Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2009_044
id	ecaade2009_044
authors	Arpak, Asli; Sass, Larry; Knight, Terry
year	2009
title	A Meta-Cognitive Inquiry into Digital Fabrication: Exploring the Activity of Designing and Making of a Wall Screen
doi	https://doi.org/10.52842/conf.ecaade.2009.475
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 475-482
summary	The design process is observed in ‘self-reflection’ by an experiment including visual computing, structure design, joint design, and assembly design. The experiment is defined as the making of a self-supporting timber wall screen, which includes laser-cutting and rapid-prototyping. The reciprocal action between the visual and physical realms is observed through the design activity.
wos	WOS:000334282200057
keywords	Fabrication, meta-cognition, self-reflection, visual, physical
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2009_957
id	sigradi2009_957
authors	Baerlecken, Daniel Michael; Gernot Riether
year	2009
title	From texture to volume: an investigation in quasi-crystalline systems
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The relation between texture, pattern and massing is a fundamental question in architecture. Classical architecture, as Leon Battista Alberti states in “De re aedificatoria” (Book VI, Chapter 2), is developed through massing and structure first; texture is added afterwards to give the bold massing and structure beauty. Only the ornamentation adds pulcritudo to the raw structure and massing. Rather than starting with a volume and applying texture afterwards, the Digital Girih project started with textural operations that informed the overall volume later. The stereometric, top-down methodology is questioned through the bottom-up methodology of the Girih project. Girih lines of traditional Islamic patterns were used as a starting point. The aspect of 3-dimensionality was developed analogue as well as digital, using the deformability of different materials at various scales and digital construction techniques as parameters. The flexibility within the Girih rules allowed the system to adapt to different tasks and situations and to react to different conditions between 2- and 3- dimensionality. The project in that way explored a bottom-up process of form generation. This paper will describe the process of the project and explain the necessity of digital tools, such as Grasshopper and Rhino, and fabrication tools, such as laser cutter and CNC fabrication technology, that were essential for this process.
keywords	Generative Design; Parametric Design; Tessellation; Form Finding; Scripting
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	4f1b
id	4f1b
authors	Booth, Peter
year	2009
title	Digital Materiality: emergent computational fabrication
source	Performative Ecologies in the Built Environment: Sustainability Research Accross Disciplines: 43rd Annual Conference of the Australian and New Zealand Architectural Science Association
summary	Fundamentally architecture is a material-based practice that implies that making and the close engagement of materiality is intrinsic to design process. With the rapid uptake of new computational tools and fabrication techniques by the architectural profession there is potential for the connection between architecture and materiality to be diminished. Innovative digital technologies are redefining the relationship between design and construction encoding in the process new ways of thinking about architecture. A new archetype of sustainable architectural process is emerging, often cited as Digital Materialism. Advanced computational processes are moving digital toolsets away from a representational mode towards being integral to the design process. These methods are allowing complex design variables (material, fabrication, environment, etc.) to be interplayed within the design process, allowing an active relationship between performative criteria and design sustainability to be embedded within design methodology.
keywords	Digital, Process, Material, Fabrication
series	other
type	normal paper
email
last changed	2010/03/06 02:53

_id	96d8
id	96d8
authors	Booth, Peter; Loo, Stephen
year	2009
title	Beyond Equilibrium: Sustainable Digital Design
source	Sustainable theory/ theorizing sustainability Proceedings from the 5th International Conference of the Association of Architecture Victoria University, New Zealand, 4-5 September 2009
summary	Implicit in current understandings of sustainability is the presence of a closed system with the capacity of equilibration. Sustainable practices, including design practices, are therefore assumed to possess a redemptive role: design is deployed (as environmentally sustainable design, etc.) to change habits, develop new technologies and recover marginalized practices in the hope of righting the balance between the environment and human endeavours. Recent developments in experimental digital design have demonstrated non‐linear and highly complex relations between topological transformations, material change, and the temporal dimension of forces. More importantly, this method of design is bottom‐up, because it does not rely on design solutions presaged by conventions, or restricted by representation, but is emergent within the performance of computational design itself. We argue that digital design processes need to move beyond the flux of determinates and solutions in equilibrium, towards a radically continuous but consistent production, which is in effect, an expression of sustainable pedagogy. The role of emergent digital techniques has significant impact on the methods in which computation is utilized within both practice and academic environments. This paper outlines a digital design studio on sustainability at the University of Tasmania, Australia that uses parametric modelling, digital performance testing, and topological morphology, concomitant with actual material fabrication, as a potent mode of collaborative design studio practice towards a sustainable design pedagogy.
keywords	digital, computation, process, morphogenesis.
series	other
type	normal paper
email
last changed	2009/09/08 23:21

