Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia12_269
id	acadia12_269
authors	Lally, Sean
year	2012
title	Architecture of an Active Context
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 269-276
doi	https://doi.org/10.52842/conf.acadia.2012.269
summary	As we stand with our feet on earth’s outermost surface we build an architecture today that is much like it was several thousand years earlier, in an attempt to extend that outer shell with one of our own making. Artificial masses are built from a refinement of this existing geologic layer into materials of stone, steel, concrete, and glass that assemble to produce new pockets of space through the buildings they create. However, the sixth century BC writer Thales of Miletus put a different perspective on this: he insisted that we live, in reality, not on the summit of a solid earth but at the bottom of an ocean of air (Holmyard 1931). And so, as architecture continues to build up the outermost layer of earth’s surface through a mimicking, embellishing, and enhancing of the materials which it comes from, it raises the question of why we have not brought a similar relationship to the materialities at the bottom of this “ocean” of air to create the spaces we call architecture. If you were looking to level a complaint with the architectural profession, stating that it has not been ambitious enough in scope would not be one. Architects have never shied away from the opportunity to design everything from the building’s shell to the teaspoon used to stir your sugar in its matching cup. But it would seem that the profession has developed a rather large blind spot in terms of what it sees as a malleable material with which to engage. Architects have made assumptions as to what is beyond our scope of action, refraining from engaging a range of material variables due to a belief that the task would be too great or simply beyond our physical control. So even though we are enveloped by them continuously, both on the exterior as well as the interior of our buildings, it must be assumed that the particles, waves, and frequencies of energy that move around us are thought by architects to be too faint and shaky to unload upon them any heavy obligations, that they are too unwieldy for us to control to create the physical boundaries of separation, security, and movement required of architecture. This has resulted in a cultivated set of blinders that essentially defines architecture as a set of mediation devices (surfaces, walls, and inert masses) for tempering the environmental context it is situated in from the individuals and activities within. The spaces we inhabit are defined by their ability to decide what gets in and what stays out (sunlight, precipitation, winds). We place our organizational demands and aesthetic opinions on the surfaces that mediate these variables rather than seeing them as available for manipulation as a building material on their own. The intention here is to recalibrate the materialities that make up that environmental context to build architecture. The starting point is a rather naive question: can we design the energy systems that course in and around us daily as an architectural material so as to take on the needs of activities, securities, and lifestyles associated with architecture? Can the variables that we would normally mediate against instead be heightened and amplified so as to become the architecture itself? That which many would incorrectly dismiss as simply “air” today—thought to be homogeneous, scale-less, and vacant due in part to the limits of our human sensory system to perceive more fully otherwise—might tomorrow be further articulated, populated, and layered so as to become a materiality that will build spatial boundaries, define activities of individuals and movement, and act as architectural space. Our environmental context consists of a diverse range of materials (particles and waves of energy, spectrum of light, sound waves, and chemical particles) that can be manipulated and formed to meet our needs. The opportunity before us today is to embrace the needs of organizational structures and aesthetics by designing the active context that surrounds us through the material energies that define it.
keywords	Material energies
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	caadria2012_102
id	caadria2012_102
authors	Manahl, Markus; Heimo Schimek, Emmanuel Ruffo Calderon Dominguez and Albert Wiltsche
year	2012
title	Ornamental discretisation of free-form surfaces: Developing digital tools to integrate design rationalisation with the form finding process
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 347–356
doi	https://doi.org/10.52842/conf.caadria.2012.347
summary	The adoption of digital planning methods has given rise to an unprecedented formal freedom in architectural design. Free-form shapes enjoy considerable popularity in architectural production today. However, these shapes prove to be notoriously hard to fabricate. This paper reports on an ongoing research project investigating the approximation of continuous double-curved surfaces by discrete meshes consisting solely of planar facets, which can be constructed efficiently by using standardised, mass-produced building materials. We introduce our geometrical approach, which is based on the intersection of tangent planes to the surface, and present the digital tools we conceived to integrate the processes of design rationalisation and form-finding.
