Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	cf2011_p115
id	cf2011_p115
authors	Pohl, Ingrid; Hirschberg Urs
year	2011
title	Sensitive Voxel - A reactive tangible surface
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 525-538.
summary	Haptic and tactile sensations, the active or passive exploration of our built surroundings through our sense of touch, give us a direct feeling and detailed information of space, a sense of architecture (Pallasmaa 2005). This paper presents the prototype of a reactive surface system, which focuses its output on the sense of touch. It explains how touch sensations influence the perception of architecture and discusses potential applications that might arise from such systems in the future. A growing number of projects demonstrate the strong impact of interaction design on the human senses and perception. They offer new ways of sensing and experiencing architectural space. But the majority of these interaction concepts focus on visual and auditory output-effects. The sense of touch is typically used as an input generator, but neglected as as a potential receiver of stimuli. With all the possibilities of sensors and micro-devices available nowadays, there is no longer a technical reason for this. It is possible to explore a much wider range of sense responding projects, to broaden the horizon of sensitive interaction concepts (Bullivant 2006). What if the surfaces of our surroundings can actively change the way it feels to touch them? What if things like walls and furniture get the ability to interactively respond to our touch? What new dimensions of communication and esthetic experience will open up when we conceive of tangibility in this bi-directional way? This paper presents a prototype system aimed at exploring these very questions. The prototype consists of a grid of tangible embedded cells, each one combining three kinds of actuators to produce divergent touch stimuli. All cells can be individually controlled from an interactive computer program. By providing a layering of different combinations and impulse intensities, the grid structure enables altering patterns of actuation. Thus it can be employed to explore a sort of individual touch aesthetic, for which - in order to differentiate it from established types of aesthetic experiences - we have created the term 'Euhaptics' (from the Greek ŒµœÖ = good and Œ¨œÄœÑœâ = touch, finger). The possibility to mix a wide range of actuators leads to blending options of touch stimuli. The sense of touch has an expanded perception- spectrum, which can be exploited by this technically embedded superposition. The juxtaposed arrangement of identical multilayered cell-units offers blending and pattern effects of different touch-stimuli. It reveals an augmented form of interaction with surfaces and interactive material structures. The combination of impulses does not need to be fixed a priori; it can be adjusted during the process of use. Thus the sensation of touch can be made personally unique in its qualities. The application on architectural shapes and surfaces allows the user to feel the sensations in a holistic manner ‚Äì potentially on the entire body. Hence the various dimensions of touch phenomena on the skin can be explored through empirical investigations by the prototype construction. The prototype system presented in the paper is limited in size and resolution, but its functionality suggests various directions of further development. In architectural applications, this new form of overlay may lead to create augmented environments that let inhabitants experience multimodal touch sensations. By interactively controlling the sensual patterns, such environments could get a unique ‚Äútouch‚Äù for every person that inhabit them. But there may be further applications that go beyond the interactive configuration of comfort, possibly opening up new forms of communication for handicapped people or applications in medical and therapeutic fields (Grunwald 2001). The well-known influence of touch- sensations on human psychological processes and moreover their bodily implications suggest that there is a wide scope of beneficial utilisations yet to be investigated.
keywords	Sensitive Voxel- A reactive tangible surface
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	cf2011_p049
id	cf2011_p049
authors	Hii Jun Chung, Daniel; Chye Kiang Heng, Lai Choo Malone Lee, Ji Zhang
year	2011
title	Analyzing the Ventilation Performance of Tropical High Density Residential Precincts using Computational Fluid Dynamics
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 351-366.
