Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2012_155
id	sigradi2012_155
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Pluripotent Structures: An Exploration into Digital Design & Fabrication by Bio Mimicry
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 665-668
summary	This project is an exploration into the design & fabrication process of a canopy structure derived from the notion of pluripotency. The term is widely used in the context of stem cells in biological science where pluripotency is referred to the potential of a stem cell to develop into more than one type of mature cell, depending on environment. These can be re-interpreted architecturally as, the quality of design components or elements to be radically transformed into one or more different kinds of components, keeping the general structural integrity of the design unchanged (Kolatan, 2009). Consequently, the pluripotent canopy design is a 3 dimensional double curved surface , having smart pluripotent components populated over its domain, which parametrically has the potential to be transformed to more than one different kinds of elements, keeping the same parameters of construction for each component.
keywords	Stem Cell Concept; Pluripotency in Nature; Digital Prototyping; Voronoi Geometry
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	ijac20109201
id	ijac20109201
authors	Ramsgard Thomsen, Mette; Martin Tamke, Jacob Riiber Nielsen
year	2011
title	Generating a scalar logic: producing the "it's a SMALL world" exhibition
source	International Journal of Architectural Computing vol. 9 - no. 2, 115-132
summary	This paper presents the design project “it’s a SMALL world”, an exhibition design developed for the Danish Design Centre in 2009.The project investigates the making of a generative design environment by which multiple design parameters as from program, site or the subsequent digital fabrication and assembly process can be negotiated. In this paper we discuss methods for understanding the emergent interrelationships between encoded parameters, how to manage these and their impact on design.The implementation of the design necessitated a novel design method that allowed to blend the qualities of a generative design approach, that can adapt through recursion gradually to local requirements, with explicit definitions.The project showcases with its new developed manufacturing system for non- standard element how customized digital design and production tools allow for a novel nearness to material and new ways of production and collaboration of architects, engineers and the crafts.
series	journal
last changed	2019/05/24 09:55

_id	caadria2009_018
id	caadria2009_018
authors	Ambrose, Michael; Benjamin G. Callam, Joseph Kunkel and Luc Wilson
year	2009
title	How To Make A Digi-Brick
doi	https://doi.org/10.52842/conf.caadria.2009.005
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 5-12
summary	This project examines a non-traditional method of construction generated through a digital design process that leverages digital fabrication techniques related to masonry construction. Where as architects’ use of computers first affected shape and structure, it is now additionally affecting material, construction, and craft. This design proposal explores these concepts through the production of a wall using simple configuration and reconfiguration of a repeated module adaptable to differing and unique contexts and site conditions. The masonry module is designed and built through the exploration of a CAD-CAM process. The prototypes produced investigate the repetition of a single module unit, manipulated and interlocked resulting in a continuous surface that is more than just the sum of its individual parts. The material, construction and craft of each unit informs and challenges the entire project to question the making of the masonry module into a wall.
keywords	Digital fabrication, design theory, digital design methods
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	sigradi2009_957
id	sigradi2009_957
authors	Baerlecken, Daniel Michael; Gernot Riether
year	2009
title	From texture to volume: an investigation in quasi-crystalline systems
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The relation between texture, pattern and massing is a fundamental question in architecture. Classical architecture, as Leon Battista Alberti states in “De re aedificatoria” (Book VI, Chapter 2), is developed through massing and structure first; texture is added afterwards to give the bold massing and structure beauty. Only the ornamentation adds pulcritudo to the raw structure and massing. Rather than starting with a volume and applying texture afterwards, the Digital Girih project started with textural operations that informed the overall volume later. The stereometric, top-down methodology is questioned through the bottom-up methodology of the Girih project. Girih lines of traditional Islamic patterns were used as a starting point. The aspect of 3-dimensionality was developed analogue as well as digital, using the deformability of different materials at various scales and digital construction techniques as parameters. The flexibility within the Girih rules allowed the system to adapt to different tasks and situations and to react to different conditions between 2- and 3- dimensionality. The project in that way explored a bottom-up process of form generation. This paper will describe the process of the project and explain the necessity of digital tools, such as Grasshopper and Rhino, and fabrication tools, such as laser cutter and CNC fabrication technology, that were essential for this process.
keywords	Generative Design; Parametric Design; Tessellation; Form Finding; Scripting
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	4f1b
id	4f1b
authors	Booth, Peter
year	2009
title	Digital Materiality: emergent computational fabrication
source	Performative Ecologies in the Built Environment: Sustainability Research Accross Disciplines: 43rd Annual Conference of the Australian and New Zealand Architectural Science Association
summary	Fundamentally architecture is a material-based practice that implies that making and the close engagement of materiality is intrinsic to design process. With the rapid uptake of new computational tools and fabrication techniques by the architectural profession there is potential for the connection between architecture and materiality to be diminished. Innovative digital technologies are redefining the relationship between design and construction encoding in the process new ways of thinking about architecture. A new archetype of sustainable architectural process is emerging, often cited as Digital Materialism. Advanced computational processes are moving digital toolsets away from a representational mode towards being integral to the design process. These methods are allowing complex design variables (material, fabrication, environment, etc.) to be interplayed within the design process, allowing an active relationship between performative criteria and design sustainability to be embedded within design methodology.
keywords	Digital, Process, Material, Fabrication
series	other
type	normal paper
email
last changed	2010/03/06 02:53