keywords	Digital tool-making; parametric design; free-form surfaces; design rationalisation; planar discretisation
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ijac201210408
id	ijac201210408
authors	Manahl, Markus; Milena Stavric, Albert Wiltsche
year	2012
title	Ornamental Discretisation of Free-form Surfaces
source	International Journal of Architectural Computing vol. 10 - no. 4, 595-612
summary	The adoption of digital planning methods has given rise to an unprecedented formal freedom in architectural design. Free-form shapes enjoy considerable popularity in architectural production today. However, these shapes prove to be notoriously hard to fabricate. In the course of a funded research project we investigated the approximation of continuous double-curved surfaces by discrete meshes consisting solely of planar facets, which can be fabricated efficiently using standardised, mass-produced building materials.We introduce our geometrical approach, which is based on the intersection of tangent planes to the surface, and present the digital tools we conceived to integrate the processes of design rationalisation and form-finding.
series	journal
last changed	2019/05/24 09:55

_id	ecaade2012_290
id	ecaade2012_290
authors	Barakat, Merate
year	2012
title	Urban Acoustic Simulation: Analysis of Urban Public Spaces through Auditory senses
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 587-592
doi	https://doi.org/10.52842/conf.ecaade.2012.1.587
wos	WOS:000330322400060
summary	This paper explores the sonic characteristics of urban spaces, with the application of apprehending acoustic space and form theory. The theory defines auditory spaces as acoustical arenas, which are spaces defi ned and delineated by sonic events. Historically, cities were built around a soundmark, for example, the resonance of a church bell or propagation of a calling for prayer, or a factory horn. Anyone living beyond the horizon of this soundmark was not considered citizens of that town. Furthermore, the volume of urban sonic arenas depends on natural. Digital simulation is necessary to visualize the ephemeral and temporal nature of sound, within a dynamic immersive environment like urban spaces. This paper digitally analyses the different morphologies of old cities and forms of growth in relation to the sound propagation and ecological effects. An experiment is conducted with the aid of an ancient North-African city model, exposed to a point cloud agent system. By analysing how the sound propagates from the known soundmark through the urban fabric, with the wind pressure interference; the paper compares the theoretical concept of soundmarks and the known perimeter of the ancient city
keywords	Urban Public Spaces; Aural Design; Auditory Arena Simulation; Soundmark
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2021_257
id	ecaade2021_257
authors	Cichocka, Judyta Maria, Loj, Szymon and Wloczyk, Marta Magdalena
year	2021
title	A Method for Generating Regular Grid Configurations on Free-From Surfaces for Structurally Sound Geodesic Gridshells
source	Stojakovic, V and Tepavcevic, B (eds.), Towards a new, configurable architecture - Proceedings of the 39th eCAADe Conference - Volume 2, University of Novi Sad, Novi Sad, Serbia, 8-10 September 2021, pp. 493-502
doi	https://doi.org/10.52842/conf.ecaade.2021.2.493
summary	Gridshells are highly efficient, lightweight structures which can span long distances with minimal use of material (Vassallo & Malek 2017). One of the most promising and novel categories of gridshells are bending-active (elastic) systems (Lienhard & Gengnagel 2018), which are composed of flexible members (Kuijenhoven & Hoogenboom 2012). Timber elastic gridshells can be site-sprung or sequentially erected (geodesic). While a lot of research focus is on the site-sprung ones, the methods for design of sequentially-erected geodesic gridshells remained underdeveloped (Cichocka 2020). The main objective of the paper is to introduce a method of generating regular geodesic grid patterns on free-form surfaces and to examine its applicability to design structurally feasible geodesic gridshells. We adopted differential geometry methods of generating regular bidirectional geodesic grids on free-form surfaces. Then, we compared the structural performance of the regular and the irregular grids of the same density on three free-form surfaces. The proposed method successfully produces the regular geodesic grid patterns on the free-form surfaces with varying curvature-richness. Our analysis shows that gridshells with regular grid configurations perform structurally better than those with irregular patterns. We conclude that the presented method can be readily used and can expand possibilities of application of geodesic gridshells.
