Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2012_196
id	sigradi2012_196
authors	Gokmen, Sabri
year	2012
title	The Ornaments of Shoowa Kuba: A digital re-interpretation of a textile art
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 79-83
summary	This paper will discuss how Shoowa Kuba textiles could be analyzed as an ornament that can be digitally constructed and applied in design. An historical outline of ornament is provided by briefly comparing Classical and Gothic ornaments. This theoretical framework is then compared to the art of Shoowa Kuba focusing on their textile embroideries. Various patterns and techniques will be introduced showing how Kuba people implement rules as well as how they break them. These patterns will be digitally reconstructed to show their applicability to the digital design domain.
keywords	Digital design research, textile patterns, ornaments, scripting
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	acadia12_391
id	acadia12_391
authors	Ajlouni, Rima
year	2012
title	The Forbidden Symmetries
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 391-400
doi	https://doi.org/10.52842/conf.acadia.2012.391
summary	The emergence of quasi-periodic tiling theories in mathematics and material science is revealing a new class of symmetry, which had never been accessible before. Because of their astounding visual and structural properties, quasi-periodic symmetries can be ideally suited for many applications in art and architecture; providing a rich source of ideas for articulating form, pattern, surface and structure. However, since their discovery, the unique long-range order of quasi-periodic symmetries, is still posing a perplexing puzzle. As rule-based systems, the ability to algorithmically generate these complicated symmetries can be instrumental in understanding and manipulating their geometry. Recently, the discovery of quasi-periodic patterns in ancient Islamic architecture is providing a unique example of how ancient mathematics can inform our understanding of some basic theories in modern science. The recent investigation into these complex and chaotic formations is providing evidence to show that ancient designers, by using the most primitive tools (a compass and a straightedge) were able to resolve the complicated long-range principles of ten-fold quasi-periodic formations. Derived from these ancient principles, this paper presents a computational model for describing the long-range order of octagon-based quasi-periodic formations. The objective of the study is to design an algorithm for constructing large patches of octagon-based quasi-crystalline formations. The proposed algorithm is proven to be successful in producing an infinite and defect-free covering of the two-dimensional plane.
keywords	computational model , quasi-crystalline , symmetries , algorithms , complex geometry
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	sigradi2012_73
id	sigradi2012_73
authors	Amen, Fernando García; Álvarez, Marcelo Payssé; Bonifacio, Paulo Pereyra; Meirelles, Lucía
year	2012
title	Fabricando mundos. Realidad, simulacro e inmanencia [Manufacturing worlds. Reality, simulacra and immanence]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 645-648
summary	Digital manufacturing in both as art and technology is a new way of designing, re-creation and re-invention of reality. This paper considers, from an epistemological point of view, the process of digital fabrication and its hyperlinks to known and simulated reality, and its ontological nature. Through documentation and methodological approach to the construction of a Moebius strip, this paper analyzes the nature and specifications of digital manufacturing. For this purpose, it makes a study of some strip properties and establishes a correlation within digital manufacturing, emphasizing similarities, complexities and shared qualities. Thus, it aims to create a reflection and a critical perspective on the complex logic of creation and simulation of knowable reality. And also it contributes to explore a theoretical corpus on the role of architects and designers in this incipient and ongoing discipline.
keywords	Fabricación digital, Realidad, Simulacro, Inmanencia
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2012_192
id	sigradi2012_192
authors	Andres, Carolina Reichert; Minuzzi, Reinilda
year	2012
title	Cultmapas urbanos [Urban cultmaps]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 38-42
summary	This research aims to address the catalog urban interventions as graffiti, stencil and sticker spotted in association with the city. As a result, they develop artistic urban mappings which assemble a structure marking the artistic manifestations. The urban arts, are georeferenced and eventually become part of a catalografia which can be viewed on the web entitled Cultmap art.
