Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	ecaade2012_39
id	ecaade2012_39
authors	Asanowicz, Aleksander
year	2012
title	Design: Analogue, Digital, and Somewhere in Between
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 273-280
doi	https://doi.org/10.52842/conf.ecaade.2012.2.273
wos	WOS:000330320600027
summary	The problem considered in this paper is: “In what way do we design?” This paper concentrates on the early creative stages of the design process during which the designer gradually gathers the information about the problem, applying appropriate rules, tools and media. If the tools are chosen as a starting point of consideration, designing may be analysed as manual or digital. If we chose the medium - design may be considered as physical or virtual. The main thesis of this paper is that designing proceeds somewhere in between. “Somewhere in between” means the space where manual, digital, virtual are mixing, overlapping, and transforming one into the other. As a case study the process of designing of blurred function object is presented. In this experimental design studio we paid particular attention to the design process and we searched for the answer to the following questions: how to find an idea (what tools/media are helpful), how to express, fi x and transform that idea? In the paper the examples of students’ work will be presented and discussed.
keywords	Creativity; digital design methods; mixed methods of design
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2012_154
id	sigradi2012_154
authors	Soares, Luiza Dacier Lobato
year	2012
title	EduCAAD: An X-ray of CAAD education in Brazil
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 255-258
summary	The present work is offers the project of an online resource for investigating the actual Brazilian academic panorama concerning CAAD education. The access to this information is given through the development of a website, which introduces the visitors to the actual Brazilian CAAD education situation, offers a questionnaire, accessible by everyone and builds up a visual information mapping the current state of CAAD education in the different regions of Brazil. The questionnaire is 14 questions long, and it’s link has been sent via email to the addresses of the Brazilian faculties of architecture, being re-directed equally both to its students’ committees and courses’ coordinators. The objective is that, at its conclusion, the access to this information will lead to a better understanding of the CAAD education in Brazil. It can motivate discussions about curricula and CAAD’s pedagogy. Through the analysis of its visualizations, maps, tables and statistics, it points special features in Brazilian education system, as well as give directions for further researches and pedagogic proposals.
keywords	panorama; CAAD education; questionnaire; data visualization
series	SIGRADI
email
last changed	2016/03/10 10:00

_id	acadia12_259
id	acadia12_259
authors	Sabin, Jenny E.
year	2012
title	The Greenhouse & Cabinet of Future Fossils: Interfacing Nature in the Built Environment
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 259-268
doi	https://doi.org/10.52842/conf.acadia.2012.259
summary	The Greenhouse and Cabinet of Future Fossils was commissioned by the American Philosophical Society Museum, funded by Heritage Philadelphia Program, a program of The Pew Center for Arts & Heritage. The Greenhouse and Cabinet of Future Fossils attempts to gather, digest, and disseminate information about nature while also incorporating cutting-edge design and fabrication techniques to ultimately produce a greenhouse of the future. The pavilion structure is populated with cold frame modules and futuristic ceramic and 3D printed curiosities, prefabricated and assembled in the Jefferson Garden, Philadelphia. Taking inspiration from the artifacts in the exhibition, Of Elephants and Roses: Encounters with French Natural History, 1790–1830, the greenhouse revisits 19th-century thematic issues related to nature, culture, and the city to offer new interpretations of greenhouse architecture as urban hybrid ecosystems whose nonstandard form features new material and fabrication logics that inspire a shift away from a technical approach to sustainable architecture to one rooted in design and the built environment. The pavilion mobilizes concepts of event as the public is invited to actively participate in the planting of the cold frames, thus contributing to the actual secondary structure of the greenhouse, and then disassembling the structure at the end of the installation period and disseminating the planted materials. As a conceptual and provocative backdrop to this project, references are made to important contributions recently made by a small group of accomplished scientists, architects, and researchers at a university symposium whose central theme was to discuss next steps for sustaining sustainability.