_id	96d8
id	96d8
authors	Booth, Peter; Loo, Stephen
year	2009
title	Beyond Equilibrium: Sustainable Digital Design
source	Sustainable theory/ theorizing sustainability Proceedings from the 5th International Conference of the Association of Architecture Victoria University, New Zealand, 4-5 September 2009
summary	Implicit in current understandings of sustainability is the presence of a closed system with the capacity of equilibration. Sustainable practices, including design practices, are therefore assumed to possess a redemptive role: design is deployed (as environmentally sustainable design, etc.) to change habits, develop new technologies and recover marginalized practices in the hope of righting the balance between the environment and human endeavours. Recent developments in experimental digital design have demonstrated non‐linear and highly complex relations between topological transformations, material change, and the temporal dimension of forces. More importantly, this method of design is bottom‐up, because it does not rely on design solutions presaged by conventions, or restricted by representation, but is emergent within the performance of computational design itself. We argue that digital design processes need to move beyond the flux of determinates and solutions in equilibrium, towards a radically continuous but consistent production, which is in effect, an expression of sustainable pedagogy. The role of emergent digital techniques has significant impact on the methods in which computation is utilized within both practice and academic environments. This paper outlines a digital design studio on sustainability at the University of Tasmania, Australia that uses parametric modelling, digital performance testing, and topological morphology, concomitant with actual material fabrication, as a potent mode of collaborative design studio practice towards a sustainable design pedagogy.
keywords	digital, computation, process, morphogenesis.
series	other
type	normal paper
email
last changed	2009/09/08 23:21

_id	sigradi2023_253
id	sigradi2023_253
authors	Cavalcanti, Isabella, Teixeira Mendes, Leticia and Albuquerque, Fernando
year	2023
title	From Modeling to Collective Digital Fabrication: Experience of the "Banco Cabaça"
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 543–554
summary	This paper presents an experience of collective digital fabrication and parametric modeling of furniture made with recycled plastic waste, inspired by natural elements of the Brazilian northeast. In addition to conventional joinery techniques, we highlight the technologies of rapid prototyping (PR) and digital fabrication (FD) (Volpato, 2007, Pupo, 2008; Pupo, 2009); as tools that promote a paradigm shift, both in the design process and in production and materialization (Kolarevic, 2005), allowing recycled plastic to have new applications. We started with a brief review of digital fabrication processes in Brazil, emphasizing collaboration in design and execution. Then, we contain the recycling of plastic and the need for actions for its best destination. Finally, we present a sustainable and collaborative design experience: the modeling and digital fabrication of furniture, entirely produced from recycled plastic, called “Banco Cabaça”.
keywords	Sustainable Design, Digital fabrication, Collaborative process, Parametric modeling, Brazilian design.
series	SIGraDi
email
last changed	2024/03/08 14:07

