Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	41f0
id	41f0
authors	Janusz Rebielak
year	2004
title	NUMERICAL MODELS OF CHOSEN TYPES OF DOME STRUCTURES
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 239-249.
summary	The paper presents basic description of shaping processes of tension-strut structures developed by the author and proposed as lightweight structural systems for large span dome covers. In the paper are presented two basic types of the systems, which are built mainly by means of tetrahedral and octahedral modules with the V-shaped bar sets. For all the offered types of structures there are prepared suitable numerical models defined in the programming language Formian. Application of these numerical models considerably accelerates design process of these complex forms of spatial structures and makes possible an easier co-operation between all designers involved in this process.
series	other
type	normal paper
email
last changed	2005/04/08 17:17

_id	acadia04_282
id	acadia04_282
authors	Anders, Peter
year	2004
title	Arch-OS: An Implementation of Cybrid Strategies
doi	https://doi.org/10.52842/conf.acadia.2004.282
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 282-293
summary	A review of the literature on Intelligent Buildings suggests an ideal of a building as an autonomous system that controls its internal and external environments. The model, whose origin lies with early models of artificial intelligence, effectively treats the building as a slave to human needs, and appears to invest more intelligence in the building than in its occupants. This paper proposes that automated environments be understood as extensions of human sense and awareness. It describes an operating system, Arch-OS, that exemplifies this approach by increasing building occupants’ consciousness of their environment.
keywords	Cybrid, Mixed Reality, Responsive Environment, Planetary Collegium
series	ACADIA
email
last changed	2022/06/07 07:54

_id	269b
id	269b
authors	Andrea Carnicero, Gustavo Fornari & Carlos Pereyra
year	2004
title	ARQUITECTURA, CINE Y LITERATURA: LA SEDUCCIÓN DE LA GEOMETRÍA
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 27-34.
summary	¿Estamos presenciando un nuevo paradigma hacia otra forma de concebir la matemática?. El presente ensayo pretende indagar, a través del análisis y discusiones sobre diferentes obras literarias, cinematográficas y proyectos arquitectónicos, clásicos y contemporáneos, la relación entre la arquitectura y la literatura a partir de las estructuras matemáticas que los sustentan y cómo estas se han modificado o evolucionado a partir de los cambios tecnológicos de las últimas décadas. Relacionaremos la literatura y la arquitectura contemporánea pos revolución digital, con sus propiedades de nolinealidad y de fragmentación. Nuestra línea de investigación se centra en cuáles pueden ser las aportaciones esencialmente nuevas de la cultura digital a la producción de la arquitectura y la literatura, partiendo de su base estructural. La era informática trae con ella implicaciones que desestabilizan los conceptos tradicionales de espacio y tiempo. Nos preguntamos cuáles son los cambios en las estructuras textuales a partir de la era digital, cuáles son las nuevas estructuras geométricas, cómo influyen estas nuevas geometrías en la arquitectura, en el cine y en la literatura, en esta era de la información y qué rol ocupa la matemática en este cambio. El desarrollo de las ciencias contemporánea ha generado teorías que transforman nuestro conocimiento del universo. Caos, Teoría de la complejidad, Fractales son términos que caracterizan estos conceptos. En arquitectura estas teorías han tenido importancia en la producción de arquitectura "no-lineal" por medio de el uso de computadoras, especialmente en trabajos de arquitectos como Frank Gehry, Zevi Hecker, Greg Lynn, ARM y O.C.E.A.N UK, entre otros. En esta época informatizada la relación de la arquitectura con las demás ciencias (como la física y la matemática), con otros códigos como el lenguaje (por ejemplo en la narración) y con los límites del pensamiento filosófico, pueden hallarse hoy, tanto en el repertorio del deconstructivismo, en el repertorio “minimalista”, como en las abstracciones de los jóvenes nacidos con la computadora, que emulan cintas de Moebius, topologías “no euclideanas”, “estructuras líquidas” o ya en el campo de la literatura formas virtuales como en Calvino o dimensiones paralelas, bifurcadas, etc. como en Cortázar o Borges. Sin embargo, podemos preguntarnos si esta proliferación exuberante es el desarrollo de un organismo sólidamente construido, que adquiere cada día más cohesión y unidad en su propio crecimiento o si, por el contrario, no es más que el signo exterior de una tendencia a un fraccionamiento cada vez mayor, debido a la naturaleza misma de las matemáticas y si éstas no se estarán convirtiendo en una torre de Babel de disciplinas autónomas, aisladas unas de otras, tanto en sus principios como en sus métodos e incluso en su lenguaje. En una palabra, hoy, en esta tendencia, ¿estamos presenciando un nuevo paradigma hacia otra forma de concebir la matemática?.
series	other
type	normal paper
email
last changed	2005/04/08 17:14

