Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	47b3
authors	Gruen, A., Steidler F. and Wang, X.
year	2003
title	Generation and visualization of 3D-city and facility models using CyberCity Modeler (CC-Modeler)
source	CORP 2003, Vienna University of Technology, 25.2.-28.2.2003 [Proceedings on CD-Rom]
summary	The efficient generation of data for 3-D city models and their handling in Spatial Information Systems has become feasible. The derivation of this data from aerial and terrestrial images with semi-automated techniques constitutes the most powerful tool currently available to fulfill this task. Semi-automated object extraction has become a viable concept for the generation of 3-D city models. CyberCity-Modeler (CC-Modeler) has been developed with the aim of creating not only buildings, but also other objects pertaining to a city model efficiently and with a high degree of flexibility concerning the level of detail. In its commercial implementation, CCModeler has been confronted with a number of user requirements which needed to be observed. This led to some extensions in functionality, which are addressed in this paper: Geometrical regularization of buildings, editing functions for topology adjustment, integration of facades and other vertical walls and modeling of overhanging roofs. These extensions of the original concept make CyberCity-Modeler an even more powerful tool for 3-D city modeling.
series	other
last changed	2003/03/11 20:39

_id	sigradi2003_012
id	sigradi2003_012
authors	Cabello, D., López, L. and López, M.
year	2003
title	Acido Surtido. Veintiocho miradas en formato editorial (Assorted Acid. Twenty eight views in publishing format)
source	SIGraDi 2003 - [Proceedings of the 7th Iberoamerican Congress of Digital Graphics] Rosario Argentina 5-7 november 2003
summary	Acido Surtido is a wide-ranging editorial project free of charge. Whose purpose is to create a place where visual thinking meets and juxtapose at random. Its active principles arise from the chaotic combination, in a 64 x 94 cm sheet of paper, of twenty eight graphic works developed in an independent and parallel way by an equal number of itinerant authors, and based on a frame topic from which plenty of visual ideas are launched. Through this "cadavre exquis" strategy, Acido Surtido calls on the reader's ability to re-elaborate and develop new interpretations, even new for those originally proposed by the authors. Acido Surtido is an offset printed centrefold, with an impression of 2000 copies.
keywords	Miradas, yuxtaposición, editorial.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	acadia03_061
id	acadia03_061
authors	Garofalo, D., Morgan, J. and Popma, J.
year	2003
title	Block 37
doi	https://doi.org/10.52842/conf.acadia.2003.x.e2j
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 433
summary	The proposal for Block 37 was envisioned to anchor the north end of State Street, forming an implied axis between the Harold Washington Library and the New Media Center. The two buildings share similar educational responsibilities for the public, offering a variety of programs and facilities. In addition, they also assume a related physical presence on their respective sites, due to a similarity in the size of the building programs.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_044
id	acadia03_044
authors	Bermúdez, Julio and Foresti, Stefano
year	2003
title	Information Visualization
doi	https://doi.org/10.52842/conf.acadia.2003.x.p5s
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 346
summary	Digital visualization addresses representational challenges from within and without architecture. ‘Disciplinary’ digital visualization is used to explore, understand and communicate architectural information associated with the production of buildings. 3D modeling, rendering, animation and VR as well as the power of digital media to permit the seamless integration of various data types are unleashing completely new ways to display architecture. As digital power continues to increase and get cheaper, portability and wi-fi networks take root, and visualization work becomes even more main stream, we can expect growing changes in the way the design process is conducted, buildings are presented and documented, and the public and 3rd party’s demands from professional services. This demands a more conscious research/pedagogies aimed at developing new representation conventions.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	acadia03_058
id	acadia03_058
authors	Cerone, J. and Johnston, S.
