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_id	sigradi2013_281
id	sigradi2013_281
authors	Braida Rodrigues de Paula, Frederico; Lara Scanapieco Barreto; Felipe Arlindo Silva; Fernando Lima; Vinícius Morais
year	2013
title	Maquetes Híbridas: Diálogos Entre as Técnicas Tradicionais e as Tecnologias Digitais no Processo Projetual [Hybrid Models: Dialogues Between Traditional Techniques and Digital Technologies in the Design Process]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 49 - 53
summary	This article is about hybrid models, as a kind of three-dimensional representation emerged from of the possibilities of combining traditional techniques with digital technologies. The purpose is to reflect on the possibilities of production and applications of these types of hybrid models, highlighting them as recurring elements of design practice after the rise of new technologies of information and communication, and prototyping and digital manufacturing. By adopting the model as an object of research, we propose to expand the field of reflection on the incorporation of several digital technologies in the design process, specifically aspects of three-dimensional and graphical representation.
keywords	Hybrid models; Digital technologies; Architecture and Urbanism
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2014_238
id	sigradi2014_238
authors	Saez, Nicolas; Mauro Chiarella, Luciana Gronda, Rodrigo Garcia Alvarado, Luis Garcia Lara, Matias Dalla Costa, Martin Veizaga
year	2014
title	BANCAPAR. Objeto Paramétrico de Arte Público con Diseño Colaborativo y manufactura no industrializada [Parametric Object public art through collaborative design and manufacturing non-industrialized]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 527-531
summary	BANCAPAR (winner project “Regional Fondart 2013”) is a bench parametrically designed and conceived as an object of public art. It has been initiated from self-management and collaborative design in the Faculty of Engineering of the University of Bío-Bío, Concepcion, Chile. Interdisciplinary work between students and teachers from two Latin American universities, makes this a unique project of technological art in the region. Experience suggests questions at all three levels of the hermeneutic cycle: prefiguration; configuration and reconfiguration when compared to traditional ways of doing and thinking in art and design.
keywords	Parametric design; collaborative design; public art; hermeneutics
series	SIGRADI
email
last changed	2016/03/10 09:59

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