Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ijac20053104
id	ijac20053104
authors	Fischer, Thomas
year	2005
title	Teaching Programming for and with Microcontroller-Enhanced Physical Models
source	International Journal of Architectural Computing vol. 3 - no. 1, 57-74
summary	As processes of use, interaction and transformation take center stage in various fields of design, electronic sensors, controllers, displays and actuators can significantly enhance the value of physical models. These technologies allow the development of novel computer interfaces for new kinds of interaction with virtual models, and in the future they can be expected to play an important role in the development of new types of active building components and materials for automated construction and dynamic runtime adaptations of inhabitable environments. However, embedding programmed logic into physical objects involves skills outside the traditional domains of expertise of designers and model makers and confronts them with a steep learning curve. The wide variety of alternative technologies and development tools available in this area has a particularly disorienting effect on novices. However, some early experiences suggest that mastery of this learning curve is easily within reach, given some basic introduction, guidance and support. To assist design students in acquiring a basic level of programming knowledge, better educational programming tools are still required. It is the intent of this paper to provide designers and educators with a starting point for explorations into this area as well as to report on the development of an educational approach to electronics programming called haptic programming.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	cf2005_1_69_73
id	cf2005_1_69_73
authors	BEILHARZ Kirsty
year	2005
title	Responsive Sensate Environments: Past and Future Directions
source	Computer Aided Architectural Design Futures 2005 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-3460-1] Vienna (Austria) 20–22 June 2005, pp. 361-370
summary	This paper looks at ways in which recent developments in sensing technologies and gestural control of data in 3D space provide opportunities to interact with information. Social and spatial data, the utilisation of space, flows of people and dense abstract data lend themselves to visual and auditory representation to enhance our understanding of socio-spatial patterns. Mapping information to visualisation and sonification leads to gestural interaction with information representation, dissolving the visibility and tangibility of traditional computational interfaces and hardware. The purpose of this integration of new technologies is to blur boundaries between computational and spatial interaction and to transform building spaces into responsive, intelligent interfaces for display and information access.
keywords	responsive environments, sensate space, sonification, visualisation, gestural controllers
series	CAAD Futures
email
last changed	2006/11/07 07:27

_id	2005_763
id	2005_763
authors	Beilharz, Kirsty
year	2005
title	Architecture as the Computer Interface: 4D Gestural Interaction with Socio-Spatial Sonification
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 763-770
doi	https://doi.org/10.52842/conf.ecaade.2005.763
summary	Architecture today extends far beyond designing building shells and material, peripheral boundaries. Arguably, it has always been, and shifts increasingly in contemporary environments towards, designing space and interaction with space. Hence, the role of the designer includes integration of computing in architecture through ambient display and non-tactile interaction. This paper explores a framework in which the architecture is the computer interface to information sonification. (Sonification is automatically generated representation of information using sound). The examples in this paper are Emergent Energies, demonstrating a socio-spatially responsive generative design in a sensate environment enabled by pressure mats; Sensor-Cow using wireless gesture controllers to sonify motion; and Sonic Kung Fu which is an interactive sound sculpture facilitated by video colour-tracking. The method in this paper connects current information sonification methodologies with gesture controller capabilities to complete a cycle in which gestural, non-tactile control permutes and interacts with automatically-generated information sonification. Gestural pervasive computing negotiates space and computer interaction without conventional interfaces (keyboard/mouse) thus freeing the user to monitor or display information with full mobility, without fixed or expensive devices. Integral computing, a blurring of human-machine boundaries and embedding communication infrastructure, ambient display and interaction in the fabric of architecture are the objectives of this re-thinking.
keywords	Interactive Sonification, Gesture Controllers, Responsive Spaces, SpatialSound
series	eCAADe
email
last changed	2022/06/07 07:54

