Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia12_117
id	acadia12_117
authors	Mankouche, Steven ; Bard, Joshua ; Schulte, Matthew
year	2012
title	Digital Steam Bending: Re-Casting Thonet Through Digital Techniques
doi	https://doi.org/10.52842/conf.acadia.2012.117
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 117-126
summary	Digital Steam Bending is a design and fabrication research project that investigates the historically significant, regional technique of steam bending wood through the lens of digital technology.
keywords	Thonet , steambending , parametric
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	acadia12_209
id	acadia12_209
authors	Larsen, Niels Martin ; Pedersen, Ole Egholm ; Pigram, Dave
year	2012
title	A Method for the Realization of Complex Concrete Gridshell Structures in Pre-Cast Concrete
doi	https://doi.org/10.52842/conf.acadia.2012.209
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 209-216
summary	This paper describes a method for the design and fabrication of complex funicular structures fromdiscrete precast concrete elements. The research proposes that through the integration of digitalform-finding techniques, computational file-to-fabrication workflows, and innovative sustainableconcrete casting techniques, complex funicular structures can be constructed using prefabricatedelements in a practical, affordable, and materially efficient manner.A recent case study is examined, in which the methodology has been used to construct a pavilion.Custom-written dynamic relaxation software was used to define the overall form and successivealgorithms; it then defined each component’s unique geometry, unrolled into flat shapes, andnested all parts into cut-files. PETG plastic sheets were two-dimensionally laser cut and folded toproduce the unique casting molds. The case study was carried out in collaboration between theAarhus School of Architecture and the University of Technology, Sydney (UTS). Basic research incasting techniques defined the framework for the design process, and a custom-written dynamicrelaxation software application became the primary form-generating tool in the design process ofa constructed pavilion. Fabrication and construction constraints were embedded within the designof both the overall structure and its components. Finite element analysis [FEA] was completed inorder to verify the form-finding results, to ensure structural stability, and to direct adjustments ofthe structure during the design process.The constructed pavilion case study, constructed in a very short time, for low cost and with relativelyunskilled labor, demonstrates that the integration of algorithmic form-finding techniques, CNCfabrication workflows, and the use of innovative PETG folded-mold techniques enables thepractical realization of freeform funicular structures in precast concrete.
keywords	Gridshells , pre-cast concrete , folded moulds , dynamic relaxation , file-to-factory , form-finding , parametric modeling , computational design , zero-waste production
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	caadria2014_124
id	caadria2014_124
authors	Williams, Nicholas; Sascha Bohnenberger and John Cherrey
year	2014
title	A System for Collaborative Design on Timber Gridshells
doi	https://doi.org/10.52842/conf.caadria.2014.441
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 441–450
summary	The bent timber laths of the Sound Bites gridshell create two types of performance space over an area of almost 100 m2. Such postformed gridshells are a wellestablished design solution for creating curved forms from linear elements. Extending principles developed since the 1970s, contemporary digital tools have been utilised to drive a renewed interest in them, primarily through so-called form-finding techniques which connect digital and material models through a simulation of shape under bending loads (Nettlebladt, 2013) and the definition of efficient structural geometry acting under compression loads only (Hernandez et. al., 2012). This paper describes the workflow conceived and implemented for the Sound Bites structure. A central challenge of the research was for such a workflow to allow for the principles of gridshell design to be engaged in parallel to other tight constraints and design drivers. As such it needed to facilitate close collaboration between architectural, engineering and fabrication experts. This workflow was tested in the design and realisation of the full-scale structure within a six-week period. The gridshell design was developed through the manipulation of the shape of two edge profiles and the shell form spanning between these. Architectural and fabrication constraints were met and the workflow allowed for a sufficient level of structural analysis to be fed back to inform the design.
