Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 562

Reformat results as: short short into frame detailed detailed into frame

_id	caadria2011_061
id	caadria2011_061
authors	Celani, Gabriela; José P. Duarte and Carlos V. Vaz
year	2011
title	The gardens revisited: The link between technology, meaning and logic?
doi	https://doi.org/10.52842/conf.caadria.2011.643
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 643-652
summary	The objective of this paper is to compare the computational concepts present in three books published by Mitchell between 1987 and 1990: The art of computer-graphics programming (1987), which has Robin Liggett and Thomas Kvan as co-authors, The logic of architecture (1990), probably his most influential work, and The poetics of gardens (1988), which has Charles Moore and William Turnbull as coauthors. By looking at the concepts that are presented in the three books and establishing a comparison between them, we expect to show that The poetics of Gardens should not be seen as a detour from Mitchell´s line of research, but rather as a key piece for understanding the relationship between technology, meaning and logic in his very coherent body of work.
keywords	Computational design concepts; technology; meaning; logic
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	cf2011_p108
id	cf2011_p108
authors	Iordanova, Ivanka; Forgues Daniel, Chiocchio François
year	2011
title	Creation of an Evolutive Conceptual Know-how Framework for Integrative Building Design
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 435-450.
summary	Low productivity of the building sector today is attributed to the fragmentation of tasks, disciplines and responsibilities, as well as to the resistance to adopt integrative work processes and digital means. The increased complexity of architectural projects and the aroused social consciousness for sustainable environment calls for integrative design collaboration. Thus, there is need for a Conceptual Framework combining work processes, technological means and policy aspects. According to the literature, integrative multidisciplinary design is a strategy resulting in high performance buildings nurturing sustainable way of living (Reed et al. 2009, Krygiel & Nies 2008). Responding to the increased technological complexity of our built environment, as well as to the objective of meeting multiple criteria of quality, both necessitating multidisciplinary collaboration during design, Building Information Modeling (BIM) is seen as a powerful means for fostering quality, augmenting productivity and decreasing loss in construction. Based on recent research, we can propose that a sustainable building can be designed through an integrative design process (IDP) which is best supported by BIM. However, our ongoing research program and consultations with advanced practitioners underscore a number of limitations. For example, a large portion of the interviewed professionals and construction stakeholders do not necessarily see a link between sustainable building, integrative design process and BIM, while in our opinion, their joint use augments the power of each of these approaches taken separately. Thus, there is an urgent necessity for the definition of an IDP-BIM framework, which could guide the building industry to sustainable results and better productivity. This paper defines such a framework, whose theoretical background lays on studies in social learning (activity theory and situated action theories). These theories suggest that learning and knowledge generation occurs mainly within a social process defined as an activity. This corresponds to the context in which the IDP-BIM framework will be used, its final objective being the transformation of building design practices. The proposed IDP-BIM framework is based on previous research and developments. Thus, firstly, IDP process was well formalized in the Roadmap for the Integrated Design Process‚ (Reed et al.) which is widely used as a guideline for collaborative integrative design by innovating practices in USA and Canada. Secondly, the National Building Information Modeling Standard (NBIMS) of the USA is putting an enormous effort in creating a BIM standard, Succar (2008) recently proposed a conceptual framework for BIM, but BIM ontology is still under development (Gursel et al 2009). Thirdly, an iterative design process bound to gating reviews (inspired from software development processes) was found to be successful in the context of multidisciplinary design studios (reported in our previous papers). The feedback from this study allowed for modifications and adjustments included in the present proposal. The gating process assures the good quality of the project and its compliance to the client's requirements. The challenge of this research is to map the above mentioned approaches, processes and technologies into the design process, thus creating an integrated framework supporting and nurturing sustainable design. The IDP-BIM framework can be represented by a multidimensional matrix linked to a semantic network knowledge database: - the axes of the matrix being the project timeline, the design process actors and building stakeholders (architect, engineers, client, contractor, environmental biologist, etc.), or different aspects of building performance (environmental, functional, social, interior environment quality, cost, etc.); and - the knowledge database providing multiple layers of semantic support in terms of process, domain knowledge, technology and workflow at a given moment of the project and for a given actor or building aspect. The IDP-BIM framework is created as an evolutive digital environment for know-how and will have an established protocol for regular updates. The paper will firstly present the state of the art in IDP and BIM. Secondly, it will expose the methodology used for the definition of the Framework, followed by a description of its structure, contents and digital implementation. Then, some scenarios for the use of the Framework will be shown as validation.
