Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 5 of 5

Reformat results as: short short into frame detailed detailed into frame

_id	acadia12_177
id	acadia12_177
authors	Mankouche, Steven ; Bard, Joshua ; Schulte, Matthew
year	2012
title	Morphfaux: Probing the Proto-Synthetic Nature of Plaster Through Robotic Tooling
doi	https://doi.org/10.52842/conf.acadia.2012.177
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 177-186
summary	Morphfaux is an applied research project that revisits the virtually lost craft of plaster to explore its potential for producing thickened architectural environments through the use of contemporary digital technology. The research challenges the flatness of modern, standardized dry wall construction and explores plaster’s malleability as a material that can be applied thick and thin, finished to appear smooth or textured, and tooled while liquid or cured. If the invention of industrialized modern building products such as drywall led to the demise of the plasterer as a tradesperson, our research seeks alliances between the abilities of the human hand and those of automation. By transforming historic methods using new robotic tools, Morphfaux has broadened the possibilities of architectural plaster. While our research has produced forms not possible by human skill alone, it also clearly illustrates a symbiotic relationship between the human body and robotic machines where human dexterity and robotic precision are choreographed in the production of innovative plastering techniques.
keywords	Digital Practice , Robotic Fabrication , Digital Craft , Tacit Knowledge , Material Resistance , Synthetic Material , Plaster , Variable Tools
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	acadia12_269
id	acadia12_269
authors	Lally, Sean
year	2012
title	Architecture of an Active Context
doi	https://doi.org/10.52842/conf.acadia.2012.269
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 269-276
summary	As we stand with our feet on earth’s outermost surface we build an architecture today that is much like it was several thousand years earlier, in an attempt to extend that outer shell with one of our own making. Artificial masses are built from a refinement of this existing geologic layer into materials of stone, steel, concrete, and glass that assemble to produce new pockets of space through the buildings they create. However, the sixth century BC writer Thales of Miletus put a different perspective on this: he insisted that we live, in reality, not on the summit of a solid earth but at the bottom of an ocean of air (Holmyard 1931). And so, as architecture continues to build up the outermost layer of earth’s surface through a mimicking, embellishing, and enhancing of the materials which it comes from, it raises the question of why we have not brought a similar relationship to the materialities at the bottom of this “ocean” of air to create the spaces we call architecture. If you were looking to level a complaint with the architectural profession, stating that it has not been ambitious enough in scope would not be one. Architects have never shied away from the opportunity to design everything from the building’s shell to the teaspoon used to stir your sugar in its matching cup. But it would seem that the profession has developed a rather large blind spot in terms of what it sees as a malleable material with which to engage. Architects have made assumptions as to what is beyond our scope of action, refraining from engaging a range of material variables due to a belief that the task would be too great or simply beyond our physical control. So even though we are enveloped by them continuously, both on the exterior as well as the interior of our buildings, it must be assumed that the particles, waves, and frequencies of energy that move around us are thought by architects to be too faint and shaky to unload upon them any heavy obligations, that they are too unwieldy for us to control to create the physical boundaries of separation, security, and movement required of architecture. This has resulted in a cultivated set of blinders that essentially defines architecture as a set of mediation devices (surfaces, walls, and inert masses) for tempering the environmental context it is situated in from the individuals and activities within. The spaces we inhabit are defined by their ability to decide what gets in and what stays out (sunlight, precipitation, winds). We place our organizational demands and aesthetic opinions on the surfaces that mediate these variables rather than seeing them as available for manipulation as a building material on their own. The intention here is to recalibrate the materialities that make up that environmental context to build architecture. The starting point is a rather naive question: can we design the energy systems that course in and around us daily as an architectural material so as to take on the needs of activities, securities, and lifestyles associated with architecture? Can the variables that we would normally mediate against instead be heightened and amplified so as to become the architecture itself? That which many would incorrectly dismiss as simply “air” today—thought to be homogeneous, scale-less, and vacant due in part to the limits of our human sensory system to perceive more fully otherwise—might tomorrow be further articulated, populated, and layered so as to become a materiality that will build spatial boundaries, define activities of individuals and movement, and act as architectural space. Our environmental context consists of a diverse range of materials (particles and waves of energy, spectrum of light, sound waves, and chemical particles) that can be manipulated and formed to meet our needs. The opportunity before us today is to embrace the needs of organizational structures and aesthetics by designing the active context that surrounds us through the material energies that define it.
keywords	Material energies
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	ecaade2012_281
id	ecaade2012_281
authors	Psarras, Stamatis ; Liapi, Katherine A.
year	2012
title	The Disassembly of a Musical Piece and its Conversion to an “Architectural” Pathway: An algorithmic approach
doi	https://doi.org/10.52842/conf.ecaade.2012.1.289
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 289-297
summary	This paper presents and discusses a process of transferring the main features of a piece of music such as structure, notes etc., to a primarily spatial construction in architecture. The main objective of this effort was to convert the linearity of time during the hearing of a musical piece into a continuous pathway and an architectural stroll on a given site. To this end, the musical piece is used as a source of data, which, with the use of developed algorithms, are converted into spatial data. A purely instrumental piece, “Air,” from the suite for strings in D major by Bach, provided the source data used in the design of Park D, a section of a Cultural Park in the suburbs of Athens, Greece. The developed algorithms presented in the paper include: a) an algorithm for generating the shape of the path and the space defi ning elements along the path, and b) an algorithm that generates the geometry of four harmonographic structures.
wos	WOS:000330322400029
keywords	Music and Architecture; Gestalt; Design Algorithms; Harmonograph
series	eCAADe
email
last changed	2022/06/07 08:00

