Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	201caadria2004
id	201caadria2004
authors	Marc Aurel Schnabel, Steve K S Kuan and Weidong Li
year	2004
title	3D Transformations - 3D Scanning, Digital Modelling, Rapid Prototyping and Physical Depiction
doi	https://doi.org/10.52842/conf.caadria.2004.227
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 227-238
summary	We investigate the creation and reinterpretation of an architectural design process using a variety of digital and physical media. We study how tools for design influence perception, comprehension and creation of spatial volumes within both Virtual Environments (VE) and physical realms. We explain how designers translate spatial volumes and communicate architectural design ideas by using VE and conventional models. In a series of reinterpretation of architectural meanings we examine the translation of threedimensional design from virtual to tangible depictions and vice versa. We conduct a design-studio in order to explore issues of quality, understanding, communication and building of architectural compositions. VE can be an environment for design distinguishable and facilitating reality. We test this statement by interchanging both realms to that extent that the boundaries of each one are nearly dismantled. Virtuality and reality are both used in alternative formand design-finding exercises in order to gain an overall conclusive design.
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	2004_304
id	2004_304
authors	Schnabel, Marc Aurel and Kvan, Thomas
year	2004
title	3D Crossover - From 3D Scanning to Digital Modelling, Rapid Prototyping and Physical Depiction
doi	https://doi.org/10.52842/conf.ecaade.2004.304
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 304-311
summary	Crossing over a variety of digital and physical media, creation and representation of an architectural design process can influence perception, comprehension and conception of spatial volumes within both physical and virtual environments. These tools then transform and translate the design process from virtual to tangible portrayal of architectural design and vice versa. Artists and designers pushed media to new interpretations of the media themselves and with that of their artwork. Using these potentials and translate them by employing current technologies we embarked to new understanding and communication of architectural gestalt, form finding and design process. Interchanging and merging design environments from reality to virtuality to an extent that the boundaries of each one are dismantled, both realms can be used together in an overall process that leads to alternative form findings and resulting designs.
keywords	Form Generation; Design Translation; Design Interpretation; Design Manipulation; Virtual Environment
series	eCAADe
email
last changed	2022/06/07 07:57

_id	acadia04_176
id	acadia04_176
authors	Loukissas, Yanni and Sass, Lawrence
year	2004
title	RULEBUILDING (3D PRINTING: OPERATORS, CONSTRAINTS, SCRIPTS)
doi	https://doi.org/10.52842/conf.acadia.2004.176
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 176-185
summary	3-D printers alter the speed, cost, complexity, and consistency with which physical architecture models can be crafted. If architects are to harness the unique abilities of this modeling process, it is necessary to find a complementary means of conceptualizing designs and generating the geometric data necessary for 3-D printing. This paper introduces a novel combination of 3-D printing and scripting through three examples of architectural surface models. In these examples, VBScript is used to write generative scripts for execution within the Rhinoceros modeling environment. The scripts produce digital geometric models which, in turn, are exported to a Z-Corp 3-D printer. The merits of this methodology are demonstrated, in one example, through models of an architectural surface composed of light-modulating conical components. The design intent in this example is a grid of responsive components which ride on a complex curved surface and steer toward a light. The written script is an explicit representation of this intention. Methods in the script use external parameters to generate a digital geometric model. The form of the subsequent printed model is calculated as a function of the initial parameters, two boundary splines and a vector indicating the orientation of the light. By varying these parameters, a set of design options can be generated and 3-D printed for comparison. The combination of scripting and 3-D printing allows complex design intentions to be managed in a concise, sharable format and modeled iteratively without manual intervention.
keywords	Generative, Scripting, Rapid Prototyping, 3-D Printing, Architectural Design
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	2004_095
id	2004_095
authors	Sass, Larry
year	2004
title	Design for Self Assembly of Building Components using Rapid Prototyping
doi	https://doi.org/10.52842/conf.ecaade.2004.095
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 95-104
summary	Design of assemblies will become an area of study when using rapid prototyping devices in the architectural design process becomes standard practice. This paper is a presentation of a design process study focused on understanding a method of working with rapid prototyping devices in a creative design process. This paper has an emphasis is on the creation of physically large models. These models are built from many layers of detail and are too large to print on a conventional 3D building device (3D printer). In response to this is a proposal to design assemblies as a means to create models of parts manufactured with rapid prototyping devices. Design for Assembly (DFA) becomes an exclusive process within this method of model making. Designing assemblies as part of a creative design enterprise offers greater knowledge of the building's construct at an early stage of the process. As an example, there are three physical models built from 3D CAD descriptions for this study. These models are manufactured from various rapid prototyping devices and differing processes of assembly. They are evidence of DFA as a necessary process in architectural design when using rapid prototyping devices.