_id	acadia09_201
id	acadia09_201
authors	De Kestelier, Xavier; Buswell, Richard
year	2009
title	A Digital Design Environment for Large- Scale Rapid Manufacturing
doi	https://doi.org/10.52842/conf.acadia.2009.201
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 201-208
summary	Innovation in architectural design often follows technological innovation. This innovation can often be related to advances in construction techniques or design tools. This paper focuses on the development of a digital design environment for a new manufacturing process that can produce large architectural components. The design environment can be customized so that it incorporates both the flexibility and the constraints of the construction technology, such that the components produced maximize the core concept of the technology. Rapid Prototyping is a mature technology that has been around for 25 years in the manufacturing and product design industries. It is used primarily to speed up the product design cycle time from concept to physical realization for evaluation; it is now gaining a foothold in contemporary architectural practice. A number of protagonists are taking the Rapid Prototyping concept a stage further by developing large-scale processes capable of printing architectural components; there are even claims of the ability to produce whole buildings. These processes will give the architect a new palette of choice in terms of component design, and promise similar levels of geometric freedom as the Rapid Prototyping counterparts.
keywords	Rapid prototyping, fabrication, hardware, concrete printing
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:55

_id	ecaade2009_021
id	ecaade2009_021
authors	Fleischmann, Moritz; Ahlquist, Sean
year	2009
title	Cylindrical Mesh Morphologies: Study of Computational Meshes based on Parameters of Force, Material, and Space for the Design of Tension-Active Structures
doi	https://doi.org/10.52842/conf.ecaade.2009.039
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 39-46
summary	In experimenting with digital processes for simulating the behavior of tension-active cable nets, a method was developed for creating informed geometries by utilizing computational meshes that carry properties of structure, space, and material. A spring-based particle system provided the dynamics to simulate the flow of tension force through the geometry. Particular functions were scripted to embed logics for fabrication and analysis of spatial parameters. This formulated a lightweight, reactive design tool for which multiple cable net morphologies could be quickly generated. This paper will describe the experiments in creating the method to generate such cable net morphologies, and discuss the potential application for this computational framework to apply to other architectural systems.
wos	WOS:000334282200003
keywords	Computation, particle system, spring, dynamic relaxation, processing, fabrication
series	eCAADe
email
last changed	2022/06/07 07:51

_id	acadia09_110
id	acadia09_110
authors	Gharleghi, Mehran; Sadeghy, Amin
year	2009
title	Adaptive Pneus
doi	https://doi.org/10.52842/conf.acadia.2009.110
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 110-117
summary	The research focuses on the performative capacities of a pneumatic material system in regards to the specific environmental conditions. The use of Adaptation as a mechanism to modulate environmental performance was the main focus of the design process and research. The location of the sun during the day acts as a trigger to adapt the system, allowing the system to passively augment the environmental conditions. A new form-finding method that combines digital and material processes has been the main method by which the experiments were undertaken. This approach necessitates a dramatic shift in the architectural design, from producing static to environmentally responsive objects. It requires a shift in thinking from buildings as static and non-active systems to material system existing over time within specific environments capable of complex environmental performances.
keywords	Responsive design, fabrication, prototyping, form finding, solar shading
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:51

