Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2009_018
id	caadria2009_018
authors	Ambrose, Michael; Benjamin G. Callam, Joseph Kunkel and Luc Wilson
year	2009
title	How To Make A Digi-Brick
doi	https://doi.org/10.52842/conf.caadria.2009.005
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 5-12
summary	This project examines a non-traditional method of construction generated through a digital design process that leverages digital fabrication techniques related to masonry construction. Where as architects’ use of computers first affected shape and structure, it is now additionally affecting material, construction, and craft. This design proposal explores these concepts through the production of a wall using simple configuration and reconfiguration of a repeated module adaptable to differing and unique contexts and site conditions. The masonry module is designed and built through the exploration of a CAD-CAM process. The prototypes produced investigate the repetition of a single module unit, manipulated and interlocked resulting in a continuous surface that is more than just the sum of its individual parts. The material, construction and craft of each unit informs and challenges the entire project to question the making of the masonry module into a wall.
keywords	Digital fabrication, design theory, digital design methods
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	4f1b
id	4f1b
authors	Booth, Peter
year	2009
title	Digital Materiality: emergent computational fabrication
source	Performative Ecologies in the Built Environment: Sustainability Research Accross Disciplines: 43rd Annual Conference of the Australian and New Zealand Architectural Science Association
summary	Fundamentally architecture is a material-based practice that implies that making and the close engagement of materiality is intrinsic to design process. With the rapid uptake of new computational tools and fabrication techniques by the architectural profession there is potential for the connection between architecture and materiality to be diminished. Innovative digital technologies are redefining the relationship between design and construction encoding in the process new ways of thinking about architecture. A new archetype of sustainable architectural process is emerging, often cited as Digital Materialism. Advanced computational processes are moving digital toolsets away from a representational mode towards being integral to the design process. These methods are allowing complex design variables (material, fabrication, environment, etc.) to be interplayed within the design process, allowing an active relationship between performative criteria and design sustainability to be embedded within design methodology.
keywords	Digital, Process, Material, Fabrication
series	other
type	normal paper
email
last changed	2010/03/06 02:53

_id	sigradi2009_2001
id	sigradi2009_2001
authors	Corradi, Eduardo Marotti; Gabriela Celani
year	2009
title	O "túnel de vento" - um exercício de projeto baseado em técnicas de animação [The "Wind Tunnel" - A Design Exercise Based in Animation Techniques]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The objective of the present research was to study the use of animation techniques as a tool for the design process. The study started with a literature review about the different possible applications of animation techniques in architectural design. Four main categories of applications were found: (1) space representation and “walk through”, (2) simulation of articulated elements and kinetic structures, (3) visualization and analysis of functional aspects of the buildings, such as circulation and fire escape, and finally (4) the generation of novel shapes. The second part of the research consisted of a design exercise in which animation techniques were used to generate a shape. For this purpose a wind simulator was used in 3DMAX. Next, Paracloud software was used to automatically generate a rib structure that allowed to produce a scale model of the shape with a laser cutter.
keywords	Animation; design process; digital fabrication
series	SIGRADI
type	normal paper
email
last changed	2016/03/10 09:49

_id	acadia09_201
id	acadia09_201
authors	De Kestelier, Xavier; Buswell, Richard
year	2009
title	A Digital Design Environment for Large- Scale Rapid Manufacturing
doi	https://doi.org/10.52842/conf.acadia.2009.201
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 201-208
summary	Innovation in architectural design often follows technological innovation. This innovation can often be related to advances in construction techniques or design tools. This paper focuses on the development of a digital design environment for a new manufacturing process that can produce large architectural components. The design environment can be customized so that it incorporates both the flexibility and the constraints of the construction technology, such that the components produced maximize the core concept of the technology. Rapid Prototyping is a mature technology that has been around for 25 years in the manufacturing and product design industries. It is used primarily to speed up the product design cycle time from concept to physical realization for evaluation; it is now gaining a foothold in contemporary architectural practice. A number of protagonists are taking the Rapid Prototyping concept a stage further by developing large-scale processes capable of printing architectural components; there are even claims of the ability to produce whole buildings. These processes will give the architect a new palette of choice in terms of component design, and promise similar levels of geometric freedom as the Rapid Prototyping counterparts.
keywords	Rapid prototyping, fabrication, hardware, concrete printing
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:55

