Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia12_139
id	acadia12_139
authors	Erioli, Alessio ; Zomparelli, Alessandro
year	2012
title	Emergent Reefs
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 139-148
doi	https://doi.org/10.52842/conf.acadia.2012.139
summary	The Emergent Reefs project thrives on the potential that emerge from a coherent utilization of the environment’s inherent ecological structure for its own transformation and evolution, using an approach based on digitally simulated ecosystems and sparkled by the possibilities and potential of large-scale 3D printing technology. Considering tourism as an inevitable vector of environmental change, the project aims to direct its potential and economic resources towards a positive transformation, providing a material substrate for the human-marine ecosystem integration with the realization of spaces for an underwater sculpture exhibition. Such structures will also provide a pattern of cavities which, expanding the gradient of microenvironmental conditions, break the existing homogeneity in favor of systemic heterogeneity, providing the spatial and material preconditions for the repopulation of marine biodiversity. Starting from a digital simulation of a synthetic local ecosystem, a generative technique based on multi-agent systems and continuous cellular automata (put into practice from the theoretical premises in Alan Turing’s paper “The Chemical basis of Morphogenesis” through reaction-diffusion simulation) is implemented in a voxel field at several scales giving the project a twofold quality: the implementation of reaction diffusion generative strategy within a non-isotropic 3-dimensional field and integration with the large-scale 3D printing fabrication system patented by D-Shape®. Out of these assumptions and in the intent of exploiting the expressive and tectonic potential of such technology, the project has been tackled exploring voxel-based generative strategies. Working with a discrete lattice eases the simulation of complex systems and processes across multiple scales (including non-linear simulations such as Computational Fluid-Dynamics) starting from local interactions using, for instance, algorithms based on cellular automata, which then can be translated directly to the physical production system. The purpose of Emergent-Reefs is to establish, through strategies based on computational design tools and machine-based fabrication, seamless relationships between three different aspects of the architectural process: generation, simulation and construction, which in the case of the used technology can be specified as guided growth.
keywords	emergence , reef , underwater , 3D printing , ecology , ecosystem , CFD , agency , architecture , tourism , culture , Open Source
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	ecaade2012_184
id	ecaade2012_184
authors	Zomparelli, Alessandro ; Erioli, Alessio
year	2012
title	Emergent Reefs
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 329-337
doi	https://doi.org/10.52842/conf.ecaade.2012.1.329
wos	WOS:000330322400033
summary	The purpose of Emergent-Reefs is to establish, through computational design strategies and machine-based fabrication, seamless relationships between three different aspects of the architectural process: generation, simulation and construction, with the intent of exploiting the expressive and tectonic potential of D-Shape technology for underwater reef formations as a design response to coastal erosion. Starting from a digital simulation of a synthetic local ecosystem, a generative technique based on multi-agent systems and reaction-diffusion (through continuous cellular automata - CCA) is implemented in a voxel fi eld at several scales. Discrete voxel space eases the simulation of complex systems and processes (including CFD simulations) via CCA algorithms, which then can be translated directly to the physical production system, which in case of addtive technology can be specifi ed as guided growth.
keywords	Reaction-diffusion; Reefs; Multi-agent Systems; Open Source; D-Shape
series	eCAADe
email
last changed	2022/06/07 07:57

_id	caadria2012_131
id	caadria2012_131
authors	Ambrose, Michael A.
year	2012
title	Digital conception(s): Architectural concepts of digital design and making
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 699–708
doi	https://doi.org/10.52842/conf.caadria.2012.699
summary	This paper presents an investigation of probative works of architectural thought and production executed in various forms of digital design and computational media. The applied design research focuses on an examination of the procedure or process constructed to both develop exact, precise digital models and constructed processes that result in design outcomes that cannot be pre-visioned. The changing position of the conceptualisation within the design process continually changes the relationship of the digital work and the computational framework. The work challenges one to interpret design processes of translation and transformation, through the continual oscillation between developed in pursuit of known results and constructed methods for making, in an effort to unravel the pretext of the singular point of view to reveal the intention of the design conception(s). The projects discussed here focus on relationships between the projection of space in architectural representation and the production of architectural form through complex geometries relative to discontinuities and the way in which they agitate and alter one another. DIGITAL conception(s) operate across three primary areas of research; animation, conceptualisation and fabrication. The work oscillates between digital and physical artefacts that intertwine digital/physical workflows while simultaneously engaging temporal issues of time based media through motion graphics and animate constructs.