keywords	Digital Workflow; Collaborative Design; Digital Formfinding; Digital Fabrication
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	ascaad2012_008
id	ascaad2012_008
authors	Ambrose, Michael A. and Kristen M. Fry
year	2012
title	Re:Thinking BIM in the Design Studio - Beyond Tools… Approaching Ways of Thinking
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 71-80
summary	The application of digital design methods and technologies related to BIM and Integrated Practice Delivery are altering the how and what of architectural design. The way contemporary architecture is conceived and made is being transformed through the digital methods, processes and applications used in BIM. How architectural education and the design studio model evolve to reflect, interpret, translate, or challenge the multiplicitous and simultaneously variable modes of contemporary practice present opportunity and risk to this generation of digital scholars, educators and practitioners. Might we re-conceive the design studio as a venue in which a critical dialogue about how the many facets of architectural design practice are engaged? The possibilities afforded by BIM and Integrated Practice Delivery and digital design technologies are increasingly affecting what we make and simultaneously how we make as architects. Digital modeling of both geometry and information is replacing (or displacing) digital drawing. We see diminishing returns of the value of transforming three-dimensional spatial/formal ideas into two-dimensional conventional abstractions of those complex ideas. This comprehensive thinking promoted by BIM processes is one of the key advantages of using BIM leading to true design innovation. The reiterative learning process of design promoted in BIM promotes a rethinking of design studio education.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_008.pdf
last changed	2012/05/15 20:46

_id	sigradi2012_73
id	sigradi2012_73
authors	Amen, Fernando García; Álvarez, Marcelo Payssé; Bonifacio, Paulo Pereyra; Meirelles, Lucía
year	2012
title	Fabricando mundos. Realidad, simulacro e inmanencia [Manufacturing worlds. Reality, simulacra and immanence]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 645-648
summary	Digital manufacturing in both as art and technology is a new way of designing, re-creation and re-invention of reality. This paper considers, from an epistemological point of view, the process of digital fabrication and its hyperlinks to known and simulated reality, and its ontological nature. Through documentation and methodological approach to the construction of a Moebius strip, this paper analyzes the nature and specifications of digital manufacturing. For this purpose, it makes a study of some strip properties and establishes a correlation within digital manufacturing, emphasizing similarities, complexities and shared qualities. Thus, it aims to create a reflection and a critical perspective on the complex logic of creation and simulation of knowable reality. And also it contributes to explore a theoretical corpus on the role of architects and designers in this incipient and ongoing discipline.
keywords	Fabricación digital, Realidad, Simulacro, Inmanencia
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2012_006
id	ecaade2012_006
authors	Angulo, Antonieta ; Vermillion, Joshua
year	2012
title	Strategic Thinking on the Redesign of a Foundational CAAD Course: Towards comprehensive training on digital design
doi	https://doi.org/10.52842/conf.ecaade.2012.1.029
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 29-37
summary	The paper describes a new implementation of an existing course on digital design and its contribution to the curriculum of the undergraduate pre-professional architecture program at Ball State University. The strategic thinking behind the re-design of this course refl ects not only the need to update its content to reflect the state-of-the art in the domain but also responds to a diversifi ed context that exhibitschanging trends due to digital culture, use of digital media in learning and practice, and educational policy. The paper elaborates on these larger contextual elements and describes the new instructional methods implemented through a modular framework of assignments and a multi-layered delivery system. The paper concludes with a series of recommendations for the future improvement, constant assessment, and further development of the digital design course.