_id	6357
id	6357
authors	Bahman Kalantari
year	2004
title	POLYNOMIOGRAPHY IN ART AND DESIGN
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 305-311.
summary	As polynomiography gains more recognition its potential applications in art and design will become more evident. Polynomiography is the art and science of visualization in the approximation of zeros of polynomials. In this paper we will demonstrate some of its applications in art and design and show that although its basis is mathematical, artists and designers can learn to work with it just as they do with any other artistic tool. Indeed polynomiography has enormous range of applications. Although the main products are two-dimensional images they could also inspire three-dimensional architectural deigns. The paper will demonstrate some particular applications of polynomiography, ranging from artistic designs, to carpet and fabric designs, to animation. Within the realm of art and design, polynomiography also finds many educational applications.
series	other
type	normal paper
email
last changed	2005/04/07 15:46

_id	5cf4
id	5cf4
authors	Barrionuevo, Luis F.
year	2004
title	LOS "SPIROSPACES"
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 179-187.
summary	This paper deals with “Spirospaces”. These are a conversion to the third dimension of the two dimensional geometric entities called “Spirolaterals”. Abelson, Harold, diSessa and Andera (1968) gave the first rules concerning Spirolaterals. To obtain a Spirolateral from a set of straight lines, the first of them must be one unit long and the following must be incremented one unit at each step, at the same time that they turn in a constant direction. Odds (1973) establish the variation of the rotation direction, either to the left or the right. However, he did not give a mathematical relation able to calculate open Spirolaterals. Krawczyk (2001) developed a computer program that generates Spirolaterals following the method suggested by Abelson. These are Spirolaterals obtained by enumeration without a predictive mathematical formula. Krawczyc went farther proposing Spirolaterals based in curved lines. He pointed out that there are a variety of spirolateral forms that have architectural potentiality. Following this, the architectural potentiality of Spirolaterals is the basis of this paper. To take advantage of that potentiality a computer program was implemented to generate spatial configurations based in Spirolaterals. When a third dimension is given to the Spirolaterals they become Spirospaces. These new entities need spatial and design parameters to be useful for architectural purposes. Barrionuevo and Borsetti (2001) gave results about that work establishing the concept of Spirospaces. The aim of this paper is to describe a work directed to improve rules and procedures concerning Spirospaces. It is expected that these procedures governed by the proposed rules can be employed as tools during the early steps in the architectural design process. In this work some aspects concerning Spirospaces are considered. First, Spirolaterals are presented as the predecessors of Spirospaces. Second, Spirospaces are defined, together with their structural parameters. Architectural modeling is studied at the light of two special elements of the Spirospaces: Interstitial spaces and Object spaces. Next, a computer program is presented as the appropriate tool to model configurations having architectural potentiality. Finally, the results obtained running the computer program are analyzed to determine their possible use as architectural forms. Several graphic illustrations are presented showing steps going from the exploration of spatial alternatives to the selection of a specific configuration to be developed. It is expected that the described computer program could be employed as a design aid tool. As the operation of the program generates a variety of spaces able to dwell architectural objects, it eases the search of configurations suitable to specific functions. The results obtained have the possibility of being exported to computer graphic applications able to add materials, lights and cameras.
keywords	Spirolaterals, Spirospaces, architectural spaces, interstitial spaces, objectual spaces
series	other
type	normal paper
email
last changed	2005/04/07 15:34