keywords	Digital Fabrication, Design Methods, Design for Assembly
series	eCAADe
last changed	2022/06/07 07:57

_id	314caadria2004
id	314caadria2004
authors	Ying-Shiu Huang, Jainyou Lee
year	2004
title	The New Combination of Digital Sketching and Modeling Process in Idea-Developing Stage
doi	https://doi.org/10.52842/conf.caadria.2004.545
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 545-556
summary	With the introduction of the computer into different forms of digital applications in the design process, Mitchell strongly recommended a wider application of the new technology in the design process -- implying the mutual influence between physical architecture and the sketches, and between physical and digital models. Most important is the possibility of using computer aided design (CAD) to develop ideas in early design stage. During the developing idea stage, the traditional design process from sketching drawings to forming ideas has been transformed to a process where the idea directly proceeds to computer modeling. The aim of this approach is to tackle the above issues created by the introduction of computer technology, trying to produce the same possibilities during the computer modeling process as that in the cognitive behavior of sketching. Also, the designer usually realizes the abstract concepts with the aid of the 2D sketches and the 3D physical models; but between the traditional sketches and the models, a large degree of disagreement always exists. Therefore, this work aims to develop a new formula for employing digital media, which will enable the designer to envisage 2D sketches and computer models simultaneously. In this scenario, the designer can remain aware of cognitive behavior in sketching while constructing computer models.
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	acadia11_138
id	acadia11_138
authors	Buell, Samantha; Shaban, Ryan; Corte, Daniel; Beorkrem, Christopher
year	2011
title	Zero-waste, Flat Pack Truss Work: An Investigation of Responsive Structuralism
doi	https://doi.org/10.52842/conf.acadia.2011.138
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 138-143
summary	The direct and rapid connections between scripting, modeling and prototyping allow for investigations of computation in fabrication. The manipulation of planar materials with two-dimensional CNC cuts can easily create complex and varied forms, volumes, and surfaces. However, the bulk of research on folding using CNC fabrication tools is focused upon surfaces, self-supporting walls and shell structures, which do not integrate well into more conventional building construction models.This paper attempts to explain the potential for using folding methodologies to develop structural members through a design-build process. Conventional building practice consists of the assembly of off-the-shelf parts. Many times, the plinth, skeleton, and skin are independently designed and fabricated, integrating multiple industries. Using this method of construction as an operative status quo, this investigation focused on a single structural component: the truss. A truss is defined as: “A triangulated arrangement of structural members that reduces nonaxial external forces to a set of axial forces in its members.” (Allen and Iano 2004)Using folding methodologies and sheet steel to create a truss, this design investigation employed a recyclable and prolific building material to redefine the fabrication of a conventional structural member. The potential for using digital design and two-dimensional CNC fabrication tools in the design of a foldable truss from sheet steel is viable in the creation of a flat-packed, minimal waste structural member that can adapt to a variety of aesthetic and structural conditions. Applying new methods to a component of the conventional ‘kit of parts’ allowed for a novel investigation that recombines zero waste goals, flat-packing potential, structural expression and computational processes.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	sigradi2006_e028c
id	sigradi2006_e028c
authors	Griffith, Kenfield; Sass, Larry and Michaud, Dennis
year	2006
title	A strategy for complex-curved building design:Design structure with Bi-lateral contouring as integrally connected ribs
source	SIGraDi 2006 - [Proceedings of the 10th Iberoamerican Congress of Digital Graphics] Santiago de Chile - Chile 21-23 November 2006, pp. 465-469