keywords	ecology , emerging technologies , alternative materials , greenhouse architecture , digital fabrication , designbuild , sustainability
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:56

_id	ecaade2012_254
id	ecaade2012_254
authors	Tramontano, Marcelo; Monaco dos Santos, Denise
year	2012
title	Hybrid Territories Project: Cultural Actions and Digital Media
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 649-656
doi	https://doi.org/10.52842/conf.ecaade.2012.2.649
wos	WOS:000330320600070
summary	This paper presents the Hybrid Territory Project, a cultural public policies research project carried ou by Nomads.usp, the Center for Studies of Interactive Living, of the University of São Paulo, Brazil. The central theme of the project is to understand how public cultural policies can make use of digital media in an effort to connect people and groups living in social realities apart from each other. The project seeks to bring physical and virtual instances together by means of cultural actions in urban areas. Moreover, it aims to design coexistence from joint work carried out by diverse actors, including architects, who have a voice in defi ning the project goals, actions, and methods. It is expected that the project will provide strategies for public policies to lay down conditions favoring the coexistence of differences in cities as enriching and desirable.
keywords	Public policies; digital media; communities; cultural actions
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2012_266
id	ecaade2012_266
authors	Casucci, Tommaso ; Erioli, Alessio
year	2012
title	Behavioural Surfaces: Project for the Architecture Faculty library in Florence
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 339-345
doi	https://doi.org/10.52842/conf.ecaade.2012.1.339
wos	WOS:000330322400034
summary	Behavioural Surfaces is a thesis project in Architecture discussed on December 2010 at the University of Florence. The project explores the surfacespace relationship in which a surface condition, generated from intensive datascapes derived from environmental data, is able to produce spatial differentiation and modulate structural and environmental preformance. Exploiting material self-organization in sea sponges as surfaces that deploy function and performance through curvature modulation and space defi nition, two different surface definition processes were explored to organize the system hierarchy and its performances at two different scales. At the macroscale, the global shape of the building is shaped on the base of isopotential surfaces while at a more detailed level the multi-performance skin system is defi ned upon the triply periodic minimal surfaces (TPMS).
keywords	Digital datascape; Isosurfaces; Material intelligence; Minimal sufaces
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ecaade2012_284
id	ecaade2012_284
authors	Ameijde, Jeroen van; Carlin, Brendon
year	2012
title	Digital Construction: Automated Design and Construction Experiments Using Customised On-Site Digital Devices
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 439-446
doi	https://doi.org/10.52842/conf.ecaade.2012.2.439
wos	WOS:000330320600046
summary	This paper presents a currently on-going research trajectory, investigating integrated design and build work-fl ows using generative design strategies and custom built fabrication devices. The aim of the research, which is being developed through a series of experiments and workshops, is to explore scenarios in which these work-flows can produce emergent architectural structures which are highly adapted towards the intended performance within their specifi c context and site. The research has produced a number of installations and prototypical structures which test the practical and theoretical dimensions of the methodology explored. This paper will introduce intriguing new scenarios in which the architects’ role is focused on an indirect, advanced level of control of the process of design, allowing for a more open-ended method of negotiation between structure, users and environment.
keywords	Generative design; digital fabrication; customised CNC devices; digital on-site construction
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2012_238
id	ecaade2012_238
authors	Neuenschwander, Noemi ; Hayek, Ulrike Wissen ; Grêt-Regamey, Adrienne
year	2012
title	Integrated Multi-Criteria Modeling and 3D Visualization for Informed Trade-Off Decision Making on Urban Development Options
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. .203-211
doi	https://doi.org/10.52842/conf.ecaade.2012.1.x.j7k
wos	WOS:000330322400020
summary	Cities all over the world are faced with growing population pressure and are challenged by decreasing environmental quality. Development strategies and planning processes often fail to involve local environment knowledge. We present an approach to integrate environmental aspects into a two-step urban modeling framework, generating 3D visualizations from GIS-based and procedural modeling. The dynamic nature of this approach provides considerable support for transdisciplinary communication processes in urban planning.