keywords	Design representation; visualisation; design theory
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	ecaade2012_161
id	ecaade2012_161
authors	Araujo, Bruno; Jorge, Joaquim; Duarte, Jose
year	2012
title	Combining Virtual Environments and Direct Manipulation for Architectural Modeling
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 419-428
doi	https://doi.org/10.52842/conf.ecaade.2012.2.419
wos	WOS:000330320600044
summary	In this paper we present an environment for conceptual design which mimicsthe interaction of designers with physical mockups. We present novel three dimensional on-and-above-the-surface interactive techniques which combine asymmetric bimanual operations with multi-touch direct manipulation on a fl at surface and depth cameras. These take advantage of a continuous interaction space to create and edit 3D models in a stereoscopic environment. To allow modeling architectural shapes directly, we combine hand and finger tracking in the space above the table with multi-touch on its surface without the need to change modes. This provides an alternative design environment where users can seamlessly switch between interacting on the surface or in the space above it depending on the task, which makes it easier to model complex shapes using simple operations.
keywords	3D Modeling; 3D User Interfaces; Virtual Reality; Procedural Modeling
series	eCAADe
email
last changed	2022/06/07 07:55

_id	sigradi2012_372
id	sigradi2012_372
authors	Carvalho, Guilherme; Araújo, André Luís; Barbosa, Wilson; Noritomi, Pedro; Oliveira, Marcelo; Celani, Gabriela
year	2012
title	Avaliação Comparativa de Aplicativos de Análise Estrutural Vinculados ao Ambiente de Modelagem Paramétrica: estudo de caso utilizando o plug-in Scan-and-Solve para Rhinoceros [Comparative between software for structural analysis linked to parametric modeling environment: case study with the plug-in Scan-and-Solve for Rhinoceros]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 348-351
summary	This paper evaluates the use of Scan-and-Solve plug-in for structural analysis in Rhinoceros’s environment. A reception desk parametrically modeled was evaluated with Scan-and-Solve and with Ansys. From the results, we concluded that the main difference between the programs is that Ansys allows more detailed definition of the connections between parts of the object. Besides the virtual models, the results were showed with a physical model printed with the rapid prototypes techniques. The paper describes the integration of parametric modeling, structural analysis and rapid prototyping procedures in the design process.
keywords	Finite elements, Structural analysis, Scan-and-Solve; Ansys; Rapid prototyping
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	ecaade2012_141
id	ecaade2012_141
authors	Castro e Costa, Eduardo; Coutinho, Filipe; Duarte, José Pinto; Krüger, Mário
year	2012
title	Modelling Alberti’s Column System: Generative Modelling and Digital Fabrication of Classical Architectural Elements
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 469-477
doi	https://doi.org/10.52842/conf.ecaade.2012.2.469
wos	WOS:000330320600049
summary	The research presented further is part of the Digital Alberti research project, which aims to assess the infl uence of Leon Batista Alberti’s theory on Portuguese architecture, through the use of digital technologies. One of the project tasks implied computational and physical modelling of Alberti’s column system. Development of the computational model implied decoding Alberti’s treatise on architecture De re aedifi catoria into a consistent set of parameters and relationships, and then implementing these into generative parametric computer programs through visual programming language Grasshopper. This computational model is able to automatically generate physical models of classical columns according to Alberti’s canons. These digital models were then materialized through production of physical models, through rapid prototyping and digital fabrication technologies. Special attention is given to the CNC stone milling of a Corinthian capital.
keywords	Alberti; De re aedifi catoria; Column system; Generative modelling; Digital fabrication
series	eCAADe
email
last changed	2022/06/07 07:55

_id	sigradi2012_72
id	sigradi2012_72
authors	Cote, Eduardo; Pinzón, Andrés Augusto
year	2012
title	Reverberación sonora: parámetros en modelación digital y física [Sound Reverberation: Parameters in Digital and Physical Modeling]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 444-448
summary	This is a study of the reverberation phenomena into a space. Digital and physical methods are employed as a way to understand the parameters that determine the reverberation time in an indoor space. The comparison of the results between digital and physical modeling permit to establish actions of acoustic control. The surfaces of the space are modified using sounds diffusers.
keywords	Tiempo de reverberación (RT60), Parámetros sonoros, Ecotect, Prototipado rápido.