_id	2004_248
id	2004_248
authors	Chang, Teng-Wen and Woodbury, Robert F.
year	2004
title	GEOMETRY IN HIGHLY STRUCTURED DESIGN SPACES
doi	https://doi.org/10.52842/conf.ecaade.2004.248
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 248-254
summary	The Australian branch of the SEED project created a new formalism for design spaces in which the fundamental structuring operator is information specificity, formally characterised as subsumption. Here design space navigation is composed as combinations of the primitive operators of resolution, unification, anti-unification, search, query and hysterical undo. The structures needed to support such a view are highly constrained in a mathematical sense and it is in these constraints that the problems for representation of geometry arise. The research challenge is to add the formal design space exploration constraints into an existing geometric representation scheme or alternatively to discover a new scheme in which the constraints are realized. Based on Typed Feature Structures (TFS), Geometric Typed Feature Structures (GTFS) are a representation scheme and method for performing the basic design space exploration operations on geometric objects. The crucial insight behind extending TFS to geometry is to discover useful algebraic structures of geometric objects affording the mathematics required of TFS. In this paper we describe Geometric Typed Feature Structures through one example of form: IOPSet. Our method of exposition is both mathematical and graphical: for each structure we will demonstrate both how it meets the necessary formal conditions as well as the sorts of form-sculpting operations it enables. An architectural example: insulated enclosure is used as a demonstration of subsumption operations over IOPSet. One alternative description of insulated enclosure using GTFS is also shown in the paper.
keywords	Geometric Typed Feature Structures, SEED, Design Space Explorer, Geometric Design Information
series	eCAADe
type	normal paper
email
last changed	2022/06/07 07:56

_id	0131
id	0131
authors	Chiarella, Mauro
year	2004
title	GEOMETRY AND ARCHITECTURE: NURBS, DESIGN AND CONSTRUCTION
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 135-139.
summary	Geometry regarded as a tool for understanding is perhaps the part of Mathematics which is the most intuitive, concrete and linked to reality. From its roots as a tool to describe and measure shapes, geometry as ‘the space science’ , has grown towards a theory of ideas and methods by means of which it is possible to build and study idealised models, not only from the physical world but also from the real world. In graphic architecture thought, geometry usually appears as an instrumental support for project speculation. Geometric procedures are presented as representational resources for the graphic testing of reflection and for the exposition of ideas in order to build a logical order as regards representation and formal prefiguration. The fast rise of computing in the last decades has made it possible for architects to work massively and in a graphic and intuitive way with mathematical representations of tridimensional geometry, such as the NURBS . These organic surfaces of free shapes defined by vectorial curves have allowed access to a rapid generation of complex shapes with a minumum amount of data and of specific knowledge. The great development of modelling achieved by the digital media and the limitations in the technical and building areas and in the existence of materials which are coherent with the resultant shapes reveal a considerable distance between the systems of ideation and simulation characteristic of the computing era and the analogous systems of production inherited from the slow industrial development. This distance has been shortened by CAD/CAM systems, which are, however, not very accessible to the architectural field. If we incorporate to the development of these divergent media the limitations which are distinctive of the material resources and procedures of the existent local technology, the aforementioned distance seems even greater. Assuming the metaphor of living at the threshold of two ages (industrial-computing, analogical-digital, material-virtual) and the challenge of the new conceptual and operational tools in our field, we work in the mixture, with no exclusions or substitutions, proposing (by means of the development of informational complements) some alternatives of work to approach the issue under discussion from the Architecture Workshop.
keywords	Geometry, Design, NURBS, Unfolding, Pedagogy
series	other
type	normal paper
email
last changed	2005/04/07 12:51

_id	2836
id	2836
authors	Dunham, Douglas
year	2004
title	COMPUTER DESIGN OF REPEATING HYPERBOLIC PATTERNS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 83-90.
summary	From antiquity, humans have created 2-dimensional art on flat surfaces (the Euclidean plane) and on surfaces of spheres. However, it wasn't until about 50 years ago that designers have created art in the third "classical geometry", the hyperbolic plane. Inspired by a diagram from the mathematician H. S. M. Coxeter, the graphic artist M. C. Escher became the first person to design such patterns, performing all the needed constructions laboriously by hand. In order to exhibit the true hyperbolic nature of such art, the pattern must exhibit symmetry and repetition. It seems natural to use a computer to avoid the tedious hand constructions performed by Escher. This was our goal: to design and implement a computer program to create repeating hyperbolic patterns.
series	other
type	normal paper
email
last changed	2005/04/07 12:49