summary	Shapes in designs created by architects such as Gehry Partners (Shelden, 2002), Foster and Partners, and Kohn Peterson and Fox rely on computational processes for rationalizing complex geometry for building construction. Rationalization is the reduction of a complete geometric shape into discrete components. Unfortunately, for many architects the rationalization is limited reducing solid models to surfaces or data on spread sheets for contractors to follow. Rationalized models produced by the firms listed above do not offer strategies for construction or digital fabrication. For the physical production of CAD description an alternative to the rationalized description is needed. This paper examines the coupling of digital rationalization and digital fabrication with physical mockups (Rich, 1989). Our aim is to explore complex relationships found in early and mid stage design phases when digital fabrication is used to produce design outcomes. Results of our investigation will aid architects and engineers in addressing the complications found in the translation of design models embedded with precision to constructible geometries. We present an algorithmically based approach to design rationalization that supports physical production as well as surface production of desktop models. Our approach is an alternative to conventional rapid prototyping that builds objects by assembly of laterally sliced contours from a solid model. We explored an improved product description for rapid manufacture as bilateral contouring for structure and panelling for strength (Kolarevic, 2003). Infrastructure typically found within aerospace, automotive, and shipbuilding industries, bilateral contouring is an organized matrix of horizontal and vertical interlocking ribs evenly distributed along a surface. These structures are monocoque and semi-monocoque assemblies composed of structural ribs and skinning attached by rivets and adhesives. Alternative, bi-lateral contouring discussed is an interlocking matrix of plywood strips having integral joinery for assembly. Unlike traditional methods of building representations through malleable materials for creating tangible objects (Friedman, 2002), this approach constructs with the implication for building life-size solutions. Three algorithms are presented as examples of rationalized design production with physical results. The first algorithm [Figure 1] deconstructs an initial 2D curved form into ribbed slices to be assembled through integral connections constructed as part of the rib solution. The second algorithm [Figure 2] deconstructs curved forms of greater complexity. The algorithm walks along the surface extracting surface information along horizontal and vertical axes saving surface information resulting in a ribbed structure of slight double curvature. The final algorithm [Figure 3] is expressed as plug-in software for Rhino that deconstructs a design to components for assembly as rib structures. The plug-in also translates geometries to a flatten position for 2D fabrication. The software demonstrates the full scope of the research exploration. Studies published by Dodgson argued that innovation technology (IvT) (Dodgson, Gann, Salter, 2004) helped in solving projects like the Guggenheim in Bilbao, the leaning Tower of Pisa in Italy, and the Millennium Bridge in London. Similarly, the method discussed in this paper will aid in solving physical production problems with complex building forms. References Bentley, P.J. (Ed.). Evolutionary Design by Computers. Morgan Kaufman Publishers Inc. San Francisco, CA, 1-73 Celani, G, (2004) “From simple to complex: using AutoCAD to build generative design systems” in: L. Caldas and J. Duarte (org.) Implementations issues in generative design systems. First Intl. Conference on Design Computing and Cognition, July 2004 Dodgson M, Gann D.M., Salter A, (2004), “Impact of Innovation Technology on Engineering Problem Solving: Lessons from High Profile Public Projects,” Industrial Dynamics, Innovation and Development, 2004 Dristas, (2004) “Design Operators.” Thesis. Massachusetts Institute of Technology, Cambridge, MA, 2004 Friedman, M, (2002), Gehry Talks: Architecture + Practice, Universe Publishing, New York, NY, 2002 Kolarevic, B, (2003), Architecture in the Digital Age: Design and Manufacturing, Spon Press, London, UK, 2003 Opas J, Bochnick H, Tuomi J, (1994), “Manufacturability Analysis as a Part of CAD/CAM Integration”, Intelligent Systems in Design and Manufacturing, 261-292 Rudolph S, Alber R, (2002), “An Evolutionary Approach to the Inverse Problem in Rule-Based Design Representations”, Artificial Intelligence in Design ’02, 329-350 Rich M, (1989), Digital Mockup, American Institute of Aeronautics and Astronautics, Reston, VA, 1989 Schön, D., The Reflective Practitioner: How Professional Think in Action. Basic Books. 1983 Shelden, D, (2003), “Digital Surface Representation and the Constructability of Gehry’s Architecture.” Diss. Massachusetts Institute of Technology, Cambridge, MA, 2003 Smithers T, Conkie A, Doheny J, Logan B, Millington K, (1989), “Design as Intelligent Behaviour: An AI in Design Thesis Programme”, Artificial Intelligence in Design, 293-334 Smithers T, (2002), “Synthesis in Designing”, Artificial Intelligence in Design ’02, 3-24 Stiny, G, (1977), “Ice-ray: a note on the generation of Chinese lattice designs” Environmental and Planning B, volume 4, pp. 89-98
keywords	Digital fabrication; bilateral contouring; integral connection; complex-curve
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	acadia04_162
id	acadia04_162
authors	Perez, Santiago R.