summary	Major cities in the world are getting bigger as they continue to grow to cater for more population increase. These cities normally forced the urban planning to go high density. In the tropical context, high density cities like Singapore and Hong Kong do not have the luxury of space to go low rise and compact. These cities have to build to the floor area ratio of 4 and above to cater for the population. Their only solution is to go up, as high as possible, to the extent that the natural wind flow pattern will be altered, which brings environmental impact to the people. This is generally not good since wind flow helps to maintain the thermal comfort of the people as heat and pollutants are being channeled out of the city to avoid Urban Heat Island effect. In the tropical context, wind flow is crucial to maintain people‚Äôs comfort as the temperature is generally very high from the exposure of the sun for the entire year. Studies have shown that wind flow plays the most significant part in maintaining human comfort despite exposing to direct sunlight in the tropics. Therefore, wind flow analysis is extremely crucial to make the design sustainable and energy efficient, as people will not have to depend on mechanical ventilation to compensate for the lack of wind flow. Computational Fluid Dynamics (CFD) has always been used in the field of architecture, urban design and urban planning to understand the patterns of wind flow through the built environment apart from wind tunnel tests. The availability of more powerful hardware for the mainstream computer users as well as the lowering costs of these computers made CFD more possible to be adopted in the design world today. This also means using CFD in the design process, especially to analyze the impact of the design to the current site conditions and annual wind patterns will help the new design to be more responsive to the site. The interest of this paper is to analyze the high density typologies to see how well they respond to the local wind flow pattern. A typology is considered acceptable when the wind flow going through the site is still maintaining acceptable wind speed. This means it does not block off the wind and create stagnant spaces. Different designs generate different typologies which will respond differently to the wind pattern. The study aims at comparing the local high density typologies in terms of their response to the wind. Changes to a typology can be explored too to see if the performance will be different. For a typology which is considered a total failure in terms of response to wind, it may improve its performance if the orientation is altered. The CFD software can also parametrically respond to the changes of the typologies‚Äô dimensions. This is helpful to see how much more a typology can still be performing well before failure by increasing the floor area index. The easiest way to do this is to pump up the building height. In conclusion, designing in response to wind is extremely important as it is more sustainable and responsive to Urban Heat Island effect. A design which responds well to the wind patterns will help save cost of cooling load and fan expenditure. The people will also be more willing to use the outdoor spaces which will as a whole generate more vibrant city spaces. As a result, a high density city with huge population count can still enjoy good thermal comfort if the general urban planning and design respond well to wind.
keywords	computational fluid dynamics, sustainability, high density, urban design, airflow, ventilation
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	eaea2009_loerincz_szilagyi_urbin
id	eaea2009_loerincz_szilagyi_urbin
authors	Loerincz, Daniel; Brigitta Szilagyi, Agnes Urbin
year	2011
title	Space Representation with Six Vanishing Points
source	Projecting Spaces [Proceedings of the 9th European Architectural Endoscopy Association Conference / ISBN 978-3-942411-31-8 ], pp. 161-171
summary	Even the antique world’s scientists were interested in the problem of realistic space representation. Renaissance artists realized the first significant results with the one landmark perspective: in this mode the relative positions of objects are easy to define. Leonardo da Vinci discovered that the one-point perspective shows in different measure the objects in the same distances from the viewer but different distances from the landmark. To eliminate this problem he applied the natural perspective for the first time (two-point perspective). With this method he extended the field of view to 90° (in line with the horizon). Later the three-point perspective made possible to represent those objects which have quite large extension in all directions. Because of the feature of the human eye in everyday life we only need these three space representations. The extension of the field of view raises the problem that parallel lines seem to run to different landmarks. So we can conclude that in case of large field of view the images of straight lines are usually not straight lines. This paradox is possible because in case of perspectives with one two and three vanishing points we represent only half lines on the paper and we neglect three more landmarks. It’s easy to see that if two parallel lines meet in front of us, it must happen in the same way behind us. The six- point perspective is a space representation which takes these problems into consideration. In this way we are able to represent on a terminate field the whole space around us except the viewpoint. This system can terminate the rank of the perspectives started with the traditional one-, two- and three- point perspectives and continued with the four- and five-point perspectives. In literature we can find some book about art which is engaged in this system and gives alternative solutions against the conventional space representations and some enterprising artist are making experiments in this field.
series	other
type	normal paper
more	http://info.tuwien.ac.at/eaea
last changed	2011/03/04 08:54

_id	sigradi2011_155
id	sigradi2011_155
authors	Quijano Silva, Catalina
year	2011
title	El bailarín: un diseñador de su espacio y su tiempo [The dancer: a designer of his time and his space]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 343-346
summary	32pts&1/2 (TreintaYDósPuntos ; YMedio) is a project that offers new ways in dance research using new languages through technology and design in order to analyze and to understand the movement and the motion of the body in the dynamic space,. It gives to directors, teachers and dancers new tools to see, to understand and to explore contemporary work in choreography, dance and visual arts. Design, body and technology are used in equal measure to think the time and the space, having always the human as the center element.