keywords	elastic timber gridshell; bending-active structure; grid configuration optimization; computational differential geometry; material-based design methodology; free-form surface; pattern; geodesic
series	eCAADe
email
last changed	2022/06/07 07:56

_id	sigradi2012_72
id	sigradi2012_72
authors	Cote, Eduardo; Pinzón, Andrés Augusto
year	2012
title	Reverberación sonora: parámetros en modelación digital y física [Sound Reverberation: Parameters in Digital and Physical Modeling]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 444-448
summary	This is a study of the reverberation phenomena into a space. Digital and physical methods are employed as a way to understand the parameters that determine the reverberation time in an indoor space. The comparison of the results between digital and physical modeling permit to establish actions of acoustic control. The surfaces of the space are modified using sounds diffusers.
keywords	Tiempo de reverberación (RT60), Parámetros sonoros, Ecotect, Prototipado rápido.
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	ecaade2012_105
id	ecaade2012_105
authors	Foged, Isak Worre ; Pasold, Anke ; Jensen, Mads Brath ; Poulsen, Esben Skouboe
year	2012
title	Acoustic Environments: Applying Evolutionary Algorithms for Sound Based Morphogenesis
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 347-353
doi	https://doi.org/10.52842/conf.ecaade.2012.1.347
wos	WOS:000330322400035
summary	The research investigates the application of evolutionary computation in relation to sound based morphogenesis. It does so by using the Sabine equation for performance benchmark in the development of the spatial volume and refl ectors, effectively creating the architectural expression as a whole. Additional algorithms are created and used to organise the entire set of 200 refl ector components and manufacturing constraints based upon the GA studies. An architectural pavilion is created based upon the studies illustrating the applicability of both developed methods and techniques.
keywords	Evolutionary Computation; Algorithmic Design; Architectural Acoustics; CAAD/CAM processes
series	eCAADe
email
last changed	2022/06/07 07:51

_id	ecaade2012_219
id	ecaade2012_219
authors	Roca, Luciana; Tramontano, Marcelo
year	2012
title	Intercultural Dialogues: Exchanging Sounds to Create Hybrid Spatialities
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 639-645
doi	https://doi.org/10.52842/conf.ecaade.2012.2.639
wos	WOS:000330320600069
summary	This paper discusses sound and space instances supported by practices pertaining to the cultural action Intercultural Dialogues. This action is part of a larger protttject named Hybrid Territories, which involves digital media, communities, cultural activities, and the proposal of public policies, funded by FAPESP (São Paulo State Agency for Research Funding), Brazil, by means of a partnership with the Arts and Culture Bureau of the city of São Carlos. The cultural action in question is based on the construction of hybrid spatialities by the use of live-stream communication of sounds, thereby favoring the exchange of sound readings between São Carlos, Brazil, and Lüneburg, Germany.
keywords	Sound; Space; Hybrid Spatialities; Digital Media; Cultural Actions
series	eCAADe
email
last changed	2022/06/07 08:00

_id	sigradi2012_264
id	sigradi2012_264
authors	Smithwick, Daniel; Sass, Lawrence
year	2012
title	Designing in HiFi: Digital Fabrication for Physical Computation
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 622-624
summary	Digital sound reproduction is inferior to analog sound reproduction: by definition digitally processed sound is a compressed representation of the original sound signal. Similarly, this paper asks: Are digital computation design tools inferior to analog tools? Is information missing from the digital design ‘signals’? What is analog computation and could new tools be developed that avoid digital compression, and allow designers to more clearly ‘hear’ or experience the act of design? Working within our current digital computation paradigm, we argue designers are underexposed to and even unaware of much of the raw design signal available with analog computation design tools.
