Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2003_c2-1
id	caadria2003_c2-1
authors	Chevrier, C., Bur, D. and Perrin, J. P.
year	2003
title	Architecture as a Reference for the Development of A Cad Lighting Tool
doi	https://doi.org/10.52842/conf.caadria.2003.281
source	CAADRIA 2003 [Proceedings of the 8th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 974-9584-13-9] Bangkok Thailand 18-20 October 2003, pp. 281-294
summary	As light is increasingly perceived as a factor of quality of urban life, it is not surprising that cultural heritage buildings and even civil engineering works are being more and more often illuminated at night. The designers of the projects are revealing a nocturnal vision of the buildings which is often a reflection of the architecture: rhythm, pattern, evenness, symmetry, composition, axes, and so on. The idea of developing a "lighting-modeller" is based upon this assertion. Thus, if we express the needs in terms of functionalities, we can conclude that the hierarchical structure of the architectural edifice can fit in with a "lighting-structure". As a result, concepts like hierarchy, linking, grouping, networking, linearity-polarity, are the basis of the objects and functions that are effective for the great majority of buildings and projects. This "lighting-modeller" can then lead beyond its simulation capabilities to become a design conception tool: hypothesis and variants are quickly realized and tested, and technical data (illumination data, visual comfort) can be obtained as well.
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	caadria2003_k-1
id	caadria2003_k-1
authors	Patummanon, Tipsuda
year	2003
title	Architecture of A49 - Architecture of Khun Nithi Sathapitanonda [Keynote]
doi	https://doi.org/10.52842/conf.caadria.2003.005
source	CAADRIA 2003 [Proceedings of the 8th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 974-9584-13-9] Bangkok Thailand 18-20 October 2003, pp. 5-11
summary	I approach a bridge, an escape from the hard concrete floor of Bangkok, and happen to eavesdrop on the silent call of an elephant herd marching into my perception. It now appears in a forest behind the window of a large wall. The forest spreads deeper and deeper beyond the limit of a brick and concrete surface. The wall transforms into the mysterious rain forest of Thailand - robust, complex and healthy. A beam of friendly sunlight penetrates the air of an open well and greets the floor of the forest, it enters to enlighten all of its inhabitants' hearts. ... As I am immersed in the forest, I hear the chimes of its quietness and come face to face with the herd of elephants, marching into the middle of the place. ... All of the elephants in fact are made of wood, however their skin transcends the form of a hard wooden object for it is now transformed into the breathing skin of real elephants - the mothers of the forest. Wherever is felt the breath of the mother of the forest the place flourishes as a healthy world for all life. Here, I can hear the sonority of the quietness upon a visit to the office of A49, the office of Khun Nithi Sathapitanonda.
series	CAADRIA
last changed	2022/06/07 07:59

_id	avocaad_2003_23
id	avocaad_2003_23
authors	Jadwiga C. Zarnowiecka
year	2003
title	AND WOULD COMPUTER SAVE THE MAGIC PLACE? A BOJARY STORY
source	LOCAL VALUES in a NETWORKED DESIGN WORLD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Stellingwerff, Martijn and Verbeke, Johan (Eds.), (2004) DUP Science - Delft University Press, ISBN 90-407-2507-1.
summary	Each city has its own magic, the spirit of the place. Not always are these ‘magic’ places commonly known. There are cities, however, for which such places are their pride and fame. Is there anybody who would not associate the Golden Street with Prague, or the Spanish Stairs with Rome? In Bialystok the magic quality is attributed to the district of Bojary.Currently Bojary is one of the districts of Bialystok. The town was first created as such in the 18th century as a result of merging of two villages: Bojary and Skorupy, church grounds and Kolonia Lowiecka known as Krolikarnia. Only Bojary has retained the old communication plan of the former village and characteristic type of wooden structure from the 19th and the first half of the 20th century.
keywords	Architecture, Local values, Globalisation, Computer Aided Architectural Design
series	AVOCAAD
type	normal paper
email
last changed	2006/01/16 21:38