series	SIGRADI
email
last changed	2016/03/10 09:58

_id	cf2011_p069
id	cf2011_p069
authors	Zahedi, Mithra, Guité Manon; De Paoli Giovanni
year	2011
title	Addressing User-Centeredness: Communicating Meaningfully Through Design
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 513-524.
summary	This paper proposes a model for human-computer interface design, which is focused on a user-centered approach. The paper studies the complexity inherent in the design process when the aim is to consider all team members of a project as contributors to a human-centered approach. Designers know that they are dealing with “messy” situations; they understand the uniqueness of each project, the continuous change of user needs, and the rapid development of information technology. They also see the challenges when working with other disciplines at the conceptual level, in creating shared understanding regarding user-centeredness. In this context, how can designers create the conditions for diverse contributing collaborators to go beyond their individual knowledge and enrich their reflections in order to efficiently collaborate within a human-centered approach? This study proposes that in looking to increase the efficiency of interfaces, all stakeholders should consider the user in all phases of the design process especially when they deal with complex and multi-disciplinary situations. Conducting a project-grounded approach led to introducing a new theoretical model of design. The model, which is based on joint reflective practice and an interdisciplinary attitude supports and frames a collaborative human-computer interface design process.
keywords	Theoretical model, User-centered design; HCI; Interdisciplinary; Project-grounded approach
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	acadia11_342
id	acadia11_342
authors	Tibbits, Skylar
year	2011
title	A Model for Intelligence of Large-scale Self-assembly
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 342-349
doi	https://doi.org/10.52842/conf.acadia.2011.342
summary	Imagine a world constructed of programmable matter and reconfigurable elements. An intelligent environment where objects can take on multiple forms based on localized desires and perform a myriad of tasks. This world would need to be intertwined with sensing, reasoning, actuation and various other human-adapted capabilities. If advancements are being made in programmable matter, then we should try to understand the problems at the front line of human interaction through responsive spatial environments. These environments would need to respond to human desires, occupation needs and environmental conditions; therefore we should focus directly on coded assembly at human scales.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	sigradi2011_264
id	sigradi2011_264
authors	Araneda, Claudio
year	2011
title	Hacia un Estudio del Protofenómeno Urbano: Rudimentos Analíticos para una Aproximación Fenoménica al Estudio de la Percepción de Seres Humanos en el Espacio Urbano [Towards a Study of the Urban Protophenomenon: Analytical Rudiments for a Phenomenological Approximation to the Study of the Perception of Human Beings in Urban Space]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 534-537
summary	This work outlines the theoretical and methodological framework for the development of analytical rudiments contributing to the registry, cartography and quantification of the urban phenomenon understood not as urban space perception but rather, as human beings perception within urban space. It argues that this approach to urban studies is part of a scarcely explored lineage within the field of urban analysis. One that, much in the same way as the widely used topological/ structural approach, reveals key quantifiable information, mainly, in terms of real or effective density and therefore, of high value for the design of micro and meso urban scales.
keywords	Urban phenomenon; urban protophenomenon; phenomenology, urban analysis, space syntax
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2011_359
id	sigradi2011_359
authors	Bessone, Miriam; Milone, Diego; Irsuta, Maximiliano
year	2011
title	Relaciones sinestésicas entre la música y la forma visual: hacia una identificación automatizada a través de métodos computacionales [Synaesthetic relations between music and visual shapes: towards automated identification using computational methods]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 289-293
summary	In this paper, relations between music and visual perception are investigated using statistical analisys of the entailment made amongst them by different subjects in several experimental situations designed for such purpose. The goal, is to discover a set of elements and management mechanisms that are common to both field, from wich it is posible to detect significant constants and discard atypical relations. Finally, we will seek to develop a series of mathematical models that may be implemented as software to analize music and synthesis of forms, and simulate human analisys of relations between them.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2011_100
id	ecaade2011_100
authors	Hakak, Alireza M.; Biloria, Nimish
year	2011
title	New perception of virtual environments, Enhancement of creativity: Increasing dimension of design starting point
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.967-975
doi	https://doi.org/10.52842/conf.ecaade.2011.967
wos	WOS:000335665500111
summary	The digital era allows for a new domain of architectural experience. Within a virtual environment designs can be created that go beyond the mere accommodation of literal functions, and that affect and contribute to the human experience by dynamically interacting with and affecting the inhabitants’ life. A key point in “creativity”, considering different disciplines, is the role of previously gained experiences, which cause the emerging of intuition. Accentuating the role of new experiences in enhancing the intuition, by designing in an imaginary world, stands to be an interesting move. Detached from the real one in sense of time and matter, the imaginary world enables the designer to cross the borderline of reality. The hypothesis underlying this ongoing research, from a cognitive point of view, is that the extensiveness of experiences gained by exploring unconventional virtual environments relates positively to both creative performance (enhancing interactivity, lateral thinking, idea generation, etc) and creativity-supporting cognitive processes (retrieval of unconventional knowledge, recruitment of ideas from unconfined virtual environments for creative idea expansion). Practically, the authors propose starting the design from a point cloud in a virtual environment that can be manipulated by the designer immersing in this environment.