keywords	arte e tecnologia, mapeamentos artísticos, graffiti, web arte
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2012_006
id	ecaade2012_006
authors	Angulo, Antonieta ; Vermillion, Joshua
year	2012
title	Strategic Thinking on the Redesign of a Foundational CAAD Course: Towards comprehensive training on digital design
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 29-37
doi	https://doi.org/10.52842/conf.ecaade.2012.1.029
wos	WOS:000330322400002
summary	The paper describes a new implementation of an existing course on digital design and its contribution to the curriculum of the undergraduate pre-professional architecture program at Ball State University. The strategic thinking behind the re-design of this course refl ects not only the need to update its content to reflect the state-of-the art in the domain but also responds to a diversifi ed context that exhibitschanging trends due to digital culture, use of digital media in learning and practice, and educational policy. The paper elaborates on these larger contextual elements and describes the new instructional methods implemented through a modular framework of assignments and a multi-layered delivery system. The paper concludes with a series of recommendations for the future improvement, constant assessment, and further development of the digital design course.
keywords	Digital Design; Instructional Methods; Parametric Thinking; CAAD; Fabrication
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2012_227
id	sigradi2012_227
authors	Cenci, Laline; Alvarado, Rodrigo Garcia
year	2012
title	Modelo Paramétrico para Compatibilidade Ambiental em Edifícios de Museu de Arte no Clima Sub Tropical Úmido [Parametric Model for Environmental Compatibility Buildings Museum of Art in Sub Tropical Humid Climate]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 410-413
summary	The indoor climate in buildings of the museum is related to two important requirements: preservation of collections and comfort of users. To provide environmental compatibility through a volumetric energy efficient, this paper proposes a parametric model which is based on a study of three buildings in this climate. Through surveys, analysis and interviews with users in the buildings of Brazilian Museum of Sculpture in São Paulo, Oscar Niemeyer Museum in Curitiba and Iberê Camargo Foundation in Porto Alegre present relations of size, form factor and energy efficiency for buildings of museum art environmentally suitable climate.
keywords	Parametric Model, Environmental Compatibility, Architecture Museum, Form Factor
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	sigradi2012_177
id	sigradi2012_177
authors	Davis, Felecia
year	2012
title	Form Active Translations: Knitted Textiles to 3D Printed Textiles
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 392-396
summary	Material translation as a driver of innovation through craft, specifically the translation from machine knitted textiles to 3D rapidly prototyped textiles is discussed in this paper. If architects and designers can develop methods to translate existing textile structures and behaviors, then architects and designers can harness the vast extant knowledge base that goes into the design and fabrication of geometric textile structures and resultant behaviors to develop new materials and tools to construct active building systems that use the pliability of textiles to advantage.
keywords	3D Printed Textiles, 3D Printing, Architextiles, Knitted Materials
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2012_220
id	sigradi2012_220
authors	de Oliveira, Ludmila Guimarães; Teixeira, Bruna Azevedo Reis
year	2012
title	Gramática da Forma: suporte de análise em tecnologias digitais aplicadas a preservação do patrimônio cultural edificado [Shape Grammar: Support for analysis in digital technologies applied to cultural heritage preservation built]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 158-161
summary	The Grammar of Form, consists of a tool for helping to identify and point out elements that help to explain the grammar rules, is he built up a vocabulary and reflecting geometric forms analyzed, allowing a search for generative principles and generating new sources of analyses. O aim of this study is to apply the grammar of the analytical form fountains in the city of Ouro Preto - MG to obtain primitive forms, in order to allow a deeper analysis and scientific background, about their design and ornamentation, in order to help understand the identification of ornaments of Baroque architecture.
keywords	Gramática da forma; regras gramaticais; tecnologias digitais, patrimônio cultural
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2012_17
id	sigradi2012_17
authors	Dezen-Kempter, Eloisa; Arriva, Fernanda; Ramos, Guilherme Magri
year	2012
title	O uso de BIM para a criação de um banco de dados da produção de habitação de interesse social em Limeira-SP [BIM applied for the creation of a database on the social housing production in Limeira-SP]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 431-435
summary	This paper reports on the initial findings of an Undergraduate Research on Social Housing Program implemented in the city of Limeira, making use of a Building Information Modeling platform as a methodological procedure. The research was designed to enable students to better understand BIM in a hands-on, collaborative environment. A virtual information model of Housing Units and Housing Complex was created, and represents their real physical building components. The initial results portray BIM as especially useful to Civil Construction students, as fostering an integral environment where students are readily enabled to synthesize the knowledge of the art of construction.