_id	cee4
authors	Kristianto, Mandau Apri
year	2003
title	Performance Evaluation of 3D-Model CAAD Implementation in Dutch Architecture Firms
source	South Bank University [In cooperation with Hogeschool van Arnhem en Nijmegen - The Netherlands]
summary	The principal theme of this research is to provide information regarding the implementation of 3D Model CAAD, CAAD system which uses 3D Drawing Production Method (DPM) instead of 2D DPM This research is focused on its implementation in architecture firms and on justifies its performance and investment value. Principally there are two evaluations conducted in this research. First evaluation aimed to justify 3D-Model CAAD influence on design process and the second is investment evaluation which aimed to provide information for current and prospective user regarding their current and future investment on 3D-Model CAAD. The results of the evaluations are: 3D Model CAAD has improved performance through efficiency on time and cost of design process also improvement on design quality. However correlation between the use of 3D-Model C.4AD and better performance, while tested using Chi-Square Test, is not significantly. This fact indicates that there are some other strong factors to influence design performance. Second, 3D-Model CAAD, according the Importance-Performance Map is positioned at top right quadrant which categorised as 'keep the good work' which means it has good investment value.
keywords	Evaluation; Performance; 3D-Modeling C.4AD; Investment; Drawing Production Method
series	thesis:MSc
email
last changed	2003/06/09 09:28

_id	acadia03_031
id	acadia03_031
authors	Paolo Fiamma
year	2003
title	Architectural Design and Digital Paradigm: from Renaissance Models to Digital Architecture
doi	https://doi.org/10.52842/conf.acadia.2003.247
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 247-253
summary	Means of expression have always affected our ways of thinking. Designers, who have to interpret signs, languages, and evolution in order to translate into an organised “form” the recurring problems and values of mankind, have left thoughts, projects and wishes to the study of representational techniques. In this way, they have also disclosed a unique view of reality and at the same time a “way of being” towards the meaning of design itself. In the relationship between architecture and representational techniques, Brunelleschi said that “perspicere” was no longer just the science of optics, but also the science that contained the lines of research on geometry and shape that he was the first to exploit in design. Centuries later, in the axonometric representation advocated by De Stijl and intended for factories and industries, the object, shown in all its parts, easy to reconstruct even in the space to which it referred, revealed with extreme clarity the mass-production building and assembly materials and systems. Digital representational media make a great entrance in the heuristic process, invalidate all signs, and promote its quality. The result is an ever-changing, computerised architecture, dominated by curvilinear, wavy shapes that flow from a generative process made of the deformations, additions, and interference of different volumes.
series	ACADIA
email
last changed	2022/06/07 08:00

