Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	ecaade2011_136
id	ecaade2011_136
authors	Bohnenberger, Sascha; de Rycke, Klaas; Weilandt, Agnes
year	2011
title	Lattice Spaces: Form optimisation throgh customization of non developable 3d wood surfaces
doi	https://doi.org/10.52842/conf.ecaade.2011.751
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.751-758
summary	This paper discusses a collaborative project by RDAI architects, Bollinger+Grohmann and the timber construction company Holzbau Amann. The project is located in a former swimming pool in Paris and it is part of the new interior of a flagship store of the French fashion label Hermes. In late 2009, Rena Duma Architects, asked Bollinger+Grohmann to collaborate as structural engineers on a challenging design proposal within a very short timeframe. Three wooden lattice structures, the so-called “bulle” and one monumental staircase with a similar design approach characterize the interior of the new flagship store. The lattice structures are dividing the basement into different retail spaces. They vary in height (8-9 m) and diameter (8-12 m) and have a free-form shaped wicker basket appearance. Wood was the chosen material for these structures to strengthen the idea of the wickerbaskets and to create an interior space with a sustainable and innovative material.
wos	WOS:000335665500087
keywords	Digital production; parametric design; mass customization; wood; digital crafting
series	eCAADe
email
last changed	2022/05/01 23:21

_id	ascaad2009_mahmoud_riad
id	ascaad2009_mahmoud_riad
authors	Riad, Mahmoud
year	2009
title	Musical Deconstruction / Reconstruction: Visualizing architectonic spaces through music
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 225-233
summary	There is a common belief that music and architecture are connected through a hidden a dimension. Both arts, when abstracted intellectually (through mathematics) or emotionally (through phenomenological experience), share a number of ordering principles, having the same notion of crescendo in sequence and progression. Many have sought to unlock this hidden dimension to create artwork that lets our souls transcend up to the heavens. There are five different methods where architects have used music in their design approach: there are those who use harmonic proportions found in musical consonances as room dimensions to create harmonic spaces, flowing into each other like musical chords (Palladio, Steven Holl); those who believe that music is ‘design in time’ use rhythmic elements of music and apply it to their vertical surfaces and structural grids (Iannis Xenakis, Le Corbusier); those who use architecture as a musical instrument experiment with sound and acoustics to create a phenomenological environment (Bernhard Leitner, Peter Zumthor); those gifted with synethsesia (stimulating one sensory preceptor with another, e.g. seeing colors by listening to music, or vice versa) use certain musical pieces as an inspiration for form generation (Wassily Kandinsky, Steven Holl); and there are those who deconstruct an element in music and reconstruct it to architectural form, highlighting common themes between both arts (Iannis Xenakis, Daniel Libeskind). These five different methods have been the topic of research of many architectural scholars using western music as reference. The question becomes what if the musical reference is changed? Classical, rock, pop, country, jazz, and blues music are very different from one another, yet they share similar foundational musical structures. One may go further and experiment with various world music as reference, which is very different than western music in terms of musical structure. Linguists and musicologists have discussed the origins of music in relation to language. They hypothesize that cognitive elements found in language are somehow carried into the region's music. This paper documents the research of the author in this topic, discussing the digital modeling applications adopted that make such an investigation possible. The interest here is exploring how the visual space is altered when the musical reference is changed, and whether properties of the musical reference are evident in the architectural visualization. The musical references will be limited to Western Classical and Arabic music.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	ascaad2010_075