keywords	Building Information Modeling; social housing; digital technology; education
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2012_149
id	sigradi2012_149
authors	Diniz, Nancy; Anderson, Bennedict; Liang, Hai-Ning; Laing, Richard
year	2012
title	Mapping the Experience of Space
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 550-553
summary	This paper aims to contribute to the discussion and our understanding of time-based mapping of visual information. Our approach is to enhance the traditional contextual static analysis through the acknowledgement of the body and the senses as key indicators of perceptual spatial experience. The time-based mapping paradigms have produced different ways of designing space by leveraging perceptual and other sensorial understanding, leading to the formation of variables (or parameters) which at the same time turn themselves as catalysts for other variables. The potential for a constantly evolving reinterpretation of the perceptual experience and for associated paradigm to shift suggest a multiplicity of design possibilities for urban areas that also need to adapt to the new requirements of contemporary living. In essence, the paper will bring to light the deployment of tools (digital and analogue) to turn static invisible data to dynamic visible data. In other words, we want to explore how the data can be treated as a generative system, enabling students and tutors alike to experience space which accounts for sensory performances and behaviours within the space.
keywords	Time-based design processes; dynamic data visualization; digital pedagogies, phenomenology, design process
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	acadia12_429
id	acadia12_429
authors	Fox, Michael ; Polancic, Allyn
year	2012
title	Conventions of Control: A Catalog of Gestures for Remotely Interacting With Dynamic Architectural Space
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 429-438
doi	https://doi.org/10.52842/conf.acadia.2012.429
summary	The intent of this project is to create a catalogue of gestures for remotely controlling dynamic architectural space. This research takes an essential first step towards facilitating the field of architecture in playing a role in developing an agenda for control. The process of the project includes a sequence carried out in four stages: 1) Research of gestural control 2) Creating an initial catalogue of spatial architectural gestures 3) Real-world testing and evaluation and 4) Refining the spatial architectural gestures. In creating a vocabulary for controlling dynamic architectural environments, the research builds upon the current state-of-the-art of gestural control which exists in integrated touch- and gesture-based languages of mobile and media interfaces. The next step was to outline architecturally specific dynamic situational activities as a means to explicitly understand the potential to build gestural control into systems that make up architectural space. A proposed vocabulary was then built upon the cross-referenced validity of existing intuitive gestural languages as applied to architectural situations. The proposed gestural vocabulary was then tested against user-generated gestures in the following areas: frequency of "invention", learnability, memorability, performability, efficiency, and opportunity for error. The means of testing was carried out through a test-cell environment with numerous kinetic architectural elements and a Microsoft Kinect Sensor to track gestures of the test subjects. We conclude that the manipulation of physical building components and physical space itself is more suited to gestural physical manipulation by its users instead of control via device, speech, cognition, or other. In the future it will be possible, if not commonplace to embed architecture with interfaces to allow users to interact with their environments and we believe that gestural language is the most powerful means control through enabling real physical interactions.
keywords	Gesture , Interactive , Remote , Control , Architecture , Intuition , Physical , Interface
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:50

_id	sigradi2012_167
id	sigradi2012_167
authors	Gutiérrez, Nicolás Sáez
year	2012
title	Ejercicio de arte fotográfico. Reconstrucción de una vivencia espacial a través de una percepción inmersiva de la imagen (Fotografía) - escena (Arquitectura) [A photographic art exercise. Reconstruction of a spatial experience through an immersive perception of image (photography) - scene (architecture)]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 373-377
summary	This work constitutes one of the main lines of visual exploration derived from the photographic work done by the author. As an architect that makes and investigates photography, his exercises of art study the translations from visual perception of architectonic space to its photographic simulation, work that so far has only been done and exhibited in large format. The work here presented is based on projects undertaken from 2007 to 2010 and mainly elaborates on a recent project to be soon exhibited in Concepción between January and March 2013.
keywords	Fotografía de autor; percepción visual; inmersión virtual; espacio de exhibición; realidad aumentada
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	acadia12_305
id	acadia12_305
authors	Kock, Jeffrey ; Bradley, Benjamin ; Levelle, Evan
year	2012
title	The Digital-Physical Feedback Loop: A Case Study
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 305-314
doi	https://doi.org/10.52842/conf.acadia.2012.305
summary	Kukje Art Center, Seoul’s new gallery designed by SO-IL, features a totally bespoke chainmail mesh system (submission note: the authors are not affiliated with SO-IL). A single sheet of complex-curved, tensioned mesh, made up of interlocking 40mm diameter stainless steel rings, wraps the building. This paper discusses the stages of a feedback loop process employed by the authors to refine a digital model of the mesh. The mesh’s perimeter attachment system does not prescribe ring locations, allowing the mesh to form find for itself during installation. As a result, the digital model must capture the behavioral tendencies of the mesh as it negotiates the building’s geometry. Paramount in meeting this challenge was the use of physical mockups. At each stage of the feedback loop process, the working digital model was used to develop a physical mockup of increased scale and complexity, and this mockup was used to refine the digital model. Ultimately, the model output of a mesh relaxation algorithm was used as the basis for engineering simulations and predictions of the mesh vertical ringcount needed at specific locations around the building. Mesh vertical ringcount predictions are validated relative to a 1:1 mockup and the installed Kukje Art Center mesh.
keywords	minimal surface , chainmail mesh , form finding , dynamic relaxation , finite element analysis , feedback loop , tensioned fabric , physical mockup , bespoke cladding , Kukje , Seoul
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	sigradi2012_49
id	sigradi2012_49
authors	Martins, Mara
year	2012
title	Ausência visível: uma quase presença [Visible absence: an almost presence]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 29-33
summary	This article is about the creation of poetic languages __that use technological resources to explore new artistic possibilities. Themes related to digital technology, such as virtual reality and screen-presence, are discussed from the point of view of the art world and observed through the body-media and time-space relations. From this perspective, the article examines the work Visible absence, concluded by the author in 2011, based on the convergence of digital media.
keywords	art media; screen-presence; virtual reality
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2012_258
id	sigradi2012_258
authors	Matamala, Oliver Sáez
year	2012
title	Tecnología digital proyectual y didáctica relacional, para la producción artística visual contemporánea [Digital technology in design and relational teaching, for contemporary visual art production]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 677-680
summary	Oriented toward developing a seminar for the Department of Plastic Arts University of Concepcion Chile, This production model was designed in the MA in Project Teaching School of Architecture Construction and Design, University of Biobío, Chile. The School of Art at the University of Concepción proposed in his origins to keep the tradition of the graph and the Chilean recorded, because is in that line where begins to develop the curriculum modification toward digital openness and incorporating technology tools for the professional artist formation. The main motivation of this coalition is to detect and generate visual art discourses through multidisciplinary strategies for the production of works that incorporate processes and technological tools to generate digital art spaces and territories exploratory different to the traditional model of museum work.
keywords	Production; digital technology; multi-disciplinary; Relational; simulation
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2012_89
id	sigradi2012_89
authors	Pimentel, Diego; Cataldi, Mariano; Muñiz, Gonzalo; Castiarena, Agustin; Castillo, Noelia; Retamales, Lautaro Castillo; Facelli, Laura; Lepore, Evangelina
year	2012
title	Autómatas Reciclados. Una experiencia de arte generativo low-cost dentro de la currícula de grado [Recycled Automata. An experience of generative art ‘low cost’ into the degree curriculum]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 34-37
summary	The following paper develop the analysis and description of the creative process of generative artwork designed within the framework of the Multimedia Arts 2 course, at the second year of the degree course. Reflecting upon the impact of human behavior on nature, students projected a work generated by using discarded materials, taken to its signification, for a new use.
keywords	arte generativo; autómatas; resignificación; educación
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	ecaade2012_313
id	ecaade2012_313
authors	Riether, Gernot
year	2012
title	Parametric Folds: Using the Elasticity of Polymers For a Light Weight Structure
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 181-189
doi	https://doi.org/10.52842/conf.ecaade.2012.2.181
wos	WOS:000330320600018
summary	This project takes advantage of a dynamic structural quality found in high-density polymers in the development of a self-supporting lightweight structural envelope for the Nuit Blanche pavilion. The pavilion was developed to display a series of interactive art projects as part of the annual Nuit Blanche Festival in Paris. The project combines concepts from biology with digital design and fabrication methods to speculate on a new relation between structure, geometry, material and appearance. Before discussing the design research of the pavilion the paper will elaborate on our larger research goals in using digital technology to promote more environmentally responsible construction methods and the research values of projects at the scale of a pavilion.
keywords	Polymer; elasticity; lightweight structure; pavilion
series	eCAADe
last changed	2022/06/07 07:56

_id	sigradi2020_549
id	sigradi2020_549
authors	Rodríguez-Velásquez, Maribel
year	2020
title	Socio-technical interactions in the relationship between social movements and internet: a review of the state of the art and the theoretical framework
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 549-554
summary	The paper recognizes the relationship between social movements and internet how new practices of resistance through technological appropriation (Castells, 2012). This social interaction mediated by technology, understood as socio-technical interaction, establish new dynamics between human-technology-human and other heterogeneous actants (Latour, 2008), such as power and counter-power institutions that also connect to the socio-technical network. Therefore, the studies about digital interaction of the instrumental line are expanded, towards an understanding of socio-technical interactions, from the dynamics of design/use interconnected with cultural, political and economic contexts (Scolari, 2004, 2019), because the technology must satisfy social needs.
keywords	Socio-technical interaction, Social movements, Internet, Human-Computer Interaction, Socio- technical network
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	sigradi2012_87
id	sigradi2012_87
authors	Santiago, Zilsa Maria Pinto
year	2012
title	Prática docente e experiências no atelier de desenho e projeto [Teaching practice and experience in drawing and design studio]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 290-293
summary	The present work aims to bring reflections on teaching practice in drawing and design studio and various activities that teachers and students participating in the context of academic life that guides from the segments: research, teaching and extension. Intends to contribute to the discussion on curriculum and teaching practice on a course whose specificities of teaching-learning process in nature and the essence of the action runs between technique and art curriculum, theory and practice, taking note of how the complexity of pedagogical work and their interactive processes.
keywords	prática docente; ateliê de desenho e projeto; aprender-fazendo
series	SIGRADI
email
last changed	2016/03/10 09:59

_id	caadria2012_008
id	caadria2012_008
authors	Schimek, Heimo; Emmanuel Ruffo Calderon Dominguez, Albert Wiltsche and Markus Manahl
year	2012
title	Sewing timber panels: An innovative digitally supported joint system for self-supported timber plate structures
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 213–222
doi	https://doi.org/10.52842/conf.caadria.2012.213
summary	This paper focuses on the joint system of flat panels as parts of a freeform building. This topic is a key area of the ongoing founded research project, in which we investigate nonstandard shapes, realized with standard building materials, namely cross-laminated timber (CLT). We use different discretization algorithms to overlay arbitrary freeform surfaces with ornaments consisting of polygonal flat panels. We investigate a series of ornaments and their discretization results on different surfaces. In this paper, we will present and discuss a new timber-to-timber joint system that we developed exclusively for this project. We discuss the results of the load tests that we performed recently and we take a look at the construction dependent requirements of the joint system concerning the tolerances and the geometry and also, how these constraints inform the digital process. As we will discuss throughout the paper, in earlier publications we described the form finding process and the geometrical guidelines for the discretization of a desired freeform building using ornamental flat patterns. This paper moves one step further as the digital becomes physical and it is closely related to building construction and the computational design outset.
keywords	Digital fabrication technology; computational algorithmic design; building construction; freeform optimisation; CLT joint system
series	CAADRIA
email
last changed	2022/06/07 07:57

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