keywords	digital design computation; Shape Grammar, 3D printing
series	SIGRADI
email
last changed	2016/03/10 10:00

_id	caadria2014_124
id	caadria2014_124
authors	Williams, Nicholas; Sascha Bohnenberger and John Cherrey
year	2014
title	A System for Collaborative Design on Timber Gridshells
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 441–450
doi	https://doi.org/10.52842/conf.caadria.2014.441
summary	The bent timber laths of the Sound Bites gridshell create two types of performance space over an area of almost 100 m2. Such postformed gridshells are a wellestablished design solution for creating curved forms from linear elements. Extending principles developed since the 1970s, contemporary digital tools have been utilised to drive a renewed interest in them, primarily through so-called form-finding techniques which connect digital and material models through a simulation of shape under bending loads (Nettlebladt, 2013) and the definition of efficient structural geometry acting under compression loads only (Hernandez et. al., 2012). This paper describes the workflow conceived and implemented for the Sound Bites structure. A central challenge of the research was for such a workflow to allow for the principles of gridshell design to be engaged in parallel to other tight constraints and design drivers. As such it needed to facilitate close collaboration between architectural, engineering and fabrication experts. This workflow was tested in the design and realisation of the full-scale structure within a six-week period. The gridshell design was developed through the manipulation of the shape of two edge profiles and the shell form spanning between these. Architectural and fabrication constraints were met and the workflow allowed for a sufficient level of structural analysis to be fed back to inform the design.
keywords	Digital Workflow; Collaborative Design; Digital Formfinding; Digital Fabrication
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	sigradi2012_382
id	sigradi2012_382
authors	Pantaleão, Sandra Catharinne
year	2012
title	Do espaço à espacialidade: a dimensão temporal na arquitetura contemporânea [From to space for spatiality: the temporal dimension in the contemporary architecture]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 513-516
summary	Flows systems and network have been interfered the cities’ organization in the last thirty years, affecting its infrastructure, size and people’s concentration. Furthermore, ideas about chaos and fragment are contributing to urban dispersion. Among urban theorists, Rem Koolhaas establishes a set of metaphors when talks about the contemporary city and its architecture. This is analysed by its scale, considering the bigness instead the form-function for to characterizing the generic city. Its architecture is immersed on the congestion culture: he considers the urban dispersion and concentration adding informational technologies as condition metropolitan and sociocultural to produce architecture.
keywords	Rem Koolhaas; cidade genérica; redes e fluxos informacionais; arquitetura contemporânea; junkspace
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2012_223
id	sigradi2012_223
authors	Alvarado, Rodrigo Garcia; Mardones, Oscar Otárola
year	2012
title	Eco-losas: desarrollo de componentes constructivos más eficientes por análisis topológico y diseño paramétrico. [Eco-slabs: development of more efficient building components by topological analysis and parametric design]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 630-632
summary	It exposes a design and construction system for horizontal plates to work as slabs in regular concrete buildings. Based to an evolutionary finite-element analysis of the topological configuration to get a curved design with a 50% reduction of traditional volume, that provide lower cost, less carbon foot-print, better performance and innovative ceiling. A library of profiles is elaborated according different loads, support and dimensions and implemented in a parametric design system, in order to produce geometries for study theirs integration in the building and to elaborate digital fabrication files. Different constructive strategies are been studied, making several prototypes.
keywords	Losas, Análisis Topológico, Diseño Paramétrico, Fabricación Digital
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ascaad2012_016
id	ascaad2012_016
authors	Bourbia, Fatiha ; Yasmina Bouchahm and Ouarda Mansouri
year	2012
title	The Influence of Albedo on the Urban Microclimatic Street Canyon
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 159-169
summary	In city, when temperatures run higher than those in suburban and rural areas, this generate a phenomenon called Urban Heat Island (UHI), this effect occurs, primarily because growing numbers of buildings have supplanted vegetation and trees. The main causes of the different microclimatic conditions in cities are linked among other parameters to urban geometry which influences incoming and outgoing radiations as well as surface material properties, such as color and texture. In hot climates the elevated surface temperatures of materials directly affect, not only the urban microclimate, but also thermal comfort conditions in urban open spaces. In order to evaluate the microclimate variation of urban street canyon compared to the variation of walls and ground surfaces materials, series of field simulation are used by software tool , Envi-met v3.0, in down town of Constantine, Algeria.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_016.pdf
last changed	2012/05/15 20:46

_id	ecaade2012_303
id	ecaade2012_303
authors	Cheng, Nancy Yen-wen
year	2012
title	Shading With Folded Surfaces: Designing With Material, Visual and Digital Considerations
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 613-620
doi	https://doi.org/10.52842/conf.ecaade.2012.2.613
wos	WOS:000330320600066
summary	This paper analyses a hybrid design approach; how physical and digital processes can inform each other in a multivalent design cycle. It describes the design of origami-inspired window shades, part of the Shaping Light project that explores how adjustable surface structures can modulate light levels and heat gain in response to the changing seasons. The screen uses sloped surfaces to diffuse light and create apertures that close when the screen is stretched and open when the screen is folded. The project complements digital methods for pattern proportioning and kinetic simulation with manual manipulation to generate 3D folding motifs and refi ne assemblies. Physical prototypes can shape digital refi nement by revealing visual and structural characteristics of materials, along with joint and production considerations. Physical models for simulating sunny and cloudy daylighting conditions provide a direct connection between spatial confi guration and visual effects. The paper concludes with guidelines for material-based digital-analog creation.