id	ascaad2010_075
authors	Schubert, Gerhard; Kaufmann Stefan and Petzold Frank
year	2010
title	Project Wave 0.18
source	CAAD - Cities - Sustainability [5th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2010 / ISBN 978-1-907349-02-7], Fez (Morocco), 19-21 October 2010, pp. 75-88
summary	In recent years a number of projects have been emerged, in which the new possibilities of the computer as a design tool, have been used. Through the digital chain from design to manufacturing the efficiency has increased and allows the implementation of complex architectural structures. With all these new opportunities, also new challenges arise in the teaching and the educational concepts. The paper describes the detailed course concept and the didactic strategy using the example of a parametric designed roof structure, we designed, planed and build up in scale 1:1 within the main course. „Wendepunkt\|e im Bauen“ (Turning point\|s of building) is the name of an exhibition at the “Pinakothek der Moderne” in Spring 2010. In addition to contributions of the industrialization in the building industry from 1850 to the present day, the exhibition also serves as a platform, to demonstrate new possibilities of computer-aided parametric design and the closely related computer aided manufacturing (CAM). In this context, we took the chance to build a sculpture in Scale 1:1 to show the potential of a constant digital workflow and the digital fabrication. Through the digital chain from design to manufacturing, the efficiency has been increased by the computer and allows the implementation of new complex architectural structures. But the efficiency of the high-degree-automation through the use of computerized machines usually ends in the production of the components. Because this coincidence of the elements in the assembly often proves cost and time, the aim of the project was to optimize both, the production of components and their assembly as well. As part of the wintercourse 2009/2010 different aspects of automation have been reviewed and new solutions have been analyzed. Together with 15 students of the Faculty of Architecture the complete digital chain started with the first design ideas, about parametric programming through production and assembly had been researched, implemented and brought to reality. In the first steps, the students had to learn about the potential, but also about the problems coming with the digital-design and the attached digital-production. There for the course took part at our computerlab. In weekly workshops, all ideas have been implemented and tested directly in the 3-dimensional parametric model. And thanks to the interdisciplinary work with the Department of Structural Design also static factors had been considered, to optimize the form. Parallel to the digital form-finding process, the first prototypes have been produced by the students. By using the chairs 3D-CNC-Mills we were able to check the programmed connection detail in reality and apply the so learned lessons to the further development. After nearly 3 month of research, designing, planning and programming, we were able to produce the over 1000 different parts in only 4 days. By developing a special pre-stressed structure and connection detail it was also possible, to assemble the whole structure (13.5m x 4.5m x 4m) in only one day. The close connection between digital design (CAD) and digital manufacturing (CAM) is an important point of our doctrine. By the fact, that the students operate the machines themselves, but also implement projects on a scale of 1:1, they learn to independently evaluate these new tools and to use them in a meaningful way.
series	ASCAAD
email
last changed	2011/03/01 07:36

