Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2013_228
id	caadria2013_228
authors	Gün, Onur Y. and Elliot E. Greenblatt
year	2013
title	Tran[s] Quillity: The Dynamically Mediated Façade
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 955-964
doi	https://doi.org/10.52842/conf.caadria.2013.955
wos	WOS:000351496100098
summary	Media façades grant infinitely many faces to a building and can change the architectural meaning of what a façade is. They can also help to transform the face of the building into an over-size communication device for public (Borras, 2010). Contemporary media façades mostly rely on the content of their screens, and only a small number of them physicality of the screen itself. Precedent building façades that incorporate moving componentsareunable to function as displays. In this paper we present a media façade design, titled“Tran[s]quillity”, in which we fuse reconfigurable building com-ponents with display technologies to achieve a unique design. As well as fulfilling the function of a regular media wall -as a crisp screen- we imagine Tran[s]quillity as a transformable kinetic sculpture that can act as a screen of physical depth to introduce greater functionality and interactivity.
keywords	Media, Façade, Kinetic, LED, Image processing, Digital, Design, Architecture
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	acadia13_427
id	acadia13_427
authors	Ng, Rashida; Patel, Sneha
year	2013
title	Trajectories of Performative Materials
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 427-428
doi	https://doi.org/10.52842/conf.acadia.2013.427
summary	An enduring consideration within architectural discourse, the notion of performance is intrinsically embedded within design. Over the past several years, architecture has been increasingly attentive to the framework of performance and its potential contributions to contemporary issues within the field. Numerous derivatives of the word perform—for example performance, performative, performalism, performalist—have been applied to architectural contexts within several significant publications providing evidence of the mounting interest of researchers, academics, and theorists to this premise. Within his essay “Architecture as Performative Art,” architect and historian Antoine Picon remarks, “From its Renaissance origins, architecture inherited a concern with effectiveness that other arts did not possess,” (Grobman and Neuman 2012) while also emphasizing that current inquiry into performative criteria within the profession instigates even broader aspirations. Contemporary research surrounding performance in architecture articulates mediated aspirations that negotiate between quantitative and qualitative measures.
keywords	Next Generation Technology; performance, materiality, responsive, technologies, design research
series	ACADIA
type	Research Poster
email
last changed	2022/06/07 07:58

_id	acadia13_183
id	acadia13_183
authors	Goyal, Akshay
year	2013
title	Hackitecture: Open Source Ecology in Architecture
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 183-190
doi	https://doi.org/10.52842/conf.acadia.2013.183
summary	This paper discusses the changing modes of conception, production and consumption of architecture within the larger open source discourse. Analogies are drawn from the field of computer science to conceptually understand the relevance of ideas like hacktivism, crowdsourcing, open source, social media and user-centric approaches with regard to architecture in the twenty-first century. These ideas are discussed in relationship with the long lineage of research carried out within the architectural community regarding user participation in design. Contemporary interpretation of similar ideas is discussed with relation to how they could be systematically classified based on the nature of the “open” and the “source” as an approach toward design and architecture. Hybridizing these approaches leads to what can be termed as “hackitecture,” a systemic appropriation of the hacker culture and the open source movement as an architectural agency. The essay then argues for an open source framework for architecture where obvious differences between the user and designer are dissolved, and wherein the conception-to-production and eventual conception of the architectural “object” exists as a continuum. Such a framework is discussed with respect to the technological shift emerging within the discipline. The essay concludes with the possibility of situating such processes within the larger post-capitalist sociopolitical turmoil seen today while discussing the problematics of such an approach.
keywords	open source architecture, crowd-sourced design, participatory design processes, user interaction, post-capitalist architecture, social media
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:51

_id	ecaade2013r_002
id	ecaade2013r_002
authors	Neves, Isabel C.; Rocha, J.
year	2013
title	The contribution of Tomas Maldonado to the scientific approach to design at the beginning of computational era. The case of the HfG of Ulm.
source	FUTURE TRADITIONS [1st eCAADe Regional International Workshop Proceedings / ISBN 978-989-8527-03-5], University of Porto, Faculty of Architecture (Portugal), 4-5 April 2013, pp. 39-50
summary	Nowadays the use of computational design processes in architecture is a common practice which is currently recovering a set of theories connected to computer science developed in the 60`s and 70`s. Back then, such pioneering experiences were carried out by an interest in employing scientific principles and methodologies in architectural design, which, with the help of computers, were developed in Research Centres mainly located in the USA and the UK. Looking into this period, this paper investigates the relevance of the German design school of the Hochschule für Gestaltung of Ulm to the birth of computation in architecture. Even though there were no computers in the school, this paper argues that the innovative pedagogies introduced by a group of distinct professors built clear foundations that can be understood as being at the basis of further computational approaches in architecture.This paper focuses on the remarkable work done by Tomas Maldonado. His contribution was paramount in the emergence of analogical ways of computer design thinking. This analysis ultimately wants to emphasize how the HfG Ulm’s role and its scientific approach have paved the way for the onset of the computational era in architecture.
keywords	HfG - Hochschule für Gestaltung Ulm; Educational Project; Semiotics; Operational Research; Computational Design; Architecture
email
last changed	2013/10/07 19:08