year	2004
title	The Synthetic Sublime
doi	https://doi.org/10.52842/conf.acadia.2004.162
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 162-175
summary	The distinction between the artificial and the natural has been increasingly challenged as a result of advances in genetics, microbiol¬ogy, and robotics. Beginning with the molecular assemblage of organic systems into complex micro-surfaces and structures, and expanding into the realm of the macro landscape, our understanding of the term Synthetic must be revised. What is the relationship between the component (or part) and the whole, when confronted with the Synthetic? Digitally mediated fabrication technologies, combined with a renewed interest in topology and (bio)logical form, serve to challenge our preconceived notions of space and form. This inquiry will attempt to explore the relationship between traditional assemblies produced by hand, and the production of complex forms through digital rapid prototyping. The impact of D'Arcy Thompson's On Growth and Form will be considered both as a historical juncture and a contemporary source of knowledge for the exploration of new assemblages inspired by topology and biology. In particular, the organic micro-surfaces depicted in France Bourély's Hidden Beauty will be explored, in comparison with the mathematical development of organic forms inspired by Periodic Minimal Surfaces. The analysis of emerging forms and assemblages based on the notion of the Synthetic will be compared with the Organic, and considered within the context of twentieth century art and sculpture. An attempt will be made to establish new modes of inquiry for combining digital and physical explorations of space and form, influenced by advances in micro-scale structures, complex surfaces, and the history of organic form in art.
keywords	landscape, form, surface, assemblage
series	ACADIA
email
last changed	2022/06/07 08:00

_id	407caadria2004
id	407caadria2004
authors	Larry Sass
year	2004
title	Rapid Prototyping Techniques for Building Program Study
doi	https://doi.org/10.52842/conf.caadria.2004.655
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 655-670
summary	This paper is original research that demonstrates new design possibilities for evaluation in the schematic phase of design through the use rapid prototyping as a tool of representation verses 2D drawing. These program shapes are created from CAD files using a threedimensional printing and laser cutting CAM tools. This way of working is in response to two dimensional plan representation and evaluation (Mitchell 1976). This research combines the best of the visual aspects of plan representation and the formal representation of solid block modeling. The models in this paper demonstrate the building’s physical scale of spaces, building use and overall form. Resulting models will demonstrate a new way of designing in CAD one that combined physical and visual ways or representation.
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	sigradi2004_047
id	sigradi2004_047
authors	Antonio Almagro Gorbea; Ana Almagro Vidal; José Antonio Fernández Ruiz; Miguel González Garrido
year	2004
title	Madinat al-zahraí: Investigación y representación [Madinat al-Zahraí: Investigation and Representation]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	The virtual reconstruction of the archeological site of Madinat al-Zahra. in Córdoba (Spain) has permitted a new approach to the study and comprehension of this palatine city as well as to the typologies of Islamic architecture in Al-Andalus during the 10th century. Starting from fieldwork and from a photogrammetric survey of the site, the digital model has become a highly qualified tool in the research process. Through virtual navigation, it allows to learn new aspects about spatial configuration of this characteristic constructions that configure the basis for the development of further architectures during the following centuries. Furthermore, being conscious that knowledge is basic for cultural heritage preservation, this 3D reconstruction model is an important instrument for general dissemination and for implementing a visit to this significant case of Islamic architecture in Spain.