_id	sigradi2009_2001
id	sigradi2009_2001
authors	Corradi, Eduardo Marotti; Gabriela Celani
year	2009
title	O "túnel de vento" - um exercício de projeto baseado em técnicas de animação [The "Wind Tunnel" - A Design Exercise Based in Animation Techniques]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The objective of the present research was to study the use of animation techniques as a tool for the design process. The study started with a literature review about the different possible applications of animation techniques in architectural design. Four main categories of applications were found: (1) space representation and “walk through”, (2) simulation of articulated elements and kinetic structures, (3) visualization and analysis of functional aspects of the buildings, such as circulation and fire escape, and finally (4) the generation of novel shapes. The second part of the research consisted of a design exercise in which animation techniques were used to generate a shape. For this purpose a wind simulator was used in 3DMAX. Next, Paracloud software was used to automatically generate a rib structure that allowed to produce a scale model of the shape with a laser cutter.
keywords	Animation; design process; digital fabrication
series	SIGRADI
type	normal paper
email
last changed	2016/03/10 09:49

_id	ascaad2009_mai_abdelsalam
id	ascaad2009_mai_abdelsalam
authors	Abdelsalam, Mai
year	2009
title	The Use of the Smart Geometry through Various Design Processes: Using the programming platform (parametric features) and generative components
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 297-304
summary	The emergence of parametric generative design tools and prototyping manufacturing technology led to radical changes in architectural morphologies. This change increased the opportunity to develop innovative smart geometries. Integrating these algorithms in the parametric softwares led to variations in building design concepts increasing alternatives and decreasing the repetitive work previously needed in conventional CAD software. The chosen software in this research is Generative Components (GC). It is a software design tool for an associative and parametric design platform. It is tested for using Global Variables with associative functions during the concept creation and form GC comprises features. The results presented in this research may be considered an introduction to the smart geometry revolution. It deals with the generative design which applied in the design process from conceptual design phase, defining the problem, exploring design solutions, then how to develop the design phases. Office building is a building type which encourages new forms that needs computational processes to deal with repetitive functions and modular spaces and enclosed in a flexible creative structural skin. Generative design helps the office buildings to be arranged, analysed, and optimized using parameters in early stages in design process. By the end of the research, the use of the smart geometry in a high rise office building is defined and explained. The research is divided into three parts, first a summary of the basic theories of office buildings design and the sustainable requirements that affect it, and should be integrated. Secondly, the previous experiences in generating office buildings by Norman foster and Sergio Araya. At last, a case study is proposed to test and evaluate the use of the parametric generative methodology in designing an office building with specific emphasis on the function, environmental aspects and form generation using Generative Components (GC) Software.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	ascaad2009_michael_ambrose
id	ascaad2009_michael_ambrose
authors	Ambrose, Michael A.
year	2009
title	Spatial and Temporal Sequence: Film, animation and design theory - toward a constructed morphology
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 165-176
summary	This paper presents an investigation of film, space, form and motion to expose issues of spatial perception. The objective is to use a brief moment of constructed moving imagery (a film scene) as the vehicle to develop a spatial/temporal sequence. The design research focuses on an examination of the procedure or process constructed by the director/cinematographer. The changing position of the camera continually changes the relationship of the frame to the viewed context. The project asks the student to interpret the spatial and temporal transformation, through the continual oscillation between foreground and background, in an effort to unravel the pretext of the singular point of view to reveal the intention of the filmmaker. The project discussed here focuses on a relationship between the projection of space in architectural representation and the production of space through complex geometries relative to temporal discontinuities and the way in which they agitate and alter one another. Drawing topological relationships between of the paths, or trajectories of movement, within a proposed scene of a film is the vehicle for investigation in this project. An event or configuration complete in itself, but forming part of the larger collection, is modelled and transformed to suggest various structural and temporal definitions with respect to spatial portrayal through the composition of time and the cinematic frame. In particular, spatial animation of a sequence of framed condition was to be explored in the development of a spatial episode.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	acadia09_252
id	acadia09_252
authors	Baker, William; Beghini, Alessandro; Carrion, Juan; Tort, Cenk
year	2009
title	Scripting for a New Architecture: Studies in Structural Optimization
doi	https://doi.org/10.52842/conf.acadia.2009.252
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 252-254
summary	This paper describes how scripting has been successfully used by structural engineers at Skidmore, Owings & Merrill, LLP (SOM) to rediscover, apply, and develop several tools for structural optimization. Some of these methods are described in this paper for applications to high-rise buildings and long-span roof structures
series	ACADIA
type	Short paper
email
last changed	2022/06/07 07:54