_id	caadria2013_009
id	caadria2013_009
authors	Neves, Isabel Clara; João Rocha and José Pinto Duarte
year	2013
title	The Legacy of the Hochschule Für Gestaltung of Ulm for Computational Design Research in Architecture
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 293-302
doi	https://doi.org/10.52842/conf.caadria.2013.293
wos	WOS:000351496100029
summary	Nowadays the use of computational design processes in architecture is a common practice which is currently recovering a set of theories connected to computer science that were developed in the 60’s and 70’s. Such pioneering explorations were marked by an interest in employing scientific principles and methodologies many developed in Research Centres located in the US and the UK. Looking into this period, this paper investigates the relevance of the German design school of the Hochschule für Gestaltung (HfG) Ulm to the birth of computation in architecture. Even thought there were no computers in the school. It is argued that the innovative pedagogies and some distinct professors have launched clear foundations that can be understood as being at the basis of further computational approaches in architecture. By describing and relating the singular work by Tomas Maldonado (educational project), Max Bense (information aesthetics) and Horst Rittel (scientific methods), this paper describes the emergence of analogical ways of computational design thinking. This analysis ultimately wishes to contribute for inscribing the HfG Ulm at the cultural and technological mapping of computation in architecture.
keywords	HfG - Hochschule für Gestaltung Ulm, Design methods, Scientific methodology, Information aesthetics, Computational design, Architecture
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ijac201311403
id	ijac201311403
authors	Paranandi, Murali
year	2013
title	Making Ripples: Rethinking pedagogy in the digital age
source	International Journal of Architectural Computing vol. 11 - no. 4, 415-436
summary	This essay presents a pedagogical model for beginning design that introduces digital fabrication methods through an integrated learning framework. Ripples - a wall sculpture made collectively by all second year architecture and interior design students as a joint project between studio, graphics and shop—exemplifies design practice as a collective activity. In this example, solutions emerge out of interactions among multiple stakeholders through iterative experimentation and optimization. The goal of this essay is to provoke a rethinking of the status-quo pedagogical practices in order to incorporate digital fabrication within existing curricular structures as a core skill for beginning design students, rather than merely as a technology course elected by a few students. Conclusions suggest the relevance to broader contexts of lessons learned from this modest experiment.
series	journal
last changed	2019/05/24 09:55

_id	acadia13_237
id	acadia13_237
authors	Arenas, Ubaldo; Falcón, José Manuel
year	2013
title	Adaptable Communication Protocols for Robotic Building Systems
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 237-243
doi	https://doi.org/10.52842/conf.acadia.2013.237
summary	This work in progress presents the framework for an information system to be used as a first step in the generation of a communication protocol for adaptable designs and adaptable constructive systems. Using the chemoton model developed by Tibor Gánti as a basic information network structure which answers some of the questions about what adaptability means in living forms; extracting the characteristics of such adaptable systems we continue to describe how this information network can be applied in the state of contemporary adaptable architecture and it _s design methods. Finally it describes the state of the simulation experiments taken in course by us in the search to generate adaptable communication protocols between robotic building elements.
keywords	computational design methodologies, chemoton model, adaptable architecture, reconfigurable systems, ALOPS
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	ecaade2013_068
id	ecaade2013_068
authors	Attia, Shady and Andersen, Marilyne
year	2013
title	Measuring the Usability, Efficiency and Effectiveness of CAAD Tools and Applications
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 1, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 147-155
doi	https://doi.org/10.52842/conf.ecaade.2013.1.147
wos	WOS:000340635300014
summary	Computer Aided Architectural Design (CAAD) decisions and judgments have been at the heart of architectural design practice. Despite the increasing popularity of computer aided design applications, measuring the decision making of designers empirically remains elusive. Past research claiming usefulness of the CAD has relied largely on anecdotal or case studies that are vulnerable to bias. The study reviews results of prior investigations. The relatively few laboratory experiments report hardly any empirical results regarding the measurement of CAD decision making. The study provides an overview of the literature of existing measurement methods that have been used in psychology and neuroscience to assess individual variations in design making, and highlight these different measurement methods’ strengths and weaknesses. We conclude with a comparative evaluation of the different measures and provide suggestions regarding their constructive use in building realistic theories of designer’s decision making measurement.
keywords	Measurement; usability; efficiency; effectiveness; CAAD.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	acadia13_417
id	acadia13_417
authors	Bunster, Victor
year	2013
title	An Evolutionary System for Mass Customization under Prescriptive Design Conditions
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 417-418
doi	https://doi.org/10.52842/conf.acadia.2013.417
summary	Architects often need to work under highly prescriptive design conditions that can limit their capacity to accurately address contrasting environmental phenomena. This research develops an evolutionary system for increasing design options in these contexts by exploring the possibilities of complex systems theory and mass customization.
keywords	complex systems, multi-agent systems, mass customization, evolution, prescription, modularity
series	ACADIA
type	Research Poster
email
last changed	2022/06/07 07:54

