Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	ascaad2009_mai_abdelsalam
id	ascaad2009_mai_abdelsalam
authors	Abdelsalam, Mai
year	2009
title	The Use of the Smart Geometry through Various Design Processes: Using the programming platform (parametric features) and generative components
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 297-304
summary	The emergence of parametric generative design tools and prototyping manufacturing technology led to radical changes in architectural morphologies. This change increased the opportunity to develop innovative smart geometries. Integrating these algorithms in the parametric softwares led to variations in building design concepts increasing alternatives and decreasing the repetitive work previously needed in conventional CAD software. The chosen software in this research is Generative Components (GC). It is a software design tool for an associative and parametric design platform. It is tested for using Global Variables with associative functions during the concept creation and form GC comprises features. The results presented in this research may be considered an introduction to the smart geometry revolution. It deals with the generative design which applied in the design process from conceptual design phase, defining the problem, exploring design solutions, then how to develop the design phases. Office building is a building type which encourages new forms that needs computational processes to deal with repetitive functions and modular spaces and enclosed in a flexible creative structural skin. Generative design helps the office buildings to be arranged, analysed, and optimized using parameters in early stages in design process. By the end of the research, the use of the smart geometry in a high rise office building is defined and explained. The research is divided into three parts, first a summary of the basic theories of office buildings design and the sustainable requirements that affect it, and should be integrated. Secondly, the previous experiences in generating office buildings by Norman foster and Sergio Araya. At last, a case study is proposed to test and evaluate the use of the parametric generative methodology in designing an office building with specific emphasis on the function, environmental aspects and form generation using Generative Components (GC) Software.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	acadia09_30
id	acadia09_30
authors	Aish, Robert
year	2009
title	Tools of Expression: Notation and Interaction for Design Computation
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 30-31
doi	https://doi.org/10.52842/conf.acadia.2009.030
summary	Design considers function, fabrication, and aesthetics collectively. Computation is beginning to affect the competitive dynamics of design. Using algorithms, designers are exploring forms that are essentially “undrawable,” even with advanced modeling and direct manipulation techniques. Determining the appropriate functional characteristics may require the application of increasingly complex structural- and environmental-performance analysis techniques. To realize physically a design may require further geometric analysis and rationalization, and the use of complex computer-controlled fabrication techniques.
keywords	Design, Computation, Form Finding, Design logic
series	ACADIA
type	Keynote paper
email
last changed	2022/06/07 07:54

_id	ascaad2009_michael_ambrose
id	ascaad2009_michael_ambrose
authors	Ambrose, Michael A.
year	2009
title	Spatial and Temporal Sequence: Film, animation and design theory - toward a constructed morphology
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 165-176
summary	This paper presents an investigation of film, space, form and motion to expose issues of spatial perception. The objective is to use a brief moment of constructed moving imagery (a film scene) as the vehicle to develop a spatial/temporal sequence. The design research focuses on an examination of the procedure or process constructed by the director/cinematographer. The changing position of the camera continually changes the relationship of the frame to the viewed context. The project asks the student to interpret the spatial and temporal transformation, through the continual oscillation between foreground and background, in an effort to unravel the pretext of the singular point of view to reveal the intention of the filmmaker. The project discussed here focuses on a relationship between the projection of space in architectural representation and the production of space through complex geometries relative to temporal discontinuities and the way in which they agitate and alter one another. Drawing topological relationships between of the paths, or trajectories of movement, within a proposed scene of a film is the vehicle for investigation in this project. An event or configuration complete in itself, but forming part of the larger collection, is modelled and transformed to suggest various structural and temporal definitions with respect to spatial portrayal through the composition of time and the cinematic frame. In particular, spatial animation of a sequence of framed condition was to be explored in the development of a spatial episode.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	acadia09_252
id	acadia09_252
authors	Baker, William; Beghini, Alessandro; Carrion, Juan; Tort, Cenk
year	2009
title	Scripting for a New Architecture: Studies in Structural Optimization
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 252-254
doi	https://doi.org/10.52842/conf.acadia.2009.252
summary	This paper describes how scripting has been successfully used by structural engineers at Skidmore, Owings & Merrill, LLP (SOM) to rediscover, apply, and develop several tools for structural optimization. Some of these methods are described in this paper for applications to high-rise buildings and long-span roof structures
series	ACADIA
type	Short paper
email
last changed	2022/06/07 07:54