keywords	Virtual Environment; Experience; Enhancing creativity; Point cloud
series	eCAADe
email
last changed	2022/05/01 23:21

_id	sigradi2011_092
id	sigradi2011_092
authors	Hemmerling, Marco
year	2011
title	Informed Material
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 339-342
summary	Next to the possibilities of digital form-finding strategies, parametric design and computational visualization techniques, which lead to an increasing virtualization of our society - rapid technologies allow today for the direct translation of the digital model into the physical world. As a result of this process the experience of digital realities, driven by virtual environment gets an interesting shift back to the physical world. Against this background the paper points out that it is a question of design to define contemporary and intended matters, processes and strategies of interaction, in other words: to inform the design.
keywords	Rapid Prototyping; Materialization; Perception; Digital Design Tools; Human-Centered Design
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	cdrf2023_235
id	cdrf2023_235
authors	Mohsen Kafaei, Jane Burry, Mehrnoush Latifi, Joseph Ciorciari
year	2023
title	Designing a Systematic Experiment to Investigate the Effect of Ambient Smell on Human Emotions in the Indoor Space; Introducing a Mixed-Method Approach
source	Proceedings of the 2023 DigitalFUTURES The 5st International Conference on Computational Design and Robotic Fabrication (CDRF 2023)
doi	https://doi.org/https://doi.org/10.1007/978-981-99-8405-3_20
summary	Studies have indicated that built environments affect all aspects of human life such as emotion, perception, behavior, health, and well-being (Cooper et al. 2011). Built environments are formed from the combination and juxtaposition of visible and invisible environmental variables. In recent years, common techniques such as virtual reality, augmented reality, digital twins, and artificial intelligence have enabled researchers in the field of architecture and urban design to simulate environmental conditions to investigate the impacts of environmental variables on humans. However, the studies conducted in this field of human comfort are mostly focused on the impact of environmental variables such as form, temperature, humidity, and sound, and in fewer studies, up-to-date methods and technologies have been used to simulate and investigate the impact of smell on humans. Most of the studies that have investigated the effect of ambient smell on humans, carried out in the discipline of architecture and urban design, have used traditional tools and methods (questionnaire, interview, observation) rather than advanced technology and tools drawing on neuroscientific knowledge and technique to measure the effectiveness of the ambient smell on human. They have used unmasked scents or real-world environments rather than being able to simulate environmental conditions. This article highlights the significance and necessity of employing simulation methods to investigate the impact of environmental smells on humans. Additionally, it presents the methodology of an experiment for studying the effect of indoor environment smells (with a case study of an office environment in the initial phases) on human emotions, utilizing a mixed-method approach. Analysis of some parts of the data from this experiment showed that exposure to the fragrance of the jasmine flower pleasant (flower) and the odor of the rotten orange peel (unpleasant) can cause changes in the electroencephalography (EEG) power across different bands among participants.
series	cdrf
email
last changed	2024/05/29 14:04

_id	sigradi2011_427
id	sigradi2011_427
authors	Pohl, Ingrid Maria
year	2011
title	Tangible Patterns. The aesthetic of a multilayered interactive skin
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 219-222
summary	Digital media and interactive technologies provide the opportunity to augment and alter the characteristic qualities of sensual and aesthetic perception. The visual and auditory senses are culturally predominant, but nevertheless the sense of touch receives nowadays increasing attention. This paper presents the perceptive potentials of touch sensations and their influences on our emotions. We will discuss how we can take advantage of these potentials using digital media and technology and how touch stimuli are forming aesthetic experiences. In this paper we are investigating the influence of an interactive "skin" - prototype on the human touch perception in the architectonical context.