_id	cf2013_159
id	cf2013_159
authors	Celani, Gabriela; Vilson Zattera, Marcelo Fernandes de Oliveira, and Jorge Vicente Lopes da Silva
year	2013
title	“Seeing” with the Hands: Teaching Architecture for the Visually-Impaired with Digitally-Fabricated Scale Models
source	Global Design and Local Materialization[Proceedings of the 15th International Conference on Computer Aided Architectural Design Futures / ISBN 978-3-642-38973-3] Shanghai, China, July 3-5, 2013, pp. 159-166.
summary	Accessibility of information for the visually-impaired has greatly benefited from information and communication technologies (ICT’s) in the past decades. However, the interpretation of images by the blind still represents a challenge. Bidimensional representations can be understood by those who have seen at least sometime in their lives but they are too abstract for those with congenital blindness, for whom three-dimensional representations are more effective, especially during the conceptualization phase, when children are still forming mental images of the world. Ideally, educators who work with the visually-impaired should be able to produce custom 3D models as they are needed for the explanation of concepts. This paper presents an undergoing project that aims at developing a protocol for making 3D technologies technically and economically available to them.
keywords	Tactile models, rapid prototyping, architectural concepts
series	CAAD Futures
email
last changed	2014/03/24 07:08

_id	acadia13_173
id	acadia13_173
authors	Ericson, Mark
year	2013
title	Manufacturing Method: A study of the stereotomic methods of Guarino Guarini
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 173-178
doi	https://doi.org/10.52842/conf.acadia.2013.173
summary	Methods of architectural representation are often considered fixed, scripted and defined.Methods are learned and acquired through the memorization and comprehension of specific rule sets. While these rules and conventions allow for legibility and communication between various sites, participants and drawings, they also have tendency to produce similar results. This paper considers the potential of manufacturing architectural methods through a detailed study of historic modes of representation. It examines the drawings of the Italian architect Guarino Guarini (1624-1683) and demonstrates the means by which he adapted stereotomic methods and Euclidian propositions to respond to specific architectural conditions. It argues that Guarini’s engagementwith the details of both method and instrumentality offer potential to the current studies in the development of form finding methodologies. If we are to continue to expand the methodological framework of architectural production through slow and tedious instrumental work, we must apply the same level of analysis to our historical precedents. Doing so will enable a finer grained manipulation of instrumentality through an increased focus not on the manufacturing of form but rather the manufacturing of method. Examples of drawings by the author and of students explain and support the text.
keywords	Guarino Guarini, baroque, stereotomy, geometry and architecture, representation
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:55

_id	acadia13_397
id	acadia13_397
authors	Luzar, Brigitte
year	2013
title	Sheltering the Permeable Body
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 397-398
doi	https://doi.org/10.52842/conf.acadia.2013.397
summary	The house provides an urban refuge from electro pollution produced by mechanical equipment, wiring, electrical power distribution lines (extremely low frequency) and wireless communication networks (microwaves).
keywords	Next Generation Technology, Complex Systems, Social Forms, Theory and Culture
series	ACADIA
type	Design Poster
email
last changed	2022/06/07 07:51

