Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2012_098
id	caadria2012_098
authors	Fok, Wendy W.
year	2012
title	Cross pollination of ideas: Design fabrication and experimentation
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 589–598
doi	https://doi.org/10.52842/conf.caadria.2012.589
summary	The following pages show a selection of studio projects which explore the opportunistic collaborative process between commercial fabricators, material sponsorships, and the institution. The articles speaks about the intersection of design experimentation and significance of fabrication within the contained process of [design \| optimisation \| fabrication]. Within this process the article intersects between practice, commercialisation, and design-research, into the development arena of architectural academic outcomes. The demonstrating fact within much of the research and development also touches upon intricate details of modularity, and designing with optimisation in mind for the purpose (and ease) of fabrication, prototyping, and ‘real-life’ production. While the focus of the academic studios deliberates and uses parametric design systems through digital and analogue modelling to contribute to a full scale designed installation, and actively working with a commercial fabricator and material sponsor (Luxx Newhouse & LG Hausys HI-MACS). The aim of the courses were to acquaint students with theoretical and practical conditions needed for the creating of experimental relational modularity between geometry, scale, and materials as well as the ability to negotiate between quick intuitive studies and definitive quantifiable decisions.
keywords	Design fabrication; material investigation; industry collaboration; architecture; industrial design
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ecaade2012_282
id	ecaade2012_282
authors	Andrade, Max ; Mendes, Leticia ; Godoi, Giovana ; Celani, Gabriela
year	2012
title	Shape grammars for analyzing social housing: The case of Jardim São Francisco low-income housing development
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 451-458
doi	https://doi.org/10.52842/conf.ecaade.2012.1.451
wos	WOS:000330322400046
summary	This paper presents an analysis of Jardim São Francisco, a lowincome housing development in São Paulo, Brazil, using shape grammar as an analytical method. It is part of an ongoing research that aims at analyzing the different types of sitting in low-income housing developments and their consequences for public spaces. The fi nal objective is to propose a design method that allows designing better quality urban spaces in this type of development.
keywords	Low-income housing; urban design; shape grammar
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2012_39
id	ecaade2012_39
authors	Asanowicz, Aleksander
year	2012
title	Design: Analogue, Digital, and Somewhere in Between
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 273-280
doi	https://doi.org/10.52842/conf.ecaade.2012.2.273
wos	WOS:000330320600027
summary	The problem considered in this paper is: “In what way do we design?” This paper concentrates on the early creative stages of the design process during which the designer gradually gathers the information about the problem, applying appropriate rules, tools and media. If the tools are chosen as a starting point of consideration, designing may be analysed as manual or digital. If we chose the medium - design may be considered as physical or virtual. The main thesis of this paper is that designing proceeds somewhere in between. “Somewhere in between” means the space where manual, digital, virtual are mixing, overlapping, and transforming one into the other. As a case study the process of designing of blurred function object is presented. In this experimental design studio we paid particular attention to the design process and we searched for the answer to the following questions: how to find an idea (what tools/media are helpful), how to express, fi x and transform that idea? In the paper the examples of students’ work will be presented and discussed.
keywords	Creativity; digital design methods; mixed methods of design
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2012_164
id	ecaade2012_164
authors	Chen, Ting-Han; Lu, Kai-Tzu
year	2012
title	Creating Spatial-Interactive Service Experiences: A Framework for Designing Interactive Service Spaces
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 327-335
doi	https://doi.org/10.52842/conf.ecaade.2012.2.327
wos	WOS:000330320600033
summary	Inspired by the emergence of interactive space design and service design, this paper explores the concept of interactive service space and proposes a framework for designing interactive service space experiences. The framework has been applied in two design projects of successful commercial setting, mojo iCuisine interactive restaurant and Yun-Ching Real Estate VIP Center, as validation of its feasibility and applicability. We believe that this framework is beneficial for designers who have interests in creating service experience with interactive space approach, and for further studies regarding the concept of interactive service space.