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	sigradi2012_403
id	sigradi2012_403
authors	Coutinho, Filipe; Castro e Costa, Eduardo; Duarte, José Pinto; Kruger, Mário
year	2012
title	Alberti Digital – Tradição e inovação na teoria e prática da arquitectura em Portugal [Alberti Digital – Tradition and inovation in theory and practice at Portuguese architecture]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 211-215
summary	This article describes the class Alberti Digital taught at the Faculty of Architecture of the Technical University of Lisbon (FAUTL) and later in the Department of Architecture, University of Coimbra (Darq / UC), centered in interpretation and exploitation of Alberti`s treatise Da Arte Edificatoria where students had to develop a visual computer program with the algorithms present in the treatise to generate virtual and physical models using different digital fabrication techniques, allowing them to gain skills in the use of computational resources and knowledge of history and theory related with Renaissance architecture and the principles of Alberti in particular.
keywords	Alberti, Da Arte Edificatória, ensino de arquitectura, programação em Grasshopper, prototipagem rápida
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	75d6
id	75d6
authors	Derix, C and Gamlesaeter, A
year	2012
title	Behavioural Prototypes In Spatial Design Computation
source	In Petruschat and Adenauer (eds), Neue Formen des Prototypings in Gestaltungsprozessen, Form+Zweck, Berlin, 2012
summary	Architects by profession, Christian Derix and Asmund Gamlesæter are interested in expanding the capabilities of digital technology to inform, support and enrich the design process in architecture and spatial planning. The computational prototypes they develop range from form studies to visualization of complex processes in spatial planning such as movement behaviors of people in a city. They work analytically as well as generatively and the approach is deeply affected by the understanding that computing systems should not define solutions but offer creative freedom and create a symbiosis between the designer and the algorithmic intelligence. They are rather designed to help the designer view the design problem and consequences of decisions from different perspectives. Encouraging the designer to play through different narratives. They are rather tools for thinking through multiple solutions and allow the designer to play with the possibilities. The generation of the final design is inspired and validated by the tools but remains in the hands of the designer.
keywords	algorithmic behaviour, design evolution, computational design
series	book
type	normal paper
email
more	http://www.formundzweck.de/de/buecher/prototype-physical-virtual-hybrid-smart/beschreibung.html
last changed	2012/09/20 14:12

_id	sigradi2012_17
id	sigradi2012_17
authors	Dezen-Kempter, Eloisa; Arriva, Fernanda; Ramos, Guilherme Magri
year	2012
title	O uso de BIM para a criação de um banco de dados da produção de habitação de interesse social em Limeira-SP [BIM applied for the creation of a database on the social housing production in Limeira-SP]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 431-435
summary	This paper reports on the initial findings of an Undergraduate Research on Social Housing Program implemented in the city of Limeira, making use of a Building Information Modeling platform as a methodological procedure. The research was designed to enable students to better understand BIM in a hands-on, collaborative environment. A virtual information model of Housing Units and Housing Complex was created, and represents their real physical building components. The initial results portray BIM as especially useful to Civil Construction students, as fostering an integral environment where students are readily enabled to synthesize the knowledge of the art of construction.
