Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	cf2011_p163
id	cf2011_p163
authors	Park, Hyoung-June
year	2011
title	Mass-Customization in the Design of 4,000 Bus Stops
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 265-278.
summary	In Hawaii, ‚"TheBus‚" has been a main transportation system since 1971. Considering the high cost of living in Hawaii and the absence of a rail system, the use of ‚"TheBus‚" has been an instrumental vein of the city life in Honolulu with rhythmical pauses at about 4,000 bus stops in Honolulu. However, existing undifferentiated bus stops are developed from a cost effective mass production system so that they have been problematic for satisfying specific needs from various site conditions. In this research, an integrated computational method of mass-customization for designing 4,000 bus stops is introduced. According to various site conditions, the design of each bus stop is customized. Unlike the mass‚Äêproduced bus stops commonly seen in cities today, the proposed computational method in this paper produces bus stop design outcomes that fit into the physical characteristics of the location in which they are installed. Mass-customization allows for the creation and production of unique or similar buildings and building components, differentiated through digitally‚Äêcontrolled variation (Kolarevic, 2003). The employment of a computational mass‚Äêcustomization in architectural design extends the boundary of design solutions to the satisfaction of multi-objective requirements and unlimited freedom to search alternative solutions (Duarte, 2001; Caldas, 2006). The computational method developed in this paper consists of 1) definition of a prototype, 2) parametric variation, 3) manual deformation, and 4) simulation based deformation. The definition of a prototype is the development of a basic design to be transformed for satisfying various conditions given from a site. In this paper, the bus stop prototype is developed from the analysis of more than 300 bus stops and the categorization of the existing bus stops according to their physical conditions, contextual conditions, climatic conditions, and existing amenities. Based upon the outcome of the analysis, the design variables of a bus stop prototype are defined. Those design variables then guide the basic physical parameters for changing the physical configuration of the prototype according to a given site. From this, many possible design outcomes are generated as instances for further developments. The process of manual deformation is where the designer employs its intuition to develop the selected parametric variation. The designer is compelled to think about the possible implication derived from formal variation. This optional process allows every design decision to have a creative solution from an individual designer with an incidental quality in aesthetics, but substantiated functional quality. Finally the deformation of the selection is guided and controlled by the influence of sun direction/ exposure to the selection. The simulation based deformation starts with the movement of the sun as the trigger for generating the variations of the bus stop prototype. The implementation of the computational method was made within the combination of MEL (Maya Enbedded Language), autodesk MAYA and Ecotect environment.
keywords	mass-customization, parametric variation, simulation based deformation
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	cf2011_p170
id	cf2011_p170
authors	Barros, Mário; Duarte José, Chaparro Bruno
year	2011
title	Thonet Chairs Design Grammar: a Step Towards the Mass Customization of Furniture
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 181-200.
summary	The paper presents the first phase of research currently under development that is focused on encoding Thonet design style into a generative design system using a shape grammar. The ultimate goal of the work is the design and production of customizable chairs using computer assisted tools, establishing a feasible practical model of the paradigm of mass customization (Davis, 1987). The current research step encompasses the following three steps: (1) codification of the rules describing Thonet design style into a shape grammar; (2) implementing the grammar into a computer tool as parametric design; and (3) rapid prototyping of customized chair designs within the style. Future phases will address the transformation of the Thonet’s grammar to create a new style and the production of real chair designs in this style using computer aided manufacturing. Beginning in the 1830’s, Austrian furniture designer Michael Thonet began experimenting with forming steam beech, in order to produce lighter furniture using fewer components, when compared with the standards of the time. Using the same construction principles and standardized elements, Thonet produced different chairs designs with a strong formal resemblance, creating his own design language. The kit assembly principle, the reduced number of elements, industrial efficiency, and the modular approach to furniture design as a system of interchangeable elements that may be used to assemble different objects enable him to become a pioneer of mass production (Noblet, 1993). The most paradigmatic example of the described vision of furniture design is the chair No. 14 produced in 1858, composed of six structural elements. Due to its simplicity, lightness, ability to be stored in flat and cubic packaging for individual of collective transportation, respectively, No. 14 became one of the most sold chairs worldwide, and it is still in production nowadays. Iconic examples of mass production are formally studied to provide insights to mass customization studies. The study of the shape grammar for the generation of Thonet chairs aimed to ensure rules that would make possible the reproduction of the selected corpus, as well as allow for the generation of new chairs within the developed grammar. Due to the wide variety of Thonet chairs, six chairs were randomly chosen to infer the grammar and then this was fine tuned by checking whether it could account for the generation of other designs not in the original corpus. Shape grammars (Stiny and Gips, 1972) have been used with sucesss both in the analysis as in the synthesis of designs at different scales, from product design to building and urban design. In particular, the use of shape grammars has been efficient in the characterization of objects’ styles and in the generation of new designs within the analyzed style, and it makes design rules amenable to computers implementation (Duarte, 2005). The literature includes one other example of a grammar for chair design by Knight (1980). In the second step of the current research phase, the outlined shape grammar was implemented into a computer program, to assist the designer in conceiving and producing customized chairs using a digital design process. This implementation was developed in Catia by converting the grammar into an equivalent parametric design model. In the third phase, physical models of existing and new chair designs were produced using rapid prototyping. The paper describes the grammar, its computer implementation as a parametric model, and the rapid prototyping of physical models. The generative potential of the proposed digital process is discussed in the context of enabling the mass customization of furniture. The role of the furniture designer in the new paradigm and ideas for further work also are discussed.