keywords	Procedural modeling; generic urban pattern design; understanding ecosystem services; multi-criteria decision analysis (MCDA); GIS-based modeling
series	eCAADe
email
last changed	2022/06/07 07:50

_id	ecaade2012_115
id	ecaade2012_115
authors	Stouffs, Rudi
year	2012
title	On Shape Grammars, Color Grammars and Sortal Grammars: A sortal grammar interpreter for varying shape grammar formalisms
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp .479-487
doi	https://doi.org/10.52842/conf.ecaade.2012.1.x.j7v
wos	WOS:000330322400049
summary	Grammar formalisms for design come in a large variety, requiring different representations of the entities being generated, and different interpretative mechanisms for this generation. Most examples of shape grammars rely on labeled shapes, a combination of line segments and labeled points. Color grammars extend the shape grammar formalism to allow for a variety of qualitative aspects of design, such as color, to be integrated in the rules of a shape grammar. Sortal grammars consider a compositional approach to the representational structures underlying (augmented) shape grammars, allowing for a variety of grammar formalism to be defi ned and explored. In this paper, we revisit and explore an exemplar shape grammar from literature to illustrate the use of different grammar formalisms and consider the implementation of rule application within a sortal grammar interpreter.
keywords	Shape grammars; color grammars; sortal grammars; implementation
series	eCAADe
email
last changed	2022/06/07 07:50

_id	acadia12_539
id	acadia12_539
authors	Van Ameijde, Jeroen ; Carlin, Brendon ; Vlieghe, Denis
year	2012
title	Emergent Constructions: Experiments Towards Generative On-Site Design and Build Strategies Using Customised Digital Devices
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 539-545
doi	https://doi.org/10.52842/conf.acadia.2012.539
summary	This paper presents a currently ongoing research trajectory, investigating integrated design and build workflows using generative design strategies and custom built fabrication devices. The aim of the research, which is being developed through a series of experiments and workshops, is to explore scenarios in which these work-flows can produce emergent architectural structures which are highly adapted towards the intended performance within their specific context and site. The research has produced a number of installations and prototypical structures which explore practical and theoretical dimensions of the methodology explored. It introduces intriguing new scenarios in which the architects' role is focused on the indirect control of the process of design, allowing for a more open-ended process of negotiation between structure, users and environment.
keywords	generative design , digital fabrication , customised CNC devices , digital on-site construction
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:57

_id	ecaade2012_164
id	ecaade2012_164
authors	Chen, Ting-Han; Lu, Kai-Tzu
year	2012
title	Creating Spatial-Interactive Service Experiences: A Framework for Designing Interactive Service Spaces
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 327-335
doi	https://doi.org/10.52842/conf.ecaade.2012.2.327
wos	WOS:000330320600033
summary	Inspired by the emergence of interactive space design and service design, this paper explores the concept of interactive service space and proposes a framework for designing interactive service space experiences. The framework has been applied in two design projects of successful commercial setting, mojo iCuisine interactive restaurant and Yun-Ching Real Estate VIP Center, as validation of its feasibility and applicability. We believe that this framework is beneficial for designers who have interests in creating service experience with interactive space approach, and for further studies regarding the concept of interactive service space.
keywords	Service design; interaction design; interactive space; interactive exhibit; user experience
series	eCAADe
email
last changed	2022/06/07 07:55

_id	acadia12_305
id	acadia12_305
authors	Kock, Jeffrey ; Bradley, Benjamin ; Levelle, Evan
year	2012
title	The Digital-Physical Feedback Loop: A Case Study
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 305-314
doi	https://doi.org/10.52842/conf.acadia.2012.305
summary	Kukje Art Center, Seoul’s new gallery designed by SO-IL, features a totally bespoke chainmail mesh system (submission note: the authors are not affiliated with SO-IL). A single sheet of complex-curved, tensioned mesh, made up of interlocking 40mm diameter stainless steel rings, wraps the building. This paper discusses the stages of a feedback loop process employed by the authors to refine a digital model of the mesh. The mesh’s perimeter attachment system does not prescribe ring locations, allowing the mesh to form find for itself during installation. As a result, the digital model must capture the behavioral tendencies of the mesh as it negotiates the building’s geometry. Paramount in meeting this challenge was the use of physical mockups. At each stage of the feedback loop process, the working digital model was used to develop a physical mockup of increased scale and complexity, and this mockup was used to refine the digital model. Ultimately, the model output of a mesh relaxation algorithm was used as the basis for engineering simulations and predictions of the mesh vertical ringcount needed at specific locations around the building. Mesh vertical ringcount predictions are validated relative to a 1:1 mockup and the installed Kukje Art Center mesh.
