Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	acadia04_244
id	acadia04_244
authors	Daubmann, Karl
year	2004
title	Teaching Digital Fabrication through Design
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 244-255
doi	https://doi.org/10.52842/conf.acadia.2004.244
summary	This paper explains the development of a digital fabrication graduate seminar that has evolved over four semesters. The class attempts to teach at various levels between ‘how to’ considerations of learning hardware and software, while exploring a deeper understanding of the technological implications on design and digital fabrication. At the heart of the course is the belief that the limitations of hardware, software, and materials can be viewed as opportunities during the making of any artifact. A number of teaching models have been employed over the four semesters that include short, abstract, directed mini-projects, which teach one skill to the opposite extreme that develops longer, open-ended research / design projects focused on a technology or technique. The products of the class are used to compare the benefits and deficiencies of various pedagogies. The work is also used to further define the desires of the course related to strategies for materials and making.
keywords	Digital fabrication, design research, craft
series	ACADIA
email
last changed	2022/06/07 07:55

_id	sigradi2004_192
id	sigradi2004_192
authors	Adrián J. Levy
year	2004
title	Espacios 4-d animados - Arquitectura de la música [4-D Animated Spaces - The Architecture of Music]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This project involves the creation of an architecture of music which may be defined as a series of interdisciplinary steps which seek to generate four-dimensional virtual spaces for the materialization of music. This materialization uses music as its .genetic information ., the virtual space as its medium, and the execution time of the musical piece as the fourth dimension to a three-dimensional virtual space. Within this space, each instrument.s execution is represented by a shape whose properties undergo changes resulting from the musical information. Through the use of new Virtual Reality techniques, we will soon have the possibility to be inside the music, as a habitable place. The achievement of this project is to provide the opportunity to experience this representation through virtual animation.
keywords	Architecture of music, navigable music, cyberspace, four-dimensional, animation
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ddss2004_ra-279
id	ddss2004_ra-279
authors	Bax, M.F.Th. and H.M.G.J. Trum
year	2004
title	On the Notion of Level in Architecture
source	Van Leeuwen, J.P. and H.J.P. Timmermans (eds.) Recent Advances in Design & Decision Support Systems in Architecture and Urban Planning, Dordrecht: Kluwer Academic Publishers, ISBN: 1-4020-2408-8, p. 279-292
summary	The notion of Level (in a scale of Levels) is probably the most authentic notion in Architecture. Already in the work of Vitruvius the notion is implicitly present in the triad ‘ordinatio – symmetria – eurythmia’. In more recent times, the notion always appears in relation with hierarchical organization as a means of control of quality. However used in drawings and in architectural discourse, the term lacks precision; there are many types of level like abstraction, specification, dependency, resolution levels etc., but no operational definition can be found as a notion that structures architectural objects and design processes simultaneously in a consistent way. Defining this notion of Level is the purpose of this paper. An example of application in an architectural decision-making process completes the paper.
keywords	Levels, Hierarchy, Architecture, Composition, Complexity, Control
series	DDSS
last changed	2004/07/03 22:13

_id	410caadria2004
id	410caadria2004
authors	Chiung-Hui Chen, Hui-Tin Lin, Mao-Lin Chiu
year	2004
title	A Scenario-Based Agent System for Digital City Interaction
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 693-706
doi	https://doi.org/10.52842/conf.caadria.2004.693
summary	Urban design involves coordination and communication for collecting consensus among citizens and developing the design strategy and spatial program. While these are web-based systems for representing the real world actions, there is lack of human interaction for receiving feedbacks during the process. Therefore, the purpose of this study is to introduce the agents into the participatory design process (PDP) based on scenarios. This paper has developed a webbased system prototype to demonstrate how the agent can interact with users and how the interface facilitates incremental design. We present a participatory design project in an old street to illustrate how the Scenario-Based Agent System (SBAS) model functions in a real application. Meanwhile, four issues will be discussed in regarding with building a learning interaction agent as an actor.