_id	ascaad2009_andrea_cammarata
id	ascaad2009_andrea_cammarata
authors	Cammarata, Andrea
year	2009
title	Rebuilding Architecture: An analysis and critical investigation practice
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 121-134
summary	The Cooperative Design Environment Laboratory (CoDE Lab) is carrying out a research with students, trainees and seniors who have previously participated to CAAD-assisted design courses. These courses were developed with the aim of making participants independent from the pre-analytical phase project to the renderings of the final artifact. The programs that have been used so far are Autodesk Revit, Graphisoft Archicad and Nemetschek Allplan.The teaching workgroup has always believed that analyzing, deconstructing and reconstructing the architecture teaches much in terms of understanding. If the process is done correctly, it entirely re-traces the creative dynamics developed by the original designer. Subsequently, the educational practice is to choose a notable architectural work, designed and/or created by a Master of architecture, and to reproduce it in all details: aesthetical-formal, morphological, technological, structural, modular, etc. The final result is an archive of well-developed reconstructed models of great specific interest. The students on the other hand thoroughly learn how to control the tools and all BIM planning procedures.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	cf2009_472
id	cf2009_472
authors	Ciblac, Thierry
year	2009
title	L’analyse dimensionnelle comme aide à l’optimisation en phase de conception architecturale: applications à des cas de structures; Dimensional analysis as support toward optimization in architectural conception phase: applications to structural cases
source	T. Tidafi and T. Dorta (eds) Joining Languages, Cultures and Visions: CAADFutures 2009, PUM, 2009, pp. 472- 486
summary	One of the research ways carried out in the ARIAM-LAREA laboratory aims at giving to architects computing tools for early evaluation of structures. A particular approach uses dimensional analysis and similitude properties in order to define parameter variation laws. Such laws are illustrated by analytical cases using the theory of strength of materials. For complex structures, a heuristic is proposed to give indications of parameter variation influence on mechanical behavior. Some applications are presented for early determination of structural size and limit values, using computations by finite element method.
keywords	Structure, design, dimensional analysis, similitude
series	CAAD Futures
email
last changed	2009/06/08 20:53

_id	sigradi2012_155
id	sigradi2012_155
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Pluripotent Structures: An Exploration into Digital Design & Fabrication by Bio Mimicry
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 665-668
summary	This project is an exploration into the design & fabrication process of a canopy structure derived from the notion of pluripotency. The term is widely used in the context of stem cells in biological science where pluripotency is referred to the potential of a stem cell to develop into more than one type of mature cell, depending on environment. These can be re-interpreted architecturally as, the quality of design components or elements to be radically transformed into one or more different kinds of components, keeping the general structural integrity of the design unchanged (Kolatan, 2009). Consequently, the pluripotent canopy design is a 3 dimensional double curved surface , having smart pluripotent components populated over its domain, which parametrically has the potential to be transformed to more than one different kinds of elements, keeping the same parameters of construction for each component.
keywords	Stem Cell Concept; Pluripotency in Nature; Digital Prototyping; Voronoi Geometry
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	caadria2009_146
id	caadria2009_146
authors	Fagerström, Gustav
year	2009
title	Dynamic Relaxation of Tensegrity Structures
doi	https://doi.org/10.52842/conf.caadria.2009.553
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 553-562
summary	The structural hierarchy inherent to tensegrities enables a building skin that performs on multiple levels simultaneously. While having one function in the global building mechanics, its individual components can work as self-contained systems balancing tensile and compressive forces locally within them. The behavior of elements under load is linear and thus describable analytically. When these are aggregated in a tensegrity however, the performance of the assembly as a whole is non-linear. In order to investigate further these relationships a method of dynamic relaxation will be developed. This tool allows for simulation and load analysis of a complex tensegrous network, based on the relationships between force, stiffness and dimension formulated by Young and the computational means provided by a parametric/associative modeling environment. This research investigates the possible formfinding through computational means of a double-layer tensegrity grid.
keywords	Dynamic; relaxation; tensegrity; form finding
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	ecaade2009_129
id	ecaade2009_129
authors	Hemmerling, Marco
year	2009
title	Twister: An Integral Approach towards Digital Design and Construction
doi	https://doi.org/10.52842/conf.ecaade.2009.299
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 299-304
summary	The paper outlines the relevance of computational geometry within the design and production process of architecture. Based on the case study “Twister”, the digital chain - from the initial form-finding to the final realization of spatial concepts - is discussed in relation to geometric principles. The association with the fascinating complexity, which can be found in nature and its underlying geometry was the starting point for the project presented in the paper. The translation of geometric principles into a three-dimensional digital design model was followed by a process of transformation and optimization of the initial shape, that integrated aesthetic, spatial and structural qualities as well as aspects of material properties and conditions of production.
wos	WOS:000334282200036
keywords	Geometry, 3D modeling, rapid prototyping, photogrammetry, digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:49