wos	WOS:000330322400002
keywords	Digital Design; Instructional Methods; Parametric Thinking; CAAD; Fabrication
series	eCAADe
email
last changed	2022/06/07 07:54

_id	acadia12_439
id	acadia12_439
authors	As, Imdat ; Angelico, Maria
year	2012
title	Crowdsourcing Architecture: A Disruptive Model in Architectural Practice
doi	https://doi.org/10.52842/conf.acadia.2012.439
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 439-443
summary	This paper discusses the use of crowdsourcing as a new approach for architectural design acquisition. We will give an overview of the concept of crowdsourcing, and elaborate on its particular application in architecture via concrete projects executed on Arcbazar, a firstof- its-kind crowdsourcing platform for architectural design services. We argue that online crowdsourcing platforms can have an immense impact on smaller-scale design challenges, e.g., home remodeling projects and landscape and interior design challenges, and can potentially carry these often neglected projects into the architectural design sphere. In this paper we will discuss the methods and techniques of architectural crowdsourcing and illustrate the processes and outcomes through a series of projects: a remodeling project for a closet; an interior design challenge for a dining space; and a layout problem for an apartment complex. We will then evaluate the protocol and outcome of architectural crowdsourcing, and convey the professional and popular media response to this new method of architectural design acquisition.
keywords	crowdsourcing , competitions , networking , interaction , collaboration
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:54

_id	caadria2012_132
id	caadria2012_132
authors	Baerlecken, Daniel and David Duncan
year	2012
title	Junk: Design build studio
doi	https://doi.org/10.52842/conf.caadria.2012.305
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 305–314
summary	The paper presents a design build studio that investigates the role of waste as building material and develops a proposal for an installation that uses CAAD and CAM tools in combination with traditional fabrication tools to design and build an installation out of waste materials. The paper describes the concept development and the construction process through the help of computational tools. Recycling is in the process of becoming an integral part of sustainable architecture. However, there are very few digital design projects that use re-used or recycled materials in combination with their architectural and aesthetic qualities and potentials. The potential of such an investigation is explored within a design build studio. What is junk? What is a building material? What are the aesthetics of junk?
keywords	Education in CAAD; digital fabrication and construction; practice-based and interdisciplinary CAAD; parametric modelling
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	acadia12_149
id	acadia12_149
authors	Besler, Erin
year	2012
title	Low Fidelity
doi	https://doi.org/10.52842/conf.acadia.2012.149
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 149-153
summary	Low Fidelity engages in the translational discrepancies that occur through mediums of architectural representation, not as instances of dilemma but as opportunities to subdue tautology and augment the seductive latency of representation(1). Where some might contend the discrepant as unlawful, the methodology that this thesis argues for engages the digital and machinic, and explores the translational discrepancies that challenge and interrupt our interface with matters of materialization and excite material propensities. The discrepant becomes a dynamic catalyst through the engagement of tools and techniques that subvert the homogeneity of digital design. Low Fidelity engages the sphere of translation by reevaluating the role of architectural representation as generator and generated its originations and its limitations. In an attempt to negotiate the digital and physical, this thesis situates itself within the feedback loop between the mediums of translation through ideas their formal logics, material propensities and back again.
keywords	Robotic Fabrication , Digital Machinic , Material Propensity , Technological Fidelity , Generative Representation , Translation through Mediums
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:52

_id	acadia12_127
id	acadia12_127
authors	Burry, Jane ; Burry, Mark ; Tamke, Martin ; Thomsen, Mette Ramsgard ; Ayres, Phil ; Leon, Alex Pena de ; Davis, Daniel ; Deleuran, Abders ; Nielson, Stig ; Riiber, Jacob
year	2012
title	Process Through Practice: Synthesizing a Novel Design and Production Ecology
doi	https://doi.org/10.52842/conf.acadia.2012.127
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 127-138
summary	This paper describes the development of a design and prototype production system for novel structural use of networked small components of wood deploying elastic and plastic bending. The design process engaged with a significant number of different overlapping and interrelated design criteria and parameters, a high level of complexity, custom component geometry and the development of digital tools and procedures for real time feedback and productivity. The aims were to maximize learning in the second order cybernetic sense through empirical experience from analogue modeling, measurement and digital visual feedback and to capture new knowledge specifically regarding intrinsic material behavior applied and tested in a heterogeneous networked context. The outcome was a prototype system of design ideation, conceptualization, development and production that integrated real time material performance simulation and feedback. The outcome was amplified through carrying out the research over a series of workshops with distinct foci and participation. Two full scale demonstrators have so far been constructed and exhibited as outputs of the process.
