Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia23_v3_129
id	acadia23_v3_129
authors	Ayres, Phil
year	2023
title	Sensitive Scaffolds – Cultivating Spatio-temporal Dialogues with Living Complexes
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 3: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-1-0]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 24-32.
summary	Thank you to the ACADIA team for extending the invitation to come here. For me, it's a really fantastic moment to reconnect with the ACADIA community. I've been dipping in and out of it since -- I think my first ACADIA was in Savannah, Georgia. Does anyone remember what year that was? 2001? 2002? I've been dipping in and out. And I really see this community as a model. You know, we could talk about the Mississippi and how it meanders, and passages of energy and matter and information begin to change. And the ACADIA community meanders across these different territories, but somehow it maintains its particular identity. And that identity, I think, is shrouded within ideals of sharing -- knowledge sharing -- and within a kind of creative design research, you know, rigor, which I find really fascinating.
series	ACADIA
type	keynote
email
last changed	2024/04/17 13:59

_id	ga0235
id	ga0235
authors	Turner, A.
year	2002
title	Ecomorphic Dialogues
source	International Conference on Generative Art
summary	The biological concept of ecomorphology examines the morphology of the organism in relation to the environment it inhabits. However, the organism itself is an active agent that shapes the environment that in turn shapes it. The two are linked through what autopoietic theory calls structural coupling, and thus the environment itself evolves as an ecomorphic entity. This short paper discusses modelling the process of ecomorphic evolution of an art gallery, which is built around the natural interaction, or hermeneutic dialogue, between people and artworks within it. The natural interactions from the point of view of the person are those based on active perception of the environment, that is, based solely on possiblities that the environment affords to the person. In the model presented here, the possibilities of the gallery are to view the artwork on display, and agents with vision act out the part of the people. However, the artwork itself is engaged in a game in which it tries to place itself in popular rooms within the gallery, moving from location to location to achieve this. Around this visually coupled interaction between viewer and artwork, the walls of the gallery are formed and reformed according to the location of the players, in order to create a constantly evolving space in which the game is played: the ecomorphic dialogue of artwork and art viewer.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

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