_id	cf2011_p163
id	cf2011_p163
authors	Park, Hyoung-June
year	2011
title	Mass-Customization in the Design of 4,000 Bus Stops
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 265-278.
summary	In Hawaii, ‚"TheBus‚" has been a main transportation system since 1971. Considering the high cost of living in Hawaii and the absence of a rail system, the use of ‚"TheBus‚" has been an instrumental vein of the city life in Honolulu with rhythmical pauses at about 4,000 bus stops in Honolulu. However, existing undifferentiated bus stops are developed from a cost effective mass production system so that they have been problematic for satisfying specific needs from various site conditions. In this research, an integrated computational method of mass-customization for designing 4,000 bus stops is introduced. According to various site conditions, the design of each bus stop is customized. Unlike the mass‚Äêproduced bus stops commonly seen in cities today, the proposed computational method in this paper produces bus stop design outcomes that fit into the physical characteristics of the location in which they are installed. Mass-customization allows for the creation and production of unique or similar buildings and building components, differentiated through digitally‚Äêcontrolled variation (Kolarevic, 2003). The employment of a computational mass‚Äêcustomization in architectural design extends the boundary of design solutions to the satisfaction of multi-objective requirements and unlimited freedom to search alternative solutions (Duarte, 2001; Caldas, 2006). The computational method developed in this paper consists of 1) definition of a prototype, 2) parametric variation, 3) manual deformation, and 4) simulation based deformation. The definition of a prototype is the development of a basic design to be transformed for satisfying various conditions given from a site. In this paper, the bus stop prototype is developed from the analysis of more than 300 bus stops and the categorization of the existing bus stops according to their physical conditions, contextual conditions, climatic conditions, and existing amenities. Based upon the outcome of the analysis, the design variables of a bus stop prototype are defined. Those design variables then guide the basic physical parameters for changing the physical configuration of the prototype according to a given site. From this, many possible design outcomes are generated as instances for further developments. The process of manual deformation is where the designer employs its intuition to develop the selected parametric variation. The designer is compelled to think about the possible implication derived from formal variation. This optional process allows every design decision to have a creative solution from an individual designer with an incidental quality in aesthetics, but substantiated functional quality. Finally the deformation of the selection is guided and controlled by the influence of sun direction/ exposure to the selection. The simulation based deformation starts with the movement of the sun as the trigger for generating the variations of the bus stop prototype. The implementation of the computational method was made within the combination of MEL (Maya Enbedded Language), autodesk MAYA and Ecotect environment.
keywords	mass-customization, parametric variation, simulation based deformation
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ijac20031104
id	ijac20031104
authors	Petric, Jelena; Ucelli, Giuliana; Conti, Giuseppe
year	2003
title	Real Teaching and Learning through Virtual Reality
source	International Journal of Architectural Computing vol. 1 - no. 1
summary	This paper addresses an articulated vision of Virtual Reality, which lends itself to design collaboration in teaching, learning and communication of architectural design ideas among students, design professionals and client bodies during the early stages of the design process. Virtual Reality (VR) has already acquired a new degree of complexity through development of network-based virtual communities and the use of avatars. A key intrinsic quality of VR technology is to support collaborative design experience. The design tools developed for this experiment are capable of creating 3D objects in a shared VR environment, thus allowing the design and its evolution to be shared.The choice of programming language (JavaTM) reflects the desire to achieve scalability and hardware independence, which in turn allows for the creation of a VR environment that can co-exist between high-end supercomputers and standard PCs. The prototype design environment was tested using PC workstations and an SGI system running in a Reality Centre.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	cf2003_m_006
id	cf2003_m_006
authors	ACHTEN, Henri and JESSURUN, Joran
year	2003
title	Learning From Mah Jong - Towards a Multi-Agent System that can Recognize Graphic Units
source	Digital Design - Research and Practice [Proceedings of the 10th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-1210-1] Tainan (Taiwan) 13–15 October 2003, pp. 115-124
summary	Sketching is a major means of exploiting the first conceptual developments in architectural design. If we want to support the architect in the ideas-developing phase of design, then we need to understand the conventions of depiction and encoding in drawings. The theory of graphic units provides an extended list of such conventions that are widely used. We propose that a multi-agent system for recognition of graphic units in drawings is fruitful: agents can specialize in graphic units, a multi-agent system can deal with ambiguity through negotiation and conflict resolution, and multi-agent systems function in dynamically changing environments. We first make a multi-agent system that can do something simpler: playing Mah Jong solitary. The Mah Jong solitary system shares the following important features with a multi-agent system that can recognize graphic units: (1) specialized agents for moves; (2) negotiation between agents to establish the best move; (3) dynamically changing environment; and (4) search activity in more advanced strategies. The paper presents the theoretical basis of graphic units and multi-agents systems. The multi-agent framework and its implementation is presented. Various levels of game play are distinguished, and these are correlated to the multi-agent system. The paper shows how the findings form the basis for graphic unit recognition.
keywords	artificial intelligence, games, graphic units, agents
series	CAAD Futures
email
last changed	2003/11/22 16:39