keywords	Material behavior , Complex modeling feedback , progressive synthetic learning
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	ecaade2012_141
id	ecaade2012_141
authors	Castro e Costa, Eduardo; Coutinho, Filipe; Duarte, José Pinto; Krüger, Mário
year	2012
title	Modelling Alberti’s Column System: Generative Modelling and Digital Fabrication of Classical Architectural Elements
doi	https://doi.org/10.52842/conf.ecaade.2012.2.469
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 469-477
summary	The research presented further is part of the Digital Alberti research project, which aims to assess the infl uence of Leon Batista Alberti’s theory on Portuguese architecture, through the use of digital technologies. One of the project tasks implied computational and physical modelling of Alberti’s column system. Development of the computational model implied decoding Alberti’s treatise on architecture De re aedifi catoria into a consistent set of parameters and relationships, and then implementing these into generative parametric computer programs through visual programming language Grasshopper. This computational model is able to automatically generate physical models of classical columns according to Alberti’s canons. These digital models were then materialized through production of physical models, through rapid prototyping and digital fabrication technologies. Special attention is given to the CNC stone milling of a Corinthian capital.
wos	WOS:000330320600049
keywords	Alberti; De re aedifi catoria; Column system; Generative modelling; Digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ecaade2012_214
id	ecaade2012_214
authors	Das, Subhajit ; Dutt, Florina
year	2012
title	Design optimization in a hotel and offi ce tower through intuitive design procedures and advanced computational design methodologies. Façade design optimization by computational methods
doi	https://doi.org/10.52842/conf.ecaade.2012.1.235
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 235-243
summary	The research topic of this paper exemplifies design optimization techniques of a hotel/office tower in Central China (Nanjing city), which faces subtropical humid climate throughout the year. The main intent of the project is to fi nd optimized design solution with the aid of parametric design tools and Visual Basic Scripting techniques (in Rhino Script & Grasshopper) combined with intuitive design process. In any urban context, we firmly believe that architectural design is a responsive phenomenon, which faces diverse interaction with the user & the local climate. The building design of the proposed tower acknowledges these responsive factors of the design with the environment along with building users or residents. Consequently, we strive to develop a sustainable design solution, which is ecologically efficient and psychologically conducive to the wellbeing of the user. We developed our intuitive design product with complex computational design toolsets to leverage design and energy efficiency. In this procedure, we draw major design concepts and geometrical typologies from natural systems in the form of bio mimicry or biologically inspired design process. Overall, this research paper outlines the significance and relevant benefi ts of the combination of intuitive design (from experience, expertise and architects skills) with parametric scripting tools.
wos	WOS:000330322400023
keywords	Sustainable Building Façade; Parametric Architecture; Intelligent building skin; Solar Architecture
series	eCAADe
email
last changed	2022/06/07 07:55

_id	acadia12_217
id	acadia12_217
authors	Dourtme, Stella ; Ernst, Claudia ; Garcia, Manuel Jimenez ; Garcia, Roberto
year	2012
title	Digital Plaster: A Prototypical Design System
doi	https://doi.org/10.52842/conf.acadia.2012.217
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 217-230
summary	Contemporary computational design processes offer more potential in the design of complex formal architectural outcomes when material processes and fabrication techniques are incorporated within a digital working methodology. This paper discusses the research project “Digital Plaster” which show-cases the development of such an architectural machine that enabled a digital design process to incorporate fabrication and structural form finding processes within flexible formwork plaster casting by the means of digitally depicting a material ecology.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	ecaade2012_197
id	ecaade2012_197
authors	ElBanhawy, Eiman Y. ; Dalton, Ruth ; Thompson, Emine Mine ; Kottor, Richard
year	2012
title	Real-Time Electric Mobility Simulation in Metropolitan Areas. A case study: Newcastle-Gateshead
doi	https://doi.org/10.52842/conf.ecaade.2012.1.533
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 533-546
summary	This paper discusses the potential of emerging digital representations of built environments coupled with agent-based modelling (ABM). A new set of urban transportation data is provided as an input which is the electric vehicles (EVs) population of one of the UK metropolitan areas. The study is a part of a PhD research that focuses on investigating computer-aided software to develop a virtual route for electric mobility in the North Sea Region. An overview of agent-based simulation platforms is discussed. Electric mobility system has particular paradigms that differ from conventional urban transport systems; a comparison is presented followed by the recommended approach of integrating the two techniques (visualization and simulation). Finally, the architecture of agents’ algorithm within the EVs network is presented through a case study of virtual Newcastle-Gateshead model.