_id	sigradi2020_9
id	sigradi2020_9
authors	Felipe, Bárbara L.; Nome, Carlos
year	2020
title	Digital Fabrication Techniques: A systematic literature review
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 9-16
summary	The materialization of architectural forms uses new processes aided by digital manufacturing techniques (FD). Five FD techniques stand out: sectioning (serial planes), tessellation, folding, contouring, and forming. This article's objective is to characterize the state of the art of these techniques, from 2009 to 2020 in national and international research bases. The Systematic Literature Review is used from three stages and nine protocol phases. The results indicate the techniques, methods, computer simulations, and applicability in more recurrent materials.
keywords	Digital Fabrication techniques, Digital Fabrication, Algorithmic Architecture; Parametric Design.
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	caadria2009_152
id	caadria2009_152
authors	Henriques, Gonçalo Castro
year	2009
title	Crafting New Artefacts
doi	https://doi.org/10.52842/conf.caadria.2009.205
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 205-214
summary	The craft of complex artefacts, questioning technological changes and reflecting social and cultural transformation used to be a common attitude in traditional artisans of the pre industrialized society. Traditional craftsman developed special knowledge and skills, implementing their own tools and techniques. After the industrial revolution, the main focus shifted to mass production, and the personalization of artefacts became labour intensive and more expensive. Simultaneously, with technical specialization and the fragmentation of knowledge, the designer’s, builder’s and manufacturer’s approach became more segregated. Currently, information technologies offer new opportunities to the craft of complex objects. The integration of digital process from conception to fabrication, can transform this situation, and as a result personalization is more affordable. Nevertheless, the introduction of these new techniques or tools is lacking a poetic synthesis for the use of technology, and the social and cultural implications that may result of this use. A competition for a public installation was an opportunity to use digital tools to conceive, manufacture and construct a complex structure with a small budget that would be impossible to attain using only traditional tools. At the same time, this project - genetic landscape- could be seen as a metaphor, alluding to the technological interference on the process of creating a new life, or a second nature.
keywords	expanding traditional tools; digital craft; complex geometry built-case
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	sigradi2009_1124
id	sigradi2009_1124
authors	Pupo, Regiane Trevisan; Gabriela Celani; José P. Duarte
year	2009
title	Digital materialization for architecture: definitions and techniques
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The introduction of digital technologies for making models, prototypes, and buildings or building parts in the architectural research, teaching, and practice is a reality today. However, the process is sometimes jeopardized by the lack of clarity regarding the use of certain terms still found in the literature. The goal of this paper is to contribute for overcoming this flaw by providing such a clarification and a possible categorization of the available technologies. The term digital materialization is proposed as a general term to designate all the production technologies available for making physical artifacts.
keywords	Rapid prototyping; digital fabrication; rapid manufacturing
series	SIGRADI
email
last changed	2016/03/10 09:58

_id	5362
id	5362
authors	Roudavski, Stanislav
year	2009
title	Towards Morphogenesis in Architecture
source	Roudavski, Stanislav. "Towards Morphogenesis in Architecture." International Journal of Architectural Computing 7, no. 3 (2009): 345-74.
summary	Procedural, parametric and generative computer-supported techniques in combination with mass customization and automated fabrication enable holistic manipulation in silico and the subsequent production of increasingly complex architectural arrangements. By automating parts of the design process, computers make it easier to develop designs through versioning and gradual adjustment. In recent architectural discourse, these approaches to designing have been described as morphogenesis.This paper invites further reflection on the possible meanings of this imported concept in the field of architectural designing. It contributes by comparing computational modelling of morphogenesis in plant science with techniques in architectural designing. Deriving examples from case-studies, the paper suggests potentials for collaboration and opportunities for bi-directional knowledge transfers.
keywords	biology; architecture; generative design; parametric design; digital architecture; morphogenesis; digital morphogenesis; morphogenetic strategies; digital creativity; form-finding
series	journal paper
type	normal paper
email
more	http://www.crida.net/stan/Downloads/Roudavski_Towards_Morphogenesis_in_Architecture_09.pdf
last changed	2009/09/15 14:35