keywords	integrated design process, BIM, multidisciplinary design, conceptual framework
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	acadia11_82
id	acadia11_82
authors	Ahlquist, Sean; Menges, Achim
year	2011
title	Behavior-based Computational Design Methodologies: Integrative processes for force defined material structures
doi	https://doi.org/10.52842/conf.acadia.2011.082
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 82-89
summary	With the introduction of physics-based algorithms and modeling environments, design processes have been shifting from the representation of materiality to the simulation of approximate material descriptions. Such computational processes are based upon enacting physical and material behavior, such as gravity, drag, tension, bending, and inflation, within a generative modeling environment. What is often lacking from this strategy is an overall understanding of computational design; that information of increasing value and precision is generated through the development and iterative execution of specific principles and integrative mechanisms. The value of a physics-based modeling method as an information engine is often overlooked, though, as they are primarily utilized for developing representational diagrams or static geometry – inevitably translated to function outside of the physical bounds and parameters defined with the modeling process. The definition of computational design provides a link between process and a larger approach towards architecture – an integrative behavior-based process which develops dynamic specific architectural systems interrelated in their material, spatial, and environmental nature. This paper, focusing on material integration, describes the relation of a computational design approach and the technical framework for a behavior-based integrative process. The application is in the development of complex tension-active architectural systems. The material behavior of tensile meshes and surfaces is integrated and algorithmically calibrated to allow for complex geometries to be materialized as physical systems. Ultimately, this research proposes a computational structure by which material and other sorts of spatial or structural behaviors can be activated within a generative design environment.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	sigradi2011_328
id	sigradi2011_328
authors	Arenas, Felipe; Banda, Pablo
year	2011
title	Morfología de Datos y Desterritorialización: Integrando sentido al diseño paramétrico [Data Morphology and Deterritorialization: Integrating meaning into Parametric Design]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 381-385
summary	This paper reflects about the potential of integrating meaning into parametrics that can be produced by the linkage between information visualization interfaces and custom parametric modeling systems. The inclusion of unstable semantics from web-based geo-referenced information is proposed, as driver for producing extreme differentiation and systemic complexity in contemporary design practices.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ijac20109301
id	ijac20109301
authors	Biloria, Nimish
year	2011
title	InfoMatters, a multi-agent systems approach for generating performative architectural formations
source	International Journal of Architectural Computing vol. 9 - no. 3, 205-222
summary	The research paper exemplifies upon a computationally intensive inter-disciplinary research driven design investigation into spatializing the relationship between digital information and physical matter. Focusing on the development of architectural scale urban inserts, the design-research work operates on the intersection of information technology, environmental design, architecture, and computer aided manufacturing domains.The research framework revolves around developing a seamless integration of the aforementioned disciplines in order to establish iterative simulation driven methodologies for generating bottom-up sustainable architectural formations. This is achieved by establishing parametrically driven relational linkages between differential data sets (environmental, social, topological, material etc), which formulate the context (both global and local) within which the proposed project has to be designed. A selforganizing multi-agent system based simulation methodology for generating resultant spatial formations, in time, based on the impacts of the parametric relationships between the aforementioned data sets is eventually embarked upon. This implies, understanding the site as a dynamic information field within which interdependent ecology of agents (representing typology of people, program, structure, speed, desired social interaction etc) with multi-level relational affinities amongst each other as well as the dynamic urban information field. The resultant self-organized multi-agent formations are iteratively mined for identifying logical three-dimensional structural patterns or subjected to programmatic and environmental need driven additional layer of structural simulation with pre-embedded material restraints. An optimized system of multi-performative components that not only populates but also serves as an integrated structural + skin system of the results obtained from the agent based simulations (based upon the degree of inclusion/exclusion of parameters such as the amount of light, sound, wind etc) is subsequently generated. These experimental projects attained the status of self-evolving ecologies of multi-dimensional agents with embodied behavioural profiles, thus providing engaged, highly interdependent design by simulation outputs. The outputs showcase a dynamic system's driven approach towards sustainable design by stressing upon the idea of cohesively binding information and material systems from the very beginning of the design process. Such approaches help in reducing post-optimization of built form and consequently allow for rational understanding of performance criteria and its impact on formal articulations throughout the design process.