keywords	Service design; interaction design; interactive space; interactive exhibit; user experience
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ecaade2012_303
id	ecaade2012_303
authors	Cheng, Nancy Yen-wen
year	2012
title	Shading With Folded Surfaces: Designing With Material, Visual and Digital Considerations
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 613-620
doi	https://doi.org/10.52842/conf.ecaade.2012.2.613
wos	WOS:000330320600066
summary	This paper analyses a hybrid design approach; how physical and digital processes can inform each other in a multivalent design cycle. It describes the design of origami-inspired window shades, part of the Shaping Light project that explores how adjustable surface structures can modulate light levels and heat gain in response to the changing seasons. The screen uses sloped surfaces to diffuse light and create apertures that close when the screen is stretched and open when the screen is folded. The project complements digital methods for pattern proportioning and kinetic simulation with manual manipulation to generate 3D folding motifs and refi ne assemblies. Physical prototypes can shape digital refi nement by revealing visual and structural characteristics of materials, along with joint and production considerations. Physical models for simulating sunny and cloudy daylighting conditions provide a direct connection between spatial confi guration and visual effects. The paper concludes with guidelines for material-based digital-analog creation.
keywords	Architectural design process; digital fabrication; shading devices; origami
series	eCAADe
email
last changed	2022/06/07 07:55

_id	sigradi2012_34
id	sigradi2012_34
authors	de Menezes, Alexandre Monteiro; Viana, Maria de Lourdes Silva; Pereira Junior, Mário Lucio; Palhares, Sergio Ricardo
year	2012
title	O BIM e o ensino de projeto de edificações nos cursos de Arquitetura e Engenharia Civil em Minas Gerais [BIM and teaching building design in architecture and Civil Engineering courses in Minas Gerais]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 575-579
summary	This research investigates the use of BIM technology in education and practice of architectural design, structures and installations in buildings. From earlier research pointing the critical linear process of building design, the goal is to map out groups research, and university professors who research and apply this technology in order to know the state of the art in the field of professional practice and academic on the regional scene. The hypothesis is that with BIM, there are real advances in the world of construction civil, but also as opposed to the inadequacies contemporary process of teaching and designing projects.
keywords	BIM Technology; Design teaching; Architecture and Engineering
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	ecaade2012_77
id	ecaade2012_77
authors	Derix, Christian
year	2012
title	Implicit Space
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 583-591
doi	https://doi.org/10.52842/conf.ecaade.2012.2.583
wos	WOS:000330320600062
summary	Algorithmic design must start with the observation of physical behaviours. When applied to designing spatial confi gurations, correlations between occupation, experience and spatial properties as implicit performances require mapping that can be abstracted into notations for algorithmic encoding. The algorithmic descriptions of space are calibrated by physical models. Both algorithms and catalogues of physical models are weighted and compiled into a heuristic design system that enables the generation of spatial confi gurations based on behaviours of occupation observed in real spaces. The final designs of this Implicit Space course constitute diagrammatic building configurations designed from the inside-out through encoded occupant experiences.
keywords	Spatial configuration; behavioural mapping; heuristic algorithms; design system
series	eCAADe
email
last changed	2022/06/07 07:55

_id	sigradi2012_130
id	sigradi2012_130
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Designing Eco Adaptable Residence in a Hot & Humid Climate, in Kolkata, India
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 509-512
summary	The research paper outlines the novel design methodology undertaken to redesign an existing apartment building in Kolkata India. The aim of the research is to significantly improve the design of the individual apartments as well as their spatial arrangement to enhance the indoor comfort level experienced by the inhabitants. The initial in-depth study of the existing design of the apartment building encompasses a short survey of the comfort level experienced by its inhabitants in terms of day lighting, natural ventilation and thermal comfort. The survey revealed the way in which these issues affected the behavioral pattern of the inhabitants in rearranging their spatial needs for the given design conditions. Consequently, the endeavor proposed promised to significantly improve the aforesaid areas of problem & discomfort for the building occupants. At the same time, exploiting contemporary computational simulation tools and digital three-dimensional modeling techniques the project leverages the same to prove the improvements proposed by research data in the form of scientific & mathematical tables and values.