wos	WOS:000330322400055
keywords	E-mobility; electric vehicles; simulation; agent based modelling; virtual city models
series	eCAADe
email
last changed	2022/06/07 07:55

_id	caadria2012_107
id	caadria2012_107
authors	Gerber, David and A. Senel Solmaz
year	2012
title	PARA-Typing the making of difference: Associative parametric design methodologies for teaching the prototyping of material affect
doi	https://doi.org/10.52842/conf.caadria.2012.233
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 233–242
summary	PARA-Typing the Making of Difference presents design research and instruction into the use of constraint based digital and analogue modelling techniques and the development of associative parametric models to simulate highly differentiated fabricated form. These design research projects were conceived as manual analogue generative processes for prototyping modularity and serial differentiation. Then through associative parametric design technologies and methodologies, modular fields were design explored and developed in concert with material properties and constraints. Utilising digital fabrication full-scale installations were designed, manufactured, and constructed as tiled walls that created differentiated space within site-specific configurations.
keywords	Generative design; parametric modelling; prototyping; digital fabrication; tectonics
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ijac201210403
id	ijac201210403
authors	Gerber, David J.
year	2012
title	PARA-Typing Informing Form and the Making of Difference
source	International Journal of Architectural Computing vol. 10 - no. 4, 501-520
summary	This paper presents design research and instruction into the use of constraint based digital and analogue modelling techniques and the development of associative parametric models to simulate highly differentiated fabricated form. One set of these design research projects were conceived as manual analogue generative processes for prototyping modularity and serial differentiation.Then through parametric design techniques, modular aggregations were design explored and developed in concert with material properties and constraints. Utilizing digital fabrication full-scale installations were designed, manufactured, and for site-specific configurations. A second set of projects provides an extension of the design instruction that includes the integration of performance criteria into these design objectives.The objectives of the research are to present benefits and limitations of the incorporation of parametric design, performance analysis, and prototyping techniques in comprehensive studio instruction.The paper discusses the resultant informed materialized difference and the impacts on achieving reinforced and hands on learning objectives.
keywords	Generative design; parametric modelling; prototyping; digital fabrication; design pedagogy; performative design
series	journal
last changed	2019/05/24 09:55

_id	caadria2012_042
id	caadria2012_042
authors	Globa, Anastasia and Michael Donn
year	2012
title	Digital to physical: Comparative evaluation of three main CNC fabrication technologies adopted for physical modelling in architecture
doi	https://doi.org/10.52842/conf.caadria.2012.327
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 327–336
summary	Recently, digital fabrication, being a logical extension of computer-aided technology to the material world, was introduced into the field of computational design in architecture. The objective of this experimental study is to investigate and systematise data regarding the production issues and limitations of the main Computer Numerically Controlled (CNC) fabrication technologies adopted for physical modelling in architecture. This study also aims to observe the value of potential feedback to the design process from different types of digitally fabricated architectural models. This experimental research systematically explores digital fabrication as a computer-aided modelling tool, using two international architectural competition projects as case studies: the design of a skyscraper and relocatable schools. Developed by authors especially for this research paper, each case study acts as a test bed to compare and evaluate digital production techniques adopted for physical modelling in architecture. Designs go through a process of refinement using CNC fabrication as an integral part of the design process. Each step in the process is closely evaluated as to its effectiveness according to a matrix of feedback criteria.