series	journal
last changed	2019/05/24 09:55

_id	b339
id	b339
authors	Bunster, Victor
year	2011
title	Tropism-oriented generative design: Analogical models for heterogeneous goal integration
source	Master of Philosophy (MPhil) Thesis. Faculty of Architecture, Building and Planning, The University of Melbourne.
summary	Architecture often requires integration between heterogeneous objectives. Both empirical requirements and speculative aspirations inform design in ways that resist ready formalization under computerizable logic. This thesis explores the possibilities of tropism-analogy as strategy for tackling some of these diverse objectives in a generative system. The feasibility of addressing heterogeneous goals with a computerizable design system is established by reviewing the role of rule-based strategies in vernacular tradition and the possibilities of analogies in recent generative methods. Then, the concept of tropism is analysed in depth, starting from its origins to its manifestation in a broad range of disciplines. This analysis leads to the definition of tropism as a ‘process of turn’ that enables purposeful connections between a system and its environment, an invariant property that may result in different levels of adaptation. These generalized conditions are used as conceptual foundation to explore analogical connections between divergent dimensions of architectural problems, and to define a feedback-enabled generative system that uses tropism-inspired rules in tackling contrasting design objectives. This system is implemented as a proof-of-concept for the Chilean social housing program, where is used to generate façade prototypes that respond simultaneously to thermal comfort and formal expression criteria. The outcomes of this thesis suggest that tropism-analogy can be used in tackling heterogeneous façade objectives and, therefore, to define novel design methods to explore goal-integration in computer-based generative architecture systems.
keywords	generative architecture, design computation, tropism analogy, goal integration, social housing
series	thesis:MSc
type	normal paper
email
more	http://dtl.unimelb.edu.au/R/98KH7M6SLEUI1J2GUA82K5A1AQSR7NK9HMI4GPCRJGFAEYDGHF-01472?func=dbin-jump-full&object_id=277253&local_base=GEN01&pds_handle=GUEST
last changed	2012/07/06 17:57

_id	d90e
id	d90e
authors	Christenson, Mike
year	2011
title	On the architectural structure of photographic space
source	Architectural Science Review 54.2, 93-100.
summary	The ambiguous relationship between photography and architecture is one of constructed and re-constructed identity. As a specific exploration into this relationship, this paper considers the construct of point-of-vew/field-of-view maps (or POV/FOV maps), that is, diagrams which register photographers’ positions, fields of view, and directions of view corresponding to a set of photographs of an existing work of architecture. A POV/FOV map can be expected to differ according to whether the set of photographs under consideration is (a) sampled from a image-sharing site such as Flickr; (b) published in an academic monograph; or (c) published in the popular press. This paper tests the extent and significance of these differences through a comparative study of Mies van der Rohe’s Crown Hall and Rem Koolhaas’s McCormick Tribune Campus Center, both at the Illinois Institute of Technology in Chicago, USA. In both cases, POV/FOV maps are used to compare sets of professional or academic photographs to sets of touristic and popular-press ones. Reflecting the tenuous nature of architectural identity as constructed through photography, the comparison both confirms and denies assumptions concerning differences between professional and amateur approaches. The paper concludes with the speculation that tools like Google Street View are likely to further erode traditional distinctions between modes of identity-construction, in particular, those distinctions which a POV/MAP can register.