keywords	Thonet; furniture design; chair; digital design process; parametric design; shape grammar
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	cf2011_p145
id	cf2011_p145
authors	Georgiou, Odysseas
year	2011
title	Interactive Structural Analysis
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 833-846.
summary	This paper re-approaches structural engineering through an interactive perspective by introducing a series of tools that concatenate parametric design with structural analysis, thus achieving interoperability between form and its structural performance. Parametric Design is linked to Structural Analysis using computer programming to establish a common interactive framework that leads to performance based designs that respond to structural constrains and conditions in an interactive manner. A series of examples illustrate the synergy between form and structure by interactively modelling, analysing and visualizing its response.
keywords	Structural engineering, parametric design, interoperability,free form,interactive,analysis
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ecaade2011_117
id	ecaade2011_117
authors	Albayrak, Canan; Tunçer, Bige
year	2011
title	Performative architecture as a guideline for transformation: Defense Line of Amsterdam
doi	https://doi.org/10.52842/conf.ecaade.2011.501
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.501-510
wos	WOS:000335665500058
summary	Performance as an architectural design paradigm has been emerging during the recent years. We have developed an understanding that we formalized as a taxonomy for performative architecture that considers performance from three points of view: health, safety and security performance; functional and efficiency performance; and psychological, social, cultural, and esthetic performance. This paper focuses on a design project that explores these ideas as a performative architecture proposal. The project focuses on the architectural transformation of the Defense Line of Amsterdam, 41 forts, as a green belt. This transformation considers a holistic approach of defining a general method and guideline. We developed a series of parametric models for the definition and generation of designs. The first model computes an urbanization level for each fort. Consequently, models are developed in 4 stages: regional design, urban design, building design, and production of a scale model, and these are applied in an iterative manner to reach design outcomes for the project.
keywords	Performative architecture; performance evaluation; taxonomy; parametric modeling
series	eCAADe
email
last changed	2022/05/01 23:21

_id	caadria2011_012
id	caadria2011_012
authors	Biao, Li and Li Rong
year	2011
title	Searching generative methods based on building environments
doi	https://doi.org/10.52842/conf.caadria.2011.123
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 123-132
summary	Architectural contexts present both resources and restrictions from local spatial environment, such as factors of sunlight, landscape, line of sight, terrain and etc. They play important roles in architectural design. Following the traditional methods, it takes the architects lots of time to analyse the relative relationships. This paper takes terrain and sunlight into consideration to illustrate how to employ generative methods at the early stage of architectural design.
keywords	Terrain context; sunlight; multi-agent; genetic algorithm, evolve
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2011_061
id	caadria2011_061
authors	Celani, Gabriela; José P. Duarte and Carlos V. Vaz
year	2011
title	The gardens revisited: The link between technology, meaning and logic?
