Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ijac20097102
id	ijac20097102
authors	Georgopoulos, A.; Ioannidis, C.h.; Chrysostomou, C.h.; Ioakim, S.; Shieittanis, N.; Ioannides, M.
year	2009
title	Contemporary Digital Methods for the Geometric Documentation of Churches in Cyprus
source	International Journal of Architectural Computing vol. 7 - no. 1, 21-37
summary	Recent advances in digital methods incorporating information technology have enabled the traditional surveyor and monument recorder to work faster, more accurately and in an automated way in order to produce advanced digital products, more versatile and more useful to the end users. Such methods include tacheometry, digital photogrammetry, as image-based method, terrestrial laser scanning and the development of specialized software in order to fully exploit the digital data acquisition. Usually, a combination of these methods gives the most efficient cost benefit results, by providing 2D vector and raster products and 3D textured models. In this paper two examples of the implementation of these methods in the geometric documentation of two churches, both significant for the history of Cyprus, are presented. It is concerned with the churches of Virgin Mary (Panayia) Podithou, in Galata and St. George Nikoxylitis in Droushia. The applied methodology, using classical and contemporary techniques of commercial and in-house developed software is presented. Comparative tests for the achieved accuracies and the completeness of each method's products have been made, and their merits and usefulness are explained.
series	journal
last changed	2009/06/23 08:07

_id	ijac20097409
id	ijac20097409
authors	Madkour, Yehia; Oliver Neumann; Halil Erhan
year	2009
title	Programmatic Formation: Practical Applications of Parametric Design
source	International Journal of Architectural Computing vol. 7 - no. 4, 587-604
summary	Programmatic Formation explores design as a responsive process. The study we present engages the complexity of the surroundings using parametric and generative design methods. It illustrates that responsiveness of designs can be achieved beyond geometric explorations. The parametric models can combine and respond simultaneously to design and its programmatic factors, such as performance-sensitive design-decisions, and constraints. We demonstrate this through a series of case studies for a housing tower. The studies explore the extent to which non-spatial parameters can be incorporated into spatial parametric dependencies in design. The results apply digital design and modeling, common to the curriculum of architecture schools, to the practical realm of building design and city planning. While practitioners are often slow to include contemporary design and planning methods into their daily work, the research illustrates how the incorporation of skills and knowledge acquired as part of university education can be effectively incorporated into everyday design and planning.
series	journal
last changed	2010/09/06 08:02

_id	acadia09_201
id	acadia09_201
authors	De Kestelier, Xavier; Buswell, Richard
year	2009
title	A Digital Design Environment for Large- Scale Rapid Manufacturing
doi	https://doi.org/10.52842/conf.acadia.2009.201
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 201-208
summary	Innovation in architectural design often follows technological innovation. This innovation can often be related to advances in construction techniques or design tools. This paper focuses on the development of a digital design environment for a new manufacturing process that can produce large architectural components. The design environment can be customized so that it incorporates both the flexibility and the constraints of the construction technology, such that the components produced maximize the core concept of the technology. Rapid Prototyping is a mature technology that has been around for 25 years in the manufacturing and product design industries. It is used primarily to speed up the product design cycle time from concept to physical realization for evaluation; it is now gaining a foothold in contemporary architectural practice. A number of protagonists are taking the Rapid Prototyping concept a stage further by developing large-scale processes capable of printing architectural components; there are even claims of the ability to produce whole buildings. These processes will give the architect a new palette of choice in terms of component design, and promise similar levels of geometric freedom as the Rapid Prototyping counterparts.
keywords	Rapid prototyping, fabrication, hardware, concrete printing
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:55

_id	acadia09_52
id	acadia09_52
authors	Sabin, Jenny E
year	2009
title	Code, Context, and Perception: Matrix Architecture and the Architect Weaver
doi	https://doi.org/10.52842/conf.acadia.2009.052
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 52-57
summary	Recent technological leaps in data production and computation have afforded both architects and scientists an extraordinary ability to generate information and complex form. Rather than deal in the composition of wholes, architects specializing in generative and parametric design strategies—more formally known as design computation—have adopted a bottom-up approach to the negotiation of constraints within the design process. This renewed interest in complexity has offered alternative methods for investigating the interrelationships of parts to their wholes, and emergent self-organized pattern systems at multiple scales and applications. The contemporary architecture avant-garde has provided many examples that showcase the proven power such digital tools afford the designer, inspiring and leading to the generation of beautiful form. But what are our next steps in addressing complexity? How should architects with expertise in design computation situate themselves in larger design dialogues concerning pressing topics such as those concerning our environment? Biology provides useful systems-based models for architects to study to understand how context specifies form, function, and structure.
keywords	Design systems, biology, complexity, self-organized systems
series	ACADIA
type	Normal paper
last changed	2022/06/07 07:56

_id	sigradi2009_1195
id	sigradi2009_1195
authors	Stewart, Tonya; Kevin Sweet
year	2009
title	Advanced Praxis: Synthesizing Digital and Craft in Design
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Digital fabrication practices have allowed for a level of exactitude and precision unattainable by the designer’s hand. While the design community has benefited tremendously from developments in technology, certain qualities reflective of craft have been lost as a result of the overwhelming dependency on computer-based processes. In order to reinvigorate a sense of craft and personal expression into design, modalities of education must evolve to incorporate these characteristics with contemporary digital techniques. By combining craft, digital tools and collaborative efforts a new breed of designer will emerge – one that finds a personal voice in a globalized world. This paper outlines these issues as they were explored in an experimental design studio that focused on the integration of craft with digital fabrication methods that included both students of graphic design and architecture.
keywords	digital fabrication; cross-disciplinary; design pedagogy
series	SIGRADI
email
last changed	2016/03/10 10:01

_id	caadria2010_008
id	caadria2010_008
authors	Di Mascio, Danilo
year	2010
title	Preserving memories with digital media: a methodology for the reconstruction of Castelnuovo Village
doi	https://doi.org/10.52842/conf.caadria.2010.083
source	Proceedings of the 15th International Conference on Computer Aided Architectural Design Research in Asia / Hong Kong 7-10 April 2010, pp. 83-92
summary	The historical centre of the village of Castelnuovo (located in Abruzzo, a region in central of Italy) was seriously damaged by the earthquake of the 6th of April 2009. Following the survey by the Civil Protection, all dwellings have been classified as unsuitable for habitation. The village should be either abandoned or totally rebuilt. But which is its value? Is there something worth of being preserved? If observed from a biodiversity point of view, or more precisely from a “cultural biodiversity” point of view, the historical centre possess interesting materials and immaterial characteristics. These qualities constitute real guidelines for a possible recovery project. Since there is not any possibility to make a survey of the inner village because of its destruction by the earthquake, in this research we have decided to use information technology, in order to rebuilt it and study it in a three-dimensional environment. In this paper we describe the theoretical basis, the method of elaboration and the instruments we have used to locate and evaluate the memories that should be preserved in a new project. Starting with a traditional documentation, such as photographs and drawings, we have used a variety of software (graphics editing program, CAD, 3D modeler, videogame 3D-engine), because of the several hypothesis considered.
keywords	Digital heritage; digital design; design methods; digital reconstruction; memories conservation
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2009_629
id	sigradi2009_629
authors	Spaeth, Achim Benjamin
year	2009
title	Rethinking Eiermann’s Horten Tile - A new structuralism?
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The structural idea of a universal structure that is valuable for different situations gets new power through new design and manufacturing methods. Genetic evolutionary algorithms can find pheno-typical solutions based on capable geno-typical structures. These design systems need to transform abstract architectural requirements into geometric parameters. In a studio students were asked to apply this structural idea to the redesign of the Eiermann’s Horten façade.
keywords	Evolutionary Strategies; Design Methodology; Structuralism; RhinoScript
series	SIGRADI
email
last changed	2016/03/10 10:01

_id	ascaad2009_hafsa_al_omari
id	ascaad2009_hafsa_al_omari
authors	Al-Omari, Hafsa and Luma Al Dabbagh
year	2009
title	Form in Islamic Architecture: A new vision by using 3D Studio Max program
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 433-450
summary	Architecture is a record of human civilization, values, principles and concepts. Form (elements and relations) is one of the visual features of identity and self on one hand and expressive features of place and time (scientific and technical development ) on the other hand. Creating new forms from historical forms is considered one of the greatest challenges that face the architect. Research problem centered on the importance of form in Islamic architecture, and the possibility of investment a new scientific method ( 3D Studio Max program) in creating contemporary architecture using historical and traditional Islamic forms. Research divides to three sections. The first is a theoretical framework that determines the importance and the generation and the potentiality of form in Islamic architecture. The second studies the traditional methods that has been used to create a contemporary Arab-Islamic architecture using historical references, then introduce 3D Studio Max program as alternative new scientific method to traditional methods contribute to create a new vision of contemporary Arab Islamic architecture. The conclusions identify the importance of form in the Islamic civilization and showed that the generation of form affected by its potentiality. Research opens new methods that have not been studied previously in creating contemporary Islamic architecture by using the modifier stack in 3D Studio Max program.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	sigradi2009_693
id	sigradi2009_693
authors	Alves, Gilfranco Medeiros
year	2009
title	O desenho analógico e o desenho digital: a representação do projeto arquitetônico influenciado pelo uso do computador e as possíveis mudanças no proceso projetivo em arquitetura [Analogical design and digital design in architectural projects]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The use of specific computer softwares for architecture design have been analyzed and allowed researchers in this matter to consider a change in architectural creation method realizing new possibilities in the way they project. Based on our experience as architectural project teacher we can observe that more and more students project and present projects with their drawings produced by computer. This tools changing envolves other changings in the project manners as we can notice in some architects that dawn in contemporary scene. This study wants to understand this changings in the projecting practice of Architecture and Urbanism students, and architects.
keywords	Design; Architectural Project; Digital Environment
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2009_887
id	sigradi2009_887
authors	Barría Chateau, Hernán Alberto; Rodrigo García Alvarado; Cecilia Poblete Arrendondo
year	2009
title	Anarquitectura Digital [Digital Anarchitecture]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This article reviews the work and the artistic and architectural context of the artist Gordon Matta-Clark. It checks the context as well as the urban and social conditions of his interventions, to place these works in contemporary culture. In particular this paper analyzes “Splitting”, Matta-Clark´s work that synthesizes his critical attitude to the Modern condition; using computational techniques of geometric modeling, visualization, graphics, digital manufacturing and structural analysis to explore and determine the formal rules and materials used by the artist to develop actions with significant spatial and social connotations.
keywords	Anarchitecture; Modeling; Visualization; Digital Manufacturing; Structural Analysis
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2009_1013
id	sigradi2009_1013
authors	Chiarella, Mauro; Rodrigo García Alvarado; Underlea Bruscato
year	2009
title	Geometría y Arquitectura. De la Rigurosidad Modular al Informalismo [Geometry and Architecture. Of the rigorousness modulating to informalism]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The geometry (science of the form and the space) and the architecture they possess an interesting road along the history of the western thought. The geometry contributes its capacity to interpret the structuring of the world and of the reason; while the architecture contributes with its capacity to transform the semantic and physical aspects of our habitat. The different advances in the geometric representation have defined the characteristics of the architectural spaces that go: since the rigorousness modulating of the Classicism and the birth of the Euclidean geometry, to the contemporary informalism; the incorporation of the digital mathematical calculation, and its strong review of the traditional cartesian space.
keywords	Euclidean geometry; cartesian space; contemporary Informalism
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	caadria2009_073
id	caadria2009_073
authors	Dave, Bharat; Jules Moloney
year	2009
title	Augmenting Time and Space in Design Inquiries
doi	https://doi.org/10.52842/conf.caadria.2009.523
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 523-532
summary	Our research revolves around developing applications of augmented reality technologies to support changing temporal contexts in architectural design. In order to ground this research in contemporary professional culture, we first undertook a structured data gathering exercise, analysis of which will inform development of new AR technologies and tools to support temporal visualisation of architectural designs. This paper reports on the first phase of this project in which we undertook extended conversations and documentation of 22 design offices that represent practices of varying sizes and competencies. The intention of this data collection exercise was to map out spectrum of design issues and representations that specifically revolve around changing temporal or spatial contexts in design. This paper reports collection and preliminary analysis of data intended for developing specifications of future AR applications.
keywords	augmented reality; design representations; spatio-temporal design; contextual design
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2009_1036
id	sigradi2009_1036
authors	de Souza Santos, Fábio Lopes; David M. Sperling
year	2009
title	A Recepção "Ativa" - da Obra Aberta à Obra em Processo [The "active" reception - from opera aperta to work in process]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This paper discusses the contemporary context of arts movements towards the receiver, seeking its activation. It demarcates two strands of art developments in the sixties, propositions for participation and interfaces for interaction. The Oiticica´s Parangolés and the Glynn´s Performative Ecologies are discussed under this point of view.
keywords	art; opera aperta; participation; interaction; work in process
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	ecaade2009_064
id	ecaade2009_064
authors	Delaveau, Anne-Sophie; Guéna, François; Lecourtois, Caroline
year	2009
title	Digital as a Tool/Reference for Architectural Conception: Examples from Two Agencies: Ateliers Jean Nouvel and Jakob+MacFarlane
doi	https://doi.org/10.52842/conf.ecaade.2009.197
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 197-204
wos	WOS:000334282200024
summary	This paper aims at specifying how ‘digital’ acts in contemporary architectural design. On that purpose, and in an a priori manner, we will formulate hypotheses of concepts able to translate the specificities of digital design. In this research paper, we beg the question that the ‘digital culture’ may influence the architects in two manners: in design operation and in references. The conceptual tools will be given by architecturology, and our hypotheses will be illustrated with examples of two French firms (Ateliers Jean Nouvel, Jakob+MacFarlane).
keywords	Design, digital, space of reference, metonymic reference, metaphoric reference
series	eCAADe
email
last changed	2022/06/07 07:55

_id	acadia09_167
id	acadia09_167
authors	Flohr, Julie
year	2009
title	Digital Templates: Diagrams of Associations
doi	https://doi.org/10.52842/conf.acadia.2009.167
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 167-173
summary	This paper claims that a speculative design space exists within the crafting of digital rule-based associations in parametric modeling environments, which promises to support potent contemporary designs in architecture. In addition to reviewing some diagrammatic frameworks located within the techniques of associative design modeling, this paper also details a project for a research-oriented practice based on the development of a registry of digital diagrams called “re-usables.” Working with “re-usable templates” of association, a precise sequence of design logic is invented for each project, while some of its aspects are re-used and re-configured. Such practice aims to operate between the “one-off” world of the all-custom and the entirely reproducible world of “copy-paste.”
keywords	Parametric Design, Associative design, design logic, abstraction
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:51

_id	sigradi2009_792
id	sigradi2009_792
authors	Flório, Wilson
year	2009
title	Modelagem Paramétrica em Arquitetura: Estratégias para Materializar Formas Complexas [Parametric Modeling in Architecture:strategies to materializing complex shapes]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This research investigates the relation between parametric modeling (PM) and digital fabrication (DF) of complex shapes in architecture. The complexity involving the recent designs in architecture has demanded new procedures, as much during the conception as to make possible its construction. Thus, the PM and the DF have allowed architects and engineers conceiving, detailing and constructing complex structures with more precision and faster. In this paper, the author contributes for a discussion in this field, still incipient in Brazil, particularly in the process of PM teach-learning.
keywords	Parametric Modeling; Digital Fabrication; Construction; Contemporary Architecture; Complexity
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	sigradi2009_938
id	sigradi2009_938
authors	Klinger, Kevin R.
year	2009
title	Digital Design through Production Pedagogy: Cases Involving Student/Industry Collaboration
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Innovation through digital design in contemporary practice has led to completely new ways of designing and making architecture. To prepare for these innovative opportunities, students are turning to alternative skill sets than those traditionally gained in an architectural curriculum. This paper argues that we must reconstruct our architectural curricula in order to better prepare students for a shifting professional landscape. While current material-based production realities of translating digital design into built form have much in common with modernist traditions, exercises, sequences, and collaborative opportunities in schools should pass through a relevant lens examining the true potential of working with the information age.
keywords	Digital fabrication; informed architecture; total design through production; collaboration; industry partnership
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	sigradi2009_1020
id	sigradi2009_1020
authors	Natividade, Veronica Gomes; Alessandro Ventura
year	2009
title	Arquitetura Algorítmica. Uma abordagem conceitual [Algorithmic Architecture: A conceptual approach]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The current paper aims to a conceptual approach to the widespread algorithmic architectures defined for Terzidis Kostas (2006) through the philosophy of complex sciences theorized by Edgar Morin (1998). It intends to discuss two approaches outwardly contradictory emerged from the theme: on one hand, the conception of contemporary architecture is beyond generation of complex shapes into computer software, on the other hand the overvaluation of logics can lead architects to incur in the same mistake of simplification performed by the modernists.
keywords	new paradigms; algorithimic architecture; complexity; design process
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	sigradi2009_1180
id	sigradi2009_1180
authors	Neves, Isabel Clara
year	2009
title	Aproximações da Arquitectura à Biologia: Levantamento interpretativo de experimentações contemporâneas [Biology approximations in Architecture: Interpretative survey of contemporary experiments]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	It is appropriate to investigate the potential analogies between architecture and biology enabled by the use of digital processes, thereby testing the effectiveness of the application of biological principles to the lifecycle of buildings. The aim of this paper is to understand the way architects integrate and develop different biological approaches to architecture, by mapping the present situation and identifying the trends for future developments. Three major approaches were identified: biomimetics, bionics and biotechnology. The use of biological knowledge and technology in architecture, could pave the way for solutions to current problems, such as energy shortage, climate change, and lifestyle diversity.
keywords	Architecture; technology; biomimetics; bionics; biotechnology
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	sigradi2009_997
id	sigradi2009_997
authors	Nogueira, Sandra Maria Antunes
year	2009
title	O Comportamento Artístico e a Tecnologia na Metodologia de Projetação de Arquitetos Contemporâneos – Estudo de Caso de uma Interface: Frank O. Gehry [The artistic behavior and the technology in the methodology of project of contemporary architects study of case of an interface: Frank O. Gehry]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Frank Gehry is a notable contemporary architect. His work method, that it mixes technology and architecture involves varied instruments as the outline and the drawing, the physical model and the tool computacional and it makes possible the execution of architectural objects with specific characteristics. The artistic influences suffered in the beginning of the career, decades of 60 and 70, they were considerable in his way of to notice and to conceive the architecture. Their purposes differ of the ones of most of the architects for if they relate with an artist's concerns: the form as middle of expression.
series	SIGRADI
email
last changed	2016/03/10 09:56

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