year	2003
title	Elementary School: The Design Process
doi	https://doi.org/10.52842/conf.acadia.2003.x.f3n
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 430
summary	Although the fi nal presentation documents were all either generated orprocessed by computer, the steps leading to a fi nal product were theresult of constant interaction between computer and paper. The processbegan on paper with quick sketches of the main grid elements—the mostfundamental pieces of the “kit of parts”.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_062
id	acadia03_062
authors	Fure, Adam and Daubmann, Karl
year	2003
title	housemc - Mass-CraftingNumerical instructions for construction
doi	https://doi.org/10.52842/conf.acadia.2003.x.x3p
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 434
summary	Craft oriented culture was eventually displaced by mass-production, and it was not until the early 1990’s when a new paradigm began to emerge, one of infinite customer driven flexibility. Mass customization promises a flexible and efficient mode of production for customized parts or services at low cost. The catalyst for such a revolution has been computer-aided design and computer controlled manufacturing.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_054
id	acadia03_054
authors	Hume, Andrew and Schultz, Amy
year	2003
title	SANDbox Urbanism - suggestions for deserting the city
doi	https://doi.org/10.52842/conf.acadia.2003.x.s8f
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 426
summary	This studio sought to examine the unique representational phenomena ofthe city through the design proposal of a Hotel + Experience for Las Vegas. Students were asked to craft their own “realities” - project and program- from research on a series of topics: From all-things-Disney to corporatebranding; from World’s Fairs to themed environments and utopiancommunities; from simulation and synthetic environments to surface, skinand computer graphics concepts. Students drew upon Vegas culture andthe particularities of site (and non-site) to develop proposals which furtherexplored issues of identity construction, consumption and production, andimage in popular culture.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_064
id	acadia03_064
authors	Malnar, Joy Monice (et al.)
year	2003
title	Make No Little Plans: Designing the Chicago Lakefront in a Virtual Reality Environment
doi	https://doi.org/10.52842/conf.acadia.2003.x.d1u
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 436
summary	Architects have always needed somewhere to draw. History has seen dirt, stone, wood, and paper each serve in turn as the architect’s medium. Every technological advance has helped to manifest these exploratory visions in ever-increasing fidelity, while influencing the way in which the design process is conducted. Computer technology is the latest step in this progression, adding a third dimension to the architect’s drawings. Programs like form•Z, 3DS max, etc. allow the architect to build lifelike models and take clients on fly-throughs. Now, virtual reality has advanced architectural drawing to “full body design”, letting architects experience their creations, rather than just seeing those creations in front of them. ShadowLight-Mirage offers a unique environment in virtual reality in which to create rich ambiances of vibrancy, vitality and vigor.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_055
id	acadia03_055
authors	Sanabria, Sergio and Puranandi, Murali (et al.)
year	2003
title	The Tower of Babel a transformation of vladimir tatlin’s monument to thethird international as a new headquarters for the united
doi	https://doi.org/10.52842/conf.acadia.2003.x.h2r
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 427
summary	This studio, subsidized by a grant from the Havighurst Center for RussianStudies, focused on a collective investigation of a visionary early sovietproject of 1918-20 by Vladimir Tatlin for a Monument to the ThirdInternational. The twelve students in this studio decided to use Tatlin’sproject as a starting point for a new and greatly expanded headquartersfor the United Nations, to be sited on the Upper Bay of New York City–as aclimactic intermediate between the Varrazano Narrows bridge, the Statueof Liberty, and the profi le of Lower Manhattan. The political aspirationsmetaphorically embodied in this monument seemed appropriate to thelofty goals of the United Nations.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_032
id	acadia03_032
authors	Senagala, Mahesh
year	2003
title	Digital Theory
doi	https://doi.org/10.52842/conf.acadia.2003.x.u6f
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 254
summary	The computer has gone from being an isolated box to become part of a gigantic digital network of networks that shapes our collective future. The way and pace at which we connect, communicate, memorize, imagine and control the flows of valuable information have changed forever. There are at least six digital phenomena that directly affect the architectural world: miniaturization (of all that can be shrunk), ubiquity (being everywhere, global), realtime (communing globally in realtime, which is 1/10th of a second), noospherization (networking every-thing), virtuality (all that is solid melts into knowledge), and anamnesia (inability to forget). Temporal contiguity and temporal connectivity have taken precedence over spatial and geographical contiguity. The strands that animate our life today emanate from spatially distant but temporally contiguous/connected places. These phenomena have squeezed, stretched, restructured, reconfigured, and redistributed most major human institutions. Consequently, the built world’s role, importance and nature have changed. Architecture as traditionally understood has become more marginalized than before. Many practices, however, have been repositioning themselves to take advantage of the new opportunities beyond the bounds of traditional architectural practice. Design, practice, fabrication and construction are increasingly becoming networked affairs. The new measures of architecture are connectivity and speed. The architecture of a new world needs to recognize these transformations and think differently.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	acadia03_002