keywords	minimal surface , chainmail mesh , form finding , dynamic relaxation , finite element analysis , feedback loop , tensioned fabric , physical mockup , bespoke cladding , Kukje , Seoul
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	acadia12_269
id	acadia12_269
authors	Lally, Sean
year	2012
title	Architecture of an Active Context
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 269-276
doi	https://doi.org/10.52842/conf.acadia.2012.269
summary	As we stand with our feet on earth’s outermost surface we build an architecture today that is much like it was several thousand years earlier, in an attempt to extend that outer shell with one of our own making. Artificial masses are built from a refinement of this existing geologic layer into materials of stone, steel, concrete, and glass that assemble to produce new pockets of space through the buildings they create. However, the sixth century BC writer Thales of Miletus put a different perspective on this: he insisted that we live, in reality, not on the summit of a solid earth but at the bottom of an ocean of air (Holmyard 1931). And so, as architecture continues to build up the outermost layer of earth’s surface through a mimicking, embellishing, and enhancing of the materials which it comes from, it raises the question of why we have not brought a similar relationship to the materialities at the bottom of this “ocean” of air to create the spaces we call architecture. If you were looking to level a complaint with the architectural profession, stating that it has not been ambitious enough in scope would not be one. Architects have never shied away from the opportunity to design everything from the building’s shell to the teaspoon used to stir your sugar in its matching cup. But it would seem that the profession has developed a rather large blind spot in terms of what it sees as a malleable material with which to engage. Architects have made assumptions as to what is beyond our scope of action, refraining from engaging a range of material variables due to a belief that the task would be too great or simply beyond our physical control. So even though we are enveloped by them continuously, both on the exterior as well as the interior of our buildings, it must be assumed that the particles, waves, and frequencies of energy that move around us are thought by architects to be too faint and shaky to unload upon them any heavy obligations, that they are too unwieldy for us to control to create the physical boundaries of separation, security, and movement required of architecture. This has resulted in a cultivated set of blinders that essentially defines architecture as a set of mediation devices (surfaces, walls, and inert masses) for tempering the environmental context it is situated in from the individuals and activities within. The spaces we inhabit are defined by their ability to decide what gets in and what stays out (sunlight, precipitation, winds). We place our organizational demands and aesthetic opinions on the surfaces that mediate these variables rather than seeing them as available for manipulation as a building material on their own. The intention here is to recalibrate the materialities that make up that environmental context to build architecture. The starting point is a rather naive question: can we design the energy systems that course in and around us daily as an architectural material so as to take on the needs of activities, securities, and lifestyles associated with architecture? Can the variables that we would normally mediate against instead be heightened and amplified so as to become the architecture itself? That which many would incorrectly dismiss as simply “air” today—thought to be homogeneous, scale-less, and vacant due in part to the limits of our human sensory system to perceive more fully otherwise—might tomorrow be further articulated, populated, and layered so as to become a materiality that will build spatial boundaries, define activities of individuals and movement, and act as architectural space. Our environmental context consists of a diverse range of materials (particles and waves of energy, spectrum of light, sound waves, and chemical particles) that can be manipulated and formed to meet our needs. The opportunity before us today is to embrace the needs of organizational structures and aesthetics by designing the active context that surrounds us through the material energies that define it.