keywords	Building Information Modeling; social housing; digital technology; education
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	ascaad2012_003
id	ascaad2012_003
authors	Elseragy, Ahmed
year	2012
title	Creative Design Between Representation and Simulation
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 11-12
summary	Milestone figures of architecture all have their different views on what comes first, form or function. They also vary in their definitions of creativity. Apparently, creativity is very strongly related to ideas and how they can be generated. It is also correlated with the process of thinking and developing. Creative products, whether architectural or otherwise, and whether tangible or intangible, are originated from ‘good ideas’ (Elnokaly, Elseragy and Alsaadani, 2008). On one hand, not any idea, or any good idea, can be considered creative but, on the other hand, any creative result can be traced back to a good idea that initiated it in the beginning (Goldschmit and Tatsa, 2005). Creativity in literature, music and other forms of art is immeasurable and unbounded by constraints of physical reality. Musicians, painters and sculptors do not create within tight restrictions. They create what becomes their own mind’s intellectual property, and viewers or listeners are free to interpret these creations from whichever angle they choose. However, this is not the case with architects, whose creations and creative products are always bound with different physical constraints that may be related to the building location, social and cultural values related to the context, environmental performance and energy efficiency, and many more (Elnokaly, Elseragy and Alsaadani, 2008). Remarkably, over the last three decades computers have dominated in almost all areas of design, taking over the burden of repetitive tasks so that the designers and students can focus on the act of creation. Computer aided design has been used for a long time as a tool of drafting, however in this last decade this tool of representation is being replaced by simulation in different areas such as simulation of form, function and environment. Thus, the crafting of objects is moving towards the generation of forms and integrated systems through designer-authored computational processes. The emergence and adoption of computational technologies has significantly changed design and design education beyond the replacement of drawing boards with computers or pens and paper with computer-aided design (CAD) computer-aided engineering (CAE) applications. This paper highlights the influence of the evolving transformation from Computer Aided Design (CAD) to Computational Design (CD) and how this presents a profound shift in creative design thinking and education. Computational-based design and simulation represent new tools that encourage designers and artists to continue progression of novel modes of design thinking and creativity for the 21st century designers. Today computational design calls for new ideas that will transcend conventional boundaries and support creative insights through design and into design. However, it is still believed that in architecture education one should not replace the design process and creative thinking at early stages by software tools that shape both process and final product which may become a limitation for creative designs to adapt to the decisions and metaphors chosen by the simulation tool. This paper explores the development of Computer Aided Design (CAD) to Computational Design (CD) Tools and their impact on contemporary design education and creative design.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_003.pdf
last changed	2012/05/15 20:46

_id	sigradi2012_181
id	sigradi2012_181
authors	Florio, Wilson
year	2012
title	Protótipo rápido de elementos construtivos produzidos pela tecnologia de sinterização seletiva a laser [Rapid prototyping of constructive elements produced by the technology of selective laser sintering]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 669-672
summary	The aim of this paper is to examine the physical models of constructive elements from the use of technology of selective laser sintering (SLS). The main stages in the production of rapid prototyping (PRs) were as follows: 1. Parametric Modeling (MP); 2. Geometric modeling; 3. Preparation of geometric model; 4. Execution of PR. This research contributes to debate on parametric modeling (MP) and the fabrication of very delicate physical models by technology SLS, particularly for purposes of viewing and technical evaluation during the design process in architecture.
keywords	Modelagem geométrica; Prototipagem Rápida; SLS; Processo de Projeto; Modelagem Paramétrica
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	sigradi2014_018
id	sigradi2014_018
authors	Florio, Wilson
year	2014
title	Reflexão sobre seis residências emblemáticas a partir da tecnologia BIM e da fabricação digital [Reflection on emblematic residences from static / dynamic simulations and digital fabrication]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 311-315
summary	The aim of this paper is to report the teaching experience held in 2012 at Unicamp between three disciplines of representation. Students analyzed emblematic residences from digital and physical models. Digital models were produced in Revit and its building components were diagrammed in AutoCad. After that, these elements were sent to laser cutter, and hand assembled. In 3DS Max, 3D model allowed simulations such as rendered images and animations. We report the contributions of these analog and digital artifacts in the design process. This article contributes to reflection and debate on the application of digital technologies in the analysis of iconic buildings of architecture.
keywords	Geometric Modeling; Digital Fabrication; Model; Revit; Teaching-learning
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	caadria2012_042
id	caadria2012_042
authors	Globa, Anastasia and Michael Donn
year	2012
title	Digital to physical: Comparative evaluation of three main CNC fabrication technologies adopted for physical modelling in architecture
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 327–336
doi	https://doi.org/10.52842/conf.caadria.2012.327
summary	Recently, digital fabrication, being a logical extension of computer-aided technology to the material world, was introduced into the field of computational design in architecture. The objective of this experimental study is to investigate and systematise data regarding the production issues and limitations of the main Computer Numerically Controlled (CNC) fabrication technologies adopted for physical modelling in architecture. This study also aims to observe the value of potential feedback to the design process from different types of digitally fabricated architectural models. This experimental research systematically explores digital fabrication as a computer-aided modelling tool, using two international architectural competition projects as case studies: the design of a skyscraper and relocatable schools. Developed by authors especially for this research paper, each case study acts as a test bed to compare and evaluate digital production techniques adopted for physical modelling in architecture. Designs go through a process of refinement using CNC fabrication as an integral part of the design process. Each step in the process is closely evaluated as to its effectiveness according to a matrix of feedback criteria.
