Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2011_035
id	caadria2011_035
authors	Roudavski, Stanislav and Sonya Parton
year	2011
title	Architectural creativity in commercialised cyberspace
doi	https://doi.org/10.52842/conf.caadria.2011.365
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 365-374
summary	This paper is written for architectural researchers, practitioners and educators who explore the potentials of networked, location- aware, rich-media computing. Augmented and networked environments open new possibilities in urban and architectural design. At the same time, their adoption by the mainstream is underpinned – and constrained – by commercial motivations. To be able to counter the consumerist interpretation of inhabitable augmented environments, the field of architecture needs to foster a critical discussion of cyberspace. In turn, architectural education needs to provide students with the knowledge necessary to adopt cyberspace for creative purposes. The purpose of this paper is to invite further discussion and experimentation in this area.
keywords	Cyberspace, context-aware computing, locative media, ubiquitous computing, architectural creativity
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadia11_360
id	acadia11_360
authors	Sprecher, Aaron
year	2011
title	Homeorrhetism: Few Observations on the Nature of Experimentation in Computational Architecture
doi	https://doi.org/10.52842/conf.acadia.2011.360
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 360-361
summary	From the point of view of computation, concerns over the nature of an experiment raise questions that often belong to a deductive reasoning; in other words the possibility to understand the world in terms of established principles and theories: What kind of information should be extracted from our environment? What would be a comprehensive system of information that reflects the complexity of our world? How can one assure objectivity in the building of a model? In contrast, the experimental context of architecture calls for a different set of questions: How can a model convey the meaning of our world? What kind of effect is the model supposed to create? Why a particular model is more likely to express the condition of a culture versus another? Here, concerns over the inductive nature of the experimental protocol prevail, or in other words, the questions do not call for fixed principles but a range of possibilities often related to the cultural, social and even political sensitivity of the experimenter. These distinctive sets of questions therefore range from deductive to inductive experimental approaches. Most importantly, they express the essence of the now established field of computational architecture and its capability to propel a confluence of knowledge; a form of transdisciplinarity that oscillates between architecture’s core knowledge and its disciplinal periphery. While both deductive and inductive assumptions are pre-requisite to operative experimentations, the question remains as to the principles managing their confluence.
series	ACADIA
type	moderator overview
email
last changed	2022/06/07 07:56

_id	caadria2011_019
id	caadria2011_019
authors	Lee, Ju Hyun and Mi Jeong Kim
year	2011
title	A context immersion of mixed reality at a new stage
doi	https://doi.org/10.52842/conf.caadria.2011.199
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 199-208
summary	This paper presents a novel approach to the potential of mixed reality embodied in smart phones and ubiquitous environments. We analyzed the related works to the concept of context and mobile computing and then investigated into leading companies by interviewing senior manages of the mixed reality (MR) projects in Korea. As a result, the concept of context immersion is proposed for describing the various context relationships among the real locations, objects and persons. By considering the MR environments as a converged world, this paper characterizes the context immersion as the combination of the time & location-based, object-based and user-based contexts. Through the context immersion, users can be connected to the real life, not limited to the imagery world, thus experiencing strong immersion in the MR environments. At the end, we present the development direction for the future with a focus on the MR contents rather than the technical aspects.
keywords	Context Immersion; Mixed Reality; Augmented Reality; Ubiquitous Computing; Mobile Computing
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	cf2011_p093
id	cf2011_p093
authors	Nguyen, Thi Lan Truc; Tan Beng Kiang
year	2011
title	Understanding Shared Space for Informal Interaction among Geographically Distributed Teams
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 41-54.
summary	In a design project, much creative work is done in teams, thus requires spaces for collaborative works such as conference rooms, project rooms and chill-out areas. These spaces are designed to provide an atmosphere conducive to discussion and communication ranging from formal meetings to informal communication. According to Kraut et al (E.Kraut et al., 1990), informal communication is an important factor for the success of collaboration and is defined as ‚Äúconversations take place at the time, with the participants, and about the topics at hand. It often occurs spontaneously by chance and in face-to-face manner. As shown in many research, much of good and creative ideas originate from impromptu meeting rather than in a formal meeting (Grajewski, 1993, A.Isaacs et al., 1997). Therefore, the places for informal communication are taken into account in workplace design and scattered throughout the building in order to stimulate face-to-face interaction, especially serendipitous communication among different groups across disciplines such as engineering, technology, design and so forth. Nowadays, team members of a project are not confined to people working in one location but are spread widely with geographically distributed collaborations. Being separated by long physical distance, informal interaction by chance is impossible since people are not co-located. In order to maintain the benefit of informal interaction in collaborative works, research endeavor has developed a variety ways to shorten the physical distance and bring people together in one shared space. Technologies to support informal interaction at a distance include video-based technologies, virtual reality technologies, location-based technologies and ubiquitous technologies. These technologies facilitate people to stay aware of other‚Äôs availability in distributed environment and to socialize and interact in a multi-users virtual environment. Each type of applications supports informal interaction through the employed technology characteristics. One of the conditions for promoting frequent and impromptu face-to-face communication is being co-located in one space in which the spatial settings play as catalyst to increase the likelihood for frequent encounter. Therefore, this paper analyses the degree to which sense of shared space is supported by these technical approaches. This analysis helps to identify the trade-off features of each shared space technology and its current problems. A taxonomy of shared space is introduced based on three types of shared space technologies for supporting informal interaction. These types are named as shared physical environments, collaborative virtual environments and mixed reality environments and are ordered increasingly towards the reality of sense of shared space. Based on the problem learnt from other technical approaches and the nature of informal interaction, this paper proposes physical-virtual shared space for supporting intended and opportunistic informal interaction. The shared space will be created by augmenting a 3D collaborative virtual environment (CVE) with real world scene at the virtual world side; and blending the CVE scene to the physical settings at the real world side. Given this, the two spaces are merged into one global structure. With augmented view of the real world, geographically distributed co-workers who populate the 3D CVE are facilitated to encounter and interact with their real world counterparts in a meaningful and natural manner.
keywords	shared space, collaborative virtual environment, informal interaction, intended interaction, opportunistic interaction
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ecaade2011_077
id	ecaade2011_077
authors	Ettlinger, Or
year	2011
title	The Perceptual, the Virtual, and the Real: On the experience of place in the digital age
doi	https://doi.org/10.52842/conf.ecaade.2011.925
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.925-932
summary	Since the dawn of philosophical thought man has questioned the validity of his experience of the world around him: Is the world just as we perceive it to be, or does its true essence lie beyond our reach? In our own time, technological, social, and economic developments have made such philosophical concerns more relevant to our everyday lives than ever before. However, the available terminology for discussing such matters is often too limited to fully capture their nature. This paper proposes a consistent terminology for the discussion of such matters and suggests a model of the different aspects from which they are comprised. This terminology will be applied to, as well as presented through, issues that are pertinent to architectural theory, to the experience of places, and to the intangible sense of place which digital phenomena can sometimes provide.
wos	WOS:000335665500106
keywords	Architectural theory; media theory; perceptual; virtual; real
series	eCAADe
email
last changed	2022/05/01 23:21

_id	sigradi2011_092
id	sigradi2011_092
authors	Hemmerling, Marco
year	2011
title	Informed Material
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 339-342
summary	Next to the possibilities of digital form-finding strategies, parametric design and computational visualization techniques, which lead to an increasing virtualization of our society - rapid technologies allow today for the direct translation of the digital model into the physical world. As a result of this process the experience of digital realities, driven by virtual environment gets an interesting shift back to the physical world. Against this background the paper points out that it is a question of design to define contemporary and intended matters, processes and strategies of interaction, in other words: to inform the design.
keywords	Rapid Prototyping; Materialization; Perception; Digital Design Tools; Human-Centered Design
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	sigradi2011_382
id	sigradi2011_382
authors	Pimentel, Diego; Causa, Emiliano; Cataldi, Mariano; Braida, Santiago
year	2011
title	Mundo Circular. Ejemplo low-tech de realidad aumentada e interfaces tangibles [Mundo Circular. Tangible interfaces and low-techaugmentedreality]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 294-297
summary	This work is about the relationship between socio-political matters and communications aspects in every country around the world. The data collected from ITU (International Telecommunication Union), UN, UNESCO, FAO (Food and Agriculture Organization), WTO and World Bank, show contrast among countries with more available resourcesand those who hasn't. The interface use augmented reality patterns to allow the user know the differences between the values expressed by each country, in a visual and intuitive way.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2011_000
id	sigradi2011_000
authors	Chiarella, Mauro; Tosello, Maria Elena (eds.)
year	2011
title	Sigradi 2011: Augmented Culture
source	Proceedings of the 15th Iberoamerican Congress of Digital Graphics Graphics / ISBN 13: 978-987-657-679-6] Argentina - Santa Fe 16-18 November 2011, 579 p.
summary	“Augmented Culture” talks about a combination of interdependent social and technological meanings in a complex, multiple, interactive and interconnected context. It acknowledges that a new social and cultural paradigm is being developed as the old barriers of time, space and language are ruptured and transcended. In our knowledge-based civilization, we inhabit interconnected societies where new relational forms are configured. Additionally, cultural expressions have been qualitatively augmented starting from their integration with information and communication technologies, which have dramatically enhanced not only their creative and reflective processes, but also the realization and construction of cultural objects. In this sense, an “Augmented Culture” compels us to investigate the wide and complex spectrum of the variables that express the interdisciplinary, collective and participative constructions of our present age, so strongly related to visual culture, information culture and interface culture. Thus, we consider it necessary to concentrate, to expand, to spread and to share exploratory, descriptive or explanatory experiences and productions of such phenomena. The attempt is to define a multidimensional theoretical framework that while recognizing today’s state-of-the-art and tendencies, it provides us with a critical viewpoint.
series	other
type	normal paper
email
last changed	2011/12/30 18:05

_id	26ce
id	26ce
authors	Facklam, Ferdinand; Pecegueiro Curado, Felipe
year	2011
title	Data Driven Parametric Design
source	PARC Journal - Issue 7
summary	In the case study “Live Building” explains a sensory process. The project shows how to collect data,transformed and transported into a shape. Innovation is not only the approach of the draft, but the systematic procedure and the resulting diversity of solutions. The search for the geometric shape and the key to the concept will be answered in detail.
keywords	Architecture, Computer Systems, Parametric Design, Sensor Technology, Urban Development
series	journal paper
type	normal paper
email
more	http://www.fec.unicamp.br/~parc/vol2/n7/parc07_facklan.pdf
last changed	2011/10/28 11:01

_id	sigradi2011_117
id	sigradi2011_117
authors	Gonçalves Costa, Luís Gustavo
year	2011
title	CRONIDAS: base de dados para confecção de mapas de danos em edificações de interesse histórico-_cultural [CRONIDAS: database for damage maps of historical and cultural interest buildings]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 56-59
summary	This paper fits in the lines of research of the conservation and restoration of historical heritage technology, pathology building, specifically the study of map representations of damage, a fundamental stage of an intervention project in architectural heritage. This damage code incorporates Cronidas database and is available on the collaborative website done and managed by a Content Management System for viewing and download.
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	ecaade2011_116
id	ecaade2011_116
authors	Koziko_lu, Nilüfer; Kavlak, Emrah
year	2011
title	Introducing Architectural Design Foundations Through Algorithmic Design And Experimentations With Materials: A methodology for freshman class in architecture
doi	https://doi.org/10.52842/conf.ecaade.2011.070
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.70-76
summary	This paper presents a lecture methodology using pattern based and algorithmic design principles for an introductory architectural design course aimed towards students who are not oriented in design practices but in natural sciences. This methodology is built upon eights interconnected steps, starting with analytical pattern extraction from nature - from the unique texture and structure of a plant (seed or fruit) and also from its lifecycle and relation to the existing habitat. The steps include abstract pattern making with the use of software tools and material building of abstracted geometries as standalone structures. Throughout these steps, principles of information design field is demonstrated to improve students’ abilities to analyze visual information.
wos	WOS:000335665500007
keywords	Pattern; Parametric Design; Design Education; Information Design
series	eCAADe
email
last changed	2022/05/01 23:21

_id	caadria2011_063
id	caadria2011_063
authors	Lo, Chia-Hui; Ih-Cheng Lai and Teng-Wen Chang
year	2011
title	A is B, displacement: Exploring linking patterns within metaphor in the design process
doi	https://doi.org/10.52842/conf.caadria.2011.663
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 663-672
summary	Design educators often apply metaphor as a teaching tool to help novice designers in their design process. Richards(1936) defines metaphor as the form “A is B”. The most important operation in metaphor is displacement—the linking process of moving A to B. Linking ideas is the key mechanism in the design process. By linking ideas, a graph-like knowledge represents the individual memories with the nodes and arcs that are the ideas and the links between ideas respectively. Such linking knowledge provides an interesting way to understand the operation of displacement within metaphor. This research applies a computational tool (called DIM) to produce a graph-like knowledge. Protocol analysis is then used to understand how designers organize ideas. The objective of this research was to explore the linking patterns of idea displacement within metaphor in the design process.
keywords	Metaphor; displacement; linking ideas; graph-like knowledge; protocol analysis
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	acadia11_284
id	acadia11_284
authors	Ogrydziak; Luke
year	2011
title	Tetrahedron Cloud
doi	https://doi.org/10.52842/conf.acadia.2011.284
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 284-291
summary	The research project, tetrahedron cloud, explores agent-based stochastic behavior as a design tool. It investigates the possibilities for producing volumetric tetrahedral meshes based on the interactions of individual stochastic agents. The research situates itself at the intersection of the visual arts, the physical sciences, and computer science. The basic interest in stochastics comes from the visual arts; the growth simulation approach is borrowed from the natural sciences; and the use of a tetrahedral mesh within C++ comes from computer science. But more generally, the project focuses on architecture’s ongoing engagement with stochastic systems. By embedding extremely specific tendencies within an agent’s behavior, while also allowing for stochastic variation, we can create larger systems that are both in and out of our “control”. This sidesteps the typical limitations of many computational geometry and parametric methods, where there is often an overly deterministic relationship between the input and output of a given system. Such a shift from optimization to behavior inevitably brings up troubling questions of style. Abandoning the search for a “best” solution, or even the articulation of the criteria for such a task, re-opens computational architecture at its deepest levels as a site for design speculation.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	acadiaregional2011_019
id	acadiaregional2011_019
authors	Peters, Troy
year	2011
title	Simulation by Design: A Parametric Design Tool for Zero Energy Buildings
doi	https://doi.org/10.52842/conf.acadia.2011.x.q2q
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary	To address the shortcomings of integrating building simulation in architectural design and to make it more appealing to students, a simple interface to Energyplus was created. This interface models a simple rectangular building that is passively heated by direct gain and cooled by ventilation. A simple photovoltaic interface has also been added to supply fan energy. This tool has an OpenGL modeler for visualization and uses Energyplus for calculations. The interface will run a full year simulation and graph the results. The results are reported in a yearly graph that shows the outdoor and indoor temperature. The indoor temperature range is based on adaptive comfort level. The interface was tested and used in an introductory design studio in order to comply with the 2010 imperative. The students simulated a simple box and changed the buildings parameters until the building fell within the adaptive comfort zone for most of the year. The climate simulated was Chicago, IL. Using these parameters the students then designed the building. The resulting designs show that even though the students were restricted in parameters, such as window percentage, they were still able to creatively design unique buildings that use zero to negative net energy for heating and cooling in a climate such as Chicago.
series	ACADIA
last changed	2022/06/07 07:49

_id	caadria2011_038
id	caadria2011_038
authors	Pourmohamadi, Morteza; John S. Gero and Robert Saunders
year	2011
title	CAD software as customisation tools: Using FBS protocol coding scheme to understand the behaviour of mass customisers
doi	https://doi.org/10.52842/conf.caadria.2011.399
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 399-408
summary	This paper explores the use of CAD software as tools in mass customisation systems and discusses using protocol study methods to analyse the interactions between customers and customisation tools. Current uses of CAD software as customisation tools will be presented. The use of the Function-Behaviour-Structure coding scheme to analyse protocols from customisation sessions is discussed. A protocol from Puma footwear customisation is analysed using the LINKOgrapher software and the results presented. The paper concludes with a discussion on the utility of computational support tools to study designers/customers utilizing CAD tools for mass customisation.
keywords	Mass customisation; CAD; customisation toolkits; design protocol study; FBS coding
series	CAADRIA
email
last changed	2022/06/07 08:00

_id	acadia11_152
id	acadia11_152
authors	Rael, Ronald; San Fratello, Virginia
year	2011
title	Developing Concrete Polymer Building Components for 3D Printing
doi	https://doi.org/10.52842/conf.acadia.2011.152
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 152-157
summary	The creation of building components that can be seen as sustainable, inexpensive, stronger, recyclable, customizable and perhaps even reparable to the environment is an urgent, and critical focus of architectural research. In the U.S. alone, the construction industry produced 143.5 million tons of building-related construction and demolition debris in 2008, and buildings, in their consumption of energy produce more greenhouse gasses than automobiles or industry.Because the inherent nature of 3D printing opens new possibilities for shaping materials, the process will reshape the way we think about architectural building components. Digital materiality, a term coined by Italian and Swiss architects Fabio Gramazio and Matthias Kohler, describes materiality increasingly enriched with digital characteristics where data, material, programming and construction are interwoven (Gramazio and Kohler, 2008). The research aspires towards this classification through the use of parametric modeling tools, analytic software and quantitative and qualitative analysis. Rapid prototyping, which is the automatic construction of physical objects using additive manufacturing technology, typically employs materials intended for the immediate analysis of form, scale, and tactility. Rarely do the materials used in this process have any long-term value, nor does the process - except in rare cases with expensive metal prototyping - have the ability to create actual and sustainable working products. This research intends to alter this state of affairs by developing methods for 3D printing using concrete for the production of long-lasting performance-based components.
series	ACADIA
type	work in progress
email
last changed	2022/06/07 08:00

_id	caadria2011_055
id	caadria2011_055
authors	Roudavski, Stanislav and Anne-Marie Walsh
year	2011
title	The Headspace project: Computer-assisted fabrication as an introduction to digital architectural design
doi	https://doi.org/10.52842/conf.caadria.2011.579
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 579-588
summary	Written for architectural educators, this paper discusses whether digital fabrication can be usefully employed in early architectural education. The paper uses examples from a course that aims to introduce the fundamentals of digital architectural design to first-year students. To achieve this, the course integrates digital fabrication as the core element of the production workflow. Challenging but rewarding, early adoption of digital fabrication exposes students to the processand material-based thinking of contemporary architecture at a time when they form lasting attitudes to designing.
keywords	Architectural education; digital fabrication; digital architectural design; creativity; process-based designing; performancebased designing
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadiaregional2011_009
id	acadiaregional2011_009
authors	Esquivel, Gabriel; Ryan Collier
year	2011
title	A Swell Project: Between Parametrics and Fabrication
doi	https://doi.org/10.52842/conf.acadia.2011.x.r0r
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary	As a case study, Swell serves as: 1) an investigation into architectural ornamentation using a contemporary framework, as directed through specific modes of research, 2) a study in fabrication materials and methods, especially through the realization of form, and 3) as a pedagogical tool, loosely assembled through real and virtual space. This essay will focus mainly on the fabrication methods in terms of why and the pedagogical research initiatives and reactions that went into the design of Swell. The project was conceived through a summer studio which was formed to investigate tools and methods available at the Texas A&M Architecture Ranch and to further the local pedagogical direction toward fabrication in architectural design at Texas A&M University as a whole. That is to say, there was no specific agenda toward parametrics, form, research, technology, or the like. At the same time, as the research continued, certain decisions were cast in terms of technology, sensibility, site, etc. informed by research, iterative processes, or parametric evaluation that ultimately formed the project as it exists today.
series	ACADIA
last changed	2022/06/07 07:49

_id	caadria2011_028
id	caadria2011_028
authors	Lesage, Annemarie and Tomás Dorta
year	2011
title	Two conceptual design tools and an immersive experience: Beyond the pragmatic-pleasurable split in UX
doi	https://doi.org/10.52842/conf.caadria.2011.291
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 291-300
summary	In a recent study, we compared two conceptual design tools supporting collaboration, a whiteboard software accessed through Internet, and a hybrid immersive system, the Hybrid Ideation Space (HIS). The result of the study appeared to favour the HIS because of its immersive qualities. In this paper, we seek possible explanations as to why immersion delivered a better experience, by looking at the mental workload in relationship to the experience. For the workload we rely on Wickens’ four-dimensional multiple resource model, specifically processing codes (verbal/spatial) and visual channels; and for the experience, Csikszentmihalyi’s concept of flow and our own concept of Design Flow. The designers seemed to be responding to different styles of information processing required of them by each tool, one being more experiential and the other requiring a heavier mental workload. Insight in the cognitive underpinning of a strictly pragmatic immersive experience suggests that UX has also to do with how the information is received and processed by users, without isolating the functional from the rest of the experience.
keywords	User experience; immersion; flow; mental workload; Hybrid Ideation Space
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2011_008
id	caadria2011_008
authors	Yuan, Xiaofang; Jihyun Lee and Yu Wu
year	2011
title	A new perspective to look at ice-ray grammar
doi	https://doi.org/10.52842/conf.caadria.2011.081
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 81-90
summary	Chinese lattice designs are a rich source of interesting geometric forms and shape grammar has been used to analyze and generate Chinese lattice designs. Following the origin design intention, researchers have already defined simple and intuitively compelling shape grammar rules to generate them. However, for some self-similar ice-rays, it is difficult to clarify the design intention of them, which is why researchers still cannot define shape grammar rules for them. In this paper, we utilize the culture hints to select the lowest-level constituent for shape calculation and clarify the design intention embedded in the ice-rays. We develop our new shape grammar rules based on the design intention and validate the rules by generating an existing ice-ray window.
keywords	Ice-ray; shape grammar; cultural hint; design intention; lowest-level constituent
series	CAADRIA
email
last changed	2022/06/07 07:57

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