keywords	Architectural design process; digital fabrication; shading devices; origami
series	eCAADe
email
last changed	2022/06/07 07:55

_id	sigradi2012_195
id	sigradi2012_195
authors	dos Santos, Denise Mônaco; Tramontano, Marcelo
year	2012
title	Hibridismos na cidade: considerações sobre interfaces tangíveis urbanas [Hybridism in the city: thoughts about tangible urban interfaces]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 162-166
summary	The consideration about contemporary urban spaces incorporates a set of investigations linked to spatial implementation of digital technologies. This paper is about the different ways in which tangible computational interfaces have been arranged in urban environments, be they projections onto urban surfaces, interactive façades, or even architecture and interactive and/or responsive urban objects. It examines the nature of this phenomenon from perspectives presented by different authors and based on systematized information on a wide array of interfaces. It also posits some significant attributes that should be taken into account when performing a close examination of these interventions. Its aim is to contribute theoretical explorations to the study of hybrid urban spaces.
keywords	Interfaces tangíveis urbanas; espaços híbridos; espaços urbanos contemporâneos
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	caadria2012_029
id	caadria2012_029
authors	Dutt, Florina and Subhajit Dasd
year	2012
title	Responsive achitectural surface design from nonlinear systems biology: Responsive architectural design by computational methods
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 465–474
doi	https://doi.org/10.52842/conf.caadria.2012.465
summary	The fundamental processes in living systems can be a potential resource to derive nonlinear relationships that could find application in the design of responsive surface from an architectural standpoint. This research focuses on deriving a parametric relationship from a phenomenon in cell biology to generate an architectural expression of responsive surface/ façade. It further delineates the dynamic feedback mechanism from the environment and user as control factors. Through extensive investigation of cell-to-cell connections in the mammary epithelial cells and review of evident relay of communication across the entire system of cells, we could unfold the logical parameters of the biological system. Parametric modelling indicating the causality of the surface condition, changes with the change in extracellular matrix. This gives an opportunity to manoeuvre the surface parameters, contrary to the involuntary cell environment where the behaviours are under the control of a physiological process. Architecturally, the dynamic relationship of surface in a hybridised model, explains that interactivity is not a mere one to one response to a stimulus. Evidently, this interactive process can be a sophisticated loop of feedback through different materiality and componentry that play their effects (and are played back) by “active” surfaces.
keywords	Computational design; responsive architecture; sustainable façade design; bio-inspired design; bio-mimicry
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2012_155
id	sigradi2012_155
authors	Dutt, Florina; Das, Subhajit
year	2012
title	Pluripotent Structures: An Exploration into Digital Design & Fabrication by Bio Mimicry
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 665-668
summary	This project is an exploration into the design & fabrication process of a canopy structure derived from the notion of pluripotency. The term is widely used in the context of stem cells in biological science where pluripotency is referred to the potential of a stem cell to develop into more than one type of mature cell, depending on environment. These can be re-interpreted architecturally as, the quality of design components or elements to be radically transformed into one or more different kinds of components, keeping the general structural integrity of the design unchanged (Kolatan, 2009). Consequently, the pluripotent canopy design is a 3 dimensional double curved surface , having smart pluripotent components populated over its domain, which parametrically has the potential to be transformed to more than one different kinds of elements, keeping the same parameters of construction for each component.