_id	sigradi2023_253
id	sigradi2023_253
authors	Cavalcanti, Isabella, Teixeira Mendes, Leticia and Albuquerque, Fernando
year	2023
title	From Modeling to Collective Digital Fabrication: Experience of the "Banco Cabaça"
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 543–554
summary	This paper presents an experience of collective digital fabrication and parametric modeling of furniture made with recycled plastic waste, inspired by natural elements of the Brazilian northeast. In addition to conventional joinery techniques, we highlight the technologies of rapid prototyping (PR) and digital fabrication (FD) (Volpato, 2007, Pupo, 2008; Pupo, 2009); as tools that promote a paradigm shift, both in the design process and in production and materialization (Kolarevic, 2005), allowing recycled plastic to have new applications. We started with a brief review of digital fabrication processes in Brazil, emphasizing collaboration in design and execution. Then, we contain the recycling of plastic and the need for actions for its best destination. Finally, we present a sustainable and collaborative design experience: the modeling and digital fabrication of furniture, entirely produced from recycled plastic, called “Banco Cabaça”.
keywords	Sustainable Design, Digital fabrication, Collaborative process, Parametric modeling, Brazilian design.
series	SIGraDi
email
last changed	2024/03/08 14:07

_id	sigradi2009_1100
id	sigradi2009_1100
authors	Celento, David
year	2009
title	Digital Craft Meets the Ancient Art of Ceramics: Would the Bauhaus Approve?
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The Bauhaus was founded upon the controversial premise that emergent mechanical processes offered new and creative ways to explore materials. Today, we encounter equally tendentious scenarios where the designer often appears one step further removed—automated CNC machines are driven by computational machines. Like the early activities of the Bauhaus some view digital pursuits with suspicion; however, digital design/fabrication is the “Nächster Bauhaus Bewegun” offering opportunities for design innovation equal in significance to that of the Bauhaus. This paper partially examines the theoretical implications of digital design/fabrication, then presents a collaboration between an architect and artist re-examining the architectural cladding possibilities using digital tools to shape one of mankind’s most venerable materials—ceramics.
keywords	Ceramics in architecture, mass customization, digital fabrication, parametric design
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	acadia09_105
id	acadia09_105
authors	Drozdowski, Ziggy; Gupta, Shawn
year	2009
title	Adaptive Fritting as Case Exploration for Adaptivity in Architecture
doi	https://doi.org/10.52842/conf.acadia.2009.105
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 105-109
summary	This paper explores the incentive, design process, and realization of an adaptable building system. Hoberman Associates’ installation at the Graduate School of Design at Harvard University, Adaptive Fritting, is used as a case study for the more general thesis of mechanism design in architecture. Traditionally seen as expensive and impractical, ‘movement’ in buildings can be accessible if done with high economy and simple elegance. The goal of this example is to illustrate the design process, challenges, constraints and parameters required to realize an adaptable architectural system.
keywords	Adaptable design, fabrication, prototyping, solar shading
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:55