keywords	Photography, visualization, Mies, Koolhaas, flickr, Google
series	journal paper
type	normal paper
email
more	http://www.informaworld.com/smpp/content~content=a938203017~db=all~jumptype=rss
last changed	2011/07/04 18:12

_id	acadiaregional2011_009
id	acadiaregional2011_009
authors	Esquivel, Gabriel; Ryan Collier
year	2011
title	A Swell Project: Between Parametrics and Fabrication
doi	https://doi.org/10.52842/conf.acadia.2011.x.r0r
source	Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary	As a case study, Swell serves as: 1) an investigation into architectural ornamentation using a contemporary framework, as directed through specific modes of research, 2) a study in fabrication materials and methods, especially through the realization of form, and 3) as a pedagogical tool, loosely assembled through real and virtual space. This essay will focus mainly on the fabrication methods in terms of why and the pedagogical research initiatives and reactions that went into the design of Swell. The project was conceived through a summer studio which was formed to investigate tools and methods available at the Texas A&M Architecture Ranch and to further the local pedagogical direction toward fabrication in architectural design at Texas A&M University as a whole. That is to say, there was no specific agenda toward parametrics, form, research, technology, or the like. At the same time, as the research continued, certain decisions were cast in terms of technology, sensibility, site, etc. informed by research, iterative processes, or parametric evaluation that ultimately formed the project as it exists today.
series	ACADIA
last changed	2022/06/07 07:49

_id	caadria2011_069
id	caadria2011_069
authors	Fernando, Ruwan; James Steel and Robin Drogemuller
year	2011
title	Using domain specific languages in the Building Information Modelling workflow
doi	https://doi.org/10.52842/conf.caadria.2011.731
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 731-740
summary	The design of architecture, in practice, entails the collaboration of many disciplines each with their own set of tools and representations. Building Information Models aim to support interoperability between these disciplines. However current implementations require a lot of manual work involving translating parts from the various specialised descriptions to the common model format. Domain Specific Languages are a development from Information Technology that defines a mapping from the concepts used in one discipline to those used in another. In this paper, a workflow incorporating the movement between specialised languages and a central model is described. The central model is structured using the Industrial Foundation Classes (IFC). The motivation for elaborating on the interdisciplinary workflow is the desire to create a more iterative process without the need for the manual recreation of models. While it is difficult to have a description or language that contains all the information of all the disciplines, this research demonstrates how the IFC schema acts as a pivot not just between data sets, but also between concepts expressed in different representations thus giving from analysis to design.
keywords	Building Information Model; BIM; domain-specific languages; lighting; spatial planning; parametric modelling
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	caadria2011_059
id	caadria2011_059
authors	Fischer, Thomas
year	2011
title	One-behind-the-many metaphysics and the myriad things
doi	https://doi.org/10.52842/conf.caadria.2011.623
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 623-632
summary	In this paper I identify the metaphysical assumptions underlying much of the science, technology, education and design thinking practiced in contemporary CAAD research in Asia as a Western import. Citing some traditional Asian complements to such assumptions and offering an alternative model, I hope to enable a discussion about assumptions underlying our field as well as an awareness of different standards of thought and responsibility between which CAAD research in Asia may operate.
keywords	CAAD philosophy; blueprint; general; particular
series	CAADRIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	ecaade2011_018
id	ecaade2011_018
authors	Grobman, Yasha J.; Ron, Ruth
year	2011
title	Digital Form Finding: Generative use of simulation processes by architects in the early stages of the design process
doi	https://doi.org/10.52842/conf.ecaade.2011.107
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.107-115
summary	The paper presents performance oriented approaches to digital form finding which stems from the lines of research on performance and morphogenesis in architectural design. The main contribution to the earlier research is threefold; it examines the potential of the presented design processes to integrate interdisciplinary approach based on the use of simulation tools by architects or direct data exchange between simulation tools and design. Secondly, it explores new methods to generate initial architectural form based on performance information that apply to both building scale and urban scale, and lastly, it develops the theoretical framework on the ramifications of employing simulation technology and techniques in architectural design.