_id	2005_665
id	2005_665
authors	Brito, Tiago, Fonseca, Manuel J. and Jorge, Joaquim A.
year	2005
title	DecoSketch – Towards Calligraphic Approaches to Interior Design
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 665-670
doi	https://doi.org/10.52842/conf.ecaade.2005.665
summary	Computer-Aided Design tools have long played an important role in architecture design. However, we need to go beyond direct manipulation to devise new tools that will expedite the interior design and decoration. Indeed, conventional CAD systems, while providing ever increasing functionality, do not provide equal support to the drafting and drawing tasks. This makes even the simplest drawings a complicated endeavor. Draftspeople struggle with different concepts that those learnt from their earlier days in school and have to think long and hard to translate familiar sequences of operations to commands which require navigating a dense jungle of menus. The term calligraphic interfaces was coined by us to designate a large family of applications organized around the drawing paradigm, using a digital stylus and a tablet-and-screen combination as seen most recently in Tablet PCs®. Using these, users can enter drawings in a natural manner, largely evocative of drafting techniques that were perfected for pencil-and-paper media. This paper presents a simple calligraphic interface to explore interior design literally from the ground up. The Decosketch application is a modeling and visualization tool structured around 2 _D architectural plants. Its purpose is to help architects or customers easily creating and navigating through house designs starting from the floorplan and moving to their three-dimensional representation. Moreover, both 2D and 3D representations can be independently edited, providing a natural interface that tries to adhere to well-known representations and idioms used by architects when drafting using pencil and paper.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	2005_211
id	2005_211
authors	Carrara, Gianfranco and Fioravanti, Antonio
year	2005
title	The Quest for the Holy Grail – Holistic Collaborative Design
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 211-218
doi	https://doi.org/10.52842/conf.ecaade.2005.211
summary	Architectural design, due to phenomena such as globalisation of the construction process, delocalisation of professional and industrial activities, spread of new construction materials and components, and the challenges of environmental sustainability, has become so comlex that traditional ways of managing the process are no longer sufficient. What is more, architectural works are required to be ever more performing and integrated - holistic. The paradigm of collaborative design is gaining ground as a way of dealing with these problems. Various process/ product models have been proposed over the years, making more or less use of advanced tools. In this field this study proposes a model in which operators from various cultural contexts are each supported by Intelligent Assistants (agents). The model simulates the design of works of architecture to the best professional practice. Exchange of information and knowledge between the operators is essential to enhance the design process. From this follows the need to interface not just data, but also meanings. This article shows how to improve communications between different applications, used by different operators, so as to integrate information and knowledge, whether formalised or not, in a project managed collaboratively by means of XML.
keywords	Collaborative Design; Design Process Model; Distributed Knowledge Bases; Semantic Interfaces; aecXML
series	eCAADe
email
last changed	2022/06/07 07:55