keywords	Islamic architecture, computer graphics, virtual reconstruction, 3D modeling
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	316caadria2004
id	316caadria2004
authors	Chor-Kheng Lim
year	2004
title	A Revolution of the Design Process
doi	https://doi.org/10.52842/conf.caadria.2004.571
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 571-583
summary	Along with the development of computer technologies and CAD/CAM, digital tools are increasingly adapted in architectural design. Developed thus far, functions of digital tools are no long limited to two-dimensional drafting or final presentation; they have become tools that can assist design thinking. Because of the involvement of digital tools, the design process has been greatly affected; or, one may say that digital tools liberated the confines of forms and structuring of architectures. This research aims to explore the procedures in the design process using digital tools. In the conclusion, we found that in an attempt to abridge the gap between design ideas and actual implementation, the designer used the digital reality simulation function very frequently to assist in decision making, and in order to process more complex and freer forms, the designer relied on the 3D design environment to carry out his thinking process and amendments. In addition, the digital design process is mainly conducted through the methods of 1, 3D modeling, 2, Simulation, 3, Generation, and 4, Fabrication. The steps and methods in the digital design process are obviously different from the traditional ones, which focus mainly on mass-production of 2D drawings; therefore, it is certain that the new tools will change the outcome of the designs.
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadia04_020
id	acadia04_020
authors	Eastman, Charles
year	2004
title	New Methods of Architecture and Building
doi	https://doi.org/10.52842/conf.acadia.2004.020
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 20-27
summary	Three conditions exist that are likely to lead to significant restructuringof the construction industry. These are (1): the recognition that traditional contracting practices are inefficient and costly to the client, (2) the growing availability of information-rich 3D parametric modeling, and (3) the strong interest in integrating the issues of design and fabrication. Some aspects of these conditions are examined using two examples: parametric design and integration in steel structural design, and in fabrication-level modeling of precast concrete. The implications of these changes are explored.
series	ACADIA
last changed	2022/06/07 07:55

_id	sigradi2004_169
id	sigradi2004_169
authors	Edison Pratini
year	2004
title	An experience on supporting the learning of technical graphics and improving visualization
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This paper presents an experience of applying computer graphics, virtual reality and Internet resources in the teaching of technical graphics in engineering and design courses at the University of Brasilia, Brazil. Our motivation was the fact that most of the students have a lack of previous knowledge on the basis of drawings, resulting difficulties in both understanding and visualizing technical drawings. As an experimental method, we introduced VRML 3D modeling in addition to CAD and regular pencil-and-paper drawings study and practice. To better support learning, we first provided a website with animations and virtual reality resources, avoiding the usual textbook metaphor. Since 2003 we are providing a CD-ROM containing all the former website material which is updated each semester. This experience is intended to improve the learning in a way that motivates the students. Classes, website and CD-ROM material was conceived to take advantage of computers´ interactivity and animated resources.
keywords	Distance learning, interactivity, Internet, technical graphics, 3D modeling
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	sigradi2004_162
id	sigradi2004_162
authors	Isabel Amalia Medero Rocha
year	2004
title	A concepção arquitetônica em ambiente computacional, a ferramenta como fator interveniente durante a geração de idéias Paavi-projeto de arquitetura em ambientes virtuais interativos [The Conception of Architecture in a Computational Environment - The Tool as an Intervening Factor during the Generation of Ideas (Paavi- Architectural Project in Interactive Virtual Environments)]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This study presents the results obtained as of the teaching of architectural project at a digital workshop using the WEB environment and its graphic and textual interaction tools. Sketches and external and internal 3D modeling of the architectural object formed the corpus of this investigation. The architectural concept phase (generation of ideas) was given pedagogical emphasis, based on a core concept established by conceptual images and to which space, software and formal construction elements are subordinated. The computational tool was seen to become one of the agents in the idea generation process by assisting in the arrangement of the designer.s initial ideas and by establishing project procedures that use computer-based operations. These project procedures reconstruct the object perceived as architectural concept. The central notion in the architectural proposition is the decisive element in the choice and use of the graphic software in the design process, considering its different steps.