_id	sigradi2009_887
id	sigradi2009_887
authors	Barría Chateau, Hernán Alberto; Rodrigo García Alvarado; Cecilia Poblete Arrendondo
year	2009
title	Anarquitectura Digital [Digital Anarchitecture]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This article reviews the work and the artistic and architectural context of the artist Gordon Matta-Clark. It checks the context as well as the urban and social conditions of his interventions, to place these works in contemporary culture. In particular this paper analyzes “Splitting”, Matta-Clark´s work that synthesizes his critical attitude to the Modern condition; using computational techniques of geometric modeling, visualization, graphics, digital manufacturing and structural analysis to explore and determine the formal rules and materials used by the artist to develop actions with significant spatial and social connotations.
keywords	Anarchitecture; Modeling; Visualization; Digital Manufacturing; Structural Analysis
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ijac20097408
id	ijac20097408
authors	Biloria, Nimish; Valentina Sumini
year	2009
title	Performative Building Skin Systems: A Morphogenomic Approach Towards Developing Real-Time Adaptive Building Skin Systems
source	International Journal of Architectural Computing vol. 7 - no. 4, 643-676
summary	Morphogenomics, a relatively new research area, involves understanding the role played by information regulation in the emergence of diverse natural and artificially generated morphologies. Performative building skin systems as a bottom-up parametric formation of context aware interdependent, ubiquitously communicating components leading to the development of continually performative systems is one of the multi-scalar derivations of the aforementioned Morphogenomic understanding. The agenda of adaptations for these building skins specifically corresponds to three domains of adaptation: structural, behavioral and physiological adaptations resulting in kinetic adaptability, energy generation, conservation, transport and usage principles as well as material property based changes per component. The developed skins adapt in real time via operating upon ubiquitous communication and data-regulation protocols for sensing and processing contextual information. Computational processes and information technology based tools and techniques such as parametric design, real-time simulation using game design software, environmental information mapping, sensing and actuating systems coupled with inbuilt control systems as well as manufacturing physical models in collaboration with praxis form a vital part of these skin systems. These experiments and analysis based on developing intrinsic inter-dependencies between contextual data, structure and material logistics thus lay the foundation for a new era of continually performing, self powering, real-time adaptive intelligent building skin systems.
series	journal
last changed	2010/09/06 08:02

_id	ecaade2011_136
id	ecaade2011_136
authors	Bohnenberger, Sascha; de Rycke, Klaas; Weilandt, Agnes
year	2011
title	Lattice Spaces: Form optimisation throgh customization of non developable 3d wood surfaces
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.751-758
doi	https://doi.org/10.52842/conf.ecaade.2011.751
wos	WOS:000335665500087
summary	This paper discusses a collaborative project by RDAI architects, Bollinger+Grohmann and the timber construction company Holzbau Amann. The project is located in a former swimming pool in Paris and it is part of the new interior of a flagship store of the French fashion label Hermes. In late 2009, Rena Duma Architects, asked Bollinger+Grohmann to collaborate as structural engineers on a challenging design proposal within a very short timeframe. Three wooden lattice structures, the so-called “bulle” and one monumental staircase with a similar design approach characterize the interior of the new flagship store. The lattice structures are dividing the basement into different retail spaces. They vary in height (8-9 m) and diameter (8-12 m) and have a free-form shaped wicker basket appearance. Wood was the chosen material for these structures to strengthen the idea of the wickerbaskets and to create an interior space with a sustainable and innovative material.
keywords	Digital production; parametric design; mass customization; wood; digital crafting
series	eCAADe
email
last changed	2022/05/01 23:21

_id	ascaad2009_andrea_cammarata
id	ascaad2009_andrea_cammarata
authors	Cammarata, Andrea
year	2009
title	Rebuilding Architecture: An analysis and critical investigation practice
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 121-134
summary	The Cooperative Design Environment Laboratory (CoDE Lab) is carrying out a research with students, trainees and seniors who have previously participated to CAAD-assisted design courses. These courses were developed with the aim of making participants independent from the pre-analytical phase project to the renderings of the final artifact. The programs that have been used so far are Autodesk Revit, Graphisoft Archicad and Nemetschek Allplan.The teaching workgroup has always believed that analyzing, deconstructing and reconstructing the architecture teaches much in terms of understanding. If the process is done correctly, it entirely re-traces the creative dynamics developed by the original designer. Subsequently, the educational practice is to choose a notable architectural work, designed and/or created by a Master of architecture, and to reproduce it in all details: aesthetical-formal, morphological, technological, structural, modular, etc. The final result is an archive of well-developed reconstructed models of great specific interest. The students on the other hand thoroughly learn how to control the tools and all BIM planning procedures.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	cf2009_472
id	cf2009_472
authors	Ciblac, Thierry
year	2009
title	L’analyse dimensionnelle comme aide à l’optimisation en phase de conception architecturale: applications à des cas de structures; Dimensional analysis as support toward optimization in architectural conception phase: applications to structural cases
source	T. Tidafi and T. Dorta (eds) Joining Languages, Cultures and Visions: CAADFutures 2009, PUM, 2009, pp. 472- 486
summary	One of the research ways carried out in the ARIAM-LAREA laboratory aims at giving to architects computing tools for early evaluation of structures. A particular approach uses dimensional analysis and similitude properties in order to define parameter variation laws. Such laws are illustrated by analytical cases using the theory of strength of materials. For complex structures, a heuristic is proposed to give indications of parameter variation influence on mechanical behavior. Some applications are presented for early determination of structural size and limit values, using computations by finite element method.
keywords	Structure, design, dimensional analysis, similitude
series	CAAD Futures
email
last changed	2009/06/08 20:53