keywords	Sustainable Design; Solar Architecture; Wind Tunnel Test; Eco Adaptable Housing
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	acadia12_67
id	acadia12_67
authors	Gerber, Dr. David Jason ; Lin, Shih-Hsin
year	2012
title	Synthesizing Design Performance: An Evolutionary Approach to Multidisciplinary Design Search
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 67-75
doi	https://doi.org/10.52842/conf.acadia.2012.067
summary	Design is a goal oriented decision-making activity. Design is ill defined and requiring of synthetic approaches to weighing and understanding tradeoffs amongst soft and hard objectives, and the imprecise and or computationally explicit criteria and goals. In this regard designers in contemporary practice face a crisis of sorts. How do we achieve performance under large degrees of uncertainty and limited design cycle time? How do we better design for integrating performance? Fundamentally design teams, are not typically given enough time nor the best tools to design explore, to generate design alternatives, and then evolve solution quality to search for best fit through expansive design solution spaces. Given the complex criteria for defining performance in architecture our research approach experiments upon an evolutionary and integrative computational strategy to expand the solution space of a design problem as well as pre-sort and qualify candidate designs. We present technology and methodology that supports rapid development of design problem solution spaces in which three design domains objectives have multi-directional impact on each other. The research describes the use of an evolutionary approach in which a genetic algorithm is used as a means to automate the design alternative population as well as to facilitate multidisciplinary design domain optimization. The paper provides a technical description of the prototype design, one that integrates associative parametric modeling with an energy use intensity evaluation and with a financial pro forma. The initial results of the research are presented and analyzed including impacts on design process; the impacts on design uncertainty and design cycle latency; and the affordances for ‘designing-in’ performance and managing project complexity. A summary discussion is developed which describes a future cloud implementation and the future extensions into other domains, scales, tectonic and system detail.
keywords	Parametric Design , Domain Integration , Design Methods , Multidisciplinary Design Optimization (MDO) , Evolutionary Algorithms , Design Decision Support , Generative Design
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	acadia12_269
id	acadia12_269
authors	Lally, Sean
year	2012
title	Architecture of an Active Context
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 269-276
doi	https://doi.org/10.52842/conf.acadia.2012.269
summary	As we stand with our feet on earth’s outermost surface we build an architecture today that is much like it was several thousand years earlier, in an attempt to extend that outer shell with one of our own making. Artificial masses are built from a refinement of this existing geologic layer into materials of stone, steel, concrete, and glass that assemble to produce new pockets of space through the buildings they create. However, the sixth century BC writer Thales of Miletus put a different perspective on this: he insisted that we live, in reality, not on the summit of a solid earth but at the bottom of an ocean of air (Holmyard 1931). And so, as architecture continues to build up the outermost layer of earth’s surface through a mimicking, embellishing, and enhancing of the materials which it comes from, it raises the question of why we have not brought a similar relationship to the materialities at the bottom of this “ocean” of air to create the spaces we call architecture. If you were looking to level a complaint with the architectural profession, stating that it has not been ambitious enough in scope would not be one. Architects have never shied away from the opportunity to design everything from the building’s shell to the teaspoon used to stir your sugar in its matching cup. But it would seem that the profession has developed a rather large blind spot in terms of what it sees as a malleable material with which to engage. Architects have made assumptions as to what is beyond our scope of action, refraining from engaging a range of material variables due to a belief that the task would be too great or simply beyond our physical control. So even though we are enveloped by them continuously, both on the exterior as well as the interior of our buildings, it must be assumed that the particles, waves, and frequencies of energy that move around us are thought by architects to be too faint and shaky to unload upon them any heavy obligations, that they are too unwieldy for us to control to create the physical boundaries of separation, security, and movement required of architecture. This has resulted in a cultivated set of blinders that essentially defines architecture as a set of mediation devices (surfaces, walls, and inert masses) for tempering the environmental context it is situated in from the individuals and activities within. The spaces we inhabit are defined by their ability to decide what gets in and what stays out (sunlight, precipitation, winds). We place our organizational demands and aesthetic opinions on the surfaces that mediate these variables rather than seeing them as available for manipulation as a building material on their own. The intention here is to recalibrate the materialities that make up that environmental context to build architecture. The starting point is a rather naive question: can we design the energy systems that course in and around us daily as an architectural material so as to take on the needs of activities, securities, and lifestyles associated with architecture? Can the variables that we would normally mediate against instead be heightened and amplified so as to become the architecture itself? That which many would incorrectly dismiss as simply “air” today—thought to be homogeneous, scale-less, and vacant due in part to the limits of our human sensory system to perceive more fully otherwise—might tomorrow be further articulated, populated, and layered so as to become a materiality that will build spatial boundaries, define activities of individuals and movement, and act as architectural space. Our environmental context consists of a diverse range of materials (particles and waves of energy, spectrum of light, sound waves, and chemical particles) that can be manipulated and formed to meet our needs. The opportunity before us today is to embrace the needs of organizational structures and aesthetics by designing the active context that surrounds us through the material energies that define it.