_id	sigradi2012_155
id	sigradi2012_155
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Pluripotent Structures: An Exploration into Digital Design & Fabrication by Bio Mimicry
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 665-668
summary	This project is an exploration into the design & fabrication process of a canopy structure derived from the notion of pluripotency. The term is widely used in the context of stem cells in biological science where pluripotency is referred to the potential of a stem cell to develop into more than one type of mature cell, depending on environment. These can be re-interpreted architecturally as, the quality of design components or elements to be radically transformed into one or more different kinds of components, keeping the general structural integrity of the design unchanged (Kolatan, 2009). Consequently, the pluripotent canopy design is a 3 dimensional double curved surface , having smart pluripotent components populated over its domain, which parametrically has the potential to be transformed to more than one different kinds of elements, keeping the same parameters of construction for each component.
keywords	Stem Cell Concept; Pluripotency in Nature; Digital Prototyping; Voronoi Geometry
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2009_968
id	sigradi2009_968
authors	Figueiredo, Bruno Acácio Ferreira; José P. Duarte
year	2009
title	Making customized tree-like structures: Integrating algorithmic design with digital fabrication
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The ultimate goal of this paper is to contribute for the discussion on the role of digital technologies in architecture, focusing on the convergence of generative design systems with digital fabrication processes for expanding design capabilities. It presents a generative design system of customized tree-like structures for supporting irregular roof surfaces, as an alternative to conventional architectural design processes. It discusses the introduction of an algorithmic and parametric approach to design problems as a methodology for promoting design experimentation and enabling the fabrication of complex design configurations.
keywords	Generative Design System; Parametric Design; Digital Fabrication; CAD/CAM; AutoLISP
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	acadia09_90
id	acadia09_90
authors	Fox, Michael
year	2009
title	Flockwall: A Full-Scale Spatial Environment with Discrete Collaborative Modules
doi	https://doi.org/10.52842/conf.acadia.2009.090
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 90-97
summary	The paper highlights a built example of a human-scale spatial environment composed of discrete collaborative modules. The primary goals were to develop and understand strategies that can be applied to interactive architecture. The design and construction were carried out in an academic context that was displayed to a public audience of approximately 200,000 people over the course of three days. In addressing the performance parameters of the prototype, the concept focused on several key strategies: 1) geometry 2) movement 3) connections 4) scale and 5) computational control, and human interaction. The final objective of the approach was to create an innovative design that was a minimally functional spatial environment with the capability for evolving additional multi-functionality. Heavy emphasis was placed on creating a full-scale environment that a person could walk through, interact with, and experience spatially.
keywords	Geometry, design logic, flock behavior, prototype, fabrication, responsive systems
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:50

_id	acadia09_255
id	acadia09_255
authors	Frumar, Jerome; Zhou, Yi Yi
year	2009
title	Kinetic Tensegrity Grids with 3D Compressed Components
doi	https://doi.org/10.52842/conf.acadia.2009.255
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 255-258
summary	This paper details a series of preliminary explorations into the concept of kinetic tensegrity grids that can respond to stimuli by changing their shape, porosity, and transparency. The research presented explores double-layer tensegrity grids that utilize 3D “compressed” components. A case study demonstrates their applicability to the formation of sophisticated building envelopes that can actively or passively respond to changes in the environment. A computational form-finding tool is introduced to study design variations in real time. This tool is shown to expand the design spectrum by supporting increased complexity and revealing unexpected design potential. This research is significant as it outlines a practical methodology for conceiving responsive building systems. In particular, it illustrates an approach that synthesizes design concerns with engineering and fabrication goals.
series	ACADIA
type	Short paper
email
last changed	2022/06/07 07:50

_id	ecaade2009_129
id	ecaade2009_129
authors	Hemmerling, Marco
year	2009
title	Twister: An Integral Approach towards Digital Design and Construction
doi	https://doi.org/10.52842/conf.ecaade.2009.299
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 299-304
summary	The paper outlines the relevance of computational geometry within the design and production process of architecture. Based on the case study “Twister”, the digital chain - from the initial form-finding to the final realization of spatial concepts - is discussed in relation to geometric principles. The association with the fascinating complexity, which can be found in nature and its underlying geometry was the starting point for the project presented in the paper. The translation of geometric principles into a three-dimensional digital design model was followed by a process of transformation and optimization of the initial shape, that integrated aesthetic, spatial and structural qualities as well as aspects of material properties and conditions of production.
wos	WOS:000334282200036
keywords	Geometry, 3D modeling, rapid prototyping, photogrammetry, digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:49