keywords	Sense of touch; perception; interactivity; augmented architecture
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	ecaade2011_041
id	ecaade2011_041
authors	Varoudis, Tasos; Dalton, Sheep; Alexiou, Katerina; Zamenopoulos, Theodore
year	2011
title	Subtle interventions: How ambient displays influence route choice in buildings.
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.933-941
doi	https://doi.org/10.52842/conf.ecaade.2011.933
wos	WOS:000335665500107
summary	Ambient displays allow physical space to be transformed into a dynamic and ever-changing environment in which boundaries are dissolved. However, it is likely that the incorporation of such digital elements affects people’s perception and understanding of space. In this particular study, a series of experiments were conducted to examine how a skewed perspective projection via an ambient display influences people’s navigation in public spaces. The findings are then presented showing how the participants’ responded to the presence of the skewed projection and the effects on the movement patterns. This study discusses the ability of an ambient display to influence navigation paths and suggests that a projection with skewed perspective can determine the creation of new movement patterns.
keywords	Ambient displays; human navigation; built environment; visual perception; isovist
series	eCAADe
email
last changed	2022/05/01 23:21

_id	acadiaregional2011_029
id	acadiaregional2011_029
authors	Bell, Brad; Kevin Patrick McClellan, Andrew Vrana
year	2011
title	Reconfiguring Collaboration by Computational Means Tex-Fab: A new model for collaborative engagement
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
doi	https://doi.org/10.52842/conf.acadia.2011.x.f7u
summary	TEX-FAB is a non-profit organization founded between three universities in Texas with the primary function of connecting design professionals, academics, and manufactures interested in digital fabrication. The three co-directors established TEX-FAB as a collective action, one that attempts to combine divergent interests and capabilities, for the purpose of strengthening the regional discourse around digital fabrication and parametric design. The three primary avenues for accomplishing this goal are set out as Theoria (Lectures / Exhibitions), Poiesis (Workshops) and Praxis (Competition). We see this type of effort as a new paradigm focused on providing a network of affiliated digital fabrication resources, and a platform for education/ exchange on issues of parametric modeling. It is our position that TEX-FAB engages the new and growing awareness of a regional and global hybridization. We seek to leverage the burgeoning global knowledge base to produce a more specific and contextual dialogue within the region we operate, teach, and practice.
series	ACADIA
last changed	2022/06/07 07:49

_id	ecaaderis2018_103
id	ecaaderis2018_103
authors	Davidová, Marie and Prokop, Šimon
year	2018
title	TreeHugger - The Eco-Systemic Prototypical Urban Intervention
source	Odysseas Kontovourkis (ed.), Sustainable Computational Workflows [6th eCAADe Regional International Workshop Proceedings / ISBN 9789491207143], Department of Architecture, University of Cyprus, Nicosia, Cyprus, 24-25 May 2018, pp. 75-84
keywords	The paper discusses co-design, development, production, application of TreeHugger (see Figure 1). The co-design among community and trans-disciplinary participants with different expertise required scope of media mix, switching between analogue, digital and back again. This involves different degrees of physical and digital 'GIGA-Mapping' (Sevaldson, 2011, 2015), 'Grasshopper3d' (Davidson, 2017) scripting and mix of digital and analogue fabrication to address the real life world. The critical participation of this 'Time-Based Design' (Sevaldson, 2004, 2005) process is the interaction of the prototype with eco-systemic agency of the adjacent environment - the eco-systemic performance. The TreeHugger is a responsive solid wood insect hotel, generating habitats and edible landscaping (Creasy, 2004) on bio-tope in city centre of Prague. To extend the impact, the code was uploaded for communities to download, local-specifically edit and apply worldwide. Thus, the fusion of discussed processes is multi-scaled and multi-layered, utilised in emerging design field: Systemic Approach to Architectural Performance.