_id	ecaade2009_039
id	ecaade2009_039
authors	Papapavlou, Aikaterini; Turner, Alasdair
year	2009
title	Structural Evolution: A Genetic Algorithm Method to Generate Structurally Optimal Delaunay Triangulated Space Frames for Dynamic Loads
doi	https://doi.org/10.52842/conf.ecaade.2009.173
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 173-180
summary	This paper presents an evolutionary algorithm that draws its power from the literal interpretation of the natural system’s reproductive process at a microscopic scale with the scope of generating optimal Delaunay triangulated space frames for dynamic loads. The algorithm repositions a firm number of nodes within a space envelope, by establishing Delaunay tetrahedra and, consequently, creating adaptable optimised space frame topologies. The arbitrarily generated tetrahedralised structure is compared against a canonical designed one and the results of this comparison indicate that the method proposed has advantageous properties and is capable of generating an optimum structure that exceeds statically the performance of an engineered tetrahedralised space frame.
wos	WOS:000334282200021
keywords	Genetic Algorithms, optimization, delaunay triangulation, space frame
series	eCAADe
email
last changed	2022/06/07 08:00

_id	caadria2009_070
id	caadria2009_070
authors	Sharman, Michael P.; Sambit Datta
year	2009
title	Gaussian Vault Geometry: Digital Design and Fabrication of Scaled Prototypes
doi	https://doi.org/10.52842/conf.caadria.2009.267
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp.267-276
summary	This paper reports on three approaches to the translation of Gaussian surface models into scaled physical prototype models. Using the geometry of Eladio Dieste’s Gaussian Vaults, the paper reports on the aspects encountered in the process of digital to physical prototype fabrication. The primary focus of the paper is on exploring the design geometry, investigating methods for preparing the geometry for fabrication and constructing physical prototypes. Three different approaches in the translation from digital to physical models are investigated: rapid prototyping, two dimensional surface models in paper and structural component models using Computer Numerical Controlled (CNC) fabrication. The three approaches identify a body of knowledge in the design and prototyping of Gaussian vaults. Finally the paper discusses the digital to fabrication translation processes with regards to the characteristics, benefits and limitations of the three approaches of prototyping the ruled surface geometry of Gaussian Vaults.
keywords	Parametric Geometry: Digital Fabrication; Physical Prototyping; Gaussian Vault
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	sigradi2009_629
id	sigradi2009_629
authors	Spaeth, Achim Benjamin
year	2009
title	Rethinking Eiermann’s Horten Tile - A new structuralism?
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The structural idea of a universal structure that is valuable for different situations gets new power through new design and manufacturing methods. Genetic evolutionary algorithms can find pheno-typical solutions based on capable geno-typical structures. These design systems need to transform abstract architectural requirements into geometric parameters. In a studio students were asked to apply this structural idea to the redesign of the Eiermann’s Horten façade.
keywords	Evolutionary Strategies; Design Methodology; Structuralism; RhinoScript
series	SIGRADI
email
last changed	2016/03/10 10:01

_id	caadria2009_055
id	caadria2009_055
authors	Park, Hyoung-June
year	2009
title	Body + Space
doi	https://doi.org/10.52842/conf.caadria.2009.085
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 85-92
summary	This paper reports a process of designing a kinetic structure that offers an interactive environment where one can experience the continuum of body and space. The structure emulates ten body movements, derived from the principles of physical Zen training as its transforming mechanism. In this paper, the series of computational methods for establishing the mapping between morphological transformations of the movements and the geometries of the structure are demonstrated.
keywords	Interactive environment; body movements; mapping
series	CAADRIA
email
last changed	2022/06/07 08:00

_id	ijac20097306
id	ijac20097306
authors	Balakrishnan, Bimal; Kalisperis, Loukas N.
year	2009
title	Design Visualization:A Media Effects Approach
source	International Journal of Architectural Computing vol. 7 - no. 3, 415-427
summary	This paper proposes an integrative approach in the evaluative phase of the design process, incorporating concepts, methodologies and measurement strategies that are well established in media psychology. The paper suggests a variable-centered approach for conceptualizing visualization technologies and to evaluate their potential to simulate architectural experience. Psychophysiological measures are introduced to capture the affective component of the architectural experience facilitated by visualization tools such as virtual reality. These are important in order to empirically evaluate the experiential aspects of an architectural space through visualization. Ideas are illustrated with examples drawn from prior and ongoing research collaboration between an architectural visualization lab and a media effects research lab.
series	journal
last changed	2009/10/20 08:02