doi	https://doi.org/10.52842/conf.caadria.2011.643
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 643-652
summary	The objective of this paper is to compare the computational concepts present in three books published by Mitchell between 1987 and 1990: The art of computer-graphics programming (1987), which has Robin Liggett and Thomas Kvan as co-authors, The logic of architecture (1990), probably his most influential work, and The poetics of gardens (1988), which has Charles Moore and William Turnbull as coauthors. By looking at the concepts that are presented in the three books and establishing a comparison between them, we expect to show that The poetics of Gardens should not be seen as a detour from Mitchell´s line of research, but rather as a key piece for understanding the relationship between technology, meaning and logic in his very coherent body of work.
keywords	Computational design concepts; technology; meaning; logic
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	cf2011_p027
id	cf2011_p027
authors	Herssens, Jasmien; Heylighen Ann
year	2011
title	A Framework of Haptic Design Parameters for Architects: Sensory Paradox Between Content and Representation
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 685-700.
summary	Architects‚Äîlike other designers‚Äîtend to think, know and work in a visual way. In design research, this way of knowing and working is highly valued as paramount to design expertise (Cross 1982, 2006). In case of architecture, however, it is not only a particular strength, but may as well be regarded as a serious weakness. The absence of non-visual features in traditional architectural spatial representations indicates how these are disregarded as important elements in conceiving space (Dischinger 2006). This bias towards vision, and the suppression of other senses‚Äîin the way architecture is conceived, taught and critiqued‚Äîresults in a disappearance of sensory qualities (Pallasmaa 2005). Nevertheless, if architects design with more attention to non visual senses, they are able to contribute to more inclusive environments. Indeed if an environment offers a range of sensory triggers, people with different sensory capacities are able to navigate and enjoy it. Rather than implementing as many sensory triggers as possible, the intention is to make buildings and spaces accessible and enjoyable for more people, in line with the objective of inclusive design (Clarkson et al. 2007), also called Design for All or Universal Design (Ostroff 2001). Within this overall objective, the aim of our study is to develop haptic design parameters that support architects during design in paying more attention to the role of haptics, i.e. the sense of touch, in the built environment by informing them about the haptic implications of their design decisions. In the context of our study, haptic design parameters are defined as variables that can be decided upon by designers throughout the design process, and the value of which determines the haptic characteristics of the resulting design. These characteristics are based on the expertise of people who are congenitally blind, as they are more attentive to non visual information, and of professional caregivers working with them. The parameters do not intend to be prescriptive, nor to impose a particular method. Instead they seek to facilitate a more inclusive design attitude by informing designers and helping them to think differently. As the insights from the empirical studies with people born blind and caregivers have been reported elsewhere (Authors 2010), this paper starts by outlining the haptic design parameters resulting from them. Following the classification of haptics into active, dynamic and passive touch, the built environment unfolds into surfaces that can act as ‚Äúmovement‚Äù, ‚Äúguiding‚Äù and/or ‚Äúrest‚Äù plane. Furthermore design techniques are suggested to check the haptic qualities during the design process. Subsequently, the paper reports on a focus group interview/workshop with professional architects to assess the usability of the haptic design parameters for design practice. The architects were then asked to try out the parameters in the context of a concrete design project. The reactions suggest that the participating architects immediately picked up the underlying idea of the parameters, and recognized their relevance in relation to the design project at stake, but that their representation confronts us with a sensory paradox: although the parameters question the impact of the visual in architectural design, they are meant to be used by designers, who are used to think, know and work in a visual way.
keywords	blindness, design parameters, haptics, inclusive design, vision
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	acadiaregional2011_003
id	acadiaregional2011_003
authors	Howe, Nathan
year	2011
title	Algorithmic Modeling: Teaching Architecture in Digital Age
doi	https://doi.org/10.52842/conf.acadia.2011.x.a0p
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary	Can a working knowledge of algorithmic modeling augment student understanding of building architecture? This question is fundamental when addressing student design education today. This paper demonstrates that when students apply a reductive process more in line with Newell, Shaw and Simon (Newell, Shaw and Simon 1957), they can break down a complex problem into simpler and simpler terms until the problem can be resolved. This type of reduction can be applied systematically to the parametric-driven form through reverse engineering. In the process of reverse engineering, students begin to connect descriptive geometry with complex form, breaking down the complex form into its simplest parts. This design process of reduction and reverse engineering leads designers to take a more systematic approach to theoretical ideas, at once creating complex constructs while pragmatically attacking the issues of buildable form. This paper will delve into teaching analytical tools so students not only comprehend the input of form-making, but the necessary output to test building and material concepts. Fostering a clear methodology for testing built form within the design process also furthers the student’s development as a problem solver and design innovator.