id	acadia03_002
authors	Anders, Peter
year	2003
title	Four Degrees Of Freedom
doi	https://doi.org/10.52842/conf.acadia.2003.x.s7a
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 17
summary	Letting go is hard to do. Remember back to when, after months of trying, you let go of the handlebars of your bicycle and sailed down the street, effortless and assured. It was a freedom born of mastery, balance and technique. You had let go, but were in control. Technique extends to other devices as well and we are here to discuss architectural computation. Here too, as we will see, mastery is shown by letting go. These papers explore new degrees of freedom in design computation. Each is on a separate aspect of architecture, whether it be aesthetics, process, or structure. Two papers inquire into the entities of design and the processes by which they are manifested. They pose important questions. If we can affect the course of design going forward, are we free to change its past? By defining the characteristics of objects at the outset, are we through automation free to choose from a refined spectrum of outcomes? From the evidence of these papers, the answer to both questions is yes. Through the agency of parametric design we can affect the future and past of architectural processes and their products. Rather than being locked into rigid, linear decisions we are temporally free to choose, tweak and modify. Choice and chance play an important role in aesthetics as well. This has become emblematic of design trends as we have seen in recent years. One of our papers addresses the indeterminacy of particle systems in the design of a monument to the victims of 9/11. By letting go of the handlebars of the computer, the author has been freed to new, poetic forms and processes. Another paper opens urban design to its client community by use of a sophisticated web site. In the tradition of populist innovators like Charles Moore and Lucien Kroll, the authors have extended the design process beyond the office walls to the city itself. The designers, by loosening their grip on the project have made the effort democratic and participatory. Intriguingly, at the end of the paper, they note that this use of cyberspace opens the door to a non-physical architecture. Could architecture, then, let go its materialist biases as well? We hope to engage this and other questions shortly.We are pleased then, to share with you these insights and projects. Wassim and I hope that these presentations will be as liberating for you as they were for us.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	ecaade03_117_101_bund
id	ecaade03_117_101_bund
authors	Bund, Sébastien and Do, Ellen Yi-Luen
year	2003
title	SPOT! Fetch Light - Interactive navigable 3D visualization of direct sunlight
doi	https://doi.org/10.52842/conf.ecaade.2003.117
source	Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 117-124
summary	SPOT is a 3D environment for direct sunlight visualization. Implemented in Java 3D, SPOT features two distinct and complementary components: Time Projection and Navigable Animation for virtual interaction. SPOT supports multi-dimensional data visualization including sun angle variations with diurnal and annual cycles in threedimensional space. In SPOT users can sketch on any surface in the 3D environment to indicate the area for simulation. SPOT then generates a spatial distribution representation of the illuminance level on a selected surface over time, rendered with colors of varied gradients. SPOT also enables designers to visualize the temporal information of light distribution over time for a given point. For each point clicked on the 3D model, SPOT generates a calendar diagram where the X and Y axis represent the months of the year and the time of the day. The color of each cell of the calendar is the result of the calculation of the light amount reaching the selected point.
keywords	Daylighting, virtual worlds, virtual environments, sketching in 3D, gestureinterface, multi-dimension information visualization
series	eCAADe
email
more	http://depts.washington.edu/archbook
last changed	2022/06/07 07:54

_id	acadia03_039
id	acadia03_039
authors	Clayton, Mark J.
year	2003
title	Connecting Digital Tools
doi	https://doi.org/10.52842/conf.acadia.2003.x.p0b
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 299
summary	A decade ago, Bill Mitchell wrote “Chroniclers of our era may one day write ‘What was computer-aided design?’ To them, it will just be design.” Because of the proliferation of digital tools for design, we are rapidly forgetting that there was ever design before computing. Ask an undergraduate student to describe the design process. There is a good chance that the student will mention using CAD and 3D modeling. Ask a contractor how to practice the profession of building.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	acadia03_059
id	acadia03_059
authors	Colopy, Andrew and Tilder, Lisa
year	2003
title	Las Vegas Incorporated:experience +/- commodity = identity
doi	https://doi.org/10.52842/conf.acadia.2003.x.t5d
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 431
summary	In a society dominated by image and the production and consumption of fantasy, Vegas is a modern Mecca. It is in Las Vegas that the image-copy improves upon the referent - with increased entertainment value and merchandising opportunities. The image of Vegas is everything, an adult theme park super-sized menu, with no going back to the value meal.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_057
id	acadia03_057
authors	Greinacher, Udo (et al.)