wos	WOS:000335665500012
keywords	Form generation; performance; simulation; parametric design; form finding
series	eCAADe
email
last changed	2022/05/01 23:21

_id	sigradi2014_215
id	sigradi2014_215
authors	Guimarães, Camila Ferreira
year	2014
title	Da teoria do rizoma à coexistência: uma aplicação projetual [The Concept of the Rhizome to coexistence: a projetual application]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 520-523
summary	From the concept of rhizome, developed by philosophers Gilles Deleuze and Félix Guattari, the article presented here seeks to establish a relation between the development of a conceptual architectural project, with bases in the formulations of the Rhizome, in order to enable coexistence within an urban network. Considering for the effective of the theory, the technology in the construction of media and networks. For that, is made a reading of a project developed as Final Work Undergraduate Architecture and Urbanism of the University of Uberaba in 2011.
keywords	Rhizome; Coexistence; Networks
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	cf2011_p019
id	cf2011_p019
authors	Haeusler, Matthias Hank; Beilharz Kirsty
year	2011
title	Architecture = Computer‚ from Computational to Computing Environments
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 217-232.
summary	Drawing on architecture, urban digital media, engineering, IT and interaction design, the research presented in this paper outlines a possible shift from architecture designed through computation (any type of process, algorithm or measurement done in a computational matter) towards architecture capable of computing (developing, using and improving computer technology, computer hardware and software as a space-defining element). The research is driven by recent developments in four fields, as follows: (a) Architecture in its recent development has shifted from a planar box, as was the ideal in the modernist movement, towards complex and non-standard forms. (b) The design concepts of non-standard surfaces have been adopted into media facades and media architecture by liberating the pixel from its planar position on a screen [1]. (c) Advancements in pervasive computing applications are now able both to receive information from the environment in which they are used and to detect other devices that enter this environment [2]. (d) Developments in advanced autonomous systems such as Human Computer Interaction (HCI) or Human Robot Interaction (HRI), have produced intelligent systems capable of observing human cues and using these cues as the basis for intelligent decision-making [3]. Media fa_ßade developments work in the direction of the above-mentioned four fields, but often come with limitations in architectural integration; they need additional components to interact with their environment and their interactions are both often limited to visual interactions and require the user to act first. The researched system, Polymedia Pixel [4] discussed in this paper, can overcome these limitations and fulfil the need for a space-defining material capable of computing, thus enabling a shift from architecture designed by computation towards architecture capable of active computing. The Polymedia Pixel architecture merges digital technology with ubiquitous computing. This allows the built environment and its relation with digital technology to develop from (a) architecture being represented by computer to (b) computation being used to develop architecture and then further to where (c) architecture and the space-defining objects have computing attributes. Hence the study presented aims to consider and answer this key question: ‚ÄòWhen building components with computing capacity can define space and function as a computer at the same time, what are the constraints for the building components and what are the possible advantages for the built environment?‚Äô The conceptual framework, design and methods used in this research combine three fields: (a) hardware (architecture and design, electronic engineering) (b) software (content design and IT) and (c) interaction design (HCI and HRI). Architecture and urban design determinates the field of application. Media architecture and computer science provide the technological foundation, while the field of interaction design defines the methodology to link space and computing [5]. The conceptual starting point is to rethink the application of computers in architecture and, if architecture is capable of computing, what kind of methodology and structure would find an answer to the above core research question, and what are the implications of the question itself? The case study discusses opportunities for applying the Polymedia Pixel as an architectural component by testing it on: (a) constraint testing ‚Äì applying computational design methodologies to design space (b) singular testing - discussing the advantages for an individual building, and (c) plural testing ‚Äì investigating the potential for an urban context. The research aims to contribute to the field of knowledge through presenting first steps of a System < - > System mode where buildings can possibly watch and monitor each other, additional to the four primary interactive modes of operation. This investigation, its proposed hypothesis, methodology, implications, significance and evaluation are presented in the paper.