series	eCAADe
email
last changed	2018/05/29 14:33

_id	cf2011_p033
id	cf2011_p033
authors	Dorta, Tomas; Kalay Yehuda, Lesage Annemarie, Perez Edgar
year	2011
title	Comparing Immersion in Remote and Local Collaborative Ideation Through Sketches: a Case Study
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 25-40.
summary	Sketches are used in design to support ideation, communication, and collaboration because of their intuitiveness, abstraction, ambiguity and inaccuracy. Design collaboration using freehand sketches is possible through whiteboard software on the Internet. Designers can co-design and share design referents through these tools while adding gestures and expressions using web cams. Freehand sketching using whiteboard software retains the same proportion and scale problems as traditional sketching on paper, but adds digital behaviour (pen tablet display, undo, etc.) and the ability to share sketches in real time with a remote design team. Still, designers are not immersed in their representations. Moreover, such representations can include errors because designers work without reference to real-life perspective views. We developed a system, called the Hybrid Ideation Space (HIS) that allows designers to be immersed in their freehand sketches. The system supports local and remote collaboration, allowing designers to be literally inside their life sized, real time representations, while sharing them with remote collaborators who use another HIS. This paper presents a case study comparing the HIS to conventional whiteboard software (Vyew™) in a context of local and remote design collaboration on two landscape architecture projects. Two multidisciplinary teams worked on the first steps of two ad-hoc projects. The goal was to make an initial observation of the impact of immersion and see if it delivers benefits to collaborative ideation. Two methodological tools supported the study: the Design Flow for the experience that includes the NASA TLX to measure the workload, and the Collaborative Ideation Loop (CI-Loop) for design collaboration.
keywords	Collaboration, ideation, immersion, sketches, whiteboard
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	acadia11_216
id	acadia11_216
authors	Dorta, Tomás; Kalay, Yehuda; Lesage, Annemarie; Pérez, Edgar
year	2011
title	Comparing Immersion in Collaborative Ideation through Design Conversations, Workload and Experience
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 216-225
doi	https://doi.org/10.52842/conf.acadia.2011.216
summary	This paper presents a case study comparing the HIS (Hybrid Ideation Space), a system allowing designers to be physically immersed in their sketches and physical models, and Vyew™, a whiteboard software, in local and remote design collaboration; aiming to see if immersion benefits collaborative ideation. Three methodological tools were used: Design Conversations (Collaborative Ideation Loop “CI-Loop”, Collaborative Conversations “CC” and Collaborative Moving “CM”), Workload using NASA TLX and Design Flow for the designers’ experience. Local collaboration results appear to have benefited from immersion while remote results were mitigated by participant issues. However, looking deeper into users’ experience explains the impact of immersion.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	caadria2011_031
id	caadria2011_031
authors	Fukuda, Tomohiro; Kensuke Kitagawa and Nobuyoshi Yabuki
year	2011
title	A study of variation of normal of polygons created by point cloud data for architectural renovation field
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 321-330
doi	https://doi.org/10.52842/conf.caadria.2011.321
summary	Acquiring current 3D space data of cities, buildings, and rooms rapidly and in detail has become indispensable. When the point cloud data of an object or space scanned by a 3D laser scanner is converted into polygons, it is an accumulation of small polygons. When object or space is a closed flat plane, it is necessary to merge small polygons to reduce the volume of data, and to convert them into one polygon. When an object or space is a closed flat plane, each normal vector of small polygons theoretically has the same angle. However, in practise, these angles are not the same. Therefore, the purpose of this study is to clarify the variation of the angle of a small polygon group that should become one polygon based on actual data. As a result of experimentation, no small polygons are converted by the point cloud data scanned with the 3D laser scanner even if the group of small polygons is a closed flat plane lying in the same plane. When the standard deviation of the extracted number of polygons is assumed to be less than 100, the variation of the angle of the normal vector is roughly 7 degrees.
keywords	Point cloud; 3D laser scanner; physical space; virtual reality; polygon optimization
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	cf2011_p108
id	cf2011_p108
authors	Iordanova, Ivanka; Forgues Daniel, Chiocchio François
year	2011
title	Creation of an Evolutive Conceptual Know-how Framework for Integrative Building Design
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 435-450.
