites worldwide, the author illustrates profound recent shifts in the structure of everyday environment. One effect of these transformations, Habraken argues, has been the loss of implicit common understanding that previously enabled architects to formally enhance and innovate while still maintaining environmental coherence. Consequently, architects must now undertake a study of the ordinary as the fertile common ground in which form- and place-making are rooted. In focusing on built environment as an autonomous entity distinct from the societies and natural environments that jointly create it, this book lays the foundation for a new dialogue on methodology and pedagogy, in support of a more
series	other
last changed	2003/04/23 15:14

_id	acadia21_454
id	acadia21_454
authors	Kaiser, Kimball; Aljomairi, Maryam
year	2021
title	DTS Printer: Spatial Inkjet Printing
doi	https://doi.org/10.52842/conf.acadia.2021.454
source	ACADIA 2021: Realignments: Toward Critical Computation [Proceedings of the 41st Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-986-08056-7]. Online and Global. 3-6 November 2021. edited by S. Parascho, J. Scott, and K. Dörfler. 454-459.
summary	Inkjet printing has become abundantly available to businesses, offi ces, and households ever since its commercialization in the late 1980s. Although roughly forty years have passed, the desktop printer is still limited to printing on thin fl at surfaces, mainly paper (Mills 1998). On the other hand, while larger fl atbed printing technology does offer printing on a wide-range of substrates of various thicknesses, it is limited to 2-axis printing and is mainly used for large scale commercial applications due to high machine costs. Motivated by the ambition of printing on irregular surfaces of varied mediums, improving upon high price points of existing fl at-bed printing machines, and contributing to the public knowledge of distributed manufacturing, the Direct-To-Substrate (DTS) printer is an exploration into an integrated z-axis within inkjet printing. To realign a familiar technology used by many and hack it for the purposes of expanded capabilities, the DTS allows a user to manufacture a three-dimensional artifact and later print graphics directly upon said geometry using the same machine. To remain as accessible as possible, the DTS printer is a computer-numerically-controlled desktop machine made from common, sourceable hardware parts with a tool-changeable end effector, that currently accepts a Dremel tool as a router, and a hacked inkjet cartridge
series	ACADIA
type	project
email
last changed	2023/10/22 12:06

_id	cc90
authors	Kolarevic, Branko
year	1998
title	CAD@HKU
doi	https://doi.org/10.52842/conf.acadia.1998.016
source	ACADIA Quarterly, vol. 17, no. 4, pp. 16-17
summary	Since 1993, we have experimented with Virtual Design Studios (VDS) as an on-going research project that investigates the combination of current computer-aided design (CAD), computer networks (Internet), and computer supported collaborative work (CSCW) techniques to bring together studentsat geographically distributed locations to work in a virtual atelier. In 1993 the theme of the first joint VDS project was in-fill housing for the traditional Chinese walled village of Kat Hing Wai in the New Territories north of Hong Kong, and our partners included MIT and Harvard in Boston (USA), UBC in Vancouver (Canada), and Washington University in St. Louis (USA). In 1994 we were joined by Cornell (USA) and Escola Tecnica Superior d’Arquitectura de Barcelona (Spain) to re-design Li Long housing in Shanghai, and 1995 added the Warsaw Institute of Technology (Poland) for the ACSA/Dupont competition to design a Center for Cultural and Religious Studies in Japan. The 1996 topic was an international competition to design a monument located in Hong Kong to commemorate the return of Hong Kong to Chinese sovereignty in 1997. Communication was via e-mail, the WorldWide Web with limited attempts at VRML, and network video. Several teaching and research experiments conducted through these projects have demonstrated the viability and potential of using electronic, telecommunications, and videoconferencing technologies in collaborative design processes. Results of these VDS have been presented at conferences worldwide, explained in journal papers and published in Virtual Design Studio, edited by J. Wojtowicz, published by HKU Press.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	8cb9
authors	Lee, S., Mitchell, W.J., Naka, R., Morozumi, M. and Yamaguchi, S.
year	1998
title	The Kumamoto-Kyoto- MIT Collaborative Project: A Case Study of the Design Studio of the Future
source	Proceedings of Collaborative Buildings 1998, Darmstadt, Germany
summary	The Department of Architecture at the Massachusetts Institute of Technology has conducted a series of experimental design studios, as part of a larger ongoing research endeavour called The Design Studio of the Future, an interdisciplinary effort focusing on geographically distributed computer-mediated design and work group collaboration issues. A recent exploration was a collaborative design project joining geographically dispersed design students, faculty, researchers, and practitioners from Kumamoto University, Kyoto Institute of Technology, and MIT to examine the nature of computer networked collaborative environments and advanced computer-aided design technologies to support architectural education and practice. This paper will describe this project, which provided the students and faculty members with practical experience in the use of emerging technologies for collaboration, design, and communication in both the day-to-day activities of distributed groupwork as well as in the more formalized reviews.
series	other
last changed	2003/04/23 15:14

_id	c7a3
authors	Witmer, Bob and Singer, Michael
year	1998
title	Measuring Presence in Virtual Environments
source	Presence Vol. 7 No. 3, MIT Press
summary	The effectiveness of virtual environments (VEs) has often been linked to the sense of presence reported by users of those VEs. (Presence is defined as the subjective experience of being in one place or environment, even when one is physically situated in another.) We believe that presence is a normal awareness phenomenon that requires directed attention and is based in the interaction between sensory stimulation, environmental factors that encourage involvement and enable immersion, and internal tendencies to become involved. Factors believed to underlie presence were described in the premier issue of Presence: Teleoperators and Virtual Environments. We used these factors and others as the basis for a presence questionnaire (PQ) to measure presence in VEs. In addition we developed an immersive tendencies questionnaire (ITQ) to measure differences in the tendencies of individuals to experience presence. These questionnaires are being used to evaluate relationships among reported presence and other research variables. Combined results from four experiments lead to the following conclusions: (1) the PQ and ITQ are internally consistent measures with high reliability; (2) there is a weak but consistent positive relation between presence and task performance in VEs; (3) individual tendencies as measured by the ITQ predict presence as measured by the PQ; and (4) individuals who report more simulator sickness symptoms in VE report less presence than those who report fewer symptoms.
series	journal paper
last changed	2003/04/23 15:50

_id	7e80
authors	Yee, S. (et al.)
year	1998
title	The Kumamoto-Kyoto-MIT Collaborative Project: a case study of the Design Studio of the Future
source	N.A. Streiz, S. Konomi, and H. Burkardt (eds), Cooperative Buildings: Interpreting Organization, and Architecture, Springer-Verlag, Berlin, pp. 80–93
summary	The Department of Architecture at the Massachusetts Institute of Technology has conducted a series of experimental design studios, as part of a larger ongoing research endeavour called The Design Studio of the Future, an interdisciplinary effort focusing on geographically distributed computer-mediated design and work group collaboration issues. A recent exploration was a collaborative design project joining geographically dispersed design students, faculty, researchers, and practitioners from Kumamoto University, Kyoto Institute of Technology, and MIT to examine the nature of computer networked collaborative environments and advanced computer-aided design technologies to support architectural education and practice. This paper will describe this project, which provided the students and faculty members with practical experience in the use of emerging technologies for collaboration, design, and communication in both the day-to-day activities of distributed groupwork as well as in the more formalized reviews.
series	other
last changed	2003/04/23 15:14

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