keywords	Design process; digital fabrication; architectural model
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ijac201210401
id	ijac201210401
authors	Globa, Anastasia; Michael Donn, Simon Twose
year	2012
title	Digital To Physical: Comparative Evaluation Of Three Main CNC Fabrication Technologies Adopted For Physical Modelling In Architecture
source	International Journal of Architectural Computing vol. 10 - no. 4, 461-480
summary	The objective of this experimental study is to investigate and systematise data regarding the production issues and limitations of Computer Numerically Controlled fabrication technologies typically adopted for physical modelling in architecture.This study also aims to observe the value of potential feedback to the design process from different types of digitally fabricated architectural models.This experimental research systematically explores digital fabrication as a computer-aided modelling tool using two international architectural competition projects as case studies: the design of a skyscraper and relocatable schools. Developed by the authors especially for this research paper, each case study acts as a test bed to compare and evaluate digital production techniques adopted for physical modelling in architecture. Designs go through a process of refinement using CNC fabrication as an integral part of the design process. Each step in the process is closely evaluated as to its effectiveness according to a matrix of feedback criteria.
series	journal
last changed	2019/05/24 09:55

_id	sigradi2012_196
id	sigradi2012_196
authors	Gokmen, Sabri
year	2012
title	The Ornaments of Shoowa Kuba: A digital re-interpretation of a textile art
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 79-83
summary	This paper will discuss how Shoowa Kuba textiles could be analyzed as an ornament that can be digitally constructed and applied in design. An historical outline of ornament is provided by briefly comparing Classical and Gothic ornaments. This theoretical framework is then compared to the art of Shoowa Kuba focusing on their textile embroideries. Various patterns and techniques will be introduced showing how Kuba people implement rules as well as how they break them. These patterns will be digitally reconstructed to show their applicability to the digital design domain.
keywords	Digital design research, textile patterns, ornaments, scripting
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	acadia12_15
id	acadia12_15
authors	Johnson, Jason Kelly; Cabrinha, Mark; Steinfeld, Kyle
year	2012
title	Synthetic Digital Ecologies
doi	https://doi.org/10.52842/conf.acadia.2012.015
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 15-17
summary	Why use the terms synthetic and ecology in the context of a conference dedicated to the field of digital architecture, computation and fabrication? How do we begin to unpack the synthetic union of diverse elements, processes, collaborators, and code underlying any single contemporary design or research project? What could our field gain by interrogating these diverse ecologies? What are the relationships and interactions between our design processes, including our various tools and techniques, and the multiple environments with which we routinely work, collaborate and make? It is these questions and more that we hope to address at this year’s “Synthetic Digital Ecologies” conference. A quick scan of the papers and projects that will be presented at ACADIA reveals an extraordinary ecology of experimental research that emerged by working between messy labs, studios, workshops, hacker spaces and the like. In many ways today’s so-called “digital architects” do not feel compelled to distinguish between what is digitally designed and what is not. They are leading the way through a promiscuous and synthetic mixing of skill sets, of pens and paper, hardware and software, electronics and g-code. In a single research project these designers might collaborate with a computer scientist, a robotics expert and a glass blower, and in many cases they might even attempt to do all of these things themselves. It was with this in mind that we put forth an international call inviting, “… architects, fabricators, engineers, media artists, technologists, software developers, hackers and others in related fields of inquiry …” to submit papers and projects for this year’s conference. This year the proceedings have been organized into twelve synthetic categories based around the potential for diverse research topics to inform new and unexpected conversations. Instead of organizing peer-reviewed papers and projects through their formal characteristics, we were interested in forming new synthetic categories by curating unexpected juxtapositions. This ecology of ideas and research was meant to provoke and inspire new ways of thinking, making, building and collaborating.
series	ACADIA
type	introduction
email
last changed	2022/06/07 07:52

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