_id	avocaad_2003_09
id	avocaad_2003_09
authors	Alexander Asanowicz
year	2003
title	Form Follows Media - Experiences of Bialystok School of Architectural Composition
source	LOCAL VALUES in a NETWORKED DESIGN WORLD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Stellingwerff, Martijn and Verbeke, Johan (Eds.), (2004) DUP Science - Delft University Press, ISBN 90-407-2507-1.
summary	This paper considers transition from physical modelling to digital methods of the creation of architectural forms. Every type of creation has constructed the proper means of expression and its own methodology. The main thesis of this paper is that a specific character of the composition activity of an architect is determined by the modelling methods. As the research on architectural modelling, the two methods of creating spatial architectural forms (cardboard model and computer model) have been compared. Research has been done on the basis of the same exercise for both media. The process of creation proceeded in the same way, too. As the start point students have found the inspiration. Each student presented photos of existing architectural objects and a text, which explained the reasons of the choice. Next steps were sketches of the idea and realisation of the model. The achieved results of creative activity fully confirm the thesis of the research.
keywords	Architecture, Local values, Globalisation, Computer Aided Architectural Design
series	AVOCAAD
email
last changed	2006/01/16 21:38

_id	diss_anders
id	diss_anders
authors	Anders, P.
year	2003
title	A Procedural Model for Integrating Physical and Cyberspaces in Architecture
source	Doctoral dissertation, University of Plymouth, Plymouth, U.K
summary	This dissertation articulates opportunities offered by architectural computation, in particular the digital simulation of space known as virtual reality (VR) and its networked, social variant cyberspace. Research suggests that environments that hybridize technologies call for a conception of space as information, i.e. space is both a product of and tool for cognition. The thesis proposes a model whereby architecture can employ this concept of space in creating hybrids that integrate physical and cyberspaces.The dissertation presents important developments in architectural computation that disclose concepts and values that contrast with orthodox practice. Virtual reality and cyberspace, the foci of this inquiry, are seen to embody the more problematic aspects of these developments. They also raise a question of redundancy: If a simulation is good enough, do we still need to build? This question, raised early in the 1990's, is explored through a thought experiment - the Library Paradox - which is assessed and critiqued for its idealistic premises. Still, as technology matures and simulations become more realistic the challenge posed by VR/cyberspace to architecture only becomes more pressing. If the case for virtual idealism seems only to be strengthened by technological and cultural trends, it would seem that a virtual architecture should have been well established in the decade since its introduction.Yet a history of the virtual idealist argument discloses the many difficulties faced by virtual architects. These include differences between idealist and professional practitioners, the failure of technology to achieve its proponents' claims, and confusion over the meaning of virtual architecture among both architects and clients. However, the dissertation also cites the success of virtual architecture in other fields - Human Computer Interface design, digital games, and Computer Supported Collaborative Work - and notes that their adoption of space derives from practice within each discipline. It then proposes that the matter of VR/cyberspace be addressed from within the practice of architecture, a strategy meant to balance the theoretical/academic inclination of previous efforts in this field.The dissertation pursues an assessment that reveals latent, accepted virtualities in design methodologies, instrumentation, and the notations of architectural practices. Of special importance is a spatial database that now pervades the design and construction processes. The unity of this database, effectively a project's cyberspace, and its material counterpart is the subject of the remainder of the dissertation. Such compositions of physical and cyberspaces are herein called cybrids. The dissertation examines current technologies that cybridize architecture and information technology, and proposes their integration within cybrid wholes. The concept of cybrids is articulated in seven principles that are applied in a case study for the design for the Planetary Collegium. The project is presented and critiqued on the basis of these seven principles. The dissertation concludes with a discussion of possible effects of cybrids upon architecture and contemporary culture.
series	thesis:PhD
email
last changed	2005/09/09 12:58

_id	acadia21_100
id	acadia21_100
authors	Ghandi, Mona; Ismail, Mohamed; Blaisdell, Marcus
year	2021
title	Parasympathy
doi	https://doi.org/10.52842/conf.acadia.2021.100
source	ACADIA 2021: Realignments: Toward Critical Computation [Proceedings of the 41st Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-986-08056-7]. Online and Global. 3-6 November 2021. edited by B. Bogosian, K. Dörfler, B. Farahi, J. Garcia del Castillo y López, J. Grant, V. Noel, S. Parascho, and J. Scott. 100-109.
summary	Parasympathy is an interactive spatial experience operating as an extension of visitors’ minds. By integrating Artificial Intelligence (AI), wearable technologies, affective computing (Picard 1995; Picard 2003), and neuroscience, this project blurs the lines between the physical, digital, and biological spheres and empowers users’ brains to solicit positive changes from their spaces based on their real-time biophysical reactions and emotions. The objective is to deploy these technologies in support of the wellbeing of the community especially when related to social matters such as inclusion and social justice in our built environment. Consequently, this project places the users’ emotions at the very center of its space by performing real-time responses to the emotional state of the individuals within the space.
series	ACADIA
type	project
email
last changed	2023/10/22 12:06

_id	heyligheneaae2003
id	HeylighenEAAE2003
authors	Heylighen, Ann
year	2003
title	A maintenance contract for the architect's degree - Concept, materialisation and post-occupancy
source	Ebbe Harder (ed.), Writings in Architectural Education, Transactions on architectural education No 15, EAAE/AEEA, pp.134-147
summary	Today, architecture is confronted with changing concepts of time, space and place. These changes are largely induced by the advent of the information society and in turn induce the need for entirely new ways of conceiving architectural education. It is obvious, however, that architectural education does not hold absolute sway over the need for renewal, as other domains and disciplines too are confronted with the inevitable learning society: a society in which individuals, groups and companies are learning on a permanent basis. What architectural education does hold absolute sway over – or at least should be granted a patent for – is the unique way in which it used to prepare (and still prepares) its students for practice in the design studio. Therefore, instead of throwing out the design studio with the bathwater, we consider it as an outstanding lead for pursuing the learning society within the context of architecture. Furthermore, we see ICT not only as a cause of, but at the same time as an ally in this pursuit, as it allows reinforcing the studio as “espace transitoire”. To this end, we propose to literally connect the studio with the world of practice through an on-line platform constructed of concrete cases.
keywords	Architectural education, ICT
series	journal paper
email
last changed	2004/03/25 17:54

_id	avocaad_2003_13
id	avocaad_2003_13
authors	John L. Heintz
year	2003
title	Communication and Value in Networked Design Coalitions
source	LOCAL VALUES in a NETWORKED DESIGN WORLD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Stellingwerff, Martijn and Verbeke, Johan (Eds.), (2004) DUP Science - Delft University Press, ISBN 90-407-2507-1.
summary	The advent of the Internet has led us to believe that we live in an era of unprecedented globalization. In the field of building design, we now expect both that the local market for design services will be altered, and that many firms will take up the opportunity to pursue commissions beyond their local market. To some extent this is true, but it is instructive to recall that in the 19th century London based architectural firms and public works designers designed buildings throughout the Empire. Designing for projects beyond the local market is not new, what is new is our expectation that such a task is now fundamentally altered, made easier and more transparent, by the abundance of new communications technologies.It remains the case that working outside one’s local context is difficult and that when doing so, problems are likely to arise out of cultural differences. Distance too imposes its burdens, as the possibility to meet other members of the team face to face is reduced as the travel costs increase. This breaks down the possibilities of building informal networks among the individual designers working for the firms that are members of the design team. A re-instantiation of this informal network can only be done on the basis of a model of formal and informal communication in the design team. Many of the difficulties of collaborative work outside one’s local market are problems that have already been with us a long time. These problems arise out of the fact that buildings are designed by heterogeneous groups of people. The members of such groups must communicate with each other to share information and coordinate decisions and actions. Yet they are in different relations to the project at hand and have differing values arising out of their different backgrounds. This leads inevitably to conflict. Therefore, if we are to discuss communication and value then we must devote our attentions to conflict.
keywords	Architecture, Local values, Globalisation, Computer Aided Architectural Design, Communication, values, informal communication, value resolution, design team, design coalition.
series	AVOCAAD
email
last changed	2006/01/16 21:38

_id	acadia03_040
id	acadia03_040
authors	Katherine A. Liapi, Katherine A. and Kim, Jinman
year	2003
title	A Parametric Approach to the Design of a Tensegrity Vaulted Dome for an Ephemeral Structure for the 2004 Olympics
doi	https://doi.org/10.52842/conf.acadia.2003.301
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 301-309
summary	Tensegrity, defined as “tensional integrity,” is central to the design of a semi-open exhibition space that was submitted as an entry to the international competition for the design of “Ephemeral Structures for the City of Athens,” in the context of the 2004 Olympic Games. The main feature of the proposed exhibition space is a vaulted dome composed of interconnected detachable and deployable tensegrity units. The most challenging aspect in the design of the tensegrity vault was the generation of alternative spatial configurations for form exploration and study. For this purpose a mathematical code has been developed that links all the parameters that affect the design of tensegrity vaults. The code also allows for the parametric graphical generation of the vault by displaying geometric information in a 3D environment. This paper discusses the geometric basis of the code and its usefulness in the morphological study of the tensegrity vaulted dome for the proposed ephemeral structure. The mathematical code has been shown to significantly facilitate the study of various preliminary configurations of tensegrity vaulted structures.
series	ACADIA
email
last changed	2022/06/07 07:52

_id	acadia03_035
id	acadia03_035
authors	Mahalingam, Ganapathy
year	2003
title	Representing Architectural Design Using a Connections-Based Paradigm
doi	https://doi.org/10.52842/conf.acadia.2003.269
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 269-277
summary	Any making, including a work of architecture, is synthetic in nature and is made by making connections. To base the core of a computational representation of architectural design on connections is to base it on the very core of making. The articulation of the core of architecture, its architectonics, should be based on articulating its connections. This paper probes how connections can serve to represent architectural design. A paradigm consists of a core cluster of concepts that, for a time period, provides a framework to articulate the issues and problems facing a field and to generate solutions. This paper offers a connections-based paradigm to represent architectural design computationally. A number of connections-based strategies for the representation of architectural design have emerged. Modeling frameworks that have been identified include dendograms, bipartite graphs, adjacency graphs, plan graphs, planar graphs, Hasse diagrams, Boolean lattices, and Bayesian networks. These modeling frameworks have enabled the representation of many aspects of architectural design. Is it possible to extract a uniform modeling framework from all these frameworks that enables the computation of architectural design in all its aspects? Using biological analogies, will an integration of these modeling frameworks provide the ‘molecular’ structure of a ‘DNA’ that makes up the architectural ‘genome’? This paper will attempt to answer these questions.
series	ACADIA
email
last changed	2022/06/07 07:59

_id	ecaade03_561_150_martens
id	ecaade03_561_150_martens
authors	Martens, Yuri and Koutamanis, Alexander
year	2003
title	Realestate online information systems
doi	https://doi.org/10.52842/conf.ecaade.2003.561
source	Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 561-567
summary	Several commercial real-estate sites provide listings of available commercial property on the Internet. These listings are generated on the basis of selection criteria as floor area, price and location. Despite the obvious utility of the listings and their promise for the transaction process and market transparency, one third of commercial realestate listing sites went bankrupt in 2001 and 2002. To provide an explanation for the failure, 63 commercial real-estate sites were analysed and classified into three basic business models: the Research / Information model, the Marketing model and the Transaction model. A common success factor for all models is the functionality of the site, especially interaction between the user and the available information. The paper proposes that the transfer of existing architectural representations, information-processing instruments and decision-taking tools is an essential component of future development towards integrated services that accompany a building throughout its lifecycle. This transfer amounts to (1) the addition of building and contextual information from standard documentation and online information services, (2) the derivation and coherent description of programmatic requirements database, and (3) advanced user interaction with building information.
keywords	e-commerce, human-computer interaction, building information systems,web-based communication
series	eCAADe
email
more	http://www.re-h.nl
last changed	2022/06/07 07:59