_id	ascaad2009_danilo_di_mascio
id	ascaad2009_danilo_di_mascio
authors	Di Mascio, Danilo
year	2009
title	Digital Reconstruction and Analysis of Turchinio’s Trabocco: A method of digital reconstruction of a complex structure as a way to improve our knowledge of a cultural heritage artifact
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 177-189
summary	The aim of the following paper is to show a method of digital reconstruction and analysis of an important artifact pertaining to the Abruzzo cultural heritage, the ‘trabocco’. In fact recent software for graphics and architecture, such as CAD, graphics editor, and those dedicated to three-dimensional modeling and rendering are tools that open new opportunities in the study of cultural heritage artifacts, The more the complexity of the object to study, the more the advantages for their use. A formal and structural complexity characterize the trabocchi, pile constructions typical of the Abruzzo coast, that go back to the middle of XVII century and the subject of this study is the trabocco of Punta Turchinio, the most famous and complex of the coast. Among the digital reconstruction’s objectives there are: Increase the knowledge of the ‘trabocco’ and generate a series of information necessary to define and manage a recovery plan; to study more deeply the technologic decomposition of the four main sub-systems with related abacus of the technological elements and create static and animated graphics restitutions such as renderings and animations to understand some spatial and formal characteristics.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	sigradi2012_155
id	sigradi2012_155
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Pluripotent Structures: An Exploration into Digital Design & Fabrication by Bio Mimicry
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 665-668
summary	This project is an exploration into the design & fabrication process of a canopy structure derived from the notion of pluripotency. The term is widely used in the context of stem cells in biological science where pluripotency is referred to the potential of a stem cell to develop into more than one type of mature cell, depending on environment. These can be re-interpreted architecturally as, the quality of design components or elements to be radically transformed into one or more different kinds of components, keeping the general structural integrity of the design unchanged (Kolatan, 2009). Consequently, the pluripotent canopy design is a 3 dimensional double curved surface , having smart pluripotent components populated over its domain, which parametrically has the potential to be transformed to more than one different kinds of elements, keeping the same parameters of construction for each component.
keywords	Stem Cell Concept; Pluripotency in Nature; Digital Prototyping; Voronoi Geometry
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	caadria2009_146
id	caadria2009_146
authors	Fagerström, Gustav
year	2009
title	Dynamic Relaxation of Tensegrity Structures
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 553-562
doi	https://doi.org/10.52842/conf.caadria.2009.553
summary	The structural hierarchy inherent to tensegrities enables a building skin that performs on multiple levels simultaneously. While having one function in the global building mechanics, its individual components can work as self-contained systems balancing tensile and compressive forces locally within them. The behavior of elements under load is linear and thus describable analytically. When these are aggregated in a tensegrity however, the performance of the assembly as a whole is non-linear. In order to investigate further these relationships a method of dynamic relaxation will be developed. This tool allows for simulation and load analysis of a complex tensegrous network, based on the relationships between force, stiffness and dimension formulated by Young and the computational means provided by a parametric/associative modeling environment. This research investigates the possible formfinding through computational means of a double-layer tensegrity grid.
keywords	Dynamic; relaxation; tensegrity; form finding
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	ecaadesigradi2019_046
id	ecaadesigradi2019_046
authors	Ferreira Borges, Marina
year	2019
title	Conversations between architects and engineers
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 99-108
doi	https://doi.org/10.52842/conf.ecaade.2019.1.099
summary	The structural education in architectural schools emphasize that the dialogue between professionals is what should be raised as the point of connection between the conception of the structural morphology to be carried out by the architect and its validation and construction by the structural engineer. However, is this dialogue occurring? The proposal of this work is to study the conversational model proposed by Paul Pangaro (2009), based on Gordon Pask's Conversation Theory (1976a), and investigate if in fact a dialogic process between architectural design and structures education in architectural schools occurs, or if there exist the possibility of proposing a new conversational model, promoting transdisciplinary participation and collaboration procedures.Please write your abstract here by clicking this paragraph.
keywords	Architectural Design Teaching; Structural Education; Conversation Theory
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:56