_id	cf2011_p135
id	cf2011_p135
authors	Chen Rui, Irene; Schnabel Marc Aurel
year	2011
title	Multi-touch - the future of design interaction
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 557-572.
summary	The next major revolution for design is to bring the natural user interaction into design activities. Graphical User Interfaces (GUI) brought a new approach that was more effective compared to their conventional predecessors. In recent years, Natural User Interfaces (NUI) have advanced user experiences and multi-touch and gesture technologies provide new opportunities for a variety of potential uses in design. Much attention has been paid to leverage in the design of interactive interfaces. The mouse input and desktop screen metaphors limit the information sharing for multiple users and also delayed the direct interaction for communication between each other. This paper proposes the innovative method by integrating game engine ‘Unity3D’ with multi-touch tangible interfaces. Unity3D provides a game development tool as part of its application package that has been designed to let users to focus on creating new games. However, it does not limit the usage of area to design additional game scenarios since the benefits of Unity3D is allowing users to build 3D environments with its customizable and easy to use editor, graphical pipelines to openGL (http://unity3d.com/, 2010 ). It creates Virtual Reality (VR) environments which can simulates places in the real world, as well as the virtual environments helping architects and designers to vividly represent their design concepts through 3D visualizations, and interactive media installations in a detailed multi-sensory experience. Stereoscopic displays advanced their spatial ability while solving issues to design e.g. urban spaces. The paper presents how a multi-touch tabletop can be used for these design collaboration and communication tasks. By using natural gestures, designers can now communicate and share their ideas by manipulating the same reference simultaneously using their own input simultaneously. Further studies showed that 3Dl forms are perceived and understood more readily through haptic and proprioceptive perception of tangible representations than through visual representation alone (Gillet et al, 2005). Based on the authors’ framework presented at the last CAADFutures, the benefits of integrating 3D visualization and tactile sensory can be illustrated in this platform (Chen and Wang, 2009), For instance, more than one designer can manipulate the 3D geometry objects on tabletop directly and can communicate successfully their ideas freely without having to waiting for the next person response. It made the work more effective which increases the overall efficiency. Designers can also collect the real-time data by any change they make instantly. The possibilities of Uniy3D make designing very flexible and fun, it is deeply engaging and expressive. Furthermore, the unity3D is revolutionizing the game development industry, its breakthrough development platform for creating highly interactive 3D content on the web (http://unity3d.com/ , 2010) or similar to the interface of modern multimedia devices such as the iPhone, therefore it allows the designers to work remotely in a collaborative way to integrate the design process by using the individual mobile devices while interacting design in a common platform. In design activities, people create an external representation of a domain, often of their own ideas and understanding. This platform helps learners to make their ideas concrete and explicit, and once externalized, subsequently they reflect upon their work how well it sits the real situation. The paper demonstrates how this tabletop innovatively replaces the typical desktop metaphor. In summary, the paper addresses two major issues through samples of collaborative design: firstly presenting aspects of learners’ interactions with physical objects, whereby tangible interfaces enables them constructing expressive representations passively (Marshall, 2007), while focussing on other tasks; and secondly showing how this novel design tool allows designers to actively create constructions that might not be possible with conventional media.
keywords	Multi-touch tabletop, Tangible User Interface
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	2005_295
id	2005_295
authors	Ducla-Soares, Gonçalo
year	2005
title	Audiovisual Interfaces for Designing and Thinking about Design
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 295-302
doi	https://doi.org/10.52842/conf.ecaade.2005.295
summary	We propose to use computing technology in order to explore the ideas put forward by the Bauhaus regarding the incorporation of musical thinking in visual design and design education. Five audiovisual interfaces were developed in order to study how basic design knowledge can be naturally conveyed to students using music as an intermediary.
keywords	Design Education; Music; Interactivity; Audiovisual Interface
series	eCAADe
email
last changed	2022/06/07 07:55

_id	2005_383
id	2005_383
authors	Ebert, Oliver, Schoenemann, Patrick and Lenhart, Michael
year	2005
title	Cityscape Computing System
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 383-389
doi	https://doi.org/10.52842/conf.ecaade.2005.383
summary	The central feature of the project is the development of a computer and its interfaces to simulate urban space and, in the context of an intermedia city tour, to allow citizens to creatively influence their urban space by manipulating media structures at chosen points throughout the city. A master plan is set up to re-cultivate public spaces and points of architectural focus. The city reacts interactively to the commands. A dialog is created between user and public space. The tour route is an open structure which can be expanded at any time. Via interfaces the user activates a reaction in the real city by making changes to the virtual model. This results in a dynamic space, a communication based on the results of this transformation. The user interface allows an information transfer between real people and virtual space. Virtual reality then reacts to the input by transferring that information back to reality. The direct influence on the architecture is effected by a media-transformer. It projects an additional perception level on to reality while monitoring the data via various analysis interfaces.
keywords	Interactive Urbanism; Media Installation; Human-Computer-Interaction
series	eCAADe
email
last changed	2022/06/07 07:55

_id	2005_107
id	2005_107
authors	Fricker, Pia, Ochsendorf, Mathias and Strehlke, Kai
year	2005
title	GENERATIVE INTERFACES AND SCENARIOS - INTERACTION IN INTELLIGENT ARCHITECTURE
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 107-113
doi	https://doi.org/10.52842/conf.ecaade.2005.107
summary	New media and modern building automation have a strong impact on contemporary architecture. So far one could regard built architecture as static. These new technologies introduce a dynamic impulse to architecture. The objective of our research and teaching work is to demonstrate the impact of innovative systems on architecture in daily usage while providing building automation, multimedia integration and facility management services in intelligent networked buildings. These technologies, as described in this paper are integrated in our second year course for students of Architecture. By designing an interactive graphical interface for the lab they were asked to create a spatial scenario as a self running Flash animation. Thus real space is merged with virtual reality.
keywords	CAAD Curriculum, Human-Computer Interaction, Web-Based Design, Building Automation, Generative Graphical Interfaces
series	eCAADe
type	normal paper
email
last changed	2022/06/07 07:50