keywords	Material energies
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	ecaade2012_54
id	ecaade2012_54
authors	Stolarewicz, Malgorzata
year	2012
title	Time as a Designing Factor in Architecture Creation: Application of Parametric Design in Dynamic Facades
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 561-566
doi	https://doi.org/10.52842/conf.ecaade.2012.2.561
wos	WOS:000330320600059
summary	The presented paper is an introduction to a Ph. D. study which focuses on computer methods of formatting spaces in architecture. At this stage of research author tackles the topic of parametric designing in dynamic facades where great attention is put on time aspect and subjective selection of the parameters. The paper consists of four parts (explanation of subject and main research goal, description of theoretical background, discussion about different kinds of dynamic facades and case study) which are summed up in a conclusion.
keywords	Dynamic facades; parametric design; time; changeability
series	eCAADe
email
last changed	2022/06/07 07:56

_id	caadria2013_000
id	caadria2013_000
authors	Stouffs, Rudi; Patrick Janssen, Stanislav Roudavski and Bige Tunçer (eds.)
year	2013
title	Open Systems
source	Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2012, 977 p.
doi	https://doi.org/10.52842/conf.caadria.2013
summary	Contemporary challenges require inclusively integrated approaches to designing. Constrained by established modes of practice, such integration is impossible without a radical commitment to openness. In response to this need, the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) brought together contributions that engage with open systems in all aspects of architectural and urban design: open with respect to the scale of the design objectives and the context, from a building component within a building system to a neighbourhood or city within its urban and rural context; open with respect to the domains being considered, from planning to sustainable performance of a building or city; open with respect to the collaboration of disciplines and participants, from ad-hoc brainstorming to a rigorous process of consultation and feedback; open with respect to design methods and techniques, from physical modelling to digital prototyping; open with respect to design models and representations being adopted, from a parametric exploration to an ontological delineation considering Building Information Modelling, Built Environment Modelling or City Information Modelling; open with respect to the tools and applications being adopted, despite interoperability issues, from modelling to simulation and assessment; open with respect to the learning approach being adopted, from informal interaction and sharing to formal design education; open with respect to the open source approach being adopted in research and development, in order to gather community involvement and use. The conference was held 15-18 May 2013 at the Department of Architecture, School of Design and Environment, at National University of Singapore.By focusing on the theme of Open Systems, CAADRIA 2013 aimed to explore all these aspects and more, and raise awareness to the need of breaching disciplinary boundaries and reaching creative communities at all levels of expertise, by pooling resources, knowledge and practices, and integrating them through the adoption of open systems.
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	ecaade2013_128
id	ecaade2013_128
authors	Symeonidou, Ioanna; Hirschberg, Urs and Kaftan, Martin
year	2013
title	Designing the Negative
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 1, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 683-691
doi	https://doi.org/10.52842/conf.ecaade.2013.1.683
wos	WOS:000340635300071
summary	Designing the Negative was the title of a Master Studio that took place at the Institute of Architecture and Media of Graz University of Technology during the summer semester of 2012. Students designed and fabricated prototypes of customized concrete formwork as part of their studio assignment. The studio theme forced students to think about digital fabrication with parametric tools in a hands-on fashion. Using robotic technology and hot-wire cutting, students worked with the robot’s constraints (size of the robot’s arm, robot’s axis and tool’s restrictions) to design complex curved elements that could serve as formwork (the negative) for cast concrete elements (the positive). The students were asked to design a production strategy for their cast concrete elements as well as the application of said elements in an architectural scheme. The student projects confirmed the value of a pedagogy that takes on research-relevant questions in an interdisciplinary studio setting and engages students in a process that is best described as digital crafting: it simultaneously addressed the conceptual and technical as well as the material and tactile aspects of digital fabrication and design.