_id	sigradi2004_345
id	sigradi2004_345
authors	Eleanna Cadalso; Alejandro Haiek Coll; Pedro Soza Ruiz
year	2004
title	Modelación por captura de movimiento [Modeling by means of Movement Capture]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	Keyframing, Morphing, Inverse Kinematics; they are all animation technics which have been explored by diverse groups of architects, academics and students, searching for new horizons in the proyecting process development, pushing forward the present limits of proyecting methodology. We define this project starting by the explorative use of animation tools as experimental variables in reformulating our design processes. Data input have been traditionally carried out using classic interfaces such as keyboard, mouse, graphics tablet, among others. Despite this is accepted by many as the standard way of communicating with machines, we think this is still very far from the ideal way to design and model new proposals. In this context we propose to investigate a new way to approach to the computed aided modelling process, questioning and reformulating traditional interfaces in user .machine communication.
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	fa6e
id	fa6e
authors	Escayola, Rosa María; Bauleo, Silvina A.; Diez, Leonardo Pablo
year	2004
title	DISTANCE TEACHING OF MATHEMATICS FOR STUDENTS OF ARCHITECTURE: IS IT POSSIBLE?
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 105-109.
summary	On the basis of our experience as teachers of Mathematics in the School of Architecture of the University of Buenos Aires and with the support of an expert designer of image and sound, we undertook the task of distance teaching the subject Mathematics II for students of Architecture. The academic guidance of Ms Spinadel, PhD, the university’s authorization and the support of a computer platform provided by Nueva Internet S.A. have enabled the completion of this project. We were encouraged to set up the distance teaching of the subject by the many advantages the system offers, namely, the chance for students to work at home with a computer-based platform containing all of the subject’s contents and to integrate and apply all the knowledge acquired in architectural contexts; and the chance for teachers to offer on-line guidance and tutorials. Distance teaching is not to be understood or configured as an accumulation of calculus procedures. Rather, it should be thought of as having the major aim of promoting the full development of the students’ imagination for the solution of architectural design problems. For that purpose, students must become familiar with the interface to be used as the virtual classroom, read the theoretical introduction to every one of the units, solve application problems (the students are provided with all the material, which they can visualize on line or print), and send their tutor all the queries they may have so that the process of teaching and learning is facilitated and enriched. The solution to exercises is presented in a didactic manner and students can resort to additional bibliography, image and formula galleries and a technical help forum provided by the software firm. A virtual classroom has been set up where students and teachers interact all the time. Students must also submit integrative assignments, which are corrected by the tutor and will form part of the subject’s final assessment, together with an in-person exam at the end of the semester. Excellent results have been obtained so far, being that this is the first time a subject of the Architecture course is taught this way. This paper is intended to share this experience and show how, in spite of the modality of the subject, the interaction achieved between students and teachers has proved to be very enriching.
series	other
type	normal paper
email
last changed	2005/04/07 12:50

_id	e90c
id	e90c
authors	Greenfield, Gary R.
year	2004
title	AUTOMATED RECOLORING OF EVOLVED DESIGNS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 47-54.
summary	We consider the problem of automating the recoloring of designs whose “originals” are defined using color look-up tables. Given a digital image , we assume for each pixel of there exists an integer index such that . If is a color look-up table of size , we say image is colored by if each pixel is assigned color . Given a map from to itself, we recolor by assigning to each pixel the color . We are able to evolve the recoloring maps by representing them as -tuples. We automate their evolution by applying multi-objective optimization. Examples of recolorings of designs that were originally in color and originally in black and white are given. Keywords. Color look-up table, image recoloring, genetic algorithm, evolutionary multiobjective optimization.
series	other
type	normal paper
email
last changed	2005/04/07 12:47

_id	acadia04_066
id	acadia04_066
authors	Harrop, Patrick
year	2004
title	AGENTS OF RISK: EMBEDDING RESISTANCE IN ARCHITECTURAL PRODUCTION
doi	https://doi.org/10.52842/conf.acadia.2004.066
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 66-75
summary	In its most common usage, the term fabrication calls to mind industry and production. For architecture, fabrication and industry have been defining aspects of modern practice. While dependant on the dimensional and temporal standards of industry, modernists were preoccupied with the limitations imposed by the generic restrictions of mass production. When we make, instead of predetermining action, we discover a map of engagement. We play by challenging and resisting material. It in turn, reveals an intentional resistance that provokes yet another challenge, and on and on and on. In fact, craft excels in the less-than-ideal situations. When challenged by aberrant materials, geometry and craft are forced into innovative discovery: a knot of reaction wood within an otherwise homogeneous surface would force a novel adaptation of geometry generated by the imperfection. How, then, do we integrate the indeterminate cycle of craft and invention into a design process transformed by tools entirely reliant on prediction and the (virtual and real) homogeneity of materials? Is it reasonable to introduce an element of risk into the realm of digital fabrication equivalent to the auto-generative sabotage of Signwave’s Auto Illustrator? This paper reflects on the nature of material craft in the realm of digital fabrication. It will look both at the history and the contemporary opportunity of generative art and automata and their subversive (yet essential) relationship to the making of architecture.
series	ACADIA
type	normal paper
last changed	2022/06/07 07:49