_id	2005_427
id	2005_427
authors	Jakovich, Joanne and Beilharz, Kirsty
year	2005
title	Multimodal Spatial Emergence in the Design of Sensate Spaces
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 427-432
doi	https://doi.org/10.52842/conf.ecaade.2005.427
summary	Design of reactive, intelligent and sensate spaces is a form of spatial design that demands creating thinking in terms of non-permanent, non-tactile and sometimes non-visual media. This implies spatial conceptualization using sensory modalities that are ordinarily of secondary importance to vision in design, such as proprioception and hearing. This paper explores these alternative modalities for both spatial perception and spatial expression with a view to developing innovative interfaces for spatial design. Computer games and installation art environments are analyzed for use of alternative spatial immersion techniques. This informs a physical spatial interaction environment. Motion-capture input and digital auditory output provide real-time, intuitive feedback to the user. Useful interaction strategies are acquired that can be used in a non-intrusive manner in sensate spaces for communal, commercial, or public contexts.
keywords	Spatial Emergence; Multimodal Perception; Computer Games; Installation Art; Auditory Feedback
series	eCAADe
email
last changed	2022/06/07 07:52

_id	cf2005_1_67_72
id	cf2005_1_67_72
authors	JENG Taysheng
year	2005
title	Advanced Ubiquitous Media for Interactive Space
source	Computer Aided Architectural Design Futures 2005 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-3460-1] Vienna (Austria) 20–22 June 2005, pp. 341-350
summary	Developing ubiquitous media for interactive space requires interdisciplinary collaboration in studying ubiquitous computing. This work generalizes the criteria in the many disciplines of ubiquitous computing into a conceptual framework, including interaction interfaces, sensing technologies, application control, and human adaptation. This work presents a novel system architecture based on such a framework, and a research prototype recently developed called IP++. Additionally, the design principles and the potential of IP++ are discussed.
keywords	ubiquitous media, interactive space, human-computer interaction
series	CAAD Futures
email
last changed	2006/11/07 07:27

_id	sigradi2005_793
id	sigradi2005_793
authors	Kapp, Silke; Ana Paula Baltazar dos Santos
year	2005
title	Digital interface for autonomous production of dwellings
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 2, pp. 793-798
summary	This paper describes the theoretical and technological parameters for a digital interface, in development by MOM/LOW (Morar de Outras Maneiras/ Living in Other Ways), intended at the autonomous production of dwelling. It introduces the current formal and informal processes of production of dwelling arguing for the need of an instrument to enable both the distribution of alternative building components and user participation. It discusses the main questions on agency and machine intelligence as to show the need to take human-machine asymmetry into account in interface design. It also points out the main problems regarding the current technology for creating 3D digital interactive interfaces, and indicates one possible way to use the available technology and locate agency in the event. It concludes by showing that interface design can take advantage of human dialogical ability and of the machine’s capacity to offer material for that dialogue, without humanising the machine or preconditioning human responses. [Full paper in Portuguese]
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	cf2005_1_65_47
id	cf2005_1_65_47
authors	KOUTAMANIS Alexander
year	2005
title	Sketching with Digital Pen and Paper
source	Computer Aided Architectural Design Futures 2005 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-3460-1] Vienna (Austria) 20–22 June 2005, pp. 321-330
summary	Architectural sketching with the computer has been possible for some time now. Using manual and optical digitizers architects have been able to create images similar in structure and appearance to conventional sketches on paper. Digitized sketches are traditionally associated with early design but are also increasingly linked to interactive interfaces and information management. The paper reports on the application of a new technology (Anoto) that uses a digital pen on specially prepared paper. The focus of the application was feedback from analogue documents to the computer programs used for preparing these documents and on the roles of freehand sketching in later design phases. Sketching with digital pen and paper was found to be useful for the management of annotations made on analogue versions of digital information, especially in multi-actor synchronous and asynchronous situations.
keywords	digital sketching, annotation, information management, digitization, interaction
series	CAAD Futures
email
last changed	2006/11/07 07:27