year	2003
title	URBAN FURNITURE: from gazebo to digi-booth
doi	https://doi.org/10.52842/conf.acadia.2003.x.l0b
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 429
summary	Recent years have seen the steady increase of automated kiosks and temporary structures that begin to replace traditional building types. In this course we studied and analyzed the development of the gazebo/kiosk in urban/rural settings both inside and outside over time, assessed its value for commerce and social equity, proposed a forward projection regarding the role digital info-booths/commercial kiosks will play in our urban environment, and developed new spatial models that can become an integral part of our daily experience.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_066
id	acadia03_066
authors	Hilleson, Zachary and Norman, F. Stacy
year	2003
title	Mountain Deflection Reflection
doi	https://doi.org/10.52842/conf.acadia.2003.x.r3c
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 438
summary	The focus of this studio was to understand the impact of digital media on the process of design, collaboration, and fabrication. This design studio brought together Ball State University and the University of Calgary in a joint venture opportunity. The use of digital tools provided fertile ground for the exploration of collaborative methods in design and fabrication.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia03_001
id	acadia03_001
authors	Jabi, Wassim
year	2003
title	Digital Design
doi	https://doi.org/10.52842/conf.acadia.2003.x.a7r
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 16
summary	Describing design as a sequence of steps cannot convey the complexity of social interactions that it embodies. Design is not merely a process, but a co-evolution of efforts and events in various places and times—both synchronous and asynchronous. Designers share their values, effort and expertise within design settings via artifacts that further the design process. Increasingly, these design settings in academia, research, and professional practice combine physical and virtual modalities such as immersion, projection, and a range of interaction technologies. Peter Anders has described such spaces as cybrids: hybrids that integrate virtual and physical space. In these settings, designers use overlapping physical and virtual artifacts and tools to arrive at a co-operative design resolution. Within collaborative design, these artifacts take on an additional role. As embodiments of design ideas and actions, they become media for communication. Donald Schon asserts that design should be considered a form of making, rather than primarily a form of problem solving, information processing or research. Indeed the line separating creation from design is becoming increasingly blurred. For the design artifact itself may become a part of the design proposal—its virtual presence incorporated within a cybrid structure or object. We may in the future see a proliferation of cybrid settings that support collaborative, digital design. The technologies for this already exist in collaborative tools, networked computing, scanning and immersive media. However, it will take a creative vision to see how these disparate tools and devices can integrate within the ideal design setting.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	caadria2003_a5-1
id	caadria2003_a5-1
authors	Knight, Michael W. and Brown, Andre G.P.
year	2003
title	NAVRgate X, A Naturalistic Navigation Metaphor for Large Scale Virtual Environments
doi	https://doi.org/10.52842/conf.caadria.2003.625
source	CAADRIA 2003 [Proceedings of the 8th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 974-9584-13-9] Bangkok Thailand 18-20 October 2003, pp. 625-630
summary	This paper describes the latest in a series of real-world, low-cost interfaces for virtual reality. nAVRgate (the AVR being Architectural Virtual Reality) has looked at real-world analogies for interfacing with 'real' virtual environments in an attempt to improve the sense of presence, the phenomenon of sense of presence in virtual environments (VEs) often being seen as the real essence of Virtual Reality (Laurel, 1993)
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	acadia03_060
id	acadia03_060
authors	Luhan, Greg A. (et al.)
year	2003
title	Virtual Raves in Synthetic LandscapesHybrid Rave Space
doi	https://doi.org/10.52842/conf.acadia.2003.x.f5t
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 432
summary	Project Description: The typology of public event spaces has transformed substantially over centuries. Ranges of spatial configurations have been developed with numerous instances and adaptations; many have occurred in our own century as the information needs of the modern society evolved. Bernard Tschumi denotes these phenomena as architectural urbanism where city-generators, functions, and programs combine and intersect in spaces of endless cross programming. Today, derelict industrial spaces [terrain vagues] have become social places that accommodate public activities. New technologies, particularly those associated with electronic media have radically influenced the program and typology of these event-spaces. Yet, in spite of social, technological, and material changes, the essence of the event-structure has not changed, it remains a place of interaction.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	caadria2003_c1-4
id	caadria2003_c1-4
authors	Malé-Alemany, Marta and Sousa, José Pedro
year	2003
title	Parametric Design as a Technique of Convergence
doi	https://doi.org/10.52842/conf.caadria.2003.157
source	CAADRIA 2003 [Proceedings of the 8th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 974-9584-13-9] Bangkok Thailand 18-20 October 2003, pp. 157-166
summary	Following the introduction of parametric design into the contemporary digital architectural scene, this paper exposes its principals as well as some of its major potentialities that emerge from its use in the discipline. It is argued that parametric design is a technique that embraces the concept of "convergence" in multiple dimensions. Through this explanation this paper intends also to highlight the relevance of the integration of this technique in architectural education. Student's projects are described to illustrate some of the concepts.
series	CAADRIA
email
last changed	2022/06/07 07:59

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