_id	sigradi2009_676
id	sigradi2009_676
authors	Garcia Alvarado, Rodrigo
year	2009
title	Modelos Constructivos por Fabricación Digital [Constructive Models by Digital Fabrication]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	Digital manufacturing allows to elaborate constructive models to study material conditions and industrialization of building designs. This paper exposes strategies to develop models based on structural sections of 3D volumes, cutting profiles in BIM software, flexible manufacturing of building types and development of constructive systems. These procedures demonstrate combination of design and manufacturing technologies that encourages integrated building and new architectural possibilities.
keywords	Digital Manufacturing; Building Industrialization; 3D-modeling; CAD/CAM; BIM
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	ecaade2018_312
id	ecaade2018_312
authors	Gündüz, Gamze, Oral, Hülya and Yazar, Tu?rul
year	2018
title	Integration of Design Geometry with "Computational Making" in Basic Design Studio - A Case Study of Lanterns Project
source	Kepczynska-Walczak, A, Bialkowski, S (eds.), Computing for a better tomorrow - Proceedings of the 36th eCAADe Conference - Volume 2, Lodz University of Technology, Lodz, Poland, 19-21 September 2018, pp. 439-448
doi	https://doi.org/10.52842/conf.ecaade.2018.2.439
summary	Basic design education, as an introduction of design principles to novice students, has two-way of teaching which are design thinking and professional training, since Bauhaus. Initiated in 2009, the Computation-based Basic Design Studio creates a common ground through discussions between students, academics, and professionals from various backgrounds. In this paper, the implementation of parallel courses named Computation-based Basic Design Studio and Design Geometry is discussed upon final assignment of the first semester- New Year's Lanterns. The given assignment structured as a cyclic process through constant feedback between geometric relations, material performance, and, joinery details to achieve novel outcomes that exceed the preliminarily set structural criteria. In relation to individual processes and outcomes of the final assignment, observed tendencies developed by students', at the end of their first-term in design education, will be discussed as final remarks.
keywords	design education; basic design; design geometry; polyhedra
series	eCAADe
email
last changed	2022/06/07 07:49

_id	ecaade2009_129
id	ecaade2009_129
authors	Hemmerling, Marco
year	2009
title	Twister: An Integral Approach towards Digital Design and Construction
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 299-304
doi	https://doi.org/10.52842/conf.ecaade.2009.299
wos	WOS:000334282200036
summary	The paper outlines the relevance of computational geometry within the design and production process of architecture. Based on the case study “Twister”, the digital chain - from the initial form-finding to the final realization of spatial concepts - is discussed in relation to geometric principles. The association with the fascinating complexity, which can be found in nature and its underlying geometry was the starting point for the project presented in the paper. The translation of geometric principles into a three-dimensional digital design model was followed by a process of transformation and optimization of the initial shape, that integrated aesthetic, spatial and structural qualities as well as aspects of material properties and conditions of production.
keywords	Geometry, 3D modeling, rapid prototyping, photogrammetry, digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:49

_id	ecaade2009_033
id	ecaade2009_033
authors	Jensen, Mads Brath; Mortensen, Henrik Rubæk; Mullins, Michael; Kirkegaard, Poul Henning
year	2009
title	Material Systems: A Design Approach
source	Computation: The New Realm of Architectural Design [27th eCAADe Conference Proceedings / ISBN 978-0-9541183-8-9] Istanbul (Turkey) 16-19 September 2009, pp. 721-728
doi	https://doi.org/10.52842/conf.ecaade.2009.721
wos	WOS:000334282200087
summary	This paper describes and reflects upon the results of an investigative project which explores the setting up of a material system – a parametric and generative assembly consisting of and taking into consideration material properties, manufacturing constraints and geometric behavior. The project approaches the subject through the construction of a logic-driven system aiming to explore the possibilities of a material system that fulfills spatial, structural and performative requirements concurrently and how these are negotiated in situations where they might be conflicting.
keywords	Generative design, design tool development, material systems
series	eCAADe
email
last changed	2022/06/07 07:52