keywords	Stem Cell Concept; Pluripotency in Nature; Digital Prototyping; Voronoi Geometry
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	acadia12_305
id	acadia12_305
authors	Kock, Jeffrey ; Bradley, Benjamin ; Levelle, Evan
year	2012
title	The Digital-Physical Feedback Loop: A Case Study
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 305-314
doi	https://doi.org/10.52842/conf.acadia.2012.305
summary	Kukje Art Center, Seoul’s new gallery designed by SO-IL, features a totally bespoke chainmail mesh system (submission note: the authors are not affiliated with SO-IL). A single sheet of complex-curved, tensioned mesh, made up of interlocking 40mm diameter stainless steel rings, wraps the building. This paper discusses the stages of a feedback loop process employed by the authors to refine a digital model of the mesh. The mesh’s perimeter attachment system does not prescribe ring locations, allowing the mesh to form find for itself during installation. As a result, the digital model must capture the behavioral tendencies of the mesh as it negotiates the building’s geometry. Paramount in meeting this challenge was the use of physical mockups. At each stage of the feedback loop process, the working digital model was used to develop a physical mockup of increased scale and complexity, and this mockup was used to refine the digital model. Ultimately, the model output of a mesh relaxation algorithm was used as the basis for engineering simulations and predictions of the mesh vertical ringcount needed at specific locations around the building. Mesh vertical ringcount predictions are validated relative to a 1:1 mockup and the installed Kukje Art Center mesh.
keywords	minimal surface , chainmail mesh , form finding , dynamic relaxation , finite element analysis , feedback loop , tensioned fabric , physical mockup , bespoke cladding , Kukje , Seoul
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	acadia12_287
id	acadia12_287
authors	McGee, Wes ; Newell, Catie ; Willette, Aaron
year	2012
title	Glass Cast: A Reconfigurable Tooling System for Free-Form Glass Manufacturing
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 287-294
doi	https://doi.org/10.52842/conf.acadia.2012.287
summary	Despite glass’s ubiquity in the modern built environment it is rarely applied in applications requiring complex curvature. The high temperatures and complexity of techniques utilized in forming curved glass panels are typically very expensive to employ, requiring dedicated hard-tooling which ultimately limits the formal variation that can be achieved. This combination of economic and manufacturing barriers limits both the formal possibilities and potentially the overall envelope-performance characteristics of the glazing system. This research investigates a methodology for utilizing reconfigurable tooling to form glass into doubly curved geometries, offering the potential for improved structural and environmental performance in a material that has remained largely unchanged since the advent of its industrial manufacturing. A custom built forming kiln has been developed and tested, integrated through a parametric modeling workflow to provide manufacturing constraint feedback directly into the design process. The research also investigates the post-form trimming of glass utilizing robotic abrasive waterjet cutting, allowing for the output of machine control data directly from the digital model. The potentials of the methodologies developed in this process are shown through the fabrication of a full-scale installation. By integrating material, fabrication, and design constraints into a streamlined computational methodology, the process also serves as a model for a more intuitive production workflow, expanding the understanding of glass as a material with wide-ranging possibilities for a more performative architecture.
keywords	Digital Fabrication , Robotic Fabrication , Computational Design , Material Computation
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	sigradi2012_209
id	sigradi2012_209
authors	Muñoz, Patricia
year	2012
title	Relaciones in-formadas entre la investigación y la enseñanza de morfología [In-formed relationships between morphology investigation and teaching]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 308-311
summary	This paper describes two case studies in which digital media and morphology are closely related. The first one refers to the evolution of the different instruments applied in a research area comprising spatial surfaces generated by double rotation. The second one deals from the start with laser cutting, and its possibilities of providing flexibility to rigid sheets through density and shape of the incisions. It presents the latest results in the development of joint design for this kind of products. Finally, the current trends in our research are briefly mentioned.
keywords	investigación; enseñanza; morfología; diseño; fabricación digital
series	SIGRADI
email
last changed	2016/03/10 09:55

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