_id	ecaade2009_129
id	ecaade2009_129
authors	Hemmerling, Marco
year	2009
title	Twister: An Integral Approach towards Digital Design and Construction
doi	https://doi.org/10.52842/conf.ecaade.2009.299
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 299-304
summary	The paper outlines the relevance of computational geometry within the design and production process of architecture. Based on the case study “Twister”, the digital chain - from the initial form-finding to the final realization of spatial concepts - is discussed in relation to geometric principles. The association with the fascinating complexity, which can be found in nature and its underlying geometry was the starting point for the project presented in the paper. The translation of geometric principles into a three-dimensional digital design model was followed by a process of transformation and optimization of the initial shape, that integrated aesthetic, spatial and structural qualities as well as aspects of material properties and conditions of production.
wos	WOS:000334282200036
keywords	Geometry, 3D modeling, rapid prototyping, photogrammetry, digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:49

_id	caadria2009_152
id	caadria2009_152
authors	Henriques, Gonçalo Castro
year	2009
title	Crafting New Artefacts
doi	https://doi.org/10.52842/conf.caadria.2009.205
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 205-214
summary	The craft of complex artefacts, questioning technological changes and reflecting social and cultural transformation used to be a common attitude in traditional artisans of the pre industrialized society. Traditional craftsman developed special knowledge and skills, implementing their own tools and techniques. After the industrial revolution, the main focus shifted to mass production, and the personalization of artefacts became labour intensive and more expensive. Simultaneously, with technical specialization and the fragmentation of knowledge, the designer’s, builder’s and manufacturer’s approach became more segregated. Currently, information technologies offer new opportunities to the craft of complex objects. The integration of digital process from conception to fabrication, can transform this situation, and as a result personalization is more affordable. Nevertheless, the introduction of these new techniques or tools is lacking a poetic synthesis for the use of technology, and the social and cultural implications that may result of this use. A competition for a public installation was an opportunity to use digital tools to conceive, manufacture and construct a complex structure with a small budget that would be impossible to attain using only traditional tools. At the same time, this project - genetic landscape- could be seen as a metaphor, alluding to the technological interference on the process of creating a new life, or a second nature.
keywords	expanding traditional tools; digital craft; complex geometry built-case
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	ecaade2009_113
id	ecaade2009_113
authors	Henriques, Gonçalo Castro; Duarte, José Pinto; Brito, António Carvalho
year	2009
title	TetraScript: Development of an Integrated System Capable of Optimizing Light in a Circumscribed Space
doi	https://doi.org/10.52842/conf.ecaade.2009.031
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 31-38
summary	The purpose of this research is to develop a process capable of optimizing the capture of light in a circumscribed space, using a responsive system of skylights. Research is focused on the design of irregular dome-like pavilion spaces circumscribed by curved surfaces, but the envisioned process might be applied to other functional, formal, and spatial typologies. The design of the pavilion starts with the generation of a surface, later tessellated into a matrix of skylights depending on the geographic location and sun orientation. In the constructed pavilion, the skylights react to the variation of daylight intensity during the day to satisfy specified internal lighting needs. Simultaneously, the integration of conception and fabrication using digital tools (CAD-CAM) facilitates the construction of a non-standard, parametric geometry, thereby diminishing the costs of production and allowing for personalization, while assuring global sustainability.
wos	WOS:000334282200002
keywords	Scripting, digital fabrication, automation, responsive system
series	eCAADe
email
last changed	2022/06/07 07:49