_id	acadia09_291
id	acadia09_291
authors	Hemsath, Timothy L.; McCracken, Brian; Russell, Darin
year	2009
title	Decon Recon: Parametric CADCAM Deconstruction Research
doi	https://doi.org/10.52842/conf.acadia.2009.291
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 291-293
summary	The deconstruction (DeCon) and repurposing (ReCon) of existing structures and materials are worthwhile and relevant endeavors given the potential for such procedures to be more economically and environmentally sustainable than conventional construction methods. Conventional construction methods often utilize virgin materials for the production of architecture, requiring extensive energy to harvest, process, and manufacture the materials for use. Today, we must face the fact that we exist in a carbon-sensitive economy, and demand design approaches that reduce architecture’s impact on the environment. Our goal was to develop a CADCAM ReCon design methodology that would have the potential to mitigate carbon consumption. To explore this goal, students engaged a design research project that looked for novel and innovative approaches to the DeCon and ReCon of an existing barn. The student researchers created parametric models and surface designs derived from the existing materials. The digitally fabricated tectonic design constructions resulted in economical, novel, and material-efficient design methodologies for DeCon and ReCon.
keywords	Fabrication, environment, CADCAM, Parametric Design
series	ACADIA
type	Short paper
email
last changed	2022/06/07 07:49

_id	caadria2009_152
id	caadria2009_152
authors	Henriques, Gonçalo Castro
year	2009
title	Crafting New Artefacts
doi	https://doi.org/10.52842/conf.caadria.2009.205
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 205-214
summary	The craft of complex artefacts, questioning technological changes and reflecting social and cultural transformation used to be a common attitude in traditional artisans of the pre industrialized society. Traditional craftsman developed special knowledge and skills, implementing their own tools and techniques. After the industrial revolution, the main focus shifted to mass production, and the personalization of artefacts became labour intensive and more expensive. Simultaneously, with technical specialization and the fragmentation of knowledge, the designer’s, builder’s and manufacturer’s approach became more segregated. Currently, information technologies offer new opportunities to the craft of complex objects. The integration of digital process from conception to fabrication, can transform this situation, and as a result personalization is more affordable. Nevertheless, the introduction of these new techniques or tools is lacking a poetic synthesis for the use of technology, and the social and cultural implications that may result of this use. A competition for a public installation was an opportunity to use digital tools to conceive, manufacture and construct a complex structure with a small budget that would be impossible to attain using only traditional tools. At the same time, this project - genetic landscape- could be seen as a metaphor, alluding to the technological interference on the process of creating a new life, or a second nature.
keywords	expanding traditional tools; digital craft; complex geometry built-case
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	ecaade2009_113
id	ecaade2009_113
authors	Henriques, Gonçalo Castro; Duarte, José Pinto; Brito, António Carvalho
year	2009
title	TetraScript: Development of an Integrated System Capable of Optimizing Light in a Circumscribed Space
doi	https://doi.org/10.52842/conf.ecaade.2009.031
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 31-38
summary	The purpose of this research is to develop a process capable of optimizing the capture of light in a circumscribed space, using a responsive system of skylights. Research is focused on the design of irregular dome-like pavilion spaces circumscribed by curved surfaces, but the envisioned process might be applied to other functional, formal, and spatial typologies. The design of the pavilion starts with the generation of a surface, later tessellated into a matrix of skylights depending on the geographic location and sun orientation. In the constructed pavilion, the skylights react to the variation of daylight intensity during the day to satisfy specified internal lighting needs. Simultaneously, the integration of conception and fabrication using digital tools (CAD-CAM) facilitates the construction of a non-standard, parametric geometry, thereby diminishing the costs of production and allowing for personalization, while assuring global sustainability.
wos	WOS:000334282200002
keywords	Scripting, digital fabrication, automation, responsive system
series	eCAADe
email
last changed	2022/06/07 07:49