keywords	Digital fabrication; customization; concrete; hot-wire cutting; parametric design.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	acadia12_467
id	acadia12_467
authors	Vermisso, Emmanouil
year	2012
title	Conditioning Elegance: A Design Experiment on Intuition and Analysis
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 467-478
doi	https://doi.org/10.52842/conf.acadia.2012.467
summary	This paper offers an assessment of two methods for design, one based on intuitive design skills, the other on design decision based on feedback from analysis. The author is interested in the students’ perception of the process requirements within two different rule-based systems. The project, given within a class on biologically inspired design, demands a design solution that operates on two layers: the first being “function” the second “aesthetics”: students were asked to resolve a column, while designing for “Elegance”. Their work focused on an elegant building component without compromising structural efficiency. The results are discussed as indicators of possibly integrating analysis tools in creative processes and also understanding different learning paradigms for students.
keywords	Intuition , Feedback , Analysis , Simulation , Elegance
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	acadia12_501
id	acadia12_501
authors	Willis, Bryce R. ; Hemsath, Timothy L. ; Hardy, Steve
year	2012
title	A Parametric Multi-Criterion Housing Typology
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 501-510
doi	https://doi.org/10.52842/conf.acadia.2012.501
summary	Architects have been using computers for documentation but they are yet to engage them within a process designing that goes beyond basic representation. This paper explains a project that explores an alternate way computers could be unitized in architecture. More specifically, for the creation of mass customizable homes whose design quality can be controlled through the use of shape and grammar based rules that reliably produce controlled variation with its structure. The ultimate goal of the project was to develop a prototype within the parametric software grasshopper. The development of this project was based on the idea that homebuilders could engage this type of tool to deliver better products that could be custom tailored for their clients and architects could utilize within their design process.
keywords	Parametric , Housing , Shape Grammar
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:57

_id	ecaade2012_144
id	ecaade2012_144
authors	Wurzer, Gabriel ; Pak, Burak
year	2012
title	Lawnmower: Designing a web-based visual programming environment that generates code to help students learn textual programming
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 655-663.
doi	https://doi.org/10.52842/conf.ecaade.2012.1.655
wos	WOS:000330322400069
summary	Learning programming can be a challenging task for design students, especially when code is to be entered in textual form. Visual programming languages, such as McNeil’s Grasshopper, have helped students to engage in scripting without having to deal with lower level syntax that is often hindering them in expressing their thoughts. However, the problem with learning how to program textually is only postponed: When switching to a new platform, students may be forced to learn coding from scratch, and, even worse, to do so in a textual environment that is yet unfamiliar. Our idea is simple: Connect visual programming with textual coding, using code-generation as means. Using this approach enables students to think visually, and see the results textually. An added bonus is the possibility to use debugging, a feature that is yet lacking from Grasshopper. By this way, our language aims to enable students to gradually move from visual to textual programming in a comfortable manner.
keywords	Visual Programming; Structured Code; Teaching; Code Generation
series	eCAADe
email
last changed	2022/06/07 07:57

_id	acadia15_211
id	acadia15_211
authors	Melsom, James; Girot, Christophe; Hurkxkens, Ilmar
year	2015
title	Directed Deposition: Exploring the Roles of Simulation and Design in Erosion and Landslide Processes
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 211-221
doi	https://doi.org/10.52842/conf.acadia.2015.211
summary	Working with and against environmental processes, such as the movement of water, earth, and rock, and terrain, has been a perpetual challenge since the dawn of civilisation. While it has been possible to gradually tame many landscapes to perform in a predictable manner, there are many circumstances where we are forced to live with and around such processes in everyday life. This research is primarily interested in the potential of design to interact with such processes. Specifically, we are interested in the designed redirection of erosion and landslide processes already observable in nature, taking the urbanised hillsides of the Alps as test case scenario. The research specialisation continues a research and design focus specialised on processes material deposition of river and flood systems, further down the water catchment chain (REF: ANON 2012). This specific alpine research is compelling in the context of Anthropocene processes, we are specifically focussed in the appraisal, harnessing and redirection of existing environmental phenomena, given what can be understood as our inevitable interaction with these processes (Sijmons 2015). Within this broader research, which has ecological, cultural, and formal potential, this paper shall explore the practical aspects of connecting design, and the designer, with the potential for understanding and designing these evolving mountain landscapes. There is a long history behind the development of landscape elements which control avalanches, mud, rock, and landslides. The cultural, functional and aesthetic role of such elements in the landscape is relatively undiscussed, epitomising an approach that is primarily pragmatic in both engineering and expense. It is perhaps no surprise that these elements have a dominant physical and visual presence in the contemporary landscape. Through the investigation of synergies with other systems, interests, and design potential for such landscape elements, it is proposed that new potential can be found in their implementation. This research proposes that the intuitive linking of common design software to direct landslide simulation, design of and cultural use can interact with these natural processes. This paper shall demonstrate methods to within which design can enter the process of landscape management, linking the modelling processes of the landscape designer with the simulation capabilities of the specialised engineer.