_id	sigradi2009_1105
id	sigradi2009_1105
authors	Henriques, Gonçalo Castro; José P. Duarte; Joaquim Oliveira Fonseca
year	2009
title	TetraScript: Sistema integrado para optimizar a iluminação natural num espaço circunscrito [TetraScript: An Integrated System to Maximize the Natural Light in a Confined Space]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The purpose of this research is to develop a process capable of optimizing the capture of light in a circumscribed space, using a responsive system of skylights. Research is focused on the design of irregular dome-like pavilion spaces but the envisioned process might be applied to other functional, formal, and spatial typologies. A process based on scripting generates a matrix of components based on geographic situation, and sun orientation. The integration of conception and fabrication with digital tools (CAD-CAM) enabled the construction of this non standard, parametric geometry, diminishing the costs of production, allowing personalization and assuring global sustainability.
keywords	digital fabrication; generative systems; cad-cam
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	sigradi2009_795
id	sigradi2009_795
authors	Lyon, Arturo; Claudio Labarca
year	2009
title	Modular Flow; Hard on parametrics
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The design and fabrication of an exhibition display project was taken as an opportunity to explore parametric design with a group of students in Chile. This article presents the experience of a design studio workshop exercise by addressing the introduction of parametric design principles and the development of a built academic project through a team based design and fabrication process. The strategy followed by the team was to utilize parametric models as a mean to materialize driving variables of the project into unexpected geometries to be deployed in different public spaces in Santiago. Context, time scale and available technology resulted in a non-obvious combination of advanced digital design and fabrication techniques and low-cost mass-produced materials.
keywords	parametric; design; experimental; architecture; Chile
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ecaade2009_078
id	ecaade2009_078
authors	Lyon, Eduardo
year	2009
title	Digital Fabrication and Component Optimization Using DFM: Integrating Two-dimensional Cutting and Three-dimensional Milling in Wood Panel Fabrication
doi	https://doi.org/10.52842/conf.ecaade.2009.565
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 565-572
summary	This research explores new ways to integrate manufacturing knowledge in to design phases. Through the use of design for manufacturing (DfM) concept, and looking at relations between its potential application in component design and its implementation using digital manufacturing technologies, the author implemented a DfM model that varies from previous models by incorporated learning in the process. This process was based on; a knowledge systematization process; and the incremental development and refinement of design heuristics and metrics. Subsequently the attempt on this research is twofold. One is to realize a process to capture and organize manufacturing knowledge, and second to organize that knowledge and make it available as a DfM model for component design using specific CNC technology.
wos	WOS:000334282200068
keywords	Design Computing, design for manufacturing, knowledge based design, digital manufacturing
series	eCAADe
email
last changed	2022/06/07 07:59

_id	caadria2009_145
id	caadria2009_145
authors	Oesterle, Silvan
year	2009
title	Performance As A Design Driver in Robotic Timber Construction
doi	https://doi.org/10.52842/conf.caadria.2009.663
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 663-671
summary	In the research project presented in this paper we investigate the architectonic and constructive potential of additive digital fabrication in timber construction through robotic processes as well as the relation of functional requirements of an exterior wooden wall to design. Form finding through performance analysis is of great interest for architects. With advanced digital fabrication technologies at hand it is possible to produce articulate building elements. This can be exploited to analyze and transform performance criteria into architectural expression. We argue that functional requirements and formal characteristics are interdependent. To allow performance criteria drive the generative parameters of design, custom software tools need to be developed which impart physical aspects of building elements to digital design models.
keywords	Digital fabrication: design performance; robotic construction; timber wall
series	CAADRIA
email
last changed	2022/06/07 08:00

_id	cf2009_poster_45
id	cf2009_poster_45
authors	Okuda, Shinya
year	2009
title	Bio-shell (Biodegradable vacuum-formed modularized shelter)
source	T. Tidafi and T. Dorta (eds) Joining Languages Cultures and Visions: CAADFutures 2009 CD-Rom
summary	This poster demonstrates how digitally fabricated vacuum-formed components can provide a new type of lightweight construction applicable to architecture. Surface-active systems such as a thin-shell concrete domes are some of the most material-efficient structures. Despite their efficiency few have been constructed recently due to necessary extensive labor cost. However, the growing concern for a worldwide shortage of natural resources and rising material costs, suggests that we reconsider the use of efficient structures, such as surface-active systems. Vacuum formed plastics mainly used in industrial design have strong merit based on their fast and low-cost mass production. Together with the recent emergence of digital fabrication technologies, the vacuum forming process is becoming an attractive fabrication technique for new and innovative lightweight structures.
keywords	Digital Fabrication, Biodegradable, lightweight structure
series	CAAD Futures
type	poster
email
last changed	2009/08/21 07:41