_id	ecaade03_091_04_ng
id	ecaade03_091_04_ng
authors	Ng, Edward and Chan, T.Y.
year	2003
title	Computational simulation based daylight design for urban sites – validation, methodology and legality
doi	https://doi.org/10.52842/conf.ecaade.2003.091
source	Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 91-98
summary	The creditability of using CAAD depends on the rigour of its methodology, the logic of its deduction and most importantly the feasibility of its results for practical use. This paper examines two lighting simulation software as the basis for providing a wider critic on the research of CAAD in the practice of architecture. The paper argues that the ‘contextual’ and appropriate use of a simple tool or method should be the thesis of CAAD research. Using an example, the paper then logically work out an example of how that could be done, and the basis of its contextual logic. The example illustrated here concludes the validity of the software and its implication for legal use. Furthermore, the paper provides a critic of CAAD for regulatory and legal acceptance. The experience in Hong Kong is illustrated.
keywords	Daylight design; Lightscape; Radiance; Building regulation; Software validation
series	eCAADe
email
more	http://www.arch.cuhk.edu.hk
last changed	2022/06/07 07:58

_id	bdfd
id	bdfd
authors	R Sosa and JS Gero
year	2003
title	DESIGN AND CHANGE: A MODEL OF SITUATED CREATIVITY
source	Approaches to Creativity in Artificial Intelligence and Cognitive Science, Bento, C, Cardosa, A and Gero JS (eds), IJCAI03, Acapulco, pp 25-34.
summary	This paper describes current research on the computational modeling of change phenomena in design. In particular it introduces a tutorial view of the moel of design situations (DS) as a methodological basis for experimentation with change processes at the individual and the collective levels of an agent society. Creativity in the DS model takes place within the situated interaction of individuals in a social environment transcending its conventional characterization as purely a cognitive process.
keywords	social creativity, agent society
type	normal paper
email
last changed	2004/04/10 02:23

_id	sigradi2003_050
id	sigradi2003_050
authors	Sillos, Jacques and Borde, Andréa
year	2003
title	Representação, imagem e sociedade informacional (Representation, image and information society: an investigation of the design concepts)
source	SIGraDi 2003 - [Proceedings of the 7th Iberoamerican Congress of Digital Graphics] Rosario Argentina 5-7 november 2003
summary	This article refers to the theoretical basis for the organization of a multimedia document concerning the context of architectural drawing. This document aims the information of professionals, as well as students, in the field of Architecture and Urban Design. Due to its educational approach we have organized the research according to four broad topics: drawing concepts, graphic representation through History, drawing in the architect's professional training, and new trends in graphic representation. The outcomes of the research are to be published in the Internet as a image library of drawing concepts.
series	SIGRADI
email
last changed	2016/03/10 10:00

_id	acadia03_008
id	acadia03_008
authors	Cabrinha, Mark
year	2003
title	Function Follows Form: 10 Sticks (and a Bench)
doi	https://doi.org/10.52842/conf.acadia.2003.057
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 57-65
summary	While the introduction of digital media in the design studio often emphasizes virtual realms, the effect of new fabrication technology on the architect brings the architect back to the realm of master-builder rather than distancing the architect from reality. While purely digital projects have pushed the development of form, they have also placed an emphasis on form over material. However, with the intention to physically build a project, the connections between process, form, and material become intertwined. The inception of this project also served as a clear reminder that the tools we use affect the way we think. This project began as a simple idea: how a column becomes animated to form an arch over time. The digitization of this idea took literally minutes in Maya. It was exported and further modeled in AutoCAD, and then rendered and reanimated in 3D Studio-Viz. This was a very brief, two-week introductory project, in a class on drafting and wood light-frame construction. It served to make a greater connection between digital media, the design process, analog drawing, and the role of craft and material.
series	ACADIA
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last changed	2022/06/07 07:54

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