keywords	media architecture, computational environments, ubiquitous computing, interaction design, computer science
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ijac20119408
id	ijac20119408
authors	Holzer, Dominik
year	2011
title	BIM’s Seven Deadly Sins
source	International Journal of Architectural Computing vol. 9 - no. 4, 463-480
summary	This paper aims at exposing seven prevailing problems that have emerged in the uptake of Building Information Modelling (BIM) in design practice.The paper provides a reality check between an idealistic view on BIM and the way it is currently applied in daily use. In order to reflect on the issues at hand, the author draws from three years of doctoral research in multidisciplinary design collaboration, followed by more than two years experience as Design Technology director in a large scale architecture practice. In addition to the above, his current role as the chair of the BIM and IPD Steering Group of the Australian Institute of Architects and Consult Australia exposes the author to a broad range of cultural implications of BIM.The findings presented here illustrate that, despite major advances in the development of BIM, there are predominantly cultural roadblocks to its implementation in practice.
series	journal
last changed	2019/07/30 10:55

_id	cf2011_p075
id	cf2011_p075
authors	Janssen, Patrick; Chen Kian Wee
year	2011
title	Visual Dataflow Modelling: A Comparison of Three Systems
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 801-816.
summary	Visual programming languages enable users to create computer programs by manipulating graphical elements rather than by entering text. The difference between textual languages and visual languages is that most textual languages use a procedural programming model, while most visual languages use a dataflow programming model. When visual programming is applied to design, it results in a new modelling approach that we refer to 'visual dataflow modelling' (VDM). Recently, VDM has becoming increasingly popular within the design community, as it can accelerate the iterative design process, thereby allowing larger numbers of design possibilities to be explored. Furthermore, it is now also becoming an important tool in performance-based design approaches, since it may potentially enable the closing of the loop between design development and design evaluation. A number of CAD systems now provide VDM interfaces, allowing designers to define form generating procedures without having to resort to scripting or programming. However, these environments have certain weaknesses that limit their usability. This paper will analyse these weaknesses by comparing and contrasting three VDM environments: McNeel Grasshopper, Bentley Generative Components, and Sidefx Houdini. The paper will focus on five key areas: * Conditional logic allow rules to be applied to geometric entities that control how they behave. Such rules will typically be defined as if-then-else conditions, where an action will be executed if a particular condition is true. A more advanced version of this is the while loop, where the action within the loop will be repeatedly executed while a certain condition remains true. * Local coordinate systems allow geometric entities to be manipulated relative to some convenient local point of reference. These systems may be either two-dimensional or three-dimensional, using either Cartesian, cylindrical, or spherical systems. Techniques for mapping geometric entities from one coordinate system to another also need to be considered. * Duplication includes three types: simple duplication, endogenous duplication, and exogenous duplication. Simple duplication consists of copying some geometric entity a certain number of times, producing identical copies of the original. Endogenous duplication consist of copying some geometric entity by applying a set of transformations that are defined as part of the duplication process. Lastly, exogenous duplication consists of copying some geometric entity by applying a set of transformations that are defined by some other external geometry. * Part-whole relationships allow geometric entities to be grouped in various ways, based on the fundamental set-theoretic concept that entities can be members of sets, and sets can be members of other sets. Ways of aggregating data into both hierarchical and non-hierarchical structures, and ways of filtering data based on these structures need to be considered. * Spatial queries include relationships between geometric entities such as touching, crossing, overlapping, or containing. More advanced spatial queries include various distance based queries and various sorting queries (e.g. sorting all entities based on position) and filtering queries (e.g. finding all entities with a certain distance from a point). For each of these five areas, a simple benchmarking test case has been developed. For example, for conditional logic, the test case consists of a simple room with a single window with a condition: the window should always be in the longest north-facing wall. If the room is rotated or its dimensions changed, then the window must re-evaluate itself and possibly change position to a different wall. For each benchmarking test-case, visual programs are implemented in each of the three VDM environments. The visual programs are then compared and contrasted, focusing on two areas. First, the type of constructs used in each of these environments are compared and contrasted. Second, the cognitive complexity of the visual programming task in each of these environments are compared and contrasted.