_id	916b
id	916b
authors	Janusz Rebielak
year	2004
title	SHAPING OF STRUCTURAL SYSTEMS OF HIGH-RISE BUILDINGS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 341-350.
summary	Design of an efficient and suitably rigid support structure of a tall building is constantly a challenge for architects and engineers. Recently this challenge is enormously increased by the safety requirements conditioned by numerous emergency reasons. Among others one should mention here about effects of fire or a terrorist attack. The complex forms of structural systems have to be examined in many ways. Comprehensive analyses of these systems are carried out by application of suitable numerical models of these systems. The paper contains examples of shapes of structural systems proposed by the author together with definitions of their numerical models prepared in the programming language Formian.
series	other
type	normal paper
email
last changed	2005/04/07 15:47

_id	9e09
id	9e09
authors	June-Hao Hou
year	2004
title	SURF_TM: A SURFACE SYNTHESIZER FOR ARCHITECTURAL FORMS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 359-369.
summary	Parametric equation is one of the possible ways to generate free-form architecture in modern age. When working with mathematical software, designers need a way to bring surface mesh to CAD for further design. Surf_TM is an supplemental tool for AutoCAD to import and manipulate surface mesh data from Mathcad. Accompanying with a course taught in Harvard Design School, students gain knowledge in mathematics and use parametric equation as a design tool. This paper elaborates details of the course, the tool, how they work together, and example applications.
series	other
type	normal paper
email
last changed	2005/04/07 15:49

_id	acadia03_040
id	acadia03_040
authors	Katherine A. Liapi, Katherine A. and Kim, Jinman
year	2003
title	A Parametric Approach to the Design of a Tensegrity Vaulted Dome for an Ephemeral Structure for the 2004 Olympics
doi	https://doi.org/10.52842/conf.acadia.2003.301
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 301-309
summary	Tensegrity, defined as “tensional integrity,” is central to the design of a semi-open exhibition space that was submitted as an entry to the international competition for the design of “Ephemeral Structures for the City of Athens,” in the context of the 2004 Olympic Games. The main feature of the proposed exhibition space is a vaulted dome composed of interconnected detachable and deployable tensegrity units. The most challenging aspect in the design of the tensegrity vault was the generation of alternative spatial configurations for form exploration and study. For this purpose a mathematical code has been developed that links all the parameters that affect the design of tensegrity vaults. The code also allows for the parametric graphical generation of the vault by displaying geometric information in a 3D environment. This paper discusses the geometric basis of the code and its usefulness in the morphological study of the tensegrity vaulted dome for the proposed ephemeral structure. The mathematical code has been shown to significantly facilitate the study of various preliminary configurations of tensegrity vaulted structures.
series	ACADIA
email
last changed	2022/06/07 07:52

_id	999e
id	999e
authors	KOUZELEAS Stelios
year	2004
title	APPLICATIONS OF ACOUSTIC AND GEOMETRIC SIMULATION OF HALLS WITH THE AID OF WITH THE AID OF ACOUSTIC SIMULATION PLATE-FORM ADAPTABLE IN A CAD SYSTEM. - (EFARMOGES AKOUSTIKHS KAI GEWMETRIKHS PROSOMOIOSHS AITHOUSWN ME TH BOHTHEIA PLATFORMAS AKOYSTIKHS PROSOMOIOSHS PROSARMOSMENHS SE SYSTHMA CAD)
source	Acoustics 2004, Hellenic Institute of Acoustics (HELINA), Aristotle University of Thessaloniki, 27-28 September 2004, Greece
summary	(pdf file in greek)- With the aid of the acoustic simulation plate-form named « CAD-Acoustic » which is developed in the context of PhD and adapted on the AutoCAD system, this paper presents the halls acoustic results (RT60) of Elmia (Sweden) and Opera of Bordeaux (France) in relation to acoustic measurements and results of other acoustic simulation software (Odeon, Epidaure). In parallel, it presents geometrical simulations of the modelised halls’ acoustic behavior, such as the 3D reflections of the acoustic rays from selected surface, the 3D view of the materials’ arrangements through surfaces’ coloring, the measurement of the selected absorbing / reflecting surfaces in m2 and the individual or massive absorption coefficients’ assignment to the surfaces. Finally, with the aid of « CAD-Acoustic » the acoustic results are compared in a graphic manner in relation to the ideal acoustic rates, a presentation which is a kind of an “ architectural translation of the acoustic results” taking into account several architectural elements.
keywords	CAD modeling, "CAD-Acoustic" software developement, Architectural acoustic simulation
series	other
type	normal paper
email
more	http://www.helina.gr/
last changed	2005/10/25 11:22