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	caadria2004_k-1
id	caadria2004_k-1
authors	Kalay, Yehuda E.
year	2004
title	CONTEXTUALIZATION AND EMBODIMENT IN CYBERSPACE
doi	https://doi.org/10.52842/conf.caadria.2004.005
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 5-14
summary	The introduction of VRML (Virtual Reality Markup Language) in 1994, and other similar web-enabled dynamic modeling software (such as SGI’s Open Inventor and WebSpace), have created a rush to develop on-line 3D virtual environments, with purposes ranging from art, to entertainment, to shopping, to culture and education. Some developers took their cues from the science fiction literature of Gibson (1984), Stephenson (1992), and others. Many were web-extensions to single-player video games. But most were created as a direct extension to our new-found ability to digitally model 3D spaces and to endow them with interactive control and pseudo-inhabitation. Surprisingly, this technologically-driven stampede paid little attention to the core principles of place-making and presence, derived from architecture and cognitive science, respectively: two principles that could and should inform the essence of the virtual place experience and help steer its development. Why are the principles of place-making and presence important for the development of virtual environments? Why not simply be content with our ability to create realistically-looking 3D worlds that we can visit remotely? What could we possibly learn about making these worlds better, had we understood the essence of place and presence? To answer these questions we cannot look at place-making (both physical and virtual) from a 3D space-making point of view alone, because places are not an end unto themselves. Rather, places must be considered a locus of contextualization and embodiment that ground human activities and give them meaning. In doing so, places acquire a meaning of their own, which facilitates, improves, and enriches many aspects of our lives. They provide us with a means to interpret the activities of others and to direct our own actions. Such meaning is comprised of the social and cultural conceptions and behaviors imprinted on the environment by the presence and activities of its inhabitants, who in turn, ‘read’ by them through their own corporeal embodiment of the same environment. This transactional relationship between the physical aspects of an environment, its social/cultural context, and our own embodiment of it, combine to create what is known as a sense of place: the psychological, physical, social, and cultural framework that helps us interpret the world around us, and directs our own behavior in it. In turn, it is our own (as well as others’) presence in that environment that gives it meaning, and shapes its social/cultural character. By understanding the essence of place-ness in general, and in cyberspace in particular, we can create virtual places that can better support Internet-based activities, and make them equal to, in some cases even better than their physical counterparts. One of the activities that stands to benefit most from understanding the concept of cyber-places is learning—an interpersonal activity that requires the co-presence of others (a teacher and/or fellow learners), who can point out the difference between what matters and what does not, and produce an emotional involvement that helps students learn. Thus, while many administrators and educators rush to develop webbased remote learning sites, to leverage the economic advantages of one-tomany learning modalities, these sites deprive learners of the contextualization and embodiment inherent in brick-and-mortar learning institutions, and which are needed to support the activity of learning. Can these qualities be achieved in virtual learning environments? If so, how? These are some of the questions this talk will try to answer by presenting a virtual place-making methodology and its experimental implementation, intended to create a sense of place through contextualization and embodiment in virtual learning environments.
series	CAADRIA
type	normal paper
last changed	2022/06/07 07:52

_id	502caadria2004
id	502caadria2004
authors	Kirsty A. Beilharz
year	2004
title	Designing Generative Sound for Responsive 3D Digital Environment Interaction
doi	https://doi.org/10.52842/conf.caadria.2004.741
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 741-758
summary	This paper examines three key areas of responsive sound interaction in 3D Digital Environments: designing generative sound that derives its composition and relevance from social and physical human interaction within a digital environment; the relation of sonic structure to the digital visual and spatial experience; and responsive, reactive real time sound generation activated by environmental conditions and human behaviours. The primary purposes for responsive sound design are: (1) to provide navigational cues supporting way-finding and spatial orientation; and (2) to provide realtime generative environmental sound that reflects social behaviour in a way that is meaningful and recognisable. The applied contexts for navigational cues and environmental generative sound include online (multi-user), synchronous Virtual Environments and Digital Installation Spaces (e.g. intelligent rooms, virtual reality and immersive environments). Outcomes of responsive sound design include: a trigger system of aural alerts, warnings and guidance; a computational system for generating sound in real time activated by spatial location and social interaction; and an audio (non-visual) tool aiding spatial orientation and way-finding interaction in 3D immersive Digital Environments.