_id	caadria2013_211
id	caadria2013_211
authors	Marqueto, Priscilla and Marcelo Tramontano
year	2013
title	Among Ways of Living – Looking at Diversity from Cultural Actions and Digital Media
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 281-290
doi	https://doi.org/10.52842/conf.caadria.2013.281
wos	WOS:000351496100028
summary	This paper presents reflections stemmed from a research that seeks to cast a gaze toward the diversity of ways of living in communities, starting from the interaction in communicational processes structured by digital means. This paper introduces findings on the possibilities of similarities between people of different groups in a community in hybrid instances, starting from cultural activities. Further explorations about the potential and qualifications of the use of digital media for this purpose will also be presented. The trials that comprise the object of reflection in this article took place and were only achievable for being part of a larger public policy project, funded by an important Brazilian research funding agency. The project has been in development since March 2010 by the research group of a recognized leading university and involves post-doctoral, doctoral and master researchers. Additionally, the project has partnership with various third sector institutions such as NGOs and collectives, as well as music bands and European universities.
keywords	Diversity, Ways of living, Digital media, Communities, Communication
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ecaade2013_275
id	ecaade2013_275
authors	Massara, Bruno; Bosi, Felipe; Margotto, Mário and Malheiros, Victor
year	2013
title	Critical Methods in Computer-Mediated Performance and Phenomenology-Based Systems
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 1, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 383-389
doi	https://doi.org/10.52842/conf.ecaade.2013.1.383
wos	WOS:000340635300040
summary	The main goal of this article is to provide a critical reflection on what computing may contribute to an open understanding of performance in architecture. We propose a phenomenological approach to computing since it combines several concepts concerning the user’s experience of space. In order to study the human movement in space, we will present the results of a sequence of applications using open source software Processing, including time-lapse movies, frame differencing analysis and blending images tools. The research used the context of a existent building at the campus of Universidade Federal do Espírito Santo. A series of interviews with users were also conducted in order to validate the computing analysis.
keywords	Performance; computing; phenomenology; programming.
series	eCAADe
email
last changed	2022/06/07 07:59

_id	cf2013_149
id	cf2013_149
authors	McMeel, Dermott and Robert Amor
year	2013
title	Fabricate It, Paint It – And Don’t Wait up: Separating Fact from Fiction in Digitally Sponsored Fabrication
source	Global Design and Local Materialization[Proceedings of the 15th International Conference on Computer Aided Architectural Design Futures / ISBN 978-3-642-38973-3] Shanghai, China, July 3-5, 2013, pp. 149-158.
summary	This paper offers perspectives on emerging trends in materiality and digital fabrication. It explores effects on communication practices and investigates how this changing materiality of data impacts collaboration and interoperability within design and making. Computer numerical controlled (CNC) routing and laser-cutting services are available in most major cities. Affordable kits for 3D printers, CNC routers and DIY KUKA robots are available across the Internet. A considerable part of the attraction of these tools is the ability to fabricate physical goods without detailed fabrication knowledge. We look at this phenomenon through two sets of examples, making furniture with a CNC router and making robots and tangibles with a 3D printer. In our examples it appears materiality remains an important factor throughout the process. We unpick these examples to shed light on how the technology impacts knowledge practices and ways of thinking during design and making.
keywords	Design, digital media, fabrication, 3D printing, CNC routing, materiality
series	CAAD Futures
email
last changed	2014/03/24 07:08

_id	acadia13_147
id	acadia13_147
authors	Miller, Ian; Rossbach, Matt
year	2013
title	Robot Cowboy: Reviving Tundra Grassland through Robotic Herding
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 147-150
doi	https://doi.org/10.52842/conf.acadia.2013.147
summary	The primary issue in northeastern Siberia is the continuing recession of permafrost due to the degraded condition of the grassland ecology, which will amplify global warming. The release of ancient gas stored in the permafrost will accelerate the greenhouse effect and catastrophically affect the health of the planet. The restoration of Pleistocene-like conditions can actively combat this potential danger through gas sequestration in the roots of grasses and a stable layer of permafrost. Once reintroduced to the region, large herd animals will play an integral role in maintaining their own ecosystem. The use of digital sensing and robotics surpasses human capability to create a relationship between these large herding herbivores and the grassland tundra landscape in order to help stabilize and reestablish the Siberian permafrost. Robotic herding rovers tirelessly traverse the vast territory of Siberia equipped with instruments and satellite communication to continuously read and adjust to ground conditions, fostering an emergent ecology. These cooperative technologies aid in the reconstruction of a grassland ecosystem with the ability to prevent permafrost from thawing and potentially mitigate negative consequences of global warming.
keywords	next generation technology, synthetic ecology
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:58