keywords	visual, dataflow, programming, parametric, modelling
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	caadria2011_013
id	caadria2011_013
authors	Kozlova, Karine; Roham M. Sheikholeslami, Lyn Bartram and Robert F. Woodbury
year	2011
title	Graph visualization in computer-aided design: An exploration of alternative representations for GenerativeComponentsTM Symbolic View
doi	https://doi.org/10.52842/conf.caadria.2011.133
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 133-142
summary	In this paper we explore graph models used to illustrate the relationships between elements of designs in computer-aided design (CAD) systems. We discuss common limitations and ways to make such representations more usable and interactive. In order to study common problems of symbolic representations in CAD systems, we conducted a survey of a number of CAD applications that employ graph representations in their interface and provided comparative analysis of the properties of graph representations in these systems. As a case study we used Bentley GenerativeComponentsTM (GC) system - a parametric CAD application that uses graph (“symbolic”) view to visualize the structure of design. We conducted series of interviews with expert GC users that revealed many limitations of the GC symbolic view. To address these limitations, we developed alternative representations of symbolic view that aim at enhancing user experience with the system and reviewed these with expert GC users. As a result of our study, we developed a set of interactive prototypes using SHriMP1 visualization tool and Processing programming language. These provide improved ways of user interaction with symbolic representation, including better readability of the graph and, as a result, an improved support for design model analysis.
keywords	Graph visualization; visual interfaces; CAD systems; visual interaction; node-link diagrams
series	CAADRIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	ecaade2011_068
id	ecaade2011_068
authors	Ma, Jin Yul; Choo, Seung Yeon; Seo, Ji Hyo; Jeong, Seung Woo
year	2011
title	A Study on BIM based Energy Efficient Design Improvement for Rural Standard Drawing and Specification in South Korea: Focusing on Using Buffer-Zone
doi	https://doi.org/10.52842/conf.ecaade.2011.430
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.430-438
summary	Throughout the world, global warming has been considered a severe problem, which has led to efforts being made for technical development to reduce greenhouse gases in the building sector. As more attention has been paid to energy consumption by residential housing in the building sector, policies and studies on domestic dwellings tend to focus on quality improvement and energy-efficient housing development rather than quantitative housing supply. Yet, policies and guidelines considering residential energy efficiency are inclined to focus on performance and lack in integrated consideration in connection with design. Hence, it seems necessary to compare and analyze design and energy efficiency and to study correlations between housing design and energy. Lately, BIM technology has been used in buildings domestically and proved reliable in respect of its features that enable overall comparison and prediction of housing design, performance and efficiency. The present study is to use the BIM technology to analyze energy consumption and the standard drawing schemes for rural areas to find ways to improve efficient design in singles housing sector and to suggest how to take advantage of buffer zones and how to improve housing design in favor of energy efficiency.
wos	WOS:000335665500049
keywords	BIM; Energy Analysis Tool; Rural Standard Drawing; Buffer-Zone; Sustainable design
series	eCAADe
email
last changed	2022/05/01 23:21

_id	cf2011_p016
id	cf2011_p016
authors	Merrick, Kathryn; Gu Ning
year	2011
title	Supporting Collective Intelligence for Design in Virtual Worlds: A Case Study of the Lego Universe
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 637-652.