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ijac20032103
id	ijac20032103
authors	de Vries, Bauke
year	2004
title	A Nobel Prize for CAAD
source	International Journal of Architectural Computing vol. 2 - no. 1
summary	Fundamental questions about the status of CAAD research arise regularly on different levels and under different circumstances. Apparently there is no common understanding about this, causing confusion, which in itself is already bad for the status of CAAD research. In this article I will discuss the CAAD research approach as I find it at most architecture and engineering groups, by comparing it to research in the traditional science domain. Some differences can be explained from the nature of design, but others' have more historical reasons. To conclude I propose a long-term strategy for scientific CAAD research, namely: (i) Build your own community, (ii) Establish prestigious journals and prizes and (iii) Improve quality by natural selection. Eventually this will bring us the recognition for CAAD research that it deserves.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	sigradi2004_123
id	sigradi2004_123
authors	Elizabeth Bund y Patricia Recayte
year	2004
title	Temporalidad y movimiento en una experiencia proyectual digital [Temporality and Movement in a Digital Design Experience]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This paper proposes an analysis of resulting product of a didactical design experience produced into digital environment in architectural shape context. The line of argument is the study of temporality and movement as necessary conditions of shape to be experienced in two levels: the literal-objective and the phenomenic-perceptual. An hipermedia design proceeding of interconnected character, not lineal, with superposition of project process and presentation strategies in hipertextual organization has been developed. The student involves himself as producer-operator, into rational and intuitive levels simultaneously, to generate and simulate, conditions and architectural experiences by using digital media. As a result of this experience abilities and proper worths of the digital media are recognized, that encourage reflection and creativity, allowing to increase critical and aesthetic capabilities in producing the architectural work.
keywords	Time, movement, architecture, didactical experience
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	sigradi2004_136
id	sigradi2004_136
authors	Etienne Delacroix
year	2004
title	Studio of art and programming: Reaching out to art and architecture from inside engineering [Studio of art and programming: Reaching out to art and architecture from inside engineering]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	Combining aspects of engineering with traditions of studio art we investigate an interface between both worlds: using a substantial acumulation of electrodigital refuse, taken as a .raw expressive medium., an elective course ( TAP: .taller de arte y programacion. . Studio of art and programing. ) takes a large mixed group of students ( engineering, art, architecture, music, etc..) with very different levels of skills, for a sustained immersion into an exploration context. Eliminating in a large measure the problem of .costs. by using obsolete, discarded computer parts, students manipulate, observe, deconstruct, reconstruct functional hardware and use programming to produce an expressive documentation of the process. The objective is not to work on .products. but on the production of .symbolic value. by uncovering and staging the fundamentals of electro-digital-computational knowledge into a form of .theater of technology..
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	2004_366
id	2004_366
authors	García Alvarado, Rodrigo and Monedero Isorna, Javier
year	2004
title	The Fragmented Eye - Cinematographic Techniques for Architectural Animations
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 366-373
doi	https://doi.org/10.52842/conf.ecaade.2004.366
summary	In order to contribute to the elaboration of more expressive architectural animations, some famous films, documentaries of buildings and award-winning animations were analyzed. This was carried out examining the cinematographic techniques used at three levels of filming language; image setting, shot movements and montage, according to concepts described in theoretical texts. The analysis revealed an extensive use of techniques, in particular in movies, that give graphic diversity and perceptual stability. Based on that, it proposes some ideas for the planning of an architectural animation and a computer implementation of some filmic concepts, in particular related to movements of the point-of-view. This study suggest a fragmented view of building designs, to get an appealing moving presentation, with visual interest and continuity, as such should be also in architecture.
keywords	Animation, Film, Image, Movement, Montage
series	eCAADe
last changed	2022/06/07 07:50

_id	2004_558
id	2004_558
authors	Gatermann, Harald
year	2004
title	The Didactic Triangle - Using CAD, Photography and Descriptive Geometry as Educating Tools with Mutual Influence
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 558-562
doi	https://doi.org/10.52842/conf.ecaade.2004.558
summary	Teaching of architectural photography is still not very popular at universities. We developed a didactic concept of teaching architectural photography in response to caad and to descriptive geometry. The first edge of the triangle (descriptive geometry): By having knowledge in descriptive geometry, students will be more aware of geometrical context in caad and in photography. On the other hand the teaching and understanding of descriptive geometry is much easier, when students have already a basic knowledge of photography. The second edge of the triangle (caad, animation): This kind of teaching architectural photography is not only necessary to open the eyes for „young“ student to learn photography - it also helps to understand the basics of constructing perspectives in descriptive geometry or computer aided design up to different kinds of visualisation. The third edge of the triangle (photography): In the age of non-slr-cameras students are no longer used to take sophisticated photographs. They are mostly only able to take snapsshots (even in the time of digital cameras). One of our main methods is to make them acquainted to slrcameras (analog and digital), to tripods and spirit levels as essential tools and to teach the basic geometrical context. The didactic concept is continued by teaching knowledge about colours, light, different points of view etc. Our didactical concept („Didactic Triangle“) is based on teaching all three elements (photography, caad, descr. geometry) by the same teacher in the same semester to the same students. This guarantees the mutual understanding of the three disciplines. Interactive, digital teaching elements (virtual „mock-up-studio“) support the acceptance.
keywords	Descriptive Geometry, Photography, CAD
series	eCAADe
last changed	2022/06/07 07:51

_id	avocaad_2003_08
id	avocaad_2003_08
authors	Gernot Pittioni
year	2003
title	A World of Networks - Global and Local Impacts
source	LOCAL VALUES in a NETWORKED DESIGN WORLD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Stellingwerff, Martijn and Verbeke, Johan (Eds.), (2004) DUP Science - Delft University Press, ISBN 90-407-2507-1.
summary	As a couple of years ago the use of computers slowly entered studios of architecture, the development of operating systems actually enables everybody to control even bigger networks within studios or offices. Recently these local networks started to get networked themselves. Interactions between local design partners involve a large variety of problems• different CAD-systems• different versions of the same CAD-system• different methods of transfer• different security ideas• different levels of technical knowledge In the course of extension to a global level these problems in the first approach have been growing dramatically, involving additionally language and mentality problems. But in the outcome the exchange of documents and ideas improves in speed, quality and accuracy or this will at least happen in the near future.Global networking offers a great challenge, we have to give this matter a big deal of efforts to earn the values and results, which may be achieved.
keywords	Architecture, Local values, Globalisation, Computer Aided Architectural Design
series	AVOCAAD
email
last changed	2006/01/16 21:38

_id	sigradi2017_082
id	sigradi2017_082
authors	Itao Palos, Karine; Gisela Belluzzo de Campos
year	2017
title	A resiliência na tipografia digital: Interações propiciadas por programas generativos [Resilience in digital typography: Interactions provided by generative programs]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.568-574
summary	This article aims to describe the ephemeral qualities that typography acquires in the digital context, caused by the polyvalence of the algorithmic code, which, from generative programming, allows the user to interact with the typographic object. These reflection are realized through the study of four projects: “Lettree” (2004), “Pyrographie” (2005), “Falling in Love” (2016) and “He liked Thick Word Soup” (2014). The observations were made by drawing a comparison between the concept of “matter” in the computational scenario proposed by the design philosopher Vilém Flusser (2015) and the quality of “fluidity” observed in the images created by digital generative programs.
keywords	Typography; Interaction; Generative Systems; Design; Resilience.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2004_298
id	sigradi2004_298
authors	Jane J. Espina B.
year	2004
title	Lo intangible y real del espacio urbano plaza baralt [Intangible and Real Aspects of the Urban Space "Plaza Baralt"]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This work shows the use of digital technologies in the morphological, spatial and functional understanding of the Baralt Square, through the partial reconstruction of this urban space with three-dimensional models, from its creation to present times, to generate its past and current scenarios, its economic, social and urban life, inhabitants and lifestyle. The purpose of this research is to find the formalization levels for the Baralt Square space, its variations and .intangible urban. identity, derived from the various uses given to it as well as from the development of activities it has undergone, which have generated a collective and dynamic space, rather than from the result of planning. To achieve this, a work methodology will be applied to obtain answers regarding the creation of this public space, through virtual urbanism. The use of digital technologies in the historical, architectonic and urban reconstruction of the square will allow for finding its origins, the collective memory and the intangible.
keywords	Baralt Square, urban space, three-dimension, real, intangible
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	eaea2003_0
id	eaea2003_0
authors	Kardos, P. and Urland, U. (Eds.)
year	2004
title	SPATIAL SIMULATION AND EVALUATION - NEW TOOLS IN ARCHITECTURAL AND URBAN DESIGN
source	Proceedings of the 6th European Architectural Endoscopy Association Conference / ISBN 80-227-2088-7, 144 p.
summary	The 5th eaea Conference in Essen yielded four principal findings: • After having been limited to endoscopic picture and film renderings of analog scaled models, the european architectural endoscopy association (eaea) first bridged the gap to digital environmental simulations at this conference. It is not about a better or correct method, but a suitable method of representing the planned reality of a particular project using ways that make sense. The combination of digital and analog simulation media is a source of impetus to the user of both methods. The future belongs to the casespecific application and the numerous integration possibilities of the two different media. • In investigating the perception of pictures produced in both analog and digital form, it was ascertained that it was only after greater effort that the same level of pleasing qualities were achieved in the digital world, compared to pictures of analog scaled models. It seems that for many planning phases model-based pictures are superior to digital photos – with regards to economy, quality of representation and imaginative attributes. This last point seems to be especially important in the draft planning stages: the less sharp a picture is, the more remaining room for viewer interpretation there is. In particular, the high degree of precision characteristic of digital simulations no longer allows room for imagination in the individual viewer. • 3D environmental simulations will increasingly be incorporated with success in architecture and urban design courses at universities and colleges both here in Germany as well as abroad. The further spread of these techniques to other universities and colleges is desirable. Over and above application as a pedagogic tool, the use of these simulations by architects and city planners, private planning agencies and municipal planning administrators will also be in evidence in the future – for checking designs, for informing the involved parties, for establishing the decisions of government bodies, for marketing the project. • Also, the interactive use of endoscopic simulation facilities continually opens new fields of research – whether it be for registering subjective distance perception, whether it be for determining orientation possibilities in open spaces.
series	EAEA
type	normal paper
email
more	http://info.tuwien.ac.at/eaea
last changed	2005/09/09 10:43

_id	2004_466
id	2004_466
authors	Kepczynska-Walczak, Anetta
year	2004
title	Sharing Experiences in the Digital Preservation in Schools of Architecture
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 466-470
doi	https://doi.org/10.52842/conf.ecaade.2004.466
summary	The aim of this paper is to open a discussion on sharing knowledge and experience in the field of digital preservation between universities which are members of eCAADe organisation. First, paper identifies the importance of keeping digital information alive. Secondly, the key approaches are described, namely: refreshing, migration, emulation. The role of XML is also pointed out. Additionally preservation metadata formats as well as information management (comprised of a set of four inter-linked stages: creation, storage, dissemination and re-use) are discussed. Then, the above-mentioned issues are confronted with the schools of architecture realm. And finally the general, yet fundamental questions are posed: How do we manage the digital data and keep them alive for a long term? What methods do we apply? Do we implement standards? The paper concludes with a suggestion to undertake a survey (for example in the form of a questionnaire) which would serve the eCAADe members.
keywords	Information and Knowledge Management, Digital Preservation, Education
series	eCAADe
last changed	2022/06/07 07:52

_id	ddss2008-08
id	ddss2008-08
authors	Koshak, Nabeel A.; Abdullah Fouda
year	2008
title	Analyzing Pedestrian Movement in Mataf Using GPSand GIS to Support Space Redesign
source	H.J.P. Timmermans, B. de Vries (eds.) 2008, Design & Decision Support Systems in Architecture and Urban Planning, ISBN 978-90-6814-173-3, University of Technology Eindhoven, published on CD
summary	Evaluating the use of architectural and urban spaces is an important issue for architects and urban designers who wish to enhance space usability. Space usability is crucial in crowded spaces such as Mataf areas. Millions of people come to the city of Makkah, Saudi Arabia every year to perform Hajj (Islamic Pilgrimage) and Umrah. A cornerstone of Hajj and Umrah spirituals is to perform Tawaf, which is the circumambulation of the Ka'bah in the center of the Holy Mosque in Makkah. The areas of performing Tawaf (called Mataf) become very crowded during Hajj and the last ten days of Ramadan. This paper demonstrates how we utilized Global Positioning Systems (GPS) and Geographic Information Systems (GIS) to analyze pedestrian movement while performing Tawaf. During the Hajj of 1424 H (2004 in the Georgian Calendar), several GPS devices were used to collect pedestrian movement coordinates at specific time intervals. Computer software for tracking analysis is used to visualize and analyze the pattern of pedestrian movement in Tawaf. The software allows users to view temporal data, which can be set up with past time windows for historical data analysis. The findings of this research show levels of service and flow rates throughout different zones and times of Mataf. They indicate the most critical zones and times for Tawaf during Hajj. They also visually demonstrate the track pattern of pedestrian movement at different locations in the Tawaf area. The paper concludes with some redesign recommendations to remove obstacles and facilitate pedestrian movement in Tawaf. The approach described in this paper can be implemented in architectural and urban design space modifications to improve pedestrian movement in open spaces.
keywords	Pedestrian movement analysis, GPS, GIS, Hajj, Makkah, Tawaf
series	DDSS
last changed	2008/09/01 17:06

_id	315caadria2004
id	315caadria2004
authors	Kuo-Chung Wen, Wei-Lung Chen
year	2004
title	Application of Genetic Algorithms to Establish Flooding Evacuation Path Model in Metropolitan Area
source	CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 557-570
doi	https://doi.org/10.52842/conf.caadria.2004.557
summary	This research has shown the difficulties associated with the GIS and the flooding evacuation path search through the huge searching space generated during the network analysis process. This research also presents an approach to these problems by utilizing a search process whose concept is derived from natural genetics. Genetic algorithms (GAs) have been introduced in the optimization problem solving area by Holland (1975) and Goldberg (1989) and have shown their usefulness through numerous applications. We apply GA and GIS to choice flooding evacuation path in metropolitan area in this study. We take the region of Shiji city in Taiwan for case. That could be divided into four parts. First, is to set the population of GA operation. Second, is to choose crossover and mutation. Third, is to calculate the fitness function of each generation and to select the better gene arrangement. Fourth, is to reproduce, after evolution, we can establish Flooding Evacuation Path that more reflect really human action and choice when flood takes place. However we can apply GA to calculate different evacuation path in different time series. Final, we compare and establish real model of evacuation path model to choosing flooding evacuation path.
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	2004_410
id	2004_410
authors	Kvan, Thomas and Gao, Song
year	2004
title	Frames, Knowledge and Media - An investigative Study of Frame Systems within Computer and Paper Supported Collaborative Design Process
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 410-417
doi	https://doi.org/10.52842/conf.ecaade.2004.410
summary	Can media foster better performance of problem framing? Problem framing contributes to successful design learning. Minsky classified this activity into four types of frames. In collaborative design, media as external representation assist designers to converse their ideas with others and themselves. This paper explores the effects of rich and lean media on the context of frame systems within computer supported and paper supported collaborative design environments. Through conducting laboratory experiment we find that different media indeed can influence the distribution of frames along the whole design sessions. To investigate this phenomenon some possible reasons related to theory are explored, shedding light on our future study on design education.
keywords	Collaborative Design; Design Media; Design Cognition; Design Knowledge; Frame Systems
series	eCAADe
email
last changed	2022/06/07 07:52

_id	ijac20032201
id	ijac20032201
authors	Mahalingam, Ganapathy; Kavasseri, Rajesh G.
year	2004
title	Improving Objective Digital Images with Neuronal Processing: A Computational Approach
source	International Journal of Architectural Computing vol. 2 - no. 2
summary	This paper describes an experiment where an imagerecorded with a digital camera is processed using anelectro-physiological model of a neuron. Theluminosity level of each pixel of the source image istreated as the stimulus for an individual neuron, andthe source image is transformed into a responseimage based on the processing behavior of theHodgkin-Huxley neuronal model. It is seen thattransformation of the image through neuronalprocessing yields (i) more evenly balanced levels ofluminosity and (ii) a more ‘subjective’ rendering of theenvironment than what was photographed with thedigital camera.The CCD (charge coupled device) –based digital camera reveals its limitation as a linearrecording device that does not have a balanceddynamic range.The neuronal processing of the imageadds non-linearity and a balanced range to theluminosity levels in the image, rendering it closer to a‘subjective’ perception of the scene.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	sigradi2004_435
id	sigradi2004_435
authors	Marcelo Tramontano
year	2004
title	Habitar a cidade: Exercício de projeto à distância [Dwelling in the City: The Exercise of a Long-Distance Project]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This paper targets to report the experience of a virtual design studio called Habitar a Cidade, or Living within the City. From march to july 2004, six brazillian universities. teachers and students groups in Architecture, living in five different brazillian states, were gathered by internet-based communication, and all of their design products have been displayed in specially designed websites. Furthermore, different ways of communicating have been used: messenger chats, e-mails, newsgroups, including the exchange of graphic files. The challenge of this experience was to put in relation schools with inequal levels both in computer equipments and computing design capacities. This paper aims at reading in a very preliminary way the relationship between the use of internet means and the studio.s activities . main goals. As a major conclusion, and despite some organization difficulties, the low cost of the experience and the relative easyness of its development are great reasons to redo it.
keywords	Virtual design studio, internet, architectural design
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	thesis-de
id	Thesis-DE
authors	Oh, Yeonjoo
year	2004
title	DESIGN EVALUATOR: CRITIQUING FREEHAND SKETCHES
source	University of Washington, Design Machine Group
summary	This thesis concerns about how feedback integrates into a sketch design system. Design Feedback as critiques can help the designer better envisage what a design will be like in advance, allowing the designer to avoid certain kinds of errors. This thesis discusses how a freehand sketch critiquing system can be developed and how this tool can support in the architectural design process as design tool. The thesis proposes a working prototype, Design Evaluator to demonstrate the potential of this knowledge-based design system. The Design Evaluator system has the design knowledge translated into rules related to four architectural spatial issues: proper room sequence, adjacency, room placement, and minimum area. The Design Evaluator interprets the designer's architectural diagram and recognizes the spatial relations such as circulation paths and room placements. It checks the architectural diagram with the built-in rules. When a rule violation occurs, the system displays the design critiques in three ways: text messages, annotated drawings, and texture-mapped 3D visualization. These critiques stimulate the designer's "reflection-in-action" cycle during the sketching of her/his design ideas. Moreover, they help the designer to detect errors in the early design stage.
series	thesis:MSc
type	normal paper
email
last changed	2004/06/02 19:40

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