keywords	Design process; digital fabrication; architectural model
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	acadia12_239
id	acadia12_239
authors	Jackson, Jesse ; Stern, Luke
year	2012
title	Fabricating Sustainable Concrete Elements: A Physical Instantiation of the Marching Cubes Algorithm
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 239-247
doi	https://doi.org/10.52842/conf.acadia.2012.239
summary	This paper explores how an algorithm designed to represent form can be made physical, and how this physical instantiation can be made to respond to a set of design imperatives. Specifically, the paper demonstrates how Marching Cubes (Lorensen and Cline 1987), an algorithm that extracts a polygonal mesh from a scalar field, can be used to initiate the design for a system of modular concrete armature elements that permit a large degree of variability using a small number of discrete parts. The design of these elements was developed in response to a close examination of Frank Lloyd Wright's Usonian Automatic system, an architecturally pertinent historical precedent. The fabricated results positively satisfy contemporary design criteria, including maximal formal freedom, optimal environmental performance, and minimal life-cycle costs.
keywords	Form-finding Algorithms , Digital Fabrication , Sustainability , Frank Lloyd Wright , Concrete , Tectonic Elements
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:52

_id	caadria2012_038
id	caadria2012_038
authors	Kato, Kody and Hyoung-June Park
year	2012
title	Toward a performance-oriented architecture: An integrated design approach to a real time responsive structure
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 59–68
doi	https://doi.org/10.52842/conf.caadria.2012.059
summary	This paper started from the study of “performance-oriented architecture” for the purpose of developing a real time responsive prototype that can enclose large expansive interior space. Questions regarding the relationship between the structural arrangement of systems and the natural environment initiated an investigation in Phyllotaxis. It has been found in plant systems for the optimisation of photosynthesis with harvesting maximum amounts of solar energy. In the design of a real time responsive prototype, an algorithmic approach is introduced with the mathematical interpretation of Phyllotaxis and its translation into the global geometry of the prototype. Also, the usage of a Voronoi diagram is parametrically configured to form the local geometry of the prototype. The interactive mechanism of the prototype was achieved with an assorted computational application. Furthermore, with the demonstration of the aforementioned prototype in both digital and physical environments, its implementation process is explained.
keywords	Performance-oriented architecture; phyllotaxis; Voronoi diagram; real-time-responsive structure
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	ecaade2012_95
id	ecaade2012_95
authors	Ladurner, Georg; Gabler, Markus; Menges, Achim; Knippers, Jan
year	2012
title	Interactive Form-Finding for Biomimetic Fibre Structures: Development of a Computational Design Tool and Physical Fabrication Technique Based on the Biological Structure of the Lichen
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 519-529
doi	https://doi.org/10.52842/conf.ecaade.2012.2.519
wos	WOS:000330320600055
summary	This contribution shows a biomimetic approach to design and produce fibrous structural elements derived from the morphology of the biologic archetype ‘the lichen’. The physical form fi nding strategy allows for a novel self-organised reinforcement for fibrous composite systems. A computational design tool has been developed, based on the fi ndings of various physical models. The digital device allows for shape control and therefore an interaction to and manipulation of the fabrication process. Since the form fi nding algorithms of the tool are based on physical experiments,every geometry is derived through the program and has its counterpart in production. For example: the fibre density in the model can be adjusted which leads to different geometries. In production the chosen denseness is utilised, thus, the production yields automatically to the desired load-optimized geometry found in the form-finding tool.