summary	Virtual worlds are multi-faceted technologies. Facets of virtual worlds include graphical simulation tools, communication, design and modelling tools, artificial intelligence, network structure, persistent object-oriented infrastructure, economy, governance and user presence and interaction. Recent studies (Merrick et al., 2010) and applications (Rosenman et al., 2006; Maher et al., 2006) have shown that the combination of design, modelling and communication tools, and artificial intelligence in virtual worlds makes them suitable platforms for supporting collaborative design, including human-human collaboration and human-computer co-creativity. Virtual worlds are also coming to be recognised as a platform for collective intelligence (Levy, 1997), a form of group intelligence that emerges from collaboration and competition among large numbers of individuals. Because of the close relationship between design, communication and virtual world technologies, there appears a strong possibility of using virtual worlds to harness collective intelligence for supporting upcoming ‚Äúdesign challenges on a much larger scale as we become an increasingly global and technological society‚Äù (Maher et al, 2010), beyond the current support for small-scale collaborative design teams. Collaborative design is relatively well studied and is characterised by small-scale, carefully structured design teams, usually comprising design professionals with a good understanding of the design task at hand. All team members are generally motivated and have the skills required to structure the shared solution space and to complete the design task. In contrast, collective design (Maher et al, 2010) is characterised by a very large number of participants ranging from professional designers to design novices, who may need to be motivated to participate, whose contributions may not be directly utilised for design purposes, and who may need to learn some or all of the skills required to complete the task. Thus the facets of virtual worlds required to support collective design differ from those required to support collaborative design. Specifically, in addition to design, communication and artificial intelligence tools, various interpretive, mapping and educational tools together with appropriate motivational and reward systems may be required to inform, teach and motivate virtual world users to contribute and direct their inputs to desired design purposes. Many of these world facets are well understood by computer game developers, as level systems, quests or plot and achievement/reward systems. This suggests the possibility of drawing on or adapting computer gaming technologies as a basis for harnessing collective intelligence in design. Existing virtual worlds that permit open-ended design ‚Äì such as Second Life and There ‚Äì are not specifically game worlds as they do not have extensive level, quest and reward systems in the same way as game worlds like World of Warcraft or Ultima Online. As such, while Second Life and There demonstrate emergent design, they do not have the game-specific facets that focus users towards solving specific problems required for harnessing collective intelligence. However, a new massively multiplayer virtual world is soon to be released that combines open-ended design tools with levels, quests and achievement systems. This world is called Lego Universe (www.legouniverse.com). This paper presents technology spaces for the facets of virtual worlds that can contribute to the support of collective intelligence in design, including design and modelling tools, communication tools, artificial intelligence, level system, motivation, governance and other related facets. We discuss how these facets support the design, communication, motivational and educational requirements of collective intelligence applications. The paper concludes with a case study of Lego Universe, with reference to the technology spaces defined above. We evaluate the potential of this or similar tools to move design beyond the individual and small-scale design teams to harness large-scale collective intelligence. We also consider the types of design tasks that might best be addressed in this manner.
keywords	collective intelligence, collective design, virtual worlds, computer games
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	sigradi2014_290
id	sigradi2014_290
authors	Molinas, Isabel Sabina
year	2014
title	Contra la distinción: la libertad de las formas en la experiencia estética contemporánea [Against distinction: the freedom of the shapes in the contemporary esthetic experience]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 446-449
summary	In the field of Contemporary Esthetics is resumed the question of what is art and which are the readability conditions (reading). The questions relate to the displacement between representation and experimentation, beauty and esthetic experience, among others. In this context, we address the technology of poetry (Nancy (2012 [2013]) as technological exhibition that lets your experience the being of the object and become subjects. The corpus includes film and video (Kopystiansky 1996-97; Alys 2011 y Jaar 2013). The objective is to outline an analytical framework for thinking about the esthetic freedom of creation and the practical freedom of their recognition. (Wagner 2004).
keywords	Art; Technology; Esthetics; Design; Freedom
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ijac20109101
id	ijac20109101
authors	Moloney, Jules; Bharat Dave
year	2011
title	From abstraction to being there: mixed reality at the early stages of design
source	International Journal of Architectural Computing vol. 9 - no. 1, 1-16
summary	We discuss the use of multiple design representations to enhance decision making at the early stages of design. Our interest is how the context in which design decisions are made can be extended by two interrelated approaches: (1) the incorporation of the temporal; (2) through the concurrent evaluation of qualitative representations and quantitative information. Outcomes from a practice survey and observations from design studios are used to inform the development of mixed reality (MixR) technology, to enable the applications to reflect architecture specific modes of design praxis. We propose two approaches - studio MixR and site MixR - reflecting the distinction between typical studio based design process and the requirements of a formal design review by the design team and stakeholders. Prototype applications have been implemented and a number of projects have been undertaken to illustrate some of the potential of mixed reality for architecture and urban design. These focus on the early stages of design, from the abstraction of parametric design to on site design reviews undertaken with augmented reality visualization.
series	journal
last changed	2019/05/24 09:55

For more results click below: