Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia12_269
id	acadia12_269
authors	Lally, Sean
year	2012
title	Architecture of an Active Context
doi	https://doi.org/10.52842/conf.acadia.2012.269
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 269-276
summary	As we stand with our feet on earth’s outermost surface we build an architecture today that is much like it was several thousand years earlier, in an attempt to extend that outer shell with one of our own making. Artificial masses are built from a refinement of this existing geologic layer into materials of stone, steel, concrete, and glass that assemble to produce new pockets of space through the buildings they create. However, the sixth century BC writer Thales of Miletus put a different perspective on this: he insisted that we live, in reality, not on the summit of a solid earth but at the bottom of an ocean of air (Holmyard 1931). And so, as architecture continues to build up the outermost layer of earth’s surface through a mimicking, embellishing, and enhancing of the materials which it comes from, it raises the question of why we have not brought a similar relationship to the materialities at the bottom of this “ocean” of air to create the spaces we call architecture. If you were looking to level a complaint with the architectural profession, stating that it has not been ambitious enough in scope would not be one. Architects have never shied away from the opportunity to design everything from the building’s shell to the teaspoon used to stir your sugar in its matching cup. But it would seem that the profession has developed a rather large blind spot in terms of what it sees as a malleable material with which to engage. Architects have made assumptions as to what is beyond our scope of action, refraining from engaging a range of material variables due to a belief that the task would be too great or simply beyond our physical control. So even though we are enveloped by them continuously, both on the exterior as well as the interior of our buildings, it must be assumed that the particles, waves, and frequencies of energy that move around us are thought by architects to be too faint and shaky to unload upon them any heavy obligations, that they are too unwieldy for us to control to create the physical boundaries of separation, security, and movement required of architecture. This has resulted in a cultivated set of blinders that essentially defines architecture as a set of mediation devices (surfaces, walls, and inert masses) for tempering the environmental context it is situated in from the individuals and activities within. The spaces we inhabit are defined by their ability to decide what gets in and what stays out (sunlight, precipitation, winds). We place our organizational demands and aesthetic opinions on the surfaces that mediate these variables rather than seeing them as available for manipulation as a building material on their own. The intention here is to recalibrate the materialities that make up that environmental context to build architecture. The starting point is a rather naive question: can we design the energy systems that course in and around us daily as an architectural material so as to take on the needs of activities, securities, and lifestyles associated with architecture? Can the variables that we would normally mediate against instead be heightened and amplified so as to become the architecture itself? That which many would incorrectly dismiss as simply “air” today—thought to be homogeneous, scale-less, and vacant due in part to the limits of our human sensory system to perceive more fully otherwise—might tomorrow be further articulated, populated, and layered so as to become a materiality that will build spatial boundaries, define activities of individuals and movement, and act as architectural space. Our environmental context consists of a diverse range of materials (particles and waves of energy, spectrum of light, sound waves, and chemical particles) that can be manipulated and formed to meet our needs. The opportunity before us today is to embrace the needs of organizational structures and aesthetics by designing the active context that surrounds us through the material energies that define it.
keywords	Material energies
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	ascaad2012_024
id	ascaad2012_024
authors	Abeer, Samy Yousef Mohamed
year	2012
title	Sustainable Design and Construction: New Approaches Towards Sustainable Manufacturing
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 241-251
summary	Ecological and environmental issues are playing an important and larger role in corporate and manufacturing strategies. For complete creative design process, buildings require both for construction and manufacturing, due to their comparatively long life cycle for maintenance, significant raw material and energy resources. Thinking in terms of product life cycles is one of the challenges facing manufacturers today. “Life Cycle Management” (LCM) considers the product life cycle as a whole and optimizes the interaction of product design, construction, manufacturing and life cycle activities. The goal of this approach is to protect resources and maximize the effectiveness during usage by means of Life Cycle Assessment, Product Data Management, Technical Support and last but not least by Life Cycle Costing. In this paper the environmental consciousness issues pertaining to design, construction, manufacturing and operations management are presented through computer intelligent technologies of this 21century. So, this paper shows the existing approaches of LCM and discusses their visions and further development.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_024.pdf
last changed	2012/05/15 20:46

_id	ascaad2012_008
id	ascaad2012_008
authors	Ambrose, Michael A. and Kristen M. Fry
year	2012
title	Re:Thinking BIM in the Design Studio - Beyond Tools… Approaching Ways of Thinking
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 71-80
summary	The application of digital design methods and technologies related to BIM and Integrated Practice Delivery are altering the how and what of architectural design. The way contemporary architecture is conceived and made is being transformed through the digital methods, processes and applications used in BIM. How architectural education and the design studio model evolve to reflect, interpret, translate, or challenge the multiplicitous and simultaneously variable modes of contemporary practice present opportunity and risk to this generation of digital scholars, educators and practitioners. Might we re-conceive the design studio as a venue in which a critical dialogue about how the many facets of architectural design practice are engaged? The possibilities afforded by BIM and Integrated Practice Delivery and digital design technologies are increasingly affecting what we make and simultaneously how we make as architects. Digital modeling of both geometry and information is replacing (or displacing) digital drawing. We see diminishing returns of the value of transforming three-dimensional spatial/formal ideas into two-dimensional conventional abstractions of those complex ideas. This comprehensive thinking promoted by BIM processes is one of the key advantages of using BIM leading to true design innovation. The reiterative learning process of design promoted in BIM promotes a rethinking of design studio education.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_008.pdf
last changed	2012/05/15 20:46

_id	caadria2012_131
id	caadria2012_131
authors	Ambrose, Michael A.
year	2012
title	Digital conception(s): Architectural concepts of digital design and making
doi	https://doi.org/10.52842/conf.caadria.2012.699
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 699–708
summary	This paper presents an investigation of probative works of architectural thought and production executed in various forms of digital design and computational media. The applied design research focuses on an examination of the procedure or process constructed to both develop exact, precise digital models and constructed processes that result in design outcomes that cannot be pre-visioned. The changing position of the conceptualisation within the design process continually changes the relationship of the digital work and the computational framework. The work challenges one to interpret design processes of translation and transformation, through the continual oscillation between developed in pursuit of known results and constructed methods for making, in an effort to unravel the pretext of the singular point of view to reveal the intention of the design conception(s). The projects discussed here focus on relationships between the projection of space in architectural representation and the production of architectural form through complex geometries relative to discontinuities and the way in which they agitate and alter one another. DIGITAL conception(s) operate across three primary areas of research; animation, conceptualisation and fabrication. The work oscillates between digital and physical artefacts that intertwine digital/physical workflows while simultaneously engaging temporal issues of time based media through motion graphics and animate constructs.
keywords	Design representation; visualisation; design theory
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	ecaade2012_39
id	ecaade2012_39
authors	Asanowicz, Aleksander
year	2012
title	Design: Analogue, Digital, and Somewhere in Between
doi	https://doi.org/10.52842/conf.ecaade.2012.2.273
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 273-280
summary	The problem considered in this paper is: “In what way do we design?” This paper concentrates on the early creative stages of the design process during which the designer gradually gathers the information about the problem, applying appropriate rules, tools and media. If the tools are chosen as a starting point of consideration, designing may be analysed as manual or digital. If we chose the medium - design may be considered as physical or virtual. The main thesis of this paper is that designing proceeds somewhere in between. “Somewhere in between” means the space where manual, digital, virtual are mixing, overlapping, and transforming one into the other. As a case study the process of designing of blurred function object is presented. In this experimental design studio we paid particular attention to the design process and we searched for the answer to the following questions: how to find an idea (what tools/media are helpful), how to express, fi x and transform that idea? In the paper the examples of students’ work will be presented and discussed.
wos	WOS:000330320600027
keywords	Creativity; digital design methods; mixed methods of design
series	eCAADe
email
last changed	2022/06/07 07:54

_id	caadria2012_133
id	caadria2012_133
authors	Baerlecken, Daniel and Gernot Riether
year	2012
title	Aggregates: Digital design for design
doi	https://doi.org/10.52842/conf.caadria.2012.607
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 607–616
summary	This paper discusses an educational design methodology for undergraduate studio instruction, which uses a systematic and research based design approach. Based on Lars Spuybroek’s methodology that was originally developed as a one-year graduate and postgraduate studio, a new method for undergraduate teaching has been developed. The paper will discuss Spuybroek’s methodology, as developed for the graduate and postgraduate program, and explain its adaption for undergraduate studio instruction. Spuybroek’s approach is based on a model that starts with research in systems in general that is them tuned to a certain set of architectural questions and developed into parametric buildings in a stepwise procedure by delaying the specifics of site and program.
keywords	Methodology of CAAD; education in CAAD; generative design; parametric modeling
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2012_025
id	caadria2012_025
authors	Braumann, Johannes and Sigrid Brell-Cokcan
year	2012
title	Digital and physical computing for industrial robots in architecture: Interfacing Arduino with industrial robots
doi	https://doi.org/10.52842/conf.caadria.2012.317
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 317–326
summary	Customisation is one of the most important topics in architecture, as architects generally work on individual prototypes instead of mass-produced designs. By using customised design and fabrication tools, architects are able to individually respond to challenges, instead of relying on universal software tools. This paper proposes new software components for interfacing industrial robots with physical computing microcontrollers, thereby allowing the customisation of physical tools for industrial robots. By pairing physical computing with rapid prototyping, architects are able to design and prototype individual fabrication processes for industrial robots.
keywords	Industrial robots; physical computing; interfaces; rapid prototyping; computer aided manufacturing
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	sigradi2012_311
id	sigradi2012_311
authors	Bruscato, Underléa Miotto; Costa, Cristiano; Rigo, Sandro; Moura, Humberto
year	2012
title	Processo metodológico para construção do Guia de Turismo Ubíquo para a Rota Cultural Caminhos de Pedra/RS [A Methodological Process to create a Ubiquitous Tourist Guide for cultural routes in Caminhos de Pedra/RS]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 179-182
summary	The tourism is one of the most profitable sectors in the world. Recently, the scientific community has been developing applications using the concepts of mobile and ubiquitous computing in this area of tourism. In this perspective, in the present article we propose a Ubiquitous Tourist Guide that is context-aware. Among the context information used, we highlight tourists’ profiles, their needs and restrictions. We developed a general model of an Electronic Tourist Guide and a specific prototype for the Caminhos de Pedra itinerary, a touristic region in the city of Bento Gonçalves in the Rio Grande do Sul state.
keywords	Ubiquitous Tourism; Virtual Cultural Heritage; Mobile Devices; Interface; Architecture
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2012_058
id	ecaade2012_058
authors	Bus, Peter
year	2012
title	Emergence as a Design Strategy in Urban Development: Using Agent-Oriented Modelling in Simulation of Reconfiguration of the Urban Structure
doi	https://doi.org/10.52842/conf.ecaade.2012.1.599
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 599-605
summary	Agent-oriented modelling is one of the simulation methods for emergent behavior of a complex system that could be considered for application of urban city structures. Using advanced script techniques, the behavior and evolution of structures in the bottom-up strategies for the development of environment could be simulated in architecture and urbanism as well. The paper presents a research subproject in the area of verifi cation of the processes of spatial and social interaction of the agents according to the logic of defined intrinsic rules of Swarm behavior in the simulation model of the selected area. The research builds mainly upon two selected requirements of the bottom-up strategy: the approach distances to places of interest and mutual standoff distances between urban elements.
wos	WOS:000330322400062
keywords	Emergence; simulation; self-organization process; agent-oriented modelling
series	eCAADe
email
last changed	2022/06/07 07:54

_id	acadia12_479
id	acadia12_479
authors	Castorina, Giulio
year	2012
title	Performative Topologies: An Evolutionary Shape Optimization Framework for Daylighting Performance Coupling a Particle-Spring System With an Energy Simulation Tool
doi	https://doi.org/10.52842/conf.acadia.2012.479
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 479-490
summary	This paper develops a methodological approach for use in design practice which combines an external simulation tool (EnergyPlus™) with an evo-lutionary optimisation strategy for the form-finding of complex fenestra-tion systems. On one hand, based on previous research, it presents a novel approach for the shape morphogenesis that exploits a generative algorithm technique to control a limited set of parameters whilst on the other hand it facilitates the integration of a simulation tool capable of handling increasing levels of complexity with greater data interoperabil-ity. In doing so it will argue the heuristic potential of the proposed meth-od in aiding the designers’ decision making whilst increasing the formal possibilities of their final design solutions.
keywords	Performance-based design , Genetic Algorithm (GA) , daylighting simulation , shape optimisation , decision support system (DSS)
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	ecaade2012_141
id	ecaade2012_141
authors	Castro e Costa, Eduardo; Coutinho, Filipe; Duarte, José Pinto; Krüger, Mário
year	2012
title	Modelling Alberti’s Column System: Generative Modelling and Digital Fabrication of Classical Architectural Elements
doi	https://doi.org/10.52842/conf.ecaade.2012.2.469
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 469-477
summary	The research presented further is part of the Digital Alberti research project, which aims to assess the infl uence of Leon Batista Alberti’s theory on Portuguese architecture, through the use of digital technologies. One of the project tasks implied computational and physical modelling of Alberti’s column system. Development of the computational model implied decoding Alberti’s treatise on architecture De re aedifi catoria into a consistent set of parameters and relationships, and then implementing these into generative parametric computer programs through visual programming language Grasshopper. This computational model is able to automatically generate physical models of classical columns according to Alberti’s canons. These digital models were then materialized through production of physical models, through rapid prototyping and digital fabrication technologies. Special attention is given to the CNC stone milling of a Corinthian capital.
wos	WOS:000330320600049
keywords	Alberti; De re aedifi catoria; Column system; Generative modelling; Digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:55

_id	caadria2012_087
id	caadria2012_087
authors	Cho, Ji Young
year	2012
title	Spatial ability, creativity, and studio performance in architectural design
doi	https://doi.org/10.52842/conf.caadria.2012.131
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 131–140
summary	Architectural design is a multifaceted discipline that requires many abilities, in particular creativity and spatial ability. In order to identify the relationships among spatial ability, creativity, and studio performance, an exploratory study was conducted at one Midwestern university in the USA. Twenty-one freshman architecture students participated in the study, which involved three tasks: (a) the Torrance Test of Creative Thinking that measures fluency and originality in creativity, (b) a group of general spatial ability tests, and (c) the computer-based Architectural Spatial Ability Test. Students’ scores on the tasks were compared with their studio performance grades using SPSS. Results show that studio performance correlated with the ASAT but did not correlate with the TTCT or a group of general spatial ability tests. These findings indicate that a student’s performing well does not necessarily mean that she or he can generate many different alternatives (fluency) or original ideas (originality) nor that the student possesses general spatial abilities. The findings show the complexity of architectural design components and reveal beginning design students’ architectural abilities.