_id	caadria2012_046
id	caadria2012_046
authors	Lertsithichai, Surapong
year	2012
title	Building Thailand's tallest Ganesh: CAD/CAM integration in conventional metal fabrication
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 337–346
doi	https://doi.org/10.52842/conf.caadria.2012.337
summary	Ganesh (Ganesa or Ganesha) is a Hindi god well known for his distinguishable elephant head and widely revered as the god of success or remover of obstacles. Patrons in Thailand have worshipped Ganesh and respected him by means of erecting statues of Ganesh in various poses and sizes throughout the country. In late 2008, the people of Chacheongsao, a province located East of Bangkok, decided to create Thailand’s tallest standing Ganesh statue made with bronze reaching heights up to 39 meters and situated on the Bangpakong river bank overseeing the city and its people. The author and design team was approached by representatives from Chacheongsao and commissioned to advise the process from conception to construction. The challenge started with seeking appropriate computer-aided design and manufacturing technologies and innovative processes to guide the design team throughout the production. The 0.60-meter bronze cast sculpture of the Ganesh was scanned using a 3D optical scanner to generate a solid model of the statue. A surface model was then extracted from the 3D model to firstly determine the most efficient structural support within the statue and secondly to generate surface strips for the foundry to create actual bronze casts. The construction of the project began early 2009 and the statue has since been erected from its base to currently its head. During construction, the author and design team has encountered several problems translating pixels to parts. Several errors have occurred during the mould and cast production process as well as construction errors on site causing mismatches of the structure and surface, misalignments, and protruding structural supports and joints. The lessons learned from this project is documented and analysed with hopes to create a more effective process for future projects with similar requirements.
keywords	CAD/CAM; 3D scanner; CNC milling; metal fabrication
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	ascaad2009_mahmoud_riad
id	ascaad2009_mahmoud_riad
authors	Riad, Mahmoud
year	2009
title	Musical Deconstruction / Reconstruction: Visualizing architectonic spaces through music
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 225-233
summary	There is a common belief that music and architecture are connected through a hidden a dimension. Both arts, when abstracted intellectually (through mathematics) or emotionally (through phenomenological experience), share a number of ordering principles, having the same notion of crescendo in sequence and progression. Many have sought to unlock this hidden dimension to create artwork that lets our souls transcend up to the heavens. There are five different methods where architects have used music in their design approach: there are those who use harmonic proportions found in musical consonances as room dimensions to create harmonic spaces, flowing into each other like musical chords (Palladio, Steven Holl); those who believe that music is ‘design in time’ use rhythmic elements of music and apply it to their vertical surfaces and structural grids (Iannis Xenakis, Le Corbusier); those who use architecture as a musical instrument experiment with sound and acoustics to create a phenomenological environment (Bernhard Leitner, Peter Zumthor); those gifted with synethsesia (stimulating one sensory preceptor with another, e.g. seeing colors by listening to music, or vice versa) use certain musical pieces as an inspiration for form generation (Wassily Kandinsky, Steven Holl); and there are those who deconstruct an element in music and reconstruct it to architectural form, highlighting common themes between both arts (Iannis Xenakis, Daniel Libeskind). These five different methods have been the topic of research of many architectural scholars using western music as reference. The question becomes what if the musical reference is changed? Classical, rock, pop, country, jazz, and blues music are very different from one another, yet they share similar foundational musical structures. One may go further and experiment with various world music as reference, which is very different than western music in terms of musical structure. Linguists and musicologists have discussed the origins of music in relation to language. They hypothesize that cognitive elements found in language are somehow carried into the region's music. This paper documents the research of the author in this topic, discussing the digital modeling applications adopted that make such an investigation possible. The interest here is exploring how the visual space is altered when the musical reference is changed, and whether properties of the musical reference are evident in the architectural visualization. The musical references will be limited to Western Classical and Arabic music.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	caadria2009_013
id	caadria2009_013
authors	Rosenberg, Daniel
year	2009
title	Novel Transformations of Foldable Structures
source	Proceedings of the 14th International Conference on Computer Aided Architectural Design Research in Asia / Yunlin (Taiwan) 22-25 April 2009, pp. 195-204
doi	https://doi.org/10.52842/conf.caadria.2009.195
summary	Most foldable structures have been designed to optimize collapsibility and structural performance. Likewise, they have been solely applied to a limited number of architectural shapes such as arches, domes or geodesics. While the constant folding process between retracted and deployed states, has been the main concern of designers, non-constant transformations and the in-between states remains unexplored. This research will study non-constant transformations in the in-between states, with the aim to find novel shapes and extend the repertoire of current applications. Initially, existing structures will be modified in order to find what type of shape transformations can be produced. Finally, a novel solution, through a digital model and a kinetic physical prototype, will be proposed.
keywords	Transformation; foldable structures; kinetic architecture
series	CAADRIA
email
last changed	2022/06/07 07:56

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