keywords	Landscape Design Workflows, Landscape Simulation, Terrain Displacement, Material Flow, Erosion Processes, Interdisciplinary Workflows
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	sigradi2012_139
id	sigradi2012_139
authors	Darcan, Tugçe; Gürer, Ethem
year	2012
title	A Poe(Gene)tic Algorithm Method to Compute Gradient Spatiality
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 24-28
summary	Related to the very common use of contemporary evolutionary methodologies, metaphorical relations coming out between architectural design and different structures (open and closed) and also new forms of spatiality are now being discussed. We are trying in this research, to query such a relationship between design and poetic language. In this regard, this paper concerns how haiku, well-known Japanese poem, may turn out to be an unfolding layer within the act of designing, by standing as a sort of syntactic generator. Genetic algorithms are benefited to compute the existing formalism in haiku structure, which gives rise to ‘gradient spatiality’.
keywords	evolutionary design; genetic algorithms; poetic language; haiku; gradient spatiality
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	c4bd
id	c4bd
authors	Derix C, Gamlesæter A, Miranda P, Helme L and Kropf K
year	2012
title	Simulation Heuristics for Urban Design
source	In Mueller Arisona et al (eds), Digital Urban Modelling and Simulation: Communications in Computer and Information Science, Springer, Heidelberg, 2012
summary	Designing simulations for urban design not only requires explicit performance criteria of planning standards but a synthesis of implicit design objectives, that we will call ‘purpose rules’, with computational approaches. The former would at most lead to automation of the existing planning processes for speed and evaluation, the latter to an understanding of perceived urban qualities and their effect on the planning of cities. In order to transform purpose rules into encoded principles we argue that the focus should not be on defining parametric constraints and quantities, but on aligning the perceptual properties of the simulations with the strategies of the stakeholders (planner/ urban designer/ architect/ developer/ community). Using projects from the Computational Design and Research group at Aedas [CDR] as examples, this chapter will discuss how an open framework of lightweight applications with simple functionality can be integrated into the design and planning process by using computational simulations as urban design heuristics.
keywords	urban design, design heuristics, meta-heuristics, simulation, algorithm visualization
series	book
type	normal paper
email
more	http://www.springerlink.com/content/g58114676q4228h8/?MUD=MP
last changed	2012/09/20 14:17

_id	sigradi2012_149
id	sigradi2012_149
authors	Diniz, Nancy; Anderson, Bennedict; Liang, Hai-Ning; Laing, Richard
year	2012
title	Mapping the Experience of Space
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 550-553
summary	This paper aims to contribute to the discussion and our understanding of time-based mapping of visual information. Our approach is to enhance the traditional contextual static analysis through the acknowledgement of the body and the senses as key indicators of perceptual spatial experience. The time-based mapping paradigms have produced different ways of designing space by leveraging perceptual and other sensorial understanding, leading to the formation of variables (or parameters) which at the same time turn themselves as catalysts for other variables. The potential for a constantly evolving reinterpretation of the perceptual experience and for associated paradigm to shift suggest a multiplicity of design possibilities for urban areas that also need to adapt to the new requirements of contemporary living. In essence, the paper will bring to light the deployment of tools (digital and analogue) to turn static invisible data to dynamic visible data. In other words, we want to explore how the data can be treated as a generative system, enabling students and tutors alike to experience space which accounts for sensory performances and behaviours within the space.
keywords	Time-based design processes; dynamic data visualization; digital pedagogies, phenomenology, design process
series	SIGRADI
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