Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaadesigradi2019_449
id	ecaadesigradi2019_449
authors	Becerra Santacruz, Axel
year	2019
title	The Architecture of ScarCity Game - The craft and the digital as an alternative design process
doi	https://doi.org/10.52842/conf.ecaade.2019.3.045
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 45-52
summary	The Architecture of ScarCity Game is a board game used as a pedagogical tool that challenges architecture students by involving them in a series of experimental design sessions to understand the design process of scarcity and the actual relation between the craft and the digital. This means "pragmatic delivery processes and material constraints, where the exchange between the artisan of handmade, representing local skills and technology of the digitally conceived is explored" (Huang 2013). The game focuses on understanding the different variables of the crafted design process of traditional communities under conditions of scarcity (Michel and Bevan 1992). This requires first analyzing the spatial environmental model of interaction, available human and natural resources, and the dynamic relationship of these variables in a digital era. In the first stage (Pre-Agency), the game set the concept of the craft by limiting students design exploration from a minimum possible perspective developing locally available resources and techniques. The key elements of the design process of traditional knowledge communities have to be identified (Preez 1984). In other words, this stage is driven by limited resources + chance + contingency. In the second stage (Post-Agency) students taking the architects´ role within this communities, have to speculate and explore the interface between the craft (local knowledge and low technological tools), and the digital represented by computation data, new technologies available and construction. This means the introduction of strategy + opportunity + chance as part of the design process. In this sense, the game has a life beyond its mechanics. This other life challenges the participants to exploit the possibilities of breaking the actual boundaries of design. The result is a tool to challenge conventional methods of teaching and leaning controlling a prescribed design process. It confronts the rules that professionals in this field take for granted. The game simulates a 'fake' reality by exploring in different ways with surveyed information. As a result, participants do not have anything 'real' to lose. Instead, they have all the freedom to innovate and be creative.
keywords	Global south, scarcity, low tech, digital-craft, design process and innovation by challenge.
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	sigradi2013_342
id	sigradi2013_342
authors	Bruscato, Underléa; Sandro J. Rigo; Cristiano A. Costa; Humberto J. M. Costa
year	2013
title	Visualização de Informações Geográficas no Turismo Ubíquo de Itinerários Culturais [Visualization of Geographic Information of Ubiquitous Tourism in Cultural Routes]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 153 - 157
summary	This paper presents a practical experience developed within the framework of a network of researchers dedicated to develop projects of technology transfer, training and research in the field of innovation, involving virtual reality, augmented reality and advanced interaction. The group develops visualization oriented technologies and aim to socialize the experiences developed. In this sense was created an Electronic Guide to cultural routes in southern Brazil, exploiting the contemporary concept of ubiquitous tourism, in which users access tourism content with mobile devices, using sensitivity to context, semantic web and advanced visualization, thus rescuing the memory and regional architectural heritage.
keywords	Ubiquitous tourism; Mobile computing, Memory
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	acadia13_243
id	acadia13_243
authors	Khoo, Chin Koi; Salim, Flora
year	2013
title	Responsive Materiality for Morphing Architectural Skins
doi	https://doi.org/10.52842/conf.acadia.2013.243
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 243-252
summary	This paper presents the design of a novel material system with sensing, form-changing and luminous capacities for responsive and kinetic architecture. This aim is explored and evaluated through an experimental design investigation in the form of an architectural skin. Through experimentation with alternative materials and a rigorous process of designing the responsive material systems,a new architectural skin, namely Blanket, emerged from this research. The newly developed responsive material system is an amalgamation of silicone rubbers and glowing pigments, molded and fabricated in a prescribed way—embedded with shape memory alloys on a tensegrity skeletal structure to achieve the desired morphing properties and absorb solar energy to glow in the dark.Thus, the design investigation explores the potential of the use of form-changing materials with capacitance sensing, energy absorbing and illumination capabilities for a morphing architectural skin that is capable of responding to proximity and lighting stimuli. This lightweight, flexible and elastic architectural morphing skin is designed to minimize the use of discrete mechanical components. It moves towards an integrated “synthetic” morphing architecture that can sense and respond to environmental and occupancy conditions.