_id	ascaad2009_emmanuel_ruffo
id	ascaad2009_emmanuel_ruffo
authors	Ruffo, Emmanuel
year	2009
title	Programming As an Evolutionary Concept for Architectural Education: From natural systems to computer science materialization to emergent and evolutionary embedded architectural design
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 47-59
summary	Logic and evolution in ontogenetic processes for Architectural design was the title for a summer program taught at the Escuela de Arquitectura of the Universidad Anahuac from June to July 2008 in the State of Mexico, Mexico. Every single result in architectural design follows logical steps enclosed in the design processes. These logical processes evolve through space-time sequences in order to generate a diversity of possible solutions. In Biology an ontogenetic process refers to the development of an individual organism, anatomical or behavioral feature from the earliest stage to maturity. Following this development criteria students were encouraged to understand the main logics of natural and physical systems through the aid of computer programming. These logics must be understood as tridimensional geometries digitally generated. Right from the beginning all processes generated during the explorations and investigations had to be visualized as integral design performances. The integral design system must embedded structure, function, form and material capacities through the aid of computer programming, digital fabrication technologies and material assembling techniques. It is important to note that final prototypes had to demonstrate the diversity of capacities of the whole system in order to automate the components in evolution.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	ecaade2009_036
id	ecaade2009_036
authors	Tamke, Martin; Thomsen, Mette Ramsgard; Asut, Serdar; Josefsson, Kristoffer
year	2009
title	Translating Material and Design Space: Strategies to Design with Curved Creased Surfaces
doi	https://doi.org/10.52842/conf.ecaade.2009.385
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 385-390
summary	This paper shares findings from the project DevA (Developable surfaces in Architecture), a research by design based project developed a collaboration between academic and industry partners. The project aims to investigate the use of curved sheet material in architecture using hybridised 3D modelling and pattern cutting techniques. The project investigates how digital design and fabrication technologies enable the development of new structural concepts through the new means of material specification and detailing at unprecedented levels of precision. The paper presents speculative research project as well as the demonstrator Reef Pattern.
wos	WOS:000334282200046
keywords	Complex surface design, CAD, material behavior in design, industrial and interdisciplinary collaboration, practice based research
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2009_044
id	ecaade2009_044
authors	Arpak, Asli; Sass, Larry; Knight, Terry
year	2009
title	A Meta-Cognitive Inquiry into Digital Fabrication: Exploring the Activity of Designing and Making of a Wall Screen
doi	https://doi.org/10.52842/conf.ecaade.2009.475
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 475-482
summary	The design process is observed in ‘self-reflection’ by an experiment including visual computing, structure design, joint design, and assembly design. The experiment is defined as the making of a self-supporting timber wall screen, which includes laser-cutting and rapid-prototyping. The reciprocal action between the visual and physical realms is observed through the design activity.
wos	WOS:000334282200057
keywords	Fabrication, meta-cognition, self-reflection, visual, physical
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2009_957
id	sigradi2009_957
authors	Baerlecken, Daniel Michael; Gernot Riether
year	2009
title	From texture to volume: an investigation in quasi-crystalline systems
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The relation between texture, pattern and massing is a fundamental question in architecture. Classical architecture, as Leon Battista Alberti states in “De re aedificatoria” (Book VI, Chapter 2), is developed through massing and structure first; texture is added afterwards to give the bold massing and structure beauty. Only the ornamentation adds pulcritudo to the raw structure and massing. Rather than starting with a volume and applying texture afterwards, the Digital Girih project started with textural operations that informed the overall volume later. The stereometric, top-down methodology is questioned through the bottom-up methodology of the Girih project. Girih lines of traditional Islamic patterns were used as a starting point. The aspect of 3-dimensionality was developed analogue as well as digital, using the deformability of different materials at various scales and digital construction techniques as parameters. The flexibility within the Girih rules allowed the system to adapt to different tasks and situations and to react to different conditions between 2- and 3- dimensionality. The project in that way explored a bottom-up process of form generation. This paper will describe the process of the project and explain the necessity of digital tools, such as Grasshopper and Rhino, and fabrication tools, such as laser cutter and CNC fabrication technology, that were essential for this process.
keywords	Generative Design; Parametric Design; Tessellation; Form Finding; Scripting
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2009_887
id	sigradi2009_887
authors	Barría Chateau, Hernán Alberto; Rodrigo García Alvarado; Cecilia Poblete Arrendondo
year	2009
title	Anarquitectura Digital [Digital Anarchitecture]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This article reviews the work and the artistic and architectural context of the artist Gordon Matta-Clark. It checks the context as well as the urban and social conditions of his interventions, to place these works in contemporary culture. In particular this paper analyzes “Splitting”, Matta-Clark´s work that synthesizes his critical attitude to the Modern condition; using computational techniques of geometric modeling, visualization, graphics, digital manufacturing and structural analysis to explore and determine the formal rules and materials used by the artist to develop actions with significant spatial and social connotations.
keywords	Anarchitecture; Modeling; Visualization; Digital Manufacturing; Structural Analysis
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	cf2009_119
id	cf2009_119
authors	Boeykens, Stefan; Neuckermans, Herman
year	2009
title	Architectural design analysis, historical reconstruction and structured archival using 3D models: Techniques, methodology and long term preservation of digital models
source	T. Tidafi and T. Dorta (eds) Joining Languages, Cultures and Visions: CAADFutures 2009, PUM, 2009, pp. 119-132
summary	With the increased usage of 3D modeling, visualization, simulation and Building Information Modeling, architects produce 3D models, both for new designs and for historic reconstructions. However, these models are seldom shared to transfer structured information about the project. Even if they are exchanged, they are often not usable outside of their original design application. Additionally, digital archives with architectural content can not easily provide structured information about these 3D models, limiting their usefulness. This article discusses an approach to provide better structured models, using a combination of a sound methodology, the application of open file formats and additional metadata creation.
keywords	CAAD, design analysis, reconstruction, archival, preservation
series	CAAD Futures
email
last changed	2009/06/08 20:53

_id	96d8
id	96d8
authors	Booth, Peter; Loo, Stephen
year	2009
title	Beyond Equilibrium: Sustainable Digital Design
source	Sustainable theory/ theorizing sustainability Proceedings from the 5th International Conference of the Association of Architecture Victoria University, New Zealand, 4-5 September 2009
summary	Implicit in current understandings of sustainability is the presence of a closed system with the capacity of equilibration. Sustainable practices, including design practices, are therefore assumed to possess a redemptive role: design is deployed (as environmentally sustainable design, etc.) to change habits, develop new technologies and recover marginalized practices in the hope of righting the balance between the environment and human endeavours. Recent developments in experimental digital design have demonstrated non‐linear and highly complex relations between topological transformations, material change, and the temporal dimension of forces. More importantly, this method of design is bottom‐up, because it does not rely on design solutions presaged by conventions, or restricted by representation, but is emergent within the performance of computational design itself. We argue that digital design processes need to move beyond the flux of determinates and solutions in equilibrium, towards a radically continuous but consistent production, which is in effect, an expression of sustainable pedagogy. The role of emergent digital techniques has significant impact on the methods in which computation is utilized within both practice and academic environments. This paper outlines a digital design studio on sustainability at the University of Tasmania, Australia that uses parametric modelling, digital performance testing, and topological morphology, concomitant with actual material fabrication, as a potent mode of collaborative design studio practice towards a sustainable design pedagogy.
keywords	digital, computation, process, morphogenesis.
series	other
type	normal paper
email
last changed	2009/09/08 23:21

_id	ecaade2009_003
id	ecaade2009_003
authors	Brell-Cokcan, Sigrid; Reis, Martin; Schmiedhofer, Heinz; Braumann, Johannes
year	2009
title	Digital Design to Digital Production: Flank Milling with a 7-Axis CNC-Milling Robot and Parametric Design
doi	https://doi.org/10.52842/conf.ecaade.2009.323
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 323-330
summary	Just recently Flank Milling has opened up new possibilities in detailing large-scale architectural building envelopes. Whereas examples such as the Hungerburgbahn by Zaha Hadid show the application of Flank Milling at the end of the architectural manufacturing process, our research, in contrast, focuses on the implementation of constraints immanent to manufacturing techniques as early architectural design parameters. This process is explored by the help of generative modeling tools, to allow an intuitive design of freeform parametric curves and surfaces while at the same time obeying crucial geometric conditions. In this paper, we will focus on the “digital design to digital production” process on a 7-axis industrial CNC -robot.
wos	WOS:000334282200039
keywords	CNC milling technologies, robot-milling, parametric design, freeform surface, digital architecture
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2023_253
id	sigradi2023_253
authors	Cavalcanti, Isabella, Teixeira Mendes, Leticia and Albuquerque, Fernando
year	2023
title	From Modeling to Collective Digital Fabrication: Experience of the "Banco Cabaça"
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 543–554
summary	This paper presents an experience of collective digital fabrication and parametric modeling of furniture made with recycled plastic waste, inspired by natural elements of the Brazilian northeast. In addition to conventional joinery techniques, we highlight the technologies of rapid prototyping (PR) and digital fabrication (FD) (Volpato, 2007, Pupo, 2008; Pupo, 2009); as tools that promote a paradigm shift, both in the design process and in production and materialization (Kolarevic, 2005), allowing recycled plastic to have new applications. We started with a brief review of digital fabrication processes in Brazil, emphasizing collaboration in design and execution. Then, we contain the recycling of plastic and the need for actions for its best destination. Finally, we present a sustainable and collaborative design experience: the modeling and digital fabrication of furniture, entirely produced from recycled plastic, called “Banco Cabaça”.
keywords	Sustainable Design, Digital fabrication, Collaborative process, Parametric modeling, Brazilian design.
series	SIGraDi
email
last changed	2024/03/08 14:07