_id	ascaad2010_075
id	ascaad2010_075
authors	Schubert, Gerhard; Kaufmann Stefan and Petzold Frank
year	2010
title	Project Wave 0.18
source	CAAD - Cities - Sustainability [5th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2010 / ISBN 978-1-907349-02-7], Fez (Morocco), 19-21 October 2010, pp. 75-88
summary	In recent years a number of projects have been emerged, in which the new possibilities of the computer as a design tool, have been used. Through the digital chain from design to manufacturing the efficiency has increased and allows the implementation of complex architectural structures. With all these new opportunities, also new challenges arise in the teaching and the educational concepts. The paper describes the detailed course concept and the didactic strategy using the example of a parametric designed roof structure, we designed, planed and build up in scale 1:1 within the main course. „Wendepunkt\|e im Bauen“ (Turning point\|s of building) is the name of an exhibition at the “Pinakothek der Moderne” in Spring 2010. In addition to contributions of the industrialization in the building industry from 1850 to the present day, the exhibition also serves as a platform, to demonstrate new possibilities of computer-aided parametric design and the closely related computer aided manufacturing (CAM). In this context, we took the chance to build a sculpture in Scale 1:1 to show the potential of a constant digital workflow and the digital fabrication. Through the digital chain from design to manufacturing, the efficiency has been increased by the computer and allows the implementation of new complex architectural structures. But the efficiency of the high-degree-automation through the use of computerized machines usually ends in the production of the components. Because this coincidence of the elements in the assembly often proves cost and time, the aim of the project was to optimize both, the production of components and their assembly as well. As part of the wintercourse 2009/2010 different aspects of automation have been reviewed and new solutions have been analyzed. Together with 15 students of the Faculty of Architecture the complete digital chain started with the first design ideas, about parametric programming through production and assembly had been researched, implemented and brought to reality. In the first steps, the students had to learn about the potential, but also about the problems coming with the digital-design and the attached digital-production. There for the course took part at our computerlab. In weekly workshops, all ideas have been implemented and tested directly in the 3-dimensional parametric model. And thanks to the interdisciplinary work with the Department of Structural Design also static factors had been considered, to optimize the form. Parallel to the digital form-finding process, the first prototypes have been produced by the students. By using the chairs 3D-CNC-Mills we were able to check the programmed connection detail in reality and apply the so learned lessons to the further development. After nearly 3 month of research, designing, planning and programming, we were able to produce the over 1000 different parts in only 4 days. By developing a special pre-stressed structure and connection detail it was also possible, to assemble the whole structure (13.5m x 4.5m x 4m) in only one day. The close connection between digital design (CAD) and digital manufacturing (CAM) is an important point of our doctrine. By the fact, that the students operate the machines themselves, but also implement projects on a scale of 1:1, they learn to independently evaluate these new tools and to use them in a meaningful way.
series	ASCAAD
email
last changed	2011/03/01 07:36

_id	ecaade2009_030
id	ecaade2009_030
authors	Shadkhou, Shaghayegh; Bignon, Jean-Claude
year	2009
title	Design, Fabrication, Digital: Between digital design and digital fabrication
doi	https://doi.org/10.52842/conf.ecaade.2009.305
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 305-312
summary	This paper represents an educational practice aiming at analysis of the link between digital design and digital manufacturing. CFD (conception, fabrication, digitale) is a one week workshop with graduate (master recherche) students of architecture school of Nancy. Having passed the first semester with a focus on modelling principles, computational logics and formal data representation, students are well prepared to apply them all in the process of form generation. The exercise is based on experimenting with new approaches in computational form generation interweaving geometry, aspects of construction and fabrication technologies.
wos	WOS:000334282200037
keywords	CAD/CAM technologies, form generation, digital design, digital fabrication, constructability, architectural education
series	eCAADe
email
last changed	2022/06/07 07:59

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