_id	ecaade2012_226
id	ecaade2012_226
authors	Sopeoglou, Eva
year	2012
title	Scripting shadows: Weaving digital and physical environments through design and fabrication
doi	https://doi.org/10.52842/conf.ecaade.2012.1.255
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 255-258
summary	This paper considers the opportunities of engaging in a creative dialogue between the physical and the digital, through the use of generative design tools and digital fabrication technologies. Digital iterations on an open-air installation for a pavilion take the shape of research in design. The design is partly driven by environmental parameters, such as the movement of the sun and shadows across a site in the Mediterranean. A fabricated microclimate is tailored through bespoke scripting and fabrication. In this project, rather than being used to optimise environmental parameters, scripting intents to offer a delightful milieu for human comfort.
wos	WOS:000330322400025
keywords	Scripting; digital fabrication; shading; environmental comfort
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2012_256
id	ecaade2012_256
authors	Steinfeld, Kyle ; Schiavon, Stefano ; Moon, Dustin
year	2012
title	Open Graphic Evaluative Frameworks: A climate analysis tool based on an open web-based weather data visualization platform
doi	https://doi.org/10.52842/conf.ecaade.2012.1.675
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 675-682.
summary	Buildings are the world’s largest consumer of energy, accounting for 34% of total use. In the United States residential and commercial buildings are responsible for 72% of electricity use and 40% of CO2 emissions. In order to reduce the impact of buildings on the environment and to utilize freely available environmental resources, building design must be based on site climate conditions, e.g. solar radiation and air temperature. This paper presents a web-based framework that enables the production of user-generated visualizations of weather data. The Open Graphic Evaluative Framework (Open GEF) was developed using the Graphic Evaluative Frameworks (GEF) approach to authoring design-assistant software, which is more appropriate than the now dominant ‘generalized design tool’ approach when supporting design processes that require a high level of calibration to the cyclic and acyclic shifting of environmental resources. Building on previous work that outlined the theoretical underpinnings and basic methodology of the GEF approach, technical specifi cations are presented here for the implementation of a Java driven web-based visualization platform. By enabling more nuanced and customizable views of weather data, the software offers designers an exploratory framework rather than a highly directed tool. Open GEF facilitates design processes more highly calibrated to climatic fl ows that could reduce the overall impact of buildings in the environment.
wos	WOS:000330322400071
keywords	Visualization; Sustainable architectural design; Climate analysis; Weather data
series	eCAADe
email
last changed	2022/06/07 07:56

No more hits.