keywords	Material energies
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	sigradi2014_290
id	sigradi2014_290
authors	Molinas, Isabel Sabina
year	2014
title	Contra la distinción: la libertad de las formas en la experiencia estética contemporánea [Against distinction: the freedom of the shapes in the contemporary esthetic experience]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 446-449
summary	In the field of Contemporary Esthetics is resumed the question of what is art and which are the readability conditions (reading). The questions relate to the displacement between representation and experimentation, beauty and esthetic experience, among others. In this context, we address the technology of poetry (Nancy (2012 [2013]) as technological exhibition that lets your experience the being of the object and become subjects. The corpus includes film and video (Kopystiansky 1996-97; Alys 2011 y Jaar 2013). The objective is to outline an analytical framework for thinking about the esthetic freedom of creation and the practical freedom of their recognition. (Wagner 2004).
keywords	Art; Technology; Esthetics; Design; Freedom
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	caadria2012_058
id	caadria2012_058
authors	Matthews, Linda and Gavin Perin
year	2012
title	Materialising the pixel: A productive synergy
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 475–484
doi	https://doi.org/10.52842/conf.caadria.2012.475
summary	The composite photoreceptive field of the human eye receives photons emitted from a source and converts this energy into image information within the brain. The internal mechanisms of the contemporary camera imaging technologies represent yet another in a long history of attempts to technically replicate this procedure. The critical difference between the capacity of the human eye to receive quanta events or photons and that of a camera transmitting to a digital display device, rests in how much of the original signal can be recovered. This paper aims to show how the ‘information deficit’ associated with this technological conversion can be enhanced by the deliberate exploitation and re-arrangement of the camera’s image sensor mechanism. The paper will discuss how the mapping of pixel grid geometries and colour filter array patterns at the vastly increased scale of building façades, imparts a materiality to urban form that modifies the visibility and performance of the corresponding virtual screen image. The exploration of the material adaptation of pixel geometries leads to a new technique that extends the working gamut of pixel-based RGB colour space and both establishes an index to develop material performance criteria and modifies the limitations of traditional viewing technologies.
keywords	Pixels; sensor; CCTV; imaging; array; façades
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ecaade2012_190
id	ecaade2012_190
authors	Mavros, Panagiotis; Coyne, Richard; Roe, Jennifer; Aspinall, Peter
year	2012
title	Engaging the Brain: Implications of Mobile EEG for Spatial Representation
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 2 / ISBN 978-9-4912070-3-7, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 657-665
doi	https://doi.org/10.52842/conf.ecaade.2012.2.657
wos	WOS:000330320600071
summary	We canvas issues in using neural imaging via EEG to map human responses to spaces. We describe the technology, some experiments by others relevant to architecture, and two of our own studies. One involves testing EEG as a supplement to user preference studies of urban typologies. The second involves recording the movement and affective (emotional) states of a pedestrian while moving through open spaces in Edinburgh. We produce map overlays of several such walkers as a method of mapping responses to urban spaces.
keywords	Neuroscience; EEG; emotiv; architecture; affect
series	eCAADe
email
last changed	2022/06/07 07:58

_id	ascaad2012_009
id	ascaad2012_009
authors	Abdelmohsen, Sherif
year	2012
title	Genres of Communication Interfaces in BIM-Enabled Architectural Practice
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 81-91
summary	This paper explores the interaction and different types of representations enacted in a BIM-enabled environment that involves interdisciplinary and intradisciplinary collaboration among teams of designers in an architectural praxis context. By means of an ethnographic study conducted over the course of an architectural project from schematic design to construction documents, including five disciplines and twenty subjects, genres of communication interfaces are identified between BIM-authoring tools, sketching interfaces and domain specific analysis tools, and explored within the realm of distributed cognition. Implications in architectural practice and education are then discussed.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_009.pdf
last changed	2012/05/15 20:46

_id	sigradi2012_404
id	sigradi2012_404
authors	Angelo, Alex; Neves, Heloisa; de Campos, Paulo Eduardo Fonseca
year	2012
title	Fab Lab Kids: Oficina de projetos socioambientais para crianças de escolas públicas fazendo uso da eletrônica e da fabricação digital [Fab Lab Kids: Workshop for environmental projects public school children making use of electronics and digital fabrication]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 383-387
summary	This article describes the process of theoretical and practical Fab Lab Kids Project in Brazil and in more detail the “Fab Lab Kids: Workshop environmental projects for public school children through manufacturing and digital electronics”, the most recent edition of this project, which consists conducting an experimental workshop with students from public school in the city of Guarulhos, São Paulo. Through the concept of learning by doing, children are exposed to the possibility of acting on the environment and the objects surrounding them, proposing objects that might solve socio-environmental issues, which are produced via electronics and digital fabrication.