series	ACADIA
last changed	2022/06/07 07:49

_id	eaea2009_loerincz_szilagyi_urbin
id	eaea2009_loerincz_szilagyi_urbin
authors	Loerincz, Daniel; Brigitta Szilagyi, Agnes Urbin
year	2011
title	Space Representation with Six Vanishing Points
source	Projecting Spaces [Proceedings of the 9th European Architectural Endoscopy Association Conference / ISBN 978-3-942411-31-8 ], pp. 161-171
summary	Even the antique world’s scientists were interested in the problem of realistic space representation. Renaissance artists realized the first significant results with the one landmark perspective: in this mode the relative positions of objects are easy to define. Leonardo da Vinci discovered that the one-point perspective shows in different measure the objects in the same distances from the viewer but different distances from the landmark. To eliminate this problem he applied the natural perspective for the first time (two-point perspective). With this method he extended the field of view to 90° (in line with the horizon). Later the three-point perspective made possible to represent those objects which have quite large extension in all directions. Because of the feature of the human eye in everyday life we only need these three space representations. The extension of the field of view raises the problem that parallel lines seem to run to different landmarks. So we can conclude that in case of large field of view the images of straight lines are usually not straight lines. This paradox is possible because in case of perspectives with one two and three vanishing points we represent only half lines on the paper and we neglect three more landmarks. It’s easy to see that if two parallel lines meet in front of us, it must happen in the same way behind us. The six- point perspective is a space representation which takes these problems into consideration. In this way we are able to represent on a terminate field the whole space around us except the viewpoint. This system can terminate the rank of the perspectives started with the traditional one-, two- and three- point perspectives and continued with the four- and five-point perspectives. In literature we can find some book about art which is engaged in this system and gives alternative solutions against the conventional space representations and some enterprising artist are making experiments in this field.
series	other
type	normal paper
more	http://info.tuwien.ac.at/eaea
last changed	2011/03/04 08:54

_id	ecaade2011_113
id	ecaade2011_113
authors	Madrazo, Leandro; Riddy, Paul
year	2011
title	OIKODOMOS Virtual Campus: Constructing learning processes in collaboration
doi	https://doi.org/10.52842/conf.ecaade.2011.194
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.194-202
wos	WOS:000335665500022
summary	The OIKODOMOS Virtual Campus is a learning space where teachers and students of schools of architecture and urban planning collaborate in the design and implementation of learning activities dedicated to the study of housing in contemporary Europe. Its pedagogic model is based on the intertwining of on-line and on-site activities and on the integration of different types of courses following a blended learning approach. A technological platform has been specifically created to support the project’s constructivist pedagogy. In this paper we describe the main components of the pedagogic model, the technological platform, their implementation and application for delivering learning activities.
keywords	Virtual campus; blended learning; learning sequences; housing studies
series	eCAADe
email
last changed	2022/05/01 23:21

_id	ijac20109305
id	ijac20109305
authors	Martens, Bob and Herbert Peter
year	2011
title	A Long-term Scope of Actions for Reconstructed Cultural Heritage: Maintaining a Virtual Archive of Nonexisting Synagogues
source	International Journal of Architectural Computing vol. 9 - no. 3, 285-302
summary	Reconstruction work on more than twenty synagogues in Vienna has been ongoing for more than a decade. The fact that these sacred buildings no longer exist is a pivotal aspect in this undertaking. Research revealed archived material, however, which served as reliable basis for the reconstruction work. The authors discuss details of the process of handling archival research as well as the decision-making process during reconstruction. The paper focuses on the possibilities and limits of this exploration and discusses the long-term options of handling 3D models, also in the light of continuous changes in the software environments used. The dissemination of results to a large audience and the appropriate illustration of spatial contexts is another aspect that has been explored. The publication of results in the form of a city guide is in line with the objective of conveying the reconstruction results to a large audience.
keywords	Virtual reconstruction; destroyed synagogue; 3D-Modelling; visual representation; urban context
series	journal
last changed	2019/05/24 09:55

_id	sigradi2018_1612
id	sigradi2018_1612
authors	Miyasaka, Elza Luli; Minto Fabricio, Márcio; Paoletti, Ingrid
year	2018
title	Industry 4.0 and the Civil Construction in Brazil
source	SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, São Carlos 7 - 9 November 2018, pp. 690-694
summary	This paper aims to make an exploratory research about the dissemination of the purpose of Industry 4.0 concept in Brazil, that was introduced by Germany in 2011, especially in Architecture, Engineering and Construction sector. For this aim it was made a survey in magazines on line. As results was verified that the area that is discussing the concept are essentially productions engineering with a inexpressive repercussion in civil construction.
keywords	Industry 4.0, Digital Fabrication, Technopolítics, Brazil
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2011_422
id	sigradi2011_422
authors	Molinas, Isabel
year	2011
title	Nuevos correlatos entre línea, espacio y tiempo: anotaciones sobre el arte indisciplinado de Abel Monasterolo [New correlates between line, space, and time: annotations on the Abel Monesterolo’s unruly art ]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 298-301
summary	Ephemeral art, post-autonomus, unruly, out of the frame or undefined, are the categories which characterize the visual arts today. In that context, we address as case study the work of the Argentinian visual artist Abel Monasterolo. Along with the analysis of their work, we propose an urban intervention in "Ciudad Universitaria", within the framework of SIGRADI 2011. It consists to perform a frieze from the point, the line and the plane. It proposes a visual narrative of "the big bang of artistic creation". This narrative incorporates experiences of augmented culture, like a palimpsest, paradigmatic works of design history. It also includes a scanned self-portrait of the artist. The work of art has a performative character and offers the spectator to participate in strategic moments of the artistic discourse.
keywords	Art; augmented culture; urban intervention; performance
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	acadia11_342
id	acadia11_342
authors	Tibbits, Skylar
year	2011
title	A Model for Intelligence of Large-scale Self-assembly
doi	https://doi.org/10.52842/conf.acadia.2011.342
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 342-349
summary	Imagine a world constructed of programmable matter and reconfigurable elements. An intelligent environment where objects can take on multiple forms based on localized desires and perform a myriad of tasks. This world would need to be intertwined with sensing, reasoning, actuation and various other human-adapted capabilities. If advancements are being made in programmable matter, then we should try to understand the problems at the front line of human interaction through responsive spatial environments. These environments would need to respond to human desires, occupation needs and environmental conditions; therefore we should focus directly on coded assembly at human scales.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	sigradi2011_347
id	sigradi2011_347
authors	Trevisan Pupo, Regiane; Aranda, Isadora Magdalena
year	2011
title	Sentir um quadro [Feeling a painting]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 281-284
summary	Since 2007, LAPAC - Laboratory of Automation and Prototyping for Architecture and Construction, FEC, UNICAMP, has developed scientific researches in rapid prototyping. With the recent acquisition of a numerical control machine (CNC), LAPAC starts a new line of research, the digital fabrication, which gives the production possibility of real scale objects and its moulds. It is also possible to produce relief surfaces using a wide range of materials. This research?s purpose is to reproduce pictures in relief (2.5D) so that visually impaired and people with subnormal vision can experience art by touch and will reckon on LAB (Laboratory of Accessibility) of UNICAMP.
series	SIGRADI
email
last changed	2016/03/10 10:01

_id	ecaade2011_021
id	ecaade2011_021
authors	Asanowicz, Aleksander
year	2011
title	Digital “serial vision” - new approach in urban composition teaching
doi	https://doi.org/10.52842/conf.ecaade.2011.716
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.716-724
wos	WOS:000335665500083
summary	The paper discusses the following problem: How can digital technology are integrated with urban composition teaching to provide a better understanding of the aesthetical and emotional aspects of the city? It argues for the current need for an integration of computer modelling and the approaches developed form the work of K. Lynch, G. Cullen, R. Krier, F. Ching. The paper is based on the experience in design studio teaching and an experiment completed with students. The exercise shows the students that different spatial organization may cause different emotions according to the treatment of space-defining elements. The paper presents the background and context as well as describes the experimental environment and the student work.
keywords	Urban composition; serial vision; computer animation
series	eCAADe
email
last changed	2022/05/01 23:21

_id	acadiaregional2011_029
id	acadiaregional2011_029
authors	Bell, Brad; Kevin Patrick McClellan, Andrew Vrana
year	2011
title	Reconfiguring Collaboration by Computational Means Tex-Fab: A new model for collaborative engagement
doi	https://doi.org/10.52842/conf.acadia.2011.x.f7u
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary	TEX-FAB is a non-profit organization founded between three universities in Texas with the primary function of connecting design professionals, academics, and manufactures interested in digital fabrication. The three co-directors established TEX-FAB as a collective action, one that attempts to combine divergent interests and capabilities, for the purpose of strengthening the regional discourse around digital fabrication and parametric design. The three primary avenues for accomplishing this goal are set out as Theoria (Lectures / Exhibitions), Poiesis (Workshops) and Praxis (Competition). We see this type of effort as a new paradigm focused on providing a network of affiliated digital fabrication resources, and a platform for education/ exchange on issues of parametric modeling. It is our position that TEX-FAB engages the new and growing awareness of a regional and global hybridization. We seek to leverage the burgeoning global knowledge base to produce a more specific and contextual dialogue within the region we operate, teach, and practice.
series	ACADIA
last changed	2022/06/07 07:49

_id	acadia11_318
id	acadia11_318
authors	Doumpioti,Christina
year	2011
title	Responsive and Autonomous Material Interfaces
doi	https://doi.org/10.52842/conf.acadia.2011.318
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 318-325
summary	This paper presents continuing research on responsive systems in architecture; the ability of architectural systems to change certain properties in response to their surrounding environmental pressures. While doing so, it shifts from current and past examples of mechanical approaches of adaptation, towards biological paradigms of seamless material integration. Looking at biological mechanisms of growth and focusing on the material make-up behind them, the research proposes the exploration of material systems in a two-fold interrelated manner: firstly, through passive material systems of variable elasticity, and secondly through the embedment of smart materials with shape-changing properties. The combination of the two is aiming at architectural systems of functional versatility.Through an interdisciplinary approach, the paper examines the following questions: Is it possible to envisage structures that share the principles of adaptation and response of living organisms? What are the technological challenges faced when designing self-actuated responsive interfaces? Which is the conceptual framework for understanding and investigating complex adaptive and responsive systems? By exploring and synthesizing theories and tools from material science, bioengineering and cybernetics the aim is to inform architectural interfaces able to enhance interconnectivity between the man-made and the natural. Focusing on the self-organization of material systems the intention is to suggest architectural interventions, which become sub-systems of their ecological milieu. The emphasis therefore is placed not on architectural formalism, but on how we can define synthetic environments through constant exchanges of energy, matter and information.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	sigradi2011_382
id	sigradi2011_382
authors	Pimentel, Diego; Causa, Emiliano; Cataldi, Mariano; Braida, Santiago
year	2011
title	Mundo Circular. Ejemplo low-tech de realidad aumentada e interfaces tangibles [Mundo Circular. Tangible interfaces and low-techaugmentedreality]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 294-297
summary	This work is about the relationship between socio-political matters and communications aspects in every country around the world. The data collected from ITU (International Telecommunication Union), UN, UNESCO, FAO (Food and Agriculture Organization), WTO and World Bank, show contrast among countries with more available resourcesand those who hasn't. The interface use augmented reality patterns to allow the user know the differences between the values expressed by each country, in a visual and intuitive way.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	ecaade2014_092
id	ecaade2014_092
authors	Sherif Abdelmohsen
year	2014
title	A BIM-based Framework for Assessing Architectural Competition Entries
doi	https://doi.org/10.52842/conf.ecaade.2014.2.473
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 473-483
wos	WOS:000361385100050
summary	Architectural competitions have been traditionally used to select best design practices. The basis of assessment for competitions has typically involved non-technical concepts of quality, subjective and emotional appreciations of experiences, and inseparable accord of formal, functional, aesthetic and contextual values (Rönn, 2011), rather than clear-cut objective and precisely measured values as in the engineering domain (Nashed, 2005; Nelson, 2006). Criteria for judgment usually focus on design parti and clarity of concept, novelty of architectural approach, context compliance, spatial organization, functional adaptability, economical solutions, and design flexibility. The assessment process, although presumably comprehensive and involving multiple evaluation techniques and resources, may still overlook important technical issues that may be fundamentally significant to the exclusion or approval of a given entry. This paper introduces a framework for assessing architectural competition entries aided by concepts of building information modeling (BIM).
keywords	Building information modeling; architectural competitions; design evaluation; best practices; rule checking
series	eCAADe
email
last changed	2022/06/07 07:56

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