_id	caadria2005_b_5c_b
id	caadria2005_b_5c_b
authors	Martin Tamke
year	2005
title	Crossing The Media
source	CAADRIA 2005 [Proceedings of the 10th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] New Delhi (India) 28-30 April 2005, vol. 2, pp. 364-374
doi	https://doi.org/10.52842/conf.caadria.2005.364
summary	An open-ended, diversified and critical approach of architectural design, using different form of ideas representation might offer best chances to gain new spatial solutions. Today’s most forward architects and designer are aware of this and make full use of physical and digital media during the process of design. During the summer term 2004 the experiment ‘Crossing the Media’ took place at the Technical University of Braunschweig. The main goal of this practical oriented seminar has been the exploration of the interface between analogue and digital Media within the design process. Both techniques, analogue and digital, were used in an experimental way and their interaction and adaptability in the field of architecture was analyzed. The work examines the possibility of a consistent integration of digital and physical representation in a design process and the individual benefits of each. In order to achieve this, we made up a stringent line of digital-analogue and analogue-digital (DA-AD) Technologies for our design experiment. During the examination we focused especially on the creative potential of the techniques used, their interaction and adaptability in the field of architecture. Hence one of the goals of the occupation with the digital analogue interfaces was the examination of the emerging shift within the structure during the process, the imprints of technology. This paper describes the workflow and tools that were used, our practical experiences with analogue digital interface and the emerging questions and impulses to architects future work and theory. The discovered limitations and consequences of interfaces between the analogue and digital realm of design and their creative chances will be revealed. We share results which we think are helpful to others, and we highlight areas where further research is necessary.
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	2005_357
id	2005_357
authors	Pita, Javier
year	2005
title	Analogous Models and Architecture
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 357-364
doi	https://doi.org/10.52842/conf.ecaade.2005.357
summary	Among the many possible ways of classifying the concept of “modelling”, Maldonado refers to “homologies” when structure but not shape and function are similar; “analogies” when structure and function are similar, but not shape; and “isomorphisms” when structure and shape are similar, but function may or may not be similar. Traditional artistic representation would basically fall into the category of isomorphisms, whilst analogous models are to be found mainly in activities such as magic, play or industry. Other ways of representing reality, such as architectural models or drawings, are also traditionally regarded as isomorphisms. In the course of the last century, this panorama has been altered somewhat by the post-industrial or second industrial revolution in computing and communications. Using mathematical algorithms, the computing tool has an enormous capacity to describe things of extremely diverse nature: from the shape of everyday objects to relatively complex human behaviours, these can all be described using the common language of bits. Alongside developments in computing, the world of communications has been providing us with increasingly advanced means of transmitting information, including sophisticated systems capable of emulating our own perceptions. This paper is intended as a contribution to the theoretical debate conducted over recent years on the considerable shift that has occurred in architectural representation techniques. The analysis that follows highlights a two-fold change in traditional representation techniques: on the one hand, a change in the nature of the model (as is discussed in this paper); and on the other, a modification of the interfaces or communication and perception mechanisms of the model. The conjunction of these two factors has led to the emergence of representation modes that can no longer be regarded simply as isomorphisms of reality. Insofar as virtual spaces have the capacity for us to move, to interact, in short to inhabit them, they should be regarded as “analogous models” of architectural space. In other words, there has been a shift away from representation modes based on illusion in favour of those based on simulation.
keywords	Representation, Models, Virtual Space, Virtual Reality
series	eCAADe
email
last changed	2022/06/07 08:00

_id	sigradi2005_069
id	sigradi2005_069
authors	Quartin Baeta-Neves, Ana Claudia R.; Rejane Spitz
year	2005
title	New enchantments: design, hypermedia, and motivation
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 69-74
summary	From the analogy between computer and theater, such as proposed by Brenda Laurel, this paper aims to introduce a discussion on the possibility of contemporary dramaturgies’ contributions to the project of hypermedia interfaces that are able to motivate the users action. Some of Bertolt Brecht’s concepts, although namely opposed to Aristotle´s poetics, are briefly introduced as they refer to the idea of commitment with audience motivation. This approach requires the presentation of some key issues regarding the idea of engaging human-computer experiences. These issues evolve from Laurel’s theory, published in the early 1990s and focussed in the computer as a medium for action representation, to contemporary concerns that start to address the urge for new study fields related to the design of human-computer activities. [Full paper in Portuguese]
series	SIGRADI
email
last changed	2016/03/10 09:58