_id	caadria2013_113
id	caadria2013_113
authors	Muslimin, Rizal
year	2013
title	Decoding Passura’ – Representing the Indigenous Visual Messages Underlying Traditional Icons with Descriptive Grammar
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 781-790
doi	https://doi.org/10.52842/conf.caadria.2013.781
wos	WOS:000351496100081
summary	For the Toraja people in South Sulawesi, Indonesia, the engraved ornament (Passura’) means more than a simple decorative element. More importantly, Passura’ also serves as a symbolic icon to convey spiritual messages. However, only few people actually understand the underlying meaning behind the ornament. Consequently, those without this knowledge can only appreciate the aesthetic dimension of Passura’. Our computational design research focuses on under-standing the visual–linguistic aspect of Passura’ using Descriptive Grammar method to investigate how meanings are embedded on the ornaments. The design rules and their description are synthesized into a shape-to-text grammar that can read the ornament as a text, and into a text-to-shape grammar that can write a text into an ornamental design. Preliminary results of this grammar demonstrate how Passura’ works as an active indigenous communication device, rather than simply being a passive decorative element.
keywords	Passura, Ornament, Shape grammar, Toraja
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	caadria2013_033
id	caadria2013_033
authors	Nguyen, Danny D. and M. Hank Haeusler
year	2013
title	Assimilating Interactive Technology into Architectural Design – A Quest for developing an ‘Architectural Drawing’ for Urban Interaction Design as a Communication Platform Through Combining Physical Sensing Devices with Simulation Software
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 365-373
doi	https://doi.org/10.52842/conf.caadria.2013.365
wos	WOS:000351496100036
summary	Assimilating Interactive Technology into Architectural Design – A Quest for developing an ‘Architectural Drawing’ for Urban Interaction Design as a Communication Platform Through Combining Physical Sensing Devices with Simulation Software The research presented in this paper investigates the need for an equivalent of architectural drawings for urban interaction design in an architectural scale in order to communicate interaction design intentions to design participants and clients through using state of the art computer, gaming and sensor technologies. The paper discusses two projects (a) Blur Building, as a large scale interaction design project executed through an experienced team and (b) presents as student design project coordinated by the researchers as a reference project. Both projects in this paper are discussed and evaluated from an Urban Interaction Design point of view. This paper emphasizes the significance for establishing ‘drawing’ equivalents for urban interaction design, discussing representation of ideas in architectural design; followed by outlining existing methods of interactive design representation, such as storyboards to then introduce current advancements in gaming environments. The following paper introduces a framework for future research projects that will design, deploy and evaluate of prototypes as a communication platform combining physical sensing devices in combination with gaming engines to enable a digital / physical hybrid. This would allow designers and clients to test, evaluate and improve urban interactions in a design phase prior to completing the project.
keywords	Spatial design, Human-computing interfacing, Interactive architecture, Smart environments, Sensor technology
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	cf2013_187
id	cf2013_187
authors	Schnabel, Marc Aurel
year	2013
title	Bi-tonal Architectural Narratives: Design Expressions in Manga
source	Global Design and Local Materialization[Proceedings of the 15th International Conference on Computer Aided Architectural Design Futures / ISBN 978-3-642-38973-3] Shanghai, China, July 3-5, 2013, pp. 187-197.
summary	Bi-tonal, or black and white architectural renderings are a common medium to present an architectural design that goes beyond factual representations of dimensions of length, width and height, materials, structure or technical details. They aim to engage their audience with visual aspects as well as emotional reactions. An architectural presentation that is based on a story-telling approach, akin to comic or manga style, adds intangible expressions, which allows communicating key elements as well as concepts, development and overall aspects of a design easily to laypersons and professional alike. This paper presents how designers develop a narrative of their architectural proposals using a bi-tonal visualization and story-telling methodology that communicates design to a wider audience.
keywords	Digital manga, architectural depiction, visual communication, story-telling
series	CAAD Futures
email
last changed	2014/03/24 07:08

_id	caadria2013_109
id	caadria2013_109
authors	Schnabel, Marc Aurel; Tian Tian Lo and Yingge Qu
year	2013
title	Manga Architecture – Developing Architectural Narratives
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 771-780
doi	https://doi.org/10.52842/conf.caadria.2013.771
wos	WOS:000351496100080
summary	Bi-tonal and non-photorealistic architectural depictions can be employed to develop a narrative that engages the reader with both visual aspects and other emotional reactions. Using this story-telling approach to communicate architectural design is subsequently not only represented through its factual dimensions of length, width and height, materials, structure or technical details, but is extended to intangible sensorial realms, which gains special value for laypersons and professional alike. This paper presents how architects and laypersons develop a narrative of their architectural design proposals or concepts using a visualisation and story-telling tools that generates designs akin to Japanese cartoons or manga. Our paper presents the methodology, the instruments used and highlights on the base of representative samples of how narrative bitonal depictions of architecture contributes to the overall understanding of an architectural design and how non tangible factors aid the designers in their communication.
keywords	Digital manga, Architectural depiction, Visual communication, Story-telling
series	CAADRIA
email
last changed	2022/06/07 07:57

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