_id	sigradi2009_1100
id	sigradi2009_1100
authors	Celento, David
year	2009
title	Digital Craft Meets the Ancient Art of Ceramics: Would the Bauhaus Approve?
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The Bauhaus was founded upon the controversial premise that emergent mechanical processes offered new and creative ways to explore materials. Today, we encounter equally tendentious scenarios where the designer often appears one step further removed—automated CNC machines are driven by computational machines. Like the early activities of the Bauhaus some view digital pursuits with suspicion; however, digital design/fabrication is the “Nächster Bauhaus Bewegun” offering opportunities for design innovation equal in significance to that of the Bauhaus. This paper partially examines the theoretical implications of digital design/fabrication, then presents a collaboration between an architect and artist re-examining the architectural cladding possibilities using digital tools to shape one of mankind’s most venerable materials—ceramics.
keywords	Ceramics in architecture, mass customization, digital fabrication, parametric design
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	caadria2009_012
id	caadria2009_012
authors	Chiu, Hao-Hsiu
year	2009
title	Research on Hybrid Tectonic Methodologies for Responsive Architecture
doi	https://doi.org/10.52842/conf.caadria.2009.493
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 493-502
summary	This research intends to provide a comprehensive understanding and tectonic patterns of responsive architecture. By qualitatively analyzing a series of critical responsive buildings from Ito’s early Wind Tower through Diller and Scofidio’s Blur Building to Cloud 9’s recent Habitat Hotel, tectonic themes of “lightness”, “morphing”, ”improvisation”, and “networking” are set to the elucidate methodological relationships between their tectonic expressions and design concepts. Based on these designated themes, manipulation of materiality, techniques of construction, and mechanism of responsiveness in the studied cases are comparatively discussed and demonstrated with visualization of their tectonic design patterns. The objective of this research is to stress on the importance of tectonic consistency and offer evidences in combining physical components with digital configurations in order to achieve poetic expressions of structure, function, as well as aesthetics so that genuine spatial quality for digital era can be truly revealed.
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	ecaade2009_002
id	ecaade2009_002
authors	Choo, Seung Yeon; Heo, Kyu Souk; Seo, Ji Hyo; Kang, Min Soo
year	2009
title	Augmented Reality- Effective Assistance for Interior Design: Focus on Tangible AR Study
doi	https://doi.org/10.52842/conf.ecaade.2009.649
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 649-656
summary	This article presents an application of Augmented Reality technology for interior design. Plus, an Educational Interior Design Project is reviewed. Along with the dramatic progress of digital technology, virtual information techniques are also required for architectural projects. Thus, the new technology of Augmented Reality offers many advantages for digital design and construction fields. AR is also being considered as a new design approach for interior design. In an AR environment, virtual furniture can be displayed and modified in real-time on the screen, allowing the user to have an interactive experience with the virtual furniture in a real-world environment. Finally, this study proposes a new method for applying AR technology to interior design work, where a user can view virtual furniture and communicate with 3D virtual furniture data using a dynamic and flexible user interface. Plus, all the properties of the virtual furniture can be adjusted using occlusion based interaction methods for a Tangible Augmented Reality.
wos	WOS:000334282200078
keywords	Interior design, augmented reality, ARToolKit, tangible AR, interactive augmented reality
series	eCAADe
email
last changed	2022/06/07 07:56

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