keywords	Creativity; spatial ability; architectural spatial ability; studio performance; architectural design education
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaade2021_257
id	ecaade2021_257
authors	Cichocka, Judyta Maria, Loj, Szymon and Wloczyk, Marta Magdalena
year	2021
title	A Method for Generating Regular Grid Configurations on Free-From Surfaces for Structurally Sound Geodesic Gridshells
doi	https://doi.org/10.52842/conf.ecaade.2021.2.493
source	Stojakovic, V and Tepavcevic, B (eds.), Towards a new, configurable architecture - Proceedings of the 39th eCAADe Conference - Volume 2, University of Novi Sad, Novi Sad, Serbia, 8-10 September 2021, pp. 493-502
summary	Gridshells are highly efficient, lightweight structures which can span long distances with minimal use of material (Vassallo & Malek 2017). One of the most promising and novel categories of gridshells are bending-active (elastic) systems (Lienhard & Gengnagel 2018), which are composed of flexible members (Kuijenhoven & Hoogenboom 2012). Timber elastic gridshells can be site-sprung or sequentially erected (geodesic). While a lot of research focus is on the site-sprung ones, the methods for design of sequentially-erected geodesic gridshells remained underdeveloped (Cichocka 2020). The main objective of the paper is to introduce a method of generating regular geodesic grid patterns on free-form surfaces and to examine its applicability to design structurally feasible geodesic gridshells. We adopted differential geometry methods of generating regular bidirectional geodesic grids on free-form surfaces. Then, we compared the structural performance of the regular and the irregular grids of the same density on three free-form surfaces. The proposed method successfully produces the regular geodesic grid patterns on the free-form surfaces with varying curvature-richness. Our analysis shows that gridshells with regular grid configurations perform structurally better than those with irregular patterns. We conclude that the presented method can be readily used and can expand possibilities of application of geodesic gridshells.
keywords	elastic timber gridshell; bending-active structure; grid configuration optimization; computational differential geometry; material-based design methodology; free-form surface; pattern; geodesic
series	eCAADe
email
last changed	2022/06/07 07:56

_id	sigradi2012_86
id	sigradi2012_86
authors	Colombo, Nilza Cristina; Bruscato, Underléa Miotto; Graeff, Lucas
year	2012
title	Itinerário Virtual Cultural Iberê Camargo: por uma experiência contemporânea de museu [Virtual Cultural Itinerary at Iberê Camargo: a contemporary experience of museum]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 171-174
summary	This research describes the creation of a Virtual Cultural Itinerary for Iberê Camargo Foundation headquarters, located in Porto Alegre, Rio Grande do Sul, Brazil. By studying main points of visitation at the Iberê Camargo Museum, this research culminates in a product that integrates real and virtual scenarios. The theoretical research points to discussion about Virtual and Cultural Itinerary, highlighting the most relevant aspects on the subject. From the study of it, this research presents a new concept of Virtual Cultural Itinerary. Through this concept, the visitor of the Iberê Camargo Museum may experience a different contact with the institution, one of the objectives proposed by contemporary museums.
keywords	Museum; Cultural Itinerary; Virtual; Iberê Camargo Foundation Museum
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	ecaade2012_273
id	ecaade2012_273
authors	Correia, Rodrigo ; Duarte, José ; Leitao, António
year	2012
title	GRAMATICA: A general 3D shape grammar interpreter targeting the mass customization of housing
doi	https://doi.org/10.52842/conf.ecaade.2012.1.489
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 489-496
summary	This paper presents a general 3D shape grammar interpreter named GRAMATICA and illustrates its use for the implementation of several shape grammars, including the one used in the design module of a specifi c shape grammar for mass-customized housing, called DESIGNA. The underlying shape representation, generation and control are discussed. The resulting shape grammar interpreter tries to support designers’ ways of thinking and working by acting as a bridge between shape grammars, the formalism that captures a design process, and a CAD application, for post-processing the computed design. This bridge is implemented by Rosetta, which ensures portability among different CAD applications.