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	2004_044
id	2004_044
authors	M. Saleh Uddin and Tutar, Mustafa
year	2004
title	3D Digital Space and People: Extents and Limitations of Integrating Human Figures in Architectural Animation
doi	https://doi.org/10.52842/conf.ecaade.2004.044
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 44-49
summary	It is people that make architecture alive. It is motion that captures our attention. Together they make our architectural environment believable. Besides portraying a friendly environment, digital people can portray the best reference for scale, time, location and character of an environment. Representing architecture along with human figures has always been an integral aspect of architectural representation in traditional media. As we moved from traditional representation to animated 3D digital modeling, representation of people lost its spirit. Perhaps the reason for this is that a great deal of time and energy needed to be dedicated to the development of human figures. In addition, defining movements and poses for each figure requires additional skills. The aim of this paper is to explore the options of simulating people in the context of environmental design as well as to provide simplified techniques for representations of people in 3D digital animation.
keywords	3D Computer Animation, Human Figure, Representation
series	eCAADe
last changed	2022/06/07 07:59

_id	eaea2003_12-matalasov
id	eaea2003_12-matalasov
authors	Matalasov, M. and Matalasov, E.
year	2004
title	Our Views on Actual Researches of 3D-modelling in Architecture
source	Spatial Simulation and Evaluation - New Tools in Architectural and Urban Design [Proceedings of the 6th European Architectural Endoscopy Association Conference / ISBN 80-227-2088-7], pp. 48-58
summary	This contribution is devoted to the brief description of the basic directions and tendencies of researches of the laboratory of video systems MARCHI. In connection with development of hardware-software computer means and their practically absolute, not alternative application in the practice of architectural designing, nowadays (not always is proved) the sphere of application of the former traditional methods of physical modeling and their connection to the endoscopic methods has been narrowed. We consider some new probable directions of development of scientific and educational work within the framework of activity of our laboratory, allowing a more balanced approach to these problems. As we have discussed, our theoretical researches and practical works must reassume an existing non-standard and controversial situation in Russia, such as established substantial intellectual potentials in scientific- and methodological researches within study processes. In addition to that, what we can use are affordable and limited physical and financial recourses and capability for technical development of works for modeling perception in designing architectural and town planning space. These initiated searches in the field of non-standard thinking, derive from our contacts with EAEA colleagues. Below we will try briefly to explain our basic principles of work development. (To be clear, some time we dismiss references and notes into exact reports from our conferences supposing that interested colleagues may get further and detailed information from already published past events).
series	EAEA
more	http://info.tuwien.ac.at/eaea
last changed	2005/09/09 10:43

_id	sigradi2004_233
id	sigradi2004_233
authors	Mário Hermes Stanziona Viggiano
year	2004
title	Modelagem 3D em rede para avaliação ambiental [Network 3D Modeling Environment Evaluation]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This research aims to develop a three-dimensional representation method for complex environmental systems based on the environmental impacts derived from actions or interactions amongst the elements of the studied systems and associated systems. It is a method for representing matrices in networks which contemplates the simulation of causes and effects and the visualization of interdependence links amongst the subsystems making them up and also amongst adjacent systems. The methodology includes the observation and study of an environmental system with the consequent formulation of a networked matrix and, finally, its modeling through a three-dimensional software. Both the elements and the interactions are represented as three-dimensional items with a shape, color, and size of their own. The practical result is a three-dimensional animation in which all the elements of the environmental system and their connections are represented.
keywords	Modeling, systems, matrices, environmental, network
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2004_313
id	sigradi2004_313
authors	Natalie Johanna Groetelaars; Arivaldo Leão de Amorim
year	2004
title	Levantamento fotogramétrico digital da capela de nossa senhora da escada [Digital Fotogrammetric Levantamento Does not Give Capela of Nossa Senhora Escada???]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This article describes the use of digital photogrammetric techniques for the survey of Chapel Nossa Senhora da Escada, declared heritage by IPHAN . Institute for National Artistic and Historical Heritage . in 1962. It is one of the firsts chapels built in Brazil, in the middle of sixteenth century. In this paper, we present and discuss the procedures used in this building surveying, since the planning of the measurements until the creation of the photorealistic model in PhotoModeler software. Finally, the accuracy of the 3D model is verified using control points measured by topographical methods.
keywords	Heritage documentation, digital photogrammetry, surveying, 3D geometric modeling
series	SIGRADI
email
last changed	2016/03/10 09:56

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