_id	ijac20032207
id	ijac20032207
authors	Liapi, Katherine A.; Kim, Jinman
year	2004
title	A Parametric Approach to the Design of Vaulted Tensegrity Networks
source	International Journal of Architectural Computing vol. 2 - no. 2
summary	Significant new research in tensegrity theory and technology encourages tensegrity’s implementation in architecture. A recently developed technology makes possible the rapid modular assembly of deployable tensegrity units, and the construction of alternate curved configurations by re-using the same modules. Although a form exploration method for tensegrity structures already exists, estimating the structure’s new geometry remains a challenge due to difficulties designers encounter in understanding and following the method’s geometric construction process. Besides, the method doesn’t address the geometry of vaulted configurations. This paper presents algorithms that link together the geometric parameters that determine the shape of tensegrity vaults by addressing different design-construction scenarios, and a software code that generates parametric models of tensegrity vaulted structures.The application of the algorithms to the morphological study of a tensegrity vaulted dome, which constituted the main feature of an entry to arecent international architectural competition, is also presented.
series	other
type	normal paper
more	http://www.multi-science.co.uk/ijac.htm
last changed	2010/05/16 09:13

_id	59ff
id	59ff
authors	MacPherson, Deborah L.
year	2004
title	PERCEIVING DESIGN IN VIRTUAL SPACES
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 271-281.
summary	People used to illustrate our ideas by hand and now we use machines. But we still can’t search through all the world’s drawings and ideas by proportion, aesthetic, and a list of measurements and space requirements. Suppose there was a new way to communicate with our machines that would allow design and other subtle relationships to be measured, compared and perceived using the design intent and viewers interpretations themselves as descriptions? In the future, using a system like this will eventually create so many designs, interpretations, patterns and spaces to choose from the questions become: how would design be perceived within these virtual spaces; and how might our aesthetics change due to this new dialogue with machines?
series	other
type	normal paper
email
last changed	2005/04/07 15:41

_id	bfa9
id	bfa9
authors	Mahiques, Myriam Beatriz
year	2004
title	BUENOS AIRES: URBAN QUADRILLE AND FRACTALITY UNDER THE LIGHT OF SOCIAL ASPECTS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 55-59.
summary	Investigations about urban form are developed in many directions, being the history branch the strongest. It is based on the importance of forms created by previous generations. So, urban morphologists must examine the inhabitants and the processes that originate the urban form. In our discipline, ´´epistemological physicalism´´ is studied through the theory of complex systems and chaos theory. The resultant shape is obtained by selecting some elements of the abstract structure considered (non Euclidean geometry) and simulation software is used for experimentation, like L Systems, Diffusion Limited Aggregated, Cellular Automata. Then we have to discover what is veiled at first sight and to reflect on the optimal model for the community.
series	other
type	normal paper
email
last changed	2005/04/07 12:48

_id	791e
id	791e
authors	Monreal, Amadeo; Jacas, Joan
year	2004
title	COMPUTER AIDED GENERATION OF ARCHITECTURAL TYPOLOGIES
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 73-82.
summary	The work we present may be considered as the consolidation of a methodology that was already outlined in the paper presented in the second M&D congress held in San Sebastian (1998). We establish that, in architectural design, the computer is only used in the last step in order to achieve the traditional Euclidean design in a more precise and comfortable way and to improve the quality of the handmade designs. Our proposal consists in modifying the process from the very beginning of the creative act. That is, when the design conception is born. If we want to obtain the maximum benefit of the computer possibilities, we ought to support this conception by means of a language tuned with the mentioned tool. Due to the fact that the internal language used by the computer for producing graphics is mathematical, we must incorporate, in some way, this language in the codification of the creative process. In accordance with this setting, we propose a mathematical grammar for the design based on the construction of modulated standard mathematical functions. This grammar is developed independently from the graphical software and it is specified only when a particular computer program for the effective generation on the graphical objects is selected.
series	other
type	normal paper
email
last changed	2005/04/07 12:49

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