_id	sigradi2009_1105
id	sigradi2009_1105
authors	Henriques, Gonçalo Castro; José P. Duarte; Joaquim Oliveira Fonseca
year	2009
title	TetraScript: Sistema integrado para optimizar a iluminação natural num espaço circunscrito [TetraScript: An Integrated System to Maximize the Natural Light in a Confined Space]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The purpose of this research is to develop a process capable of optimizing the capture of light in a circumscribed space, using a responsive system of skylights. Research is focused on the design of irregular dome-like pavilion spaces but the envisioned process might be applied to other functional, formal, and spatial typologies. A process based on scripting generates a matrix of components based on geographic situation, and sun orientation. The integration of conception and fabrication with digital tools (CAD-CAM) enabled the construction of this non standard, parametric geometry, diminishing the costs of production, allowing personalization and assuring global sustainability.
keywords	digital fabrication; generative systems; cad-cam
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	sigradi2009_938
id	sigradi2009_938
authors	Klinger, Kevin R.
year	2009
title	Digital Design through Production Pedagogy: Cases Involving Student/Industry Collaboration
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Innovation through digital design in contemporary practice has led to completely new ways of designing and making architecture. To prepare for these innovative opportunities, students are turning to alternative skill sets than those traditionally gained in an architectural curriculum. This paper argues that we must reconstruct our architectural curricula in order to better prepare students for a shifting professional landscape. While current material-based production realities of translating digital design into built form have much in common with modernist traditions, exercises, sequences, and collaborative opportunities in schools should pass through a relevant lens examining the true potential of working with the information age.
keywords	Digital fabrication; informed architecture; total design through production; collaboration; industry partnership
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	sigradi2009_1107
id	sigradi2009_1107
authors	Lara, Arthur Hunold; Marcelo Eduardo Giacaglia; Norberto Corrêa da Silva Moura
year	2009
title	Teaching digital fabrication in the post-industrial era
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The creation process of a product is a work of immersion and concentration, and is, seldom linear. A primary concept most likely will undergo modifications during the process. In what concerns teaching, a great number of Brazilian higher education institutions act exclusively on the formation of students as specialists in the creation of primary concepts. As for the process of refining an idea, as in prototype production and observation, this phase will only be learned and understood on the job market. Nowadays, new methodologies for digital fabrication put into evidence other strategies resulting from post-industrial production.
keywords	Digital fabrication; digital modeling; prototyping; education
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	sigradi2009_795
id	sigradi2009_795
authors	Lyon, Arturo; Claudio Labarca
year	2009
title	Modular Flow; Hard on parametrics
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The design and fabrication of an exhibition display project was taken as an opportunity to explore parametric design with a group of students in Chile. This article presents the experience of a design studio workshop exercise by addressing the introduction of parametric design principles and the development of a built academic project through a team based design and fabrication process. The strategy followed by the team was to utilize parametric models as a mean to materialize driving variables of the project into unexpected geometries to be deployed in different public spaces in Santiago. Context, time scale and available technology resulted in a non-obvious combination of advanced digital design and fabrication techniques and low-cost mass-produced materials.
keywords	parametric; design; experimental; architecture; Chile
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ecaade2009_006
id	ecaade2009_006
authors	Menges, Achim
year	2009
title	Integral Computational Design for Composite Spacer Fabric Structures: Integral Processes of Form Generation and Fabrication for Sandwich Structured Composites with 3D Warp-Knitted Textile Core
doi	https://doi.org/10.52842/conf.ecaade.2009.289
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 289-298
summary	Spacer fabrics are three dimensionally warp-knitted textiles that can be draped over complex double curved surfaces with no need for cut patterns or additional seams. This paper explains the development of an integral computational approach to the design and fabrication of sandwich composite structures with a spacer fabric core. Contrary to the common hierarchy of architectural design processes that prioritizes the definition of form over the inherent characteristics of materialization, this approach aims at an integral computational design process capable of unfolding a design from the constraints of making. The way the material capacity of spacer fabrics combined with the constraints of sandwich composite manufacturing directly informs the computational design process will be explained along the development of two prototype structures.
wos	WOS:000334282200035
keywords	Integral computational design, computational morphogenesis, computer aided manufacturing, digital fabrication, computational design methodology, composite structure, material system, spacer fabric, 3D warp-knitted textile, sandwich lay-up
series	eCAADe
email
last changed	2022/06/07 07:58

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