keywords	next generation technology; responsive material system; morphing architectural skin; kinetic structure; physical computing in architectural design; sensing and luminous material
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:52

_id	sigradi2013_41
id	sigradi2013_41
authors	Luhan, Gregory A.; Robert Gregory
year	2013
title	Across Disciplines: Triggering Frame Awareness in Design Education
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 619 - 623
summary	Tacit knowledge is paradoxical: something we know yet don't know we know, knowledge we sense but can't articulate. In Polanyi’s definition of tacit knowledge, “we know more than we can say" (1966/2009; Scott, 1985; Gelwick, 1977). It's important to see that tacit knowledge is part of a sequence; mental structures, in awareness when first learned, eventually become tacit, operating thenceforth as unquestioned assumptions. These tacit structures pose a problem for professional education in disciplines that encourage creativity. This paper examines the design and re-design of an interdisciplinary course intended to help make these tacit structures visible, to trigger frame awareness.
keywords	Tacit knowledge; Design thinking; Sustainability; Systems thinking; Frame reflection
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2013_103
id	sigradi2013_103
authors	Molinas, Isabel
year	2013
title	El “Fuego inextinguible” de Harun Farocki: Dialéctica y Didáctica de las Imágenes Visuales en la Contemporaneidad [The "Inextinguishable Fire" of Harun Farocki: Dialectic and Didactics Visual Images in Contemporaneity]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 560 - 563
summary	The Farocki´s exhibition in Fundación PROA (Buenos Aires, 2013) and the publication in Argentina of his essays produced between 1980 and 2011 (the Black Box Editor, 2013), support the relevance of the german filmmaker. In his works, the sense it reads in transit, at the edges, in the dialogue between screens and languages, and in the virtuosity detail. The purpose is to make the perception less automatic to humanize the images and bring back sense to them. In the field of Didactics Proyectual - under construction-, that artistic experience intensifies the perception and reconstructs the established repertoire of situational grammars, enabling teaching and learning experiences enriched.
keywords	iovisual languages __; Rhetoric; Experience; Education; Didactics projective; Morphogenesis
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2013_387
id	sigradi2013_387
authors	Pimentel, Diego; Mariano Cataldi; Gonzalo Muñiz
year	2013
title	De la Visualización a la Sensorización de Información [From the Visual Information to the Sensing Information]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 129 - 133
summary	Information Visualization is a discipline implemented on interfaces which use one sense to understand the ideas developed: sight. However, there are physical interfaces that allow users to interpret the data, either through sound or touch. The objective of this paper is to discuss the preliminary results of the research project that frames this paper, as a work in progress.
keywords	Information; Visualization; Interfaces; Design; Infography
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	acadia13_379
id	acadia13_379
authors	Tamke, Martin; Stasiuk, David; Ramsgard Thomsen, Mette
year	2013
title	The Rise – Material Behaviour in Generative Design
doi	https://doi.org/10.52842/conf.acadia.2013.379
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 379-388
summary	The research-based installation, The Rise, is led by the concept of a growing architecture able to sense and dynamically adapt to its environment as it grows into form while continuously reacting to its own material performance and behavioural constraints. This process is enabled through the careful integration of digital simulation techniques with multi-hierarchical generative design approaches. Aggregations of variably sized bundles of rattan core multiply, bend, branch and recombine into a distributed assembly that manifests an alternative to traditional structural systems. The hybrid approach links a material system with simulation and the iterative generation of geometry through a process of calibration at different stages of design. The project leverages emerging computational strategies for growth in a model for an architectural practice that engages the complexity and interdependencies that characterise a contemporary design practice.
keywords	complex systems, material behaviour, simulation, generative design, growth patterns, environmental aware design systems
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:56

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