keywords	Fabricação Digital, Eletrônica, Educação, Redes, Fab Lab
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	acadia12_439
id	acadia12_439
authors	As, Imdat ; Angelico, Maria
year	2012
title	Crowdsourcing Architecture: A Disruptive Model in Architectural Practice
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 439-443
doi	https://doi.org/10.52842/conf.acadia.2012.439
summary	This paper discusses the use of crowdsourcing as a new approach for architectural design acquisition. We will give an overview of the concept of crowdsourcing, and elaborate on its particular application in architecture via concrete projects executed on Arcbazar, a firstof- its-kind crowdsourcing platform for architectural design services. We argue that online crowdsourcing platforms can have an immense impact on smaller-scale design challenges, e.g., home remodeling projects and landscape and interior design challenges, and can potentially carry these often neglected projects into the architectural design sphere. In this paper we will discuss the methods and techniques of architectural crowdsourcing and illustrate the processes and outcomes through a series of projects: a remodeling project for a closet; an interior design challenge for a dining space; and a layout problem for an apartment complex. We will then evaluate the protocol and outcome of architectural crowdsourcing, and convey the professional and popular media response to this new method of architectural design acquisition.
keywords	crowdsourcing , competitions , networking , interaction , collaboration
series	ACADIA
type	panel paper
email
last changed	2022/06/07 07:54

_id	sigradi2012_26
id	sigradi2012_26
authors	Aschwanden, Gideon
year	2012
title	Agent-Based Social Pedestrian Simulation for the Validation of Urban Planning Recommendations
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 332-336
summary	The goal of this project is a deeper understanding of the mechanisms that shape a city with a focus on pedestrian flow. Pedestrian flow reveals the use of space, the capacity and use of transportation and has an impact on the health of people. Movement patterns of pedestrians are a topic in many related fields like transportation planning, computer graphics and sociology. This project augments the simulation of pedestrian decision processes by taking into account the preferences for surrounding factors like additional points of interests and how pedestrians interact along their path with other pedestrians in a social manner. The goal of this project is to analyse urban planning configurations and to give designers and decision makers a tool to measure the amount of people walking and therefore define the health of a society, finding places of social interaction and improving social coherence in neighbourhoods.
keywords	Urban Planning; Pedestrian Movement; Multi-agent System
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2012_250
id	ecaade2012_250
authors	Baerlecken, Daniel ; Swarts, Matthew ; Gentry, Russell ; Wonoto, Nixon
year	2012
title	Bio-Origami: Form Finding and Evaluation of Origami Structures
source	Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 497-504
doi	https://doi.org/10.52842/conf.ecaade.2012.1.497
wos	WOS:000330322400051
summary	This paper presents a concept of origami as a form-generator for a structural system that allows deployability for structures with large spans. The presented approach studies the embedded kinetic possibilities of folded structures and focuses on a parametric modelling process that allows evaluating the structural performance of different types of the same origami family in order to optimize the geometry for a given scenario. The workfl ow between scripting based form generation – within Rhinoceros and Excel – and LS-DYNA is presented in detail. In addition to that the question of scalability from a thin microstructure to a thickened roof structure is discussed in the context of an architectural project.
keywords	Parametric modelling; form fi nding; origami; LS-DYNA; scripting
series	eCAADe
email
last changed	2022/06/07 07:54

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