keywords	Biomimetics; Form-finding; Self-organization; Emergence; Fibre structures
series	eCAADe
email
last changed	2022/06/07 07:52

_id	ecaade2012_104
id	ecaade2012_104
authors	Liapi, Marianthi; Oungrinis, Konstantinos-Alketas; Voyatzaki, Maria
year	2012
title	Sensponsive Playscapes: A Pedagogical Design Approach to Manifest and Promote the Physical Digital Continuum
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 343-351
doi	https://doi.org/10.52842/conf.ecaade.2012.2.343
wos	WOS:000330320600035
summary	This paper chronicles an intensive student workshop on sensponsive architecture, from the educators’ point of view, underlying the pedagogical notes on this new design approach that employs digital design tools and electronic assemblies to creatively experiment with human-computer interaction. The workshop presented the theoretical, computational and fabricating frameworks for a human-centered approach to spaces with sensponsive partitions that respond timely with sense, displaying an adaptive behavior through time. The workshop theme was further specialized to direct the design outcome toward sensponsive environments for children that can help them perceive, experience and develop a meaningful understanding of the world around them through play.
keywords	Sensponsive architecture; student workshop; arduino assemblies; children’s spaces
series	eCAADe
email
last changed	2022/06/07 07:59

_id	acadia12_401
id	acadia12_401
authors	Mehann, Ryan ; Sher, Elite
year	2012
title	An Exploration Into Computational Optimization for Motive Architecture
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 401-405
doi	https://doi.org/10.52842/conf.acadia.2012.401
summary	This paper explores the potential of advanced computational methods for architecture. An experiment has been conducted with the aim of applying a computer driven optimization process on the motive behavior of a physical prototype. The choice of the mechanism is arbitrary, and this is to convey that the adaptive behavior of a structure in real time may be improved with the appropriate computational methods, regardless of its mechanical complexity. This provides architects with the opportunity to bring previously static architectural concepts into motion. The paper looks into the fields of embodied AI and mobile robotics research as resources for knowledge on the notions of integrating evolutionary computation into physical artifacts.
keywords	Computational Optimization , genetic Algorithms , Adaptive Architecture , Kinetic Architecture , Mobile Robotics
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:58

_id	acadia15_211
id	acadia15_211
authors	Melsom, James; Girot, Christophe; Hurkxkens, Ilmar
year	2015
title	Directed Deposition: Exploring the Roles of Simulation and Design in Erosion and Landslide Processes
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 211-221
doi	https://doi.org/10.52842/conf.acadia.2015.211
summary	Working with and against environmental processes, such as the movement of water, earth, and rock, and terrain, has been a perpetual challenge since the dawn of civilisation. While it has been possible to gradually tame many landscapes to perform in a predictable manner, there are many circumstances where we are forced to live with and around such processes in everyday life. This research is primarily interested in the potential of design to interact with such processes. Specifically, we are interested in the designed redirection of erosion and landslide processes already observable in nature, taking the urbanised hillsides of the Alps as test case scenario. The research specialisation continues a research and design focus specialised on processes material deposition of river and flood systems, further down the water catchment chain (REF: ANON 2012). This specific alpine research is compelling in the context of Anthropocene processes, we are specifically focussed in the appraisal, harnessing and redirection of existing environmental phenomena, given what can be understood as our inevitable interaction with these processes (Sijmons 2015). Within this broader research, which has ecological, cultural, and formal potential, this paper shall explore the practical aspects of connecting design, and the designer, with the potential for understanding and designing these evolving mountain landscapes. There is a long history behind the development of landscape elements which control avalanches, mud, rock, and landslides. The cultural, functional and aesthetic role of such elements in the landscape is relatively undiscussed, epitomising an approach that is primarily pragmatic in both engineering and expense. It is perhaps no surprise that these elements have a dominant physical and visual presence in the contemporary landscape. Through the investigation of synergies with other systems, interests, and design potential for such landscape elements, it is proposed that new potential can be found in their implementation. This research proposes that the intuitive linking of common design software to direct landslide simulation, design of and cultural use can interact with these natural processes. This paper shall demonstrate methods to within which design can enter the process of landscape management, linking the modelling processes of the landscape designer with the simulation capabilities of the specialised engineer.
keywords	Landscape Design Workflows, Landscape Simulation, Terrain Displacement, Material Flow, Erosion Processes, Interdisciplinary Workflows
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

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