_id	ascaad2016_013
id	ascaad2016_013
authors	Belkis Öksüz, Elif
year	2016
title	Parametricism for Urban Aesthetics - A flawless order behind chaos or an over-design of complexity
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 105-112
summary	Over the last decade, paradigm shifts in the philosophy of space-time relations, the change from space-time to spatio-temporality, caused significant changes in the design field, and introduced new variations and discourses for parametric approaches in architecture. Among all the discourses, parametricism is likely the most spectacular one. The founder of parametricism, Patrik Schumacher (2009) describes it as “a new style,” which has “the superior capacity to articulate programmatic complexity;” and “aesthetically, it is the elegance of ordered complexity in the sense of seamless fluidity.” In its theoretical background, Schumacher (2011) affiliates this style with the philosophy of autopoiesis, the philosophy that stands between making and becoming. Additionally, parametricism concerns not only the physical geometry in making of form; but also discusses the relational and causal aspects in becoming of form. In other words, it brings the aesthetic qualities in making through the topological intelligence behind becoming. Regarding that, parametricism seems an effective way of managing /creating complex topologies in form-related issues. However, when it comes to practice, there are some challenging points of parametricism in large-scale design studies. Thus, this work underlines that the dominance of elegance for urban planning has the potential of limiting the flexible and dynamic topology of the urban context, and objectifying the whole complex urban form as an over-designed product. For an aesthetic inquiry into urban parametricism, this paper highlights the challenging issues behind the aesthetic premises of parametricism at the urban design scale. For that, Kartal Master Plan Design Proposal by Zaha Hadid Architects (2006) will be discussed as an exemplary work.
series	ASCAAD
email
last changed	2017/05/25 13:31

_id	caadria2009_154
id	caadria2009_154
authors	Chiang, Shuo-Tao; Sheng-Fen Chien
year	2009
title	Notes on Designing Multi-Display spaces
doi	https://doi.org/10.52842/conf.caadria.2009.461
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 461-470
summary	This research attempts to integrate a new technology–Multi- Display Environment (MDE)–into the design and creation of new architectural spaces–multi-display spaces. The research objective is to formulate a set of design guidelines that advise designers on the effective use of the MDE technology, so that the technology may become a new design element and enables designers to show amplification effects of spaces. Two empirical studies are conducted. Based on the results of empirical studies, a set of multi-display space design guidelines is formulated with three key aspects: scene selection, display allocation and display arrangement. The design guidelines require further validations through practical applications. Nevertheless, the research introduces a new design element for designers to think about the future of architectural spaces with more opportunities and possibilities.
keywords	Multi-display environments; spatial cognition; design guidelines
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2009_1019
id	sigradi2009_1019
authors	Christakou, Evangelos Dimitrios; Neander Furtado Silva
year	2009
title	Da Perspectiva Artificialis ao Cyberespaço: Motor Gráfico e a Visualisação Interativa da Luz Natural no Interior do Edificio [From perspectiva artificialis to cyberspace: Game-engine and the interactive visualization of the natural light in the interior of the building]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	In order to support the conceptual design, the architect used throughout the years, mockups - scaled physical models - or perspective drawings that intended to predict architectural ambience before its effective construction. This paper studies the real time interactive visualization, focused on one of most important aspects inside building space: the natural light. Although the majority of physically-based algorithms currently existing was designed for the synthesis of static images which may not take into account how to rebuild the scene - in real time - when the user is doing experiments to change certain properties of design.
keywords	omputer simulation; computer visualization; Natural Light; real-time interactivity
series	SIGRADI
email
last changed	2016/03/10 09:49

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