wos	WOS:000330322400050
keywords	Grammar interpreters; mass customization; housing; Malagueira; Siza
series	eCAADe
email
last changed	2022/06/07 07:56

_id	sigradi2012_333
id	sigradi2012_333
authors	da Silva, Isabelle Maria Mensato; Viz, Simone Helena Tanoue
year	2012
title	Ensino de Arquitetura e Urbanismo com auxilio de ferramentas digitais [Teaching Architecture and Urbanism with help of digital tools]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 522-526
summary	This article aims to discuss the importance of freehand drawings in the architectural projective process in the context of the digital age, through the use of tablets. It is intended to identify how these drawings, using tablets, keep the perception and the personal dash of each one. This research aims not only to review and update the drawing´s disciplines in the architecture courses - its practices and procedures - but also to discuss the actual role of representation - analogical or digital - and its interaction with others disciplines. The first research, done in 2011, indicated possibilities of interface with CAD, Revit and Sketch-up. The second part, in course in this year, 2012, is trying to experiment the use of tablets in three others disciplines: History of Architecture and Urbanism I, Landscaping and Project I, in the Instituto de Arquitetura e Urbanismo da USP, São Carlos, Brasil.
keywords	freehand drawing, graphic, tablet, digital media
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	caadria2012_010
id	caadria2012_010
authors	Dave, Bharat and Gwyl Jahn
year	2012
title	Tagged and interactive diagrams of design intent and rationale
doi	https://doi.org/10.52842/conf.caadria.2012.669
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 669–678
summary	This paper describes our experiments with diagrammatic representations to think about design compositions and to learn from shared accretion of design knowledge. We describe here implementation of an online prototype that, on the one hand, offers interactive functionalities to externalize thinking about design compositions in the form of diagrams and, on the other hand, which acts also as a repository of diagrams that can be dynamically interrogated to find other proximate compositional thinking and ideas related to a particular design position. Put differently, the prototype helps both notate design thinking and draw out associations between separately notated design thinking.
keywords	Diagrams; compositional logic; design representations; knowledge accretion; reflective thinking
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	ijac201210204
id	ijac201210204
authors	Davis, Felecia
year	2012
title	Sensing Touch Curtain: Soft Architecture and Augmented Communication
source	International Journal of Architectural Computing vol. 10 - no. 2, 219-236
summary	The Sensing Touch Curtain prototype demonstrates one type of sensing that can be woven into soft building components. It is a computational textile that senses the nearness of a person or people and registers absolute touch on fabric through capacitive sensing. Capacitive sensing measures position and distance between the textile and a target object by sending forth electric signals.The methods of construction, method of electronic weaving and ways to consider models for somatosensory textiles are discussed in the paper. The Sensing Touch project frames an expanded role for soft architecture enclosures.
series	journal
last changed	2019/05/24 09:55

_id	sigradi2012_170
id	sigradi2012_170
authors	De Martino, Jarryer Andrade; Celani, Gabriela
year	2012
title	O Algoritmo Evolutivo como método projetual [The Evolutionary Algorithm as design method]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 570-574
summary	The evolutionary algorithm contributes significantly to the search for solutions to difficult problems of understanding and problems that have more than one solution, and all of which are satisfactory. This method is used by some architects as an optimization technique for design process; furthermore it is a possibility to obtain solutions which may not have been imagined by the designer. The aim of this article is to introduce the main concepts of evolutionary algorithm and to explain its structure. The article ends with example of the application of evolutionary algorithms in solving design problems.
keywords	algoritmo evolutivo; método de projeto; diversidade.
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2012_375
id	sigradi2012_375
authors	de Souza, Douglas Lopes
year	2012
title	Relações Críticas no Ensino de Sistemas CAD [Critic Relations in Teaching CAD Systems]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 312-316
summary	The present work part of the questioning about teaching models of CAD within an experimental didactic activity where questions emerge about possible formalism produced by direct application of technology in the generative processes of architectural objects. In this sense suggests a docent position in guiding the student as one who no longer plays in the formalization process geometries, but a builder of a critical process that requires attention to issues beyond form that assist the consolidation of a social actor.
keywords	ensino; arquitetura; urbanismo; crítica; digital
series	SIGRADI
email
last changed	2016/03/10 09:50

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