_id	2005_589
id	2005_589
authors	Reffat, Rabee M. and Gero, John S.
year	2005
title	A Virtual Mining Environment for Providing Dynamic Decision Support for Building Maintenance
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 589-596
doi	https://doi.org/10.52842/conf.ecaade.2005.589
summary	A virtual mining environment aims to provide dynamic decision support to improve building life-cycle modelling and management. This paper presents the system architecture of a virtual mining environment, its interfaces and a user scenario. This virtual mining environment integrates data mining with agent-based technology, database management systems, object-based CAD systems, and 3D virtual environments. A system prototype has been developed and implemented to support the automated feed back for building life cycle modelling, planning and decision-making.
keywords	Data Mining; Virtual Environment; Dynamic Decision Support; Building Maintenance
series	eCAADe
email
last changed	2022/06/07 08:00

_id	cf2005_2_41_104
id	cf2005_2_41_104
authors	SEICHTER Hartmut
year	2005
title	Assessing Virtual Tangibility
source	Learning from the Past a Foundation for the Future [Special publication of papers presented at the CAAD futures 2005 conference held at the Vienna University of Technology / ISBN 3-85437-276-0], Vienna (Austria) 20-22 June 2005, pp. 151-160
summary	Design technology simulates a variety of senses but on the other hand restricts them to audio and visual responses. What happens if technology can accommodate more senses in the creation process and how does it affect the way we approach design? This paper investigates the implication of tangible interfaces in design computing. The focal point is to assess the factors of perception and cooperative working by employing an Augmented Reality (AR) setup with tangible interfaces in a design studio. A concept of usability evaluation is discussed with the focus on core theories and resulting methodology.
keywords	augmented reality, urban design, usability evaluation, tangible interface, CSCW
series	CAAD Futures
email
last changed	2005/05/05 07:06

_id	caadria2005_b_4b_b
id	caadria2005_b_4b_b
authors	Seichter, Hartmut, Schnabel, Marc Aurel
year	2005
title	Digital and Tangible Sensation: An Augmented Reality Urban Design Studio
source	CAADRIA 2005 [Proceedings of the 10th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] New Delhi (India) 28-30 April 2005, vol. 2, pp. 193-202
doi	https://doi.org/10.52842/conf.caadria.2005.193
summary	Traditionally urban design is perceived, communicated and created using physical and digital media. However, these realms are handled as separate entities, which hinder collaboration, understanding and communication. Collaborative Augmented Reality (AR) systems can integrate these tasks into one media type and allow a different conversation with complex issues. Human Computer Interfaces and Tangible User Interfaces play key role in AR. They allow an engagement with both the real and virtual component of an urban design project. This paper describes an urban design studio that employs AR as medium of collaboration, the theoretical framework of sense of presence, the understanding and the quality of the resulting design.
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	sigradi2005_818
id	sigradi2005_818
authors	Stanziona Viggiano, Mário Hermes
year	2005
title	3D Visualization for environmental systems
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 2, pp. 818-823
summary	This work is the result of a research aiming to develop methodologies of study, representation and visualization of environmental systems from virtual standards of management and design. The idea is offering friendly interfaces allowing useful visualizations for researcher or planner dealing with environmental systems. The first step for creating a set of environmental, visual signs is clearly setting the concepts and terminology employed, as well as defining a set of premises for drawing and project, to which all the set of signs must be aligned. The second step is setting the “families”, representing the different visualization modalities. The third step is creating the signs and, finally, the tests of viability attempting to identify and isolate those more suitable to apply in the processes. As a result we have a set of symbols in 3D for using in studies and environmental designs at a network. [Full paper in Portuguese]
series	SIGRADI
email
last changed	2016/03/10 10:01

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