summary	Low productivity of the building sector today is attributed to the fragmentation of tasks, disciplines and responsibilities, as well as to the resistance to adopt integrative work processes and digital means. The increased complexity of architectural projects and the aroused social consciousness for sustainable environment calls for integrative design collaboration. Thus, there is need for a Conceptual Framework combining work processes, technological means and policy aspects. According to the literature, integrative multidisciplinary design is a strategy resulting in high performance buildings nurturing sustainable way of living (Reed et al. 2009, Krygiel & Nies 2008). Responding to the increased technological complexity of our built environment, as well as to the objective of meeting multiple criteria of quality, both necessitating multidisciplinary collaboration during design, Building Information Modeling (BIM) is seen as a powerful means for fostering quality, augmenting productivity and decreasing loss in construction. Based on recent research, we can propose that a sustainable building can be designed through an integrative design process (IDP) which is best supported by BIM. However, our ongoing research program and consultations with advanced practitioners underscore a number of limitations. For example, a large portion of the interviewed professionals and construction stakeholders do not necessarily see a link between sustainable building, integrative design process and BIM, while in our opinion, their joint use augments the power of each of these approaches taken separately. Thus, there is an urgent necessity for the definition of an IDP-BIM framework, which could guide the building industry to sustainable results and better productivity. This paper defines such a framework, whose theoretical background lays on studies in social learning (activity theory and situated action theories). These theories suggest that learning and knowledge generation occurs mainly within a social process defined as an activity. This corresponds to the context in which the IDP-BIM framework will be used, its final objective being the transformation of building design practices. The proposed IDP-BIM framework is based on previous research and developments. Thus, firstly, IDP process was well formalized in the Roadmap for the Integrated Design Process‚ (Reed et al.) which is widely used as a guideline for collaborative integrative design by innovating practices in USA and Canada. Secondly, the National Building Information Modeling Standard (NBIMS) of the USA is putting an enormous effort in creating a BIM standard, Succar (2008) recently proposed a conceptual framework for BIM, but BIM ontology is still under development (Gursel et al 2009). Thirdly, an iterative design process bound to gating reviews (inspired from software development processes) was found to be successful in the context of multidisciplinary design studios (reported in our previous papers). The feedback from this study allowed for modifications and adjustments included in the present proposal. The gating process assures the good quality of the project and its compliance to the client's requirements. The challenge of this research is to map the above mentioned approaches, processes and technologies into the design process, thus creating an integrated framework supporting and nurturing sustainable design. The IDP-BIM framework can be represented by a multidimensional matrix linked to a semantic network knowledge database: - the axes of the matrix being the project timeline, the design process actors and building stakeholders (architect, engineers, client, contractor, environmental biologist, etc.), or different aspects of building performance (environmental, functional, social, interior environment quality, cost, etc.); and - the knowledge database providing multiple layers of semantic support in terms of process, domain knowledge, technology and workflow at a given moment of the project and for a given actor or building aspect. The IDP-BIM framework is created as an evolutive digital environment for know-how and will have an established protocol for regular updates. The paper will firstly present the state of the art in IDP and BIM. Secondly, it will expose the methodology used for the definition of the Framework, followed by a description of its structure, contents and digital implementation. Then, some scenarios for the use of the Framework will be shown as validation.
keywords	integrated design process, BIM, multidisciplinary design, conceptual framework
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	caadria2011_060
id	caadria2011_060
authors	Kelly, Nick; John S. Gero and Robert Saunders
year	2011
title	Constructive interpretation with examples from interpretation of floor plans
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 633-642
doi	https://doi.org/10.52842/conf.caadria.2011.633
summary	This paper describes the role that interpretation plays in facilitating situated design and presents an implementation that shows a system interpreting floor plans. Designers often see more in what they produce than they intentionally put there. Cognitive studies suggest that this helps develop design ideas. Interpretation is described as the use of expectations to construct an internal representation of an external representation (such as a sketch). An implementation is described. As an example of its capability the system, primed on floor plans, looks at a randomly generated image and can find a floor plan within it. The system produces different results with the same image if it has different expectations. This is used to discuss the notions of a space of possible designs and the two way relationship between expectations informing interpretation and interpretation changing the expectations (design ideas) of a designer. Further work is suggested and the ideas are discussed.
keywords	constructive interpretation, situation, floor plan, reinterpretation, push-pull
series	